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Slum Clearance in Havana in an Age of Revolution, 1930-65
SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 by Jesse Lewis Horst Bachelor of Arts, St. Olaf College, 2006 Master of Arts, University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS & SCIENCES This dissertation was presented by Jesse Horst It was defended on July 28, 2016 and approved by Scott Morgenstern, Associate Professor, Department of Political Science Edward Muller, Professor, Department of History Lara Putnam, Professor and Chair, Department of History Co-Chair: George Reid Andrews, Distinguished Professor, Department of History Co-Chair: Alejandro de la Fuente, Robert Woods Bliss Professor of Latin American History and Economics, Department of History, Harvard University ii Copyright © by Jesse Horst 2016 iii SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 Jesse Horst, M.A., PhD University of Pittsburgh, 2016 This dissertation examines the relationship between poor, informally housed communities and the state in Havana, Cuba, from 1930 to 1965, before and after the first socialist revolution in the Western Hemisphere. It challenges the notion of a “great divide” between Republic and Revolution by tracing contentious interactions between technocrats, politicians, and financial elites on one hand, and mobilized, mostly-Afro-descended tenants and shantytown residents on the other hand. The dynamics of housing inequality in Havana not only reflected existing socio- racial hierarchies but also produced and reconfigured them in ways that have not been systematically researched. -
UC Riverside Diagonal: an Ibero-American Music Review
UC Riverside Diagonal: An Ibero-American Music Review Title Goldberg, K. Meira, Walter Aaron Clark, and Antoni Pizà, eds. "Transatlantic Malagueñas and Zapateados in Music, Song and Dance: Spaniards, Natives, Africans, Roma." Newscastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2019. Permalink https://escholarship.org/uc/item/5dq9z93m Journal Diagonal: An Ibero-American Music Review, 5(2) ISSN 2470-4199 Author Nocilli, Cecelia Publication Date 2020 DOI 10.5070/D85247375 License https://creativecommons.org/licenses/by/4.0/ 4.0 eScholarship.org Powered by the California Digital Library University of California Review Goldberg, K. Meira, Walter Aaron Clark, and Antoni Pizà, eds. Transatlantic Malagueñas and Zapateados in Music, Song and Dance: Spaniards, Natives, Africans, Roma. Newscastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2019. CECILIA NOCILLI Universidad de Granada Beyond Dance: Analysis, Historiography, and Redefinitions The anthology Transatlantic Malagueñas and Zapateados in Music, Song and Dance: Spaniards, Natives, Africans, Roma opens with a suggestive image of Ruth St. Denis and Ted Shawn in La Malagueña of 1921, which synthesizes the identity of the publication: an exploration of the transatlantic journeys of Spanish dance and its exotic fascination. The image thus manifests the opposition between the maja and the manolo (tough girl and tough guy), as between the Andalusian woman and the bullfighter. In their introduction, Meira Goldberg, Walter Aaron Clark and Antoni Pizà highlight the relationship between this anthology and an earlier volume on the fandango as a clearly mestizo, or hybridized, dance form blending African, European, and American influences: The Global Reach of the Fandango in Music, Song and Dance: Spaniards, Indians, Africans and Gypsies (Música Oral del Sur vol. -
El Corazón De Cuba Educational Program Curriculum
International Bicycle Fund 4887 Columbia Drive South, Seattle WA 98108-1919 USA +1-206-767-0848 ~ [email protected] ~ www.ibike.org A non-governmental, nonprofit organization promoting bicycle transport, economic development and understanding worldwide. El Corazon de Cuba Educational Program Curriculum Small group, multidiscipline, educational program. The objective of the program is to strengthen your knowledge to better enable you to participate in important public policy discussion on a wide range of topics that affect your life. The program provides and opportunities to comparing and contrasting the work environment, quality of life, social programs, political structure and policies, economic policy and structure, environment, and culture that you are familiar with, to those of Cuba. Day-to-day, on an ongoing basis throughout the program there will be opportunities to meet people, small group discussion with Cubans and excursions and presentations on history, architecture, culture, ethnic diversity, social systems, gender rights and roles, politics, agriculture, mining, industry, fisheries, music, language, religion, geology, botany, and ecology. The following curriculum fails to include literally hundreds of serendipitous people-to-people encounters when we purposefully visit small towns and villages to by snacks and refreshment to talk to people, and ask questions and strike up conversations. Ironically, some of the most meaningful and enlightening people-to-people contacts are the hardest, and virtually impossible, to document. Day 1: “Anatomy of the capital of the Capital: Introducing information on the history and change of Havana, and specifically Vedado ”: architecture (residential and commercial), use patterns (park boulevard, parks, residential and commercial), public institutions (schools, hospitals (8, including cardio and oncology)), religious institutions (churches, convents and two synagogue), monuments and statues (John Lennon, socialist world leaders, military, politician, intellectuals, Jose Marti) and transportation. -
Davis-Brommer-Cuba.Pdf
Observations of Environmental Change in Cuba LISA DAVIS University of Alabama DAVID M. BROMMER University of Alabama ENRIQUE RODRIQUEZ-LOECHES DIEZ-ARGÜELLES Institute of Tropical Geography/Cuban Society of Geography introduction fied the comparative geographic technique in his comparison of Sub-Saharan Africa Analysis of global processes of change and the Southeastern United States. In the at the regional scale is vitally important following, we discuss observations of on- to not only better predict and prepare for going environmental change occurring in change occurring at the regional scale but the Caribbean nation of Cuba made during also to better understand the drivers of a trip to Cuba in May ≤≠≠∫ and highlight change, as they tend to be spatially and some of the environmental changes that temporally complex. The importance of re- are taking place both in Cuba and the gional analyses to questions of global- Southeastern United States. ization, development, and environmental Why Cuba? At first glance there may change in the Caribbean and the South- appear to be few similarities between the eastern United States has been recognized Southeastern United States and a socialist (Torres ≤≠≠∑), as have the importance of island nation located in the Caribbean, but connecting regional scale changes occur- the two locations have many similarities, ring in the Southeastern United States to including being locations of civil wars in global and transnational processes (Lecce the past, having agricultural histories that and Alderman ≤≠≠∂). Comparative geog- include plantation agriculture of sugar raphy, as a means of analysis, is a use- cane and tobacco, having temperate cli- ful way to explore the economic, social, mates, and their geographic proximity to cultural, and environmental trajectories each other. -
The Nutcracker
American Ballet Theatre Kevin McKenzie Rachel S. Moore Artistic Director Chief Executive Officer Alexei Ratmansky Artist in Residence HERMAN CORNEJO · MARCELO GOMES · DAVID HALLBERG PALOMA HERRERA · JULIE KENT · GILLIAN MURPHY · VERONIKA PART XIOMARA REYES · POLINA SEMIONOVA · HEE SEO · CORY STEARNS STELLA ABRERA · KRISTI BOONE · ISABELLA BOYLSTON · MISTY COPELAND ALEXANDRE HAMMOUDI · YURIKO KAJIYA · SARAH LANE · JARED MATTHEWS SIMONE MESSMER · SASCHA RADETSKY · CRAIG SALSTEIN · DANIIL SIMKIN · JAMES WHITESIDE Alexei Agoudine · Eun Young Ahn · Sterling Baca · Alexandra Basmagy · Gemma Bond · Kelley Boyd Julio Bragado-Young · Skylar Brandt · Puanani Brown · Marian Butler · Nicola Curry · Gray Davis Brittany DeGrofft · Grant DeLong · Roddy Doble · Kenneth Easter · Zhong-Jing Fang · Thomas Forster April Giangeruso · Joseph Gorak · Nicole Graniero · Melanie Hamrick · Blaine Hoven · Mikhail Ilyin Gabrielle Johnson · Jamie Kopit · Vitali Krauchenka · Courtney Lavine · Isadora Loyola · Duncan Lyle Daniel Mantei · Elina Miettinen · Patrick Ogle · Luciana Paris · Renata Pavam · Joseph Phillips · Lauren Post Kelley Potter · Luis Ribagorda · Calvin Royal III · Jessica Saund · Adrienne Schulte · Arron Scott Jose Sebastian · Gabe Stone Shayer · Christine Shevchenko · Sarah Smith* · Sean Stewart · Eric Tamm Devon Teuscher · Cassandra Trenary · Leann Underwood · Karen Uphoff · Luciana Voltolini Paulina Waski · Jennifer Whalen · Katherine Williams · Stephanie Williams · Roman Zhurbin Apprentices Claire Davison · Lindsay Karchin · Kaho Ogawa · Sem Sjouke · Bryn Watkins · Zhiyao Zhang Victor Barbee Associate Artistic Director Ormsby Wilkins Music Director Charles Barker David LaMarche Principal Conductor Conductor Ballet Masters Susan Jones · Irina Kolpakova · Clinton Luckett · Nancy Raffa * 2012 Jennifer Alexander Dancer ABT gratefully acknowledges Avery and Andrew Barth for their sponsorship of the corps de ballet in memory of Laima and Rudolph Barth and in recognition of former ABT corps dancer Carmen Barth. -
Negotiating the Self Through Flamenco Dance
Georgia State University ScholarWorks @ Georgia State University Anthropology Theses Department of Anthropology 12-2009 Embodied Identities: Negotiating the Self through Flamenco Dance Pamela Ann Caltabiano Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/anthro_theses Part of the Anthropology Commons Recommended Citation Caltabiano, Pamela Ann, "Embodied Identities: Negotiating the Self through Flamenco Dance." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/anthro_theses/33 This Thesis is brought to you for free and open access by the Department of Anthropology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Anthropology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EMBODIED IDENTITIES: NEGOTIATING THE SELF THROUGH FLAMENCO DANCE by PAMELA ANN CALTABIANO Under the Direction of Emanuela Guano ABSTRACT Drawing on ethnographic research conducted in Atlanta, this study analyzes how transnational practices of, and discourse about, flamenco dance contribute to the performance and embodiment of gender, ethnic, and national identities. It argues that, in the context of the flamenco studio, women dancers renegotiate authenticity and hybridity against the backdrop of an embodied “exot- ic” passion. INDEX WORDS: Gender, Dance, Flamenco, Identity, Exoticism, Embodiment, Performance EMBODIED IDENTITIES: NEGOTIATING THE SELF THROUGH FLAMENCO DANCE by PAMELA ANN -
The Global Reach of the Fandango in Music, Song and Dance
The Global Reach of the Fandango in Music, Song and Dance The Global Reach of the Fandango in Music, Song and Dance: Spaniards, Indians, Africans and Gypsies Edited by K. Meira Goldberg and Antoni Pizà The Global Reach of the Fandango in Music, Song and Dance: Spaniards, Indians, Africans and Gypsies Edited by K. Meira Goldberg and Antoni Pizà This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by K. Meira Goldberg, Antoni Pizà and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9963-1 ISBN (13): 978-1-4438-9963-5 Proceedings from the international conference organized and held at THE FOUNDATION FOR IBERIAN MUSIC, The Graduate Center, The City University of New York, on April 17 and 18, 2015 This volume is a revised and translated edition of bilingual conference proceedings published by the Junta de Andalucía, Consejería de Cultura: Centro de Documentación Musical de Andalucía, Música Oral del Sur, vol. 12 (2015). The bilingual proceedings may be accessed here: http://www.centrodedocumentacionmusicaldeandalucia.es/opencms/do cumentacion/revistas/revistas-mos/musica-oral-del-sur-n12.html Frontispiece images: David Durán Barrera, of the group Los Jilguerillos del Huerto, Huetamo, (Michoacán), June 11, 2011. -
Tourism Industry's Top Event
© YEAR VIII THE Nº 8 APR 30, 2018 HAVANA, CUBA ISSN 2224-5707 Price: avana eporter 1.00 CUC H YOUR SOURCE OF NEWSR & MORE 1.00 USD A Bimonthly Newspaper of the Prensa Latina News Agency 1.20 CAN FIT Cuba 2018 Tourism Industry’s Top Event P. 2 Cuban Culural Havana’s Health & Science Cuban Coral Reefs Are Festival Warmly Prado Lions Uniquely Well Preserved Welcomed in P. 5 Washington Economy Vietnamese Companies Focus on Cuba P. 13 Sports Panama’s Russian World Cup Dream P. 7 P. 11 P. 15 2 TOURISM FITCUBA 2018 Tourism Industry’s Top Event Text & Photos by RobertoF. CAMPOS There are also some 2,000 privately- owned restaurants known as ‘Paladares’ HAVANA.- The 38th International and over 21,000 guesthouse rooms. Tourism Fair, FITCuba 2018, to take place Some 34 percent of the total number on the Santa María Key between May 2nd of visitors to Cuba come from Canada and and 6th, will once again provide the ideal when combined with numbers visiting opportunity for tour operators and travel from the United States, the statistic rises agents to update themselves on the to 45 percent. wonders of the Cuban archipelago. Moreover, 33 percent originate in The fair will not only allow trade Europe and 16 percent come from other specialists to make their plans, book Latin American nations. hotels, tours and trips for the rest of the Despite US Governmental restrictions year, but also to get first-hand experience that limit US citizens to travel under one of the continuing growth trend in Cuba’s of 12 licensed categories, a 118 percent tourism industry. -
How Cuba Produces Some of the Best Ballet Dancers in the World by Noël Duan December 14, 2015 9:01 PM
http://news.yahoo.com/how-cuba-produces-some-of-the-best-ballet-dancers-020100947.html How Cuba Produces Some of the Best Ballet Dancers in the World By Noël Duan December 14, 2015 9:01 PM Recent graduates of the Ballet Nacional de Cuba School performing at the National Theater of Cuba in Havana in February 2015. (Photo: Getty Images) This story is part of a weeklong Yahoo series marking one year since the opening of relations between the United States and Cuba. Cuba is well known for many forms of dance, from the mambo and the tango to salsa, the cha- cha and the rumba. But only ballet enthusiasts know that the dance form is one of the country’s biggest cultural exports. In Cuba, ballet is just as popular as baseball, a sport where players from the Cuban national team regularly defect to the major leagues in the United States. Unlike in the United States, where ballet is generally considered highbrow art and Misty Copeland is the only ballerina with a household name, the Cuban government funds ballet training and subsidizes tickets to ballet performances. “Taxi drivers know who the principal dancers are,” Lester Tomé, a dance professor at Smith College and former dance critic in Cuba and Chile, tells Yahoo Beauty. Like Cuban baseball players, Cuban ballet dancers have made international marks around the world, from Xiomara Reyes, the recently retired principal dancer at New York City’s American Ballet Theatre to London’s English National Ballet ballet master Loipa Araújo, regarded as one of the “four jewels of Cuban ballet.” In September 2005, Erika Kinetz wrote in the New York Times that “training, especially Cuban training, has been a key driver of the Latinization of ballet,” an important note, considering that European ballet companies dominated the dance world for decades. -
Bibliografia Cubana
Martí" MINISTERIO DE CULTURA "José BIBLIOGRAFIA CUBANA Nacional Biblioteca Cuba. BIBLIOTECA NACIONAL JOSE MARTI Martí" "José Nacional Biblioteca Cuba. Martí" "José Bibliografía Cubana Nacional Biblioteca Cuba. Martí" "José Nacional Biblioteca Cuba. MINISTERIO DE CULTURA BIBLIOTECA NACIONAL JOSE MARTI DEPARTAMENTO DE INVESTIGACIONES BIBLIOGRAFICAS BIBLIOGRAFIA CUBANAMartí" 198 1 "José Nacional BibliotecaTOMO II Cuba. LA HABANA 1983 AÑO DEL X X X ANIVERSARIO DEL MONCADA Martí" "José Nacional Biblioteca Cuba. COMPILADA POR Elena Graupera Juana Ma. Mont TABLA DE CONTENIDO Tabla de siglas y abreviaturas ........................................................ 7 QUINTA SECCION Carteles ............................................................................................... 15 Suplemento .................................................................................... 31 Catálogo de exposiciones ....................................................................Martí" 41 Suplemento .................................................................................... 58 Emisiones postales ................................................................................"José 61 Fonorregistros .................................................................................... 71 Suplemento...................................................................................... 80 Obras musicales ................................................................................ 82 Producción cinematográfica ........................................................... -
CALENDARIO DE 2017 Y AVANCES DE 2018 HOTELES AGENCIAS DE VIAJE EXCURSIONES RESTAURANTES CENTROS CULTURALES COMPRAS SERVICIOS
CALENDARIO DE 2017 y AVANCES DE 2018 HOTELES AGENCIAS DE VIAJE EXCURSIONES RESTAURANTES CENTROS CULTURALES COMPRAS SERVICIOS Cuba es un excelente destino de eventos, atractivo y seguro. Cuba es además un destino privilegiado, con ciudades patrimoniales de rica historia y bien conservadas, en las que es posible asistir a eventos culturales únicos y diversos. Se suman sitios naturales de gran belleza, variadas propuestas culturales, hoteles para todos los gustos y una atractiva gastronomía. En esta edición de nuestro Directorio le presentamos el Calendario de los Eventos de 2017, la información técnica de los principales centros de convenciones, así como los hoteles que cuentan con salones y facilidades para eventos. Les brindamos además los contactos las agencias de viajes cubanas, así como los de los grupos hoteleros, cubanos e internacionales, con el elenco de todos sus hoteles en el país. Pensando en organizadores y participantes en los eventos, hemos incluido información sobre restaurantes, centros culturales y servicios como transporte, comunicaciones, seguros, impresiones y servicios médicos. Para finalizar les proponemos una selección de eventos del próximo año. Bienvenidos. Cuba, la Isla Grande, La Perla del Caribe, DE CUBA La llave del Golfo... Son muchos los nombres que escritores e historiadores han dado a este país que es en realidad un archipiélago de geografía sorprendente. Cuba es la suma de sus bellezas naturales, sus ciudades patrimoniales muy bien conservadas, sus instalaciones hoteleras en todo el territorio, sus tradiciones, pero sobre todo, Cuba es un país cuyo pueblo hospitalario recibe con los brazos abiertos a los visitantes que llegan desde todas partes del mundo. -
Introduced Amphibians and Reptiles in the Cuban Archipelago
Herpetological Conservation and Biology 10(3):985–1012. Submitted: 3 December 2014; Accepted: 14 October 2015; Published: 16 December 2015. INTRODUCED AMPHIBIANS AND REPTILES IN THE CUBAN ARCHIPELAGO 1,5 2 3 RAFAEL BORROTO-PÁEZ , ROBERTO ALONSO BOSCH , BORIS A. FABRES , AND OSMANY 4 ALVAREZ GARCÍA 1Sociedad Cubana de Zoología, Carretera de Varona km 3.5, Boyeros, La Habana, Cuba 2Museo de Historia Natural ”Felipe Poey.” Facultad de Biología, Universidad de La Habana, La Habana, Cuba 3Environmental Protection in the Caribbean (EPIC), Green Cove Springs, Florida, USA 4Centro de Investigaciones de Mejoramiento Animal de la Ganadería Tropical, MINAGRI, Cotorro, La Habana, Cuba 5Corresponding author, email: [email protected] Abstract.—The number of introductions and resulting established populations of amphibians and reptiles in Caribbean islands is alarming. Through an extensive review of information on Cuban herpetofauna, including protected area management plans, we present the first comprehensive inventory of introduced amphibians and reptiles in the Cuban archipelago. We classify species as Invasive, Established Non-invasive, Not Established, and Transported. We document the arrival of 26 species, five amphibians and 21 reptiles, in more than 35 different introduction events. Of the 26 species, we identify 11 species (42.3%), one amphibian and 10 reptiles, as established, with nine of them being invasive: Lithobates catesbeianus, Caiman crocodilus, Hemidactylus mabouia, H. angulatus, H. frenatus, Gonatodes albogularis, Sphaerodactylus argus, Gymnophthalmus underwoodi, and Indotyphlops braminus. We present the introduced range of each of the 26 species in the Cuban archipelago as well as the other Caribbean islands and document historical records, the population sources, dispersal pathways, introduction events, current status of distribution, and impacts.