Akmu Summer Episode Album Download AKMU Unveil Collaboration Album 'Next Episode' Featuring IU, Crush, Beenzino, and More – Listen

Total Page:16

File Type:pdf, Size:1020Kb

Akmu Summer Episode Album Download AKMU Unveil Collaboration Album 'Next Episode' Featuring IU, Crush, Beenzino, and More – Listen akmu summer episode album download AKMU unveil collaboration album 'Next Episode' featuring IU, Crush, Beenzino, and more – listen. In an announcement made on 12 July, YG Entertainment unveiled a cinematic teaser revealing the brother-sister duo's highly-anticipated comeback. Entitled New Episode , AKMU are slated to release their collaboration album on 26 July. #AKMU COLLABORATION ALBUM [NEXT EPISODE] RELEASE ANNOUNCEMENT. COLLABORATION ALBUM [NEXT EPISODE] 2021.07.26. The album includes seven collaborative tracks featuring Sam Kim, IU, Crush, Zion. T, Beenzino, Lee Sun Hee, and Choi Jung-hoon aka Jannabi . #AKMU COLLABORATION ALBUM [NEXT EPISODE] TRACKLIST. Ahead of the album's drop, AKMU dropped their latest single ' 전쟁터 (Hey kid, Close your eyes)' which features coveted singer-songwriter Lee Sun Hee. Alongside the album drop, AKMU revealed the music video for 'NAKKA' that features IU. Hinted to be a follow-up to their 2017 record Summer Episode , this is AKMU's first comeback since their 2019 record, Sailing. The duo comprises siblings Chan-Hyuk and Su-Hyun , who debuted in 2014 after winning the reality competition show K-pop Star 2 . SUMMER EPISODE. SUMMER EPISODE is the first single album by South Korean brother-sister duo, AKMU, released on July 20, 2017. It was the last release by AKMU before Chan Hyuk's military service began. Contents. Background. On July 14, YG Entertainment revealed two teaser images and a short clip, which hint at a spooky concept for the new album, to be released on July 20. [1] In following days, teaser images were released with the captions “New Summer Episode Scene #1” and “New Summer Episode Scene #2.” [2] On July 19, the album tracklist was revealed containing double title tracks. [3] "DINOSAUR", which marks the duo's first time taking on the EDM genre, is a track about the feelings of fear that Chanhyuk had to endure alone as a child, whereas "MY DARLING", contains Akdong Musician’s characteristic cheerful, acoustic sound. [4] The music video has use of retro and simple aesthetics, for example, the girl's room and the iMac G3 is used. SUMMER EPISODE. Scrobbling is when Last.fm tracks the music you listen to and automatically adds it to your music profile. Recent Listening Trend. Day Listeners Friday 12 February 2021 201 Saturday 13 February 2021 192 Sunday 14 February 2021 164 Monday 15 February 2021 184 Tuesday 16 February 2021 203 Wednesday 17 February 2021 175 Thursday 18 February 2021 201 Friday 19 February 2021 206 Saturday 20 February 2021 202 Sunday 21 February 2021 181 Monday 22 February 2021 217 Tuesday 23 February 2021 190 Wednesday 24 February 2021 187 Thursday 25 February 2021 182 Friday 26 February 2021 209 Saturday 27 February 2021 202 Sunday 28 February 2021 201 Monday 1 March 2021 246 Tuesday 2 March 2021 219 Wednesday 3 March 2021 234 Thursday 4 March 2021 229 Friday 5 March 2021 235 Saturday 6 March 2021 209 Sunday 7 March 2021 195 Monday 8 March 2021 212 Tuesday 9 March 2021 199 Wednesday 10 March 2021 208 Thursday 11 March 2021 175 Friday 12 March 2021 150 Saturday 13 March 2021 158 Sunday 14 March 2021 169 Monday 15 March 2021 153 Tuesday 16 March 2021 167 Wednesday 17 March 2021 198 Thursday 18 March 2021 204 Friday 19 March 2021 188 Saturday 20 March 2021 200 Sunday 21 March 2021 204 Monday 22 March 2021 199 Tuesday 23 March 2021 209 Wednesday 24 March 2021 204 Thursday 25 March 2021 199 Friday 26 March 2021 199 Saturday 27 March 2021 63 Sunday 28 March 2021 152 Monday 29 March 2021 199 Tuesday 30 March 2021 213 Wednesday 31 March 2021 203 Thursday 1 April 2021 194 Friday 2 April 2021 180 Saturday 3 April 2021 186 Sunday 4 April 2021 190 Monday 5 April 2021 218 Tuesday 6 April 2021 205 Wednesday 7 April 2021 247 Thursday 8 April 2021 213 Friday 9 April 2021 194 Saturday 10 April 2021 216 Sunday 11 April 2021 191 Monday 12 April 2021 183 Tuesday 13 April 2021 197 Wednesday 14 April 2021 231 Thursday 15 April 2021 214 Friday 16 April 2021 236 Saturday 17 April 2021 183 Sunday 18 April 2021 195 Monday 19 April 2021 193 Tuesday 20 April 2021 208 Wednesday 21 April 2021 187 Thursday 22 April 2021 214 Friday 23 April 2021 199 Saturday 24 April 2021 190 Sunday 25 April 2021 193 Monday 26 April 2021 186 Tuesday 27 April 2021 213 Wednesday 28 April 2021 220 Thursday 29 April 2021 222 Friday 30 April 2021 208 Saturday 1 May 2021 204 Sunday 2 May 2021 186 Monday 3 May 2021 209 Tuesday 4 May 2021 207 Wednesday 5 May 2021 222 Thursday 6 May 2021 206 Friday 7 May 2021 215 Saturday 8 May 2021 240 Sunday 9 May 2021 235 Monday 10 May 2021 232 Tuesday 11 May 2021 212 Wednesday 12 May 2021 222 Thursday 13 May 2021 209 Friday 14 May 2021 223 Saturday 15 May 2021 207 Sunday 16 May 2021 198 Monday 17 May 2021 210 Tuesday 18 May 2021 232 Wednesday 19 May 2021 243 Thursday 20 May 2021 218 Friday 21 May 2021 221 Saturday 22 May 2021 192 Sunday 23 May 2021 232 Monday 24 May 2021 209 Tuesday 25 May 2021 179 Wednesday 26 May 2021 210 Thursday 27 May 2021 235 Friday 28 May 2021 218 Saturday 29 May 2021 219 Sunday 30 May 2021 189 Monday 31 May 2021 204 Tuesday 1 June 2021 186 Wednesday 2 June 2021 208 Thursday 3 June 2021 206 Friday 4 June 2021 206 Saturday 5 June 2021 202 Sunday 6 June 2021 200 Monday 7 June 2021 234 Tuesday 8 June 2021 204 Wednesday 9 June 2021 218 Thursday 10 June 2021 214 Friday 11 June 2021 205 Saturday 12 June 2021 219 Sunday 13 June 2021 170 Monday 14 June 2021 187 Tuesday 15 June 2021 211 Wednesday 16 June 2021 198 Thursday 17 June 2021 210 Friday 18 June 2021 224 Saturday 19 June 2021 199 Sunday 20 June 2021 226 Monday 21 June 2021 214 Tuesday 22 June 2021 230 Wednesday 23 June 2021 231 Thursday 24 June 2021 209 Friday 25 June 2021 206 Saturday 26 June 2021 227 Sunday 27 June 2021 215 Monday 28 June 2021 206 Tuesday 29 June 2021 198 Wednesday 30 June 2021 205 Thursday 1 July 2021 205 Friday 2 July 2021 229 Saturday 3 July 2021 185 Sunday 4 July 2021 198 Monday 5 July 2021 211 Tuesday 6 July 2021 209 Wednesday 7 July 2021 215 Thursday 8 July 2021 200 Friday 9 July 2021 206 Saturday 10 July 2021 179 Sunday 11 July 2021 196 Monday 12 July 2021 211 Tuesday 13 July 2021 257 Wednesday 14 July 2021 230 Thursday 15 July 2021 243 Friday 16 July 2021 248 Saturday 17 July 2021 206 Sunday 18 July 2021 215 Monday 19 July 2021 224 Tuesday 20 July 2021 227 Wednesday 21 July 2021 291 Thursday 22 July 2021 259 Friday 23 July 2021 259 Saturday 24 July 2021 247 Sunday 25 July 2021 230 Monday 26 July 2021 290 Tuesday 27 July 2021 309 Wednesday 28 July 2021 292 Thursday 29 July 2021 268 Friday 30 July 2021 287 Saturday 31 July 2021 250 Sunday 1 August 2021 257 Monday 2 August 2021 263 Tuesday 3 August 2021 250 Wednesday 4 August 2021 282 Thursday 5 August 2021 247 Friday 6 August 2021 223 Saturday 7 August 2021 207 Sunday 8 August 2021 226 Monday 9 August 2021 237 Tuesday 10 August 2021 277 Wednesday 11 August 2021 247. External Links. Don't want to see ads? Upgrade Now. Shoutbox. Javascript is required to view shouts on this page. Go directly to shout page. Akmu summer episode album download. Lee Chan-hyuk was born on September 12, 1996, while Lee Su-hyun was born on May 4, 1999 , both in Gyeonggi-do, South Korea. Lee Chan-hyuk and Lee Su-hyun lived with their missionary parents in Mongolia for almost five years before returning to South Korea to pursue a career in the music industry. [1] [2] While in Mongolia, they were home-schooled by their mother. The siblings, under the name Akdong Musician, joined their first label, the Proteurment agency and soon performed on several stages and even released an original song titled "Galaxy", which later was used as a soundtrack for a Samsung Galaxy S4 film commercial in May 2013. [3] [4] In August 2012, the duo participated in the preliminary auditions of K-pop Star 2 , at Jamsil Arena in Seoul. [5] [2] They soon passed and were eligible to perform in the first round, where they sang a cover of Miss A's "Breathe" and an original song titled "Don't Cross Your Legs". One of the judges, Park Jin-young, praised the chemistry between the siblings and the techniques they had incorporated in their performances. BoA praised the lyrics of their original song, while Yang Hyun-suk, described them as "true artists". [6] The duo continued to awe the judges, until after where their lack of confidence resulted in lukewarm performances in the succeeding rounds. [7] In spite of this, they finished the competition in first place. [8] [9] Some of their original songs performed were released under LOEN Entertainment, where "You are Attractive", for example, was released on 12 December and immediately reached number one on the Gaon Charts. [2] [10] Despite not being signed under an agency, they participated in commercials and composed several songs, including "I Love You" for tvN drama All About My Romance .
Recommended publications
  • Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
    UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public.
    [Show full text]
  • The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
    THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices.
    [Show full text]
  • YG Entertainment Buy (122870 KQ ) (Maintain)
    [Korea] Entertainment May 13, 2021 YG Entertainment Buy (122870 KQ ) (Maintain) Increasing content leverage TP: W56,000 Upside: 25.8% Mirae Asset Securities Co., Ltd. Jeong -yeob Park [email protected] 1Q21 review : Big earnings beat Consolidated revenue of W97bn (+83.9% YoY), OP of W9.5bn (turn to profit YoY) In 1Q21, YG Entertainment proved its enhanced fundamentals by overcoming the absence of offline performances/activities with the release of new content (Rosé and Treasure). Revenue from albums/digital content/goods was up 170.6% YoY, driven by strong sales of albums (980,000 copies; helped by new releases) and goods. Digital content revenue surged 125.6% YoY, boosted by BLACKPINK’s online concert (280,000 paid views and net revenue of around W8bn). Revenue from Google came in strong at W4.5bn (excluding BLACKPINK concert; vs. W2.5bn in 1Q20) on the back of new releases and subscriber growth. Despite constraints on artist activities, management revenue expanded 44.7% YoY, fueled by luxury advertisers’ (Dior, Saint Laurent and Tiffany & Co.) strong preference for YG artists. Elsewhere, the company recorded W15.6bn from TV production (YG Studioplex’s Mr. Queen ) and a valuation gain of roughly W5bn related to Tencent Music Entertainment. Expectations on 2H21 artist Artist activities to gather steam; IP monetization to strengthen on Weverse incl usion activities and Weverse 1) Earnings: During the 2018-20 absence of its main artist group, YG Entertainment built a robust lineup that includes BLACKPINK, Treasure, and iKON. We expect robust ad and appearance income to continue, supported by the growing international profile of the company’s artists.
    [Show full text]
  • ND Sets New Annual Fundraising Record by DAVID ZIRINGER He Credits the Strategic News Writer Moment Campaign As Being an Especially Profitable Source
    The Observer VOL. XXIII NO. 71 FRIDAY , DECEMBER 14, 1990 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY’S ND sets new annual fundraising record By DAVID ZIRINGER He credits the Strategic News Writer Moment campaign as being an especially profitable source. Notre Dame received $53.8 The campaign, a five-year ef­ million as a result of 1990 fort concluding in 1990, has al­ fundraising, establishing a new lowed the university “to reach record for annual contribu­ out to many more people,” he tions. said. With the campaign, According to Joseph Sand­ alumni, 50% of which donate man, director of Development, annually, are personally so­ students stand to benefit as a licited by phone. result through financial aid. So far, this program alone has The funds will provide amassed over $450 million. “greater support for under­ “The tremendous enthusiasm graduate scholarships and alumni and friends have for the graduate fellowships,” so stu­ university is a direct reflection” dents can attend Notre Dame of supporters’ endorsement of “regardless of economic back­ Notre Dame’s direction, Sand­ ground,” Sandman said. Many m an said. gifts were restricted to student He said contributors’ gen­ assistance, he said. erosity reflects “confidence in By enticing graduate students the leadership of the univer­ with fellowships, Sandman said sity.” . Notre Dame “has the potential to be ranked among the best Corporate and foundation research universities in the donations amounted to $18.5 country.” million, including an unprece­ Also, contributions will sub­ dented $2.4 million in corpo­ sidize professorships and li­ rate matching funds. Also, the brary endowments as well as Annual Fund and planned-giv- A P P hoto providing $60 million towards ing commitments achieved Directors aplenty university construction, he said.
    [Show full text]
  • 1 2004-2005 Prentice-Hall Guide to Finance Faculty Alphabetical by School
    Prentice Hall Guide to Finance Faculty by Hasselback 1 2004-2005 PRENTICE-HALL GUIDE TO FINANCE FACULTY ALPHABETICAL BY SCHOOL NAME RANK PHONE E-MAIL TCH RESR Degr/Date/School START Abilene Christian Univ Abilene, TX 79699-9305 (915) Fax=674-2564 2003 Dept of Accounting & Finance College of Business Adm coba.acu.edu BA,BBA Dept Phone: 674-2304 1600 Campus Court Kim Turman Lytle, Richard S. Dean 674-2503 rick.lytle Mktg PHD 94 Ariz St 1991 Fowler, Bill E. C-As 674-2080 bill.fowler 1 MS 83 Walsh 1990 Griggs, Jack A. Prof 674-2244 jack.griggs 23 FMPX PHD 71 Tx-Austin 1-91 Pope, Terry Assoc 674-2570 terry.pope 12 C PHD 69 So Meth 8-92 Stewart, Jonathan Asst 674-2133 jonathan.stewart 13 LMPY PHD 96. Tx Tech 9-96 Adelphi University Garden City, NY 11530 (516) Fax=877-4607 Dept of Banking Econ & Fin School of Business Adm adelphi.edu BBA,MBA,MS Dept Phone: 877-4971 South Avenue Libertella, Anthony F. Dean 877-4690 libertel Mgt PHD 72 Ohio St 2000 Gleicher, David C-Ac 877-4971 gleicher Econ PHD 84 Columbia 1981 Swensen, R. Bruce Assoc 877-4655 swensen 12 M DSW 82 Columbia Heinowitz, Harvey J. Asst 877-4663 heinowit 13 T MBA 75 Adelphi Adrian College Adrian, MI 49221-2575 (517) Fax=264-3331 Finance Faculty Dept of Atg & Bus Adm adrian.edu BBA Dept Phone: 265-5161 110 South Madison Street Bachman, William C-Pr 264-3939 wbachman 35 LNQ ABD 73 Kentucky 8-81 Nalepka, William T.
    [Show full text]
  • Thank You to All of Our Reviewers in 2020
    EDITORIAL https://doi.org/10.1038/s42003-021-01719-9 OPEN Thank you to all of our reviewers in 2020 5314 individual reviewers contributed to the peer review process at Communications Biology in 2020. We acknowledge and thank each of them here. Communications Biology received more than 3000 research and review article submissions last year, of which over 1700 were sent for external review. In all, 5314 individuals gave their time to ensure a fair and thorough peer review process in the uniquely challenging year that was 2020. These individuals are recognized below in alphabetical order by surname. We are truly grateful to all of our reviewers. Journal staff take full responsibility for any misspellings, omissions, or other errors. Anna M. Åsman Muneeb Ahmed Donát Alpár Luiza Aparecido Adam Abate Warish Ahmed Ahmad Alqudah Samuel Aparicio Cory Abate-Shen Bumsoo Ahn Myriam Altamirano- Sebastien Apcher Juliya Abbasi Velma Aho Bustamante Brian Appleby Geoffrey Abbott Gaurav Ahuja Matthias Altmeyer Rajendra Apte Karen Abbott Nicole Aiello-Couzo Barry Alto Catalina Arévalo Ferro 1234567890():,; Basem Abdallah Ajoy Ajoy Basak Douglas Altshuler Maria Aragona Omar Abdel-Wahab Takashi Akagi Lucia Altucci Mariaceleste Aragona Sarki Abdulkadir Ali Akbari Fernando Alvarez Midori Arai Maha Abdullah Mohsen Akbari Joao Miguel Alves Kazuharu Arakawa Ikuro Abe Fulya Akcimen Nuno Alves Beatrice Aramini Masato Abe Seiji Akimoto Marina Alves Amaral Beatriz Aranda Ethan Abel Aleksei Aksimentiev Kaushalya Amarasinghe Zolt Arany Oscar Abilez David Alabadi Ivano
    [Show full text]
  • THE GLOBALIZATION of K-POP by Gyu Tag
    DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program.
    [Show full text]
  • The Genome 10K Project: a Way Forward
    The Genome 10K Project: A Way Forward Klaus-Peter Koepfli,1 Benedict Paten,2 the Genome 10K Community of Scientists,Ã and Stephen J. O’Brien1,3 1Theodosius Dobzhansky Center for Genome Bioinformatics, St. Petersburg State University, 199034 St. Petersburg, Russian Federation; email: [email protected] 2Department of Biomolecular Engineering, University of California, Santa Cruz, California 95064 3Oceanographic Center, Nova Southeastern University, Fort Lauderdale, Florida 33004 Annu. Rev. Anim. Biosci. 2015. 3:57–111 Keywords The Annual Review of Animal Biosciences is online mammal, amphibian, reptile, bird, fish, genome at animal.annualreviews.org This article’sdoi: Abstract 10.1146/annurev-animal-090414-014900 The Genome 10K Project was established in 2009 by a consortium of Copyright © 2015 by Annual Reviews. biologists and genome scientists determined to facilitate the sequencing All rights reserved and analysis of the complete genomes of10,000vertebratespecies.Since Access provided by Rockefeller University on 01/10/18. For personal use only. ÃContributing authors and affiliations are listed then the number of selected and initiated species has risen from ∼26 Annu. Rev. Anim. Biosci. 2015.3:57-111. Downloaded from www.annualreviews.org at the end of the article. An unabridged list of G10KCOS is available at the Genome 10K website: to 277 sequenced or ongoing with funding, an approximately tenfold http://genome10k.org. increase in five years. Here we summarize the advances and commit- ments that have occurred by mid-2014 and outline the achievements and present challenges of reaching the 10,000-species goal. We summarize the status of known vertebrate genome projects, recommend standards for pronouncing a genome as sequenced or completed, and provide our present and futurevision of the landscape of Genome 10K.
    [Show full text]
  • One-Asia Morning Focus
    November 12, 2020 One-Asia Morning Focus Today’s reports Emart (139480 KS/Buy/TP: W225,000) Raise TP – Positive changes beginning to take shape Seegene (096530 KQ/Trading Buy/TP: W275,800) Lower TP – A new chapter in the history of in-vitro diagnostics Hanwha Aerospace (012450 KS/Buy/TP: W39,000) – Still undervalued Netmarble (251270 KS/Buy/TP: W170,000) Lower TP – Solid earnings and promising new lineup YG Entertainment (122870 KQ/Trading Buy/TP: W51,000) – Returning to normalcy Global performance monitor: Two-day change (%) Asia xJPN World EM World DM Korea Japan China Taiwan HK India Indonesia Singapore Thailand Index -0.11 0.31 1.52 1.93 2.71 -2.89 0.63 4.33 1.31 5.15 3.45 8.60 Growth -1.59 -2.95 -3.16 0.03 0.78 -6.25 -0.36 4.21 2.13 4.03 1.29 9.15 Value 2.64 2.34 5.35 4.03 4.89 1.81 1.93 4.48 0.59 6.17 5.59 8.08 Semicon. & equip. -0.22 -0.22 -3.49 1.48 -0.75 -6.37 -0.80 -0.09 - - - - Tech hardware & equip. 0.78 0.81 -0.89 1.84 3.26 -4.25 -0.26 6.86 1.43 - -7.70 - Comm. & prof. services -1.56 -1.56 1.83 1.76 2.16 0.16 1.48 - -2.29 6.77 - - Software & services -2.32 -2.63 -3.29 -0.25 -2.33 -3.81 -0.16 -2.39 -1.98 - -2.16 - Media & entertainment -3.15 -3.05 -2.00 -4.66 -6.21 -3.81 -9.52 2.85 -0.87 - - - Consumer goods 1.03 1.41 1.38 1.69 -1.09 -1.54 2.19 - -1.14 0.13 - 3.79 Consumer services 2.93 0.88 4.58 9.41 7.42 1.32 6.92 10.87 1.70 6.49 6.99 25.03 F&B & tobacco 2.61 4.01 4.03 1.02 2.63 0.04 2.75 7.25 1.04 1.03 -2.06 -0.81 Food & staples retailing 4.21 3.61 -0.03 8.06 3.65 -1.05 4.02 13.24 2.81 - -6.65 6.27 Retailing -9.85 -9.12
    [Show full text]
  • K-Pop As a Means to an End Among Thai Youth: Korean Wave As Costume, Food, and Image Keith Howard and Great Lekakul, SOAS, University of London
    ISSN: 2635-6619 (Online) Journal homepage: https://culturenempathy.org/ K-Pop as a Means to an End among Thai Youth: Korean Wave as Costume, Food, and Image Keith Howard and Great Lekakul, SOAS, University of London To cite this article: Keith Howard and Great Lekakul, “K-Pop as a Means to an End among Thai youth: Korean Wave as Costume, Food, and Image.” Culture and Empathy 1(1-4): 18-33, DOI: 10.32860/26356619/2018/1.1234.0003. To link to this article: https://doi.org/10.32860/26356619/2018/1.1234.0003 Published online: 8 Oct 2018. Submit your article to this journal Full Terms & Conditions of access and use can be found at https://culturenempathy.org/terms-and-conditions CULTURE AND EMPATHY Vol. 1, No. 1-4, pp. 18-33 https://doi.org/10.32860/26356619/2018/1.1234.0003 K-Pop as a Means to an End among Thai youth: Korean Wave as Costume, Food, and Image Keith HOWARD, SOAS, University of London Great LEKAKUL, SOAS, University of London Abstract Assessments of the impact of K-pop beyond Korea, and of other aspects within the broader Korean Wave, often focus on groups of fans. The research reported here began from an intention to move beyond fandom, encouraged by a challenge to demonstrate that ARTICLE HISTORY members of the British Thai community, aware of their heritage in Received 10 August 2018 Southeast Asia but growing up in the eclectic cultural mix of Revised 24 September 2018 Accepted 30 September 2018 contemporary Britain, were interested in K-pop.
    [Show full text]
  • YG Entertainment (122870 KQ ) Buying Opportunity Amid Shifting Perceptions
    YG Entertainment (122870 KQ ) Buying opportunity amid shifting perceptions Entertainment Shifting perceptions: 1) Normalized lineup and new artist momentum Concerns over YG Entertainment’s artist void are dissipating. The company’s star group Big Bang is preparing to make a comeback, and at least one new act will debut this Company Report year. The company will have a total of five groups that can go on overseas arena tours, February 27, 2020 and we see potential for additional growth. Big Bang will make its long-awaited comeback at the US Coachella festival in April. With their contract almost certain to be renewed, the group is likely to release a new album and embark on a world tour. We expect to see additional positive headlines soon . BLACKPINK is set to make its return with the release of a new album around April , which (Upgrade) Buy is likely to include major collaborations related to its partnership with Universal Music Group . The group is also planning to tour the US and Europe, and the minimum Target Price (12M, W) 40,000 guarantee for the concerts is likely to be raised from last year, leading to a meaningful profit contribution. Meanwhile, iKON returned to the stage in early 2020 as a six-member Share Price (02/26/20, W) 31,750 group. For Treasure 12, whose debut was postponed for a year due to a scandal, the company is currently working on pre-marketing ahead of the group’s official debut. Expected Return 26% Shifting perceptions: 2) Discontinuation of loss-making operations to accelerate profit improvement YG Entertainment is unloading its new businesses and instead focusing on its core OP (19P, Wbn) 1 businesses.
    [Show full text]
  • YG Entertainment Trading Buy (122870 KQ ) (Maintain)
    [Korea] Entertainment November 12, 2020 YG Entertainment Trading Buy (122870 KQ ) (Maintain) Returning to normalcy TP: W51,000 Upside: 19.2% Mirae Asset Daewoo Co., Ltd. Jeong -yeob Park [email protected] 3Q20 review : Better than Consolidated revenue of W 66 .8bn (+8.5% YoY ) and OP of W 3.2bn (turn to profit YoY ) expected In 3Q20, YG Entertainment’s margins improved on: 1) the gradual resumption of artist activities from August; and 2) robust physical album/digital platform sales. Revenue from albums/digital music/goods grew 30.9% YoY. Album sales hit a quarterly high of 820,000 copies (360,000 copies for BLACKPINK and 460,000 copies for Treasure). Around 76% of digital music sales came from overseas (vs. 24% for domestic), underscoring the company’s potential for growth through global expansion. Revenue from Google jumped from W2bn to over W4bn, fueled by YouTube subscriber growth and the release of BLACKPINK’s hit single. Despite overall constraints on artist activities, management revenue (-5.1% YoY) held up well thanks to ad/ album production. Expanded global lineup Given expanded lineup, earnings could grow strongly in 2021 on a return to normalcy Looking to 4Q20, we expect BLACKPINK/Treasure/Song Min-ho (album sales and activities) and AKMU (digital music sales) to drive robust earnings. We are encouraged by the company’s growing digital music base (YouTube and QQ Music) and expanding advertising income sources. Meanwhile, the company has successfully expanded BLACKPINK’s global fan base and established Treasure’s presence in Japan by focusing on content offerings in 2020.
    [Show full text]