Arizona State University Commencement and Convocation Program
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@Purdueexponent Patterson Neubert Amy Office of Marketing Admin/Prof 60,684.42
THE EXPONENT SALARY GUIDE A, THURSDAY, MARCH 5, 2015 PAGE 23 Osnas Jeanne Forestry and Natural Post Doc Intern Res 41,265.02 Patton Aaron Horticulture and Lan Faculty 114,295.57 Petri Gustavo Computer Science Visiting Fac/Emeriti 65,230.03 Popa Deborah Vice President for H Admin/Prof 50,444.94 Osorio Caicedo Juan Chemical Engineering Post Doc Intern Res 25,830.13 Patton John Forestry and Natural Mgmt/Prof 36,118.48 Petrie Angela Office of Marketing Admin/Prof 12,586.73 Pope Catherine 4SBBCLE Mgmt/Prof 79,375.67 Osswald Sebastian Materials Engineerin Faculty 75,842.03 Patton Venetria English Faculty 139,181.59 Petrin Donald College of Technolog Temporary A/P 7,418.92 Pope Jennifer 4012 Admin/Prof 38,686.81 Oswalt Brian 4ITAS Admin/Prof 89,976.68 Patz Kristen Dean of Students Admin/Prof 16,252.39 Petrin Linden College of Technolog Temporary A/P 5,935.12 Pope Phillip Graduate School Admi Faculty 172,884.66 Oswalt Patricia Business Office Phar Mgmt/Prof 61,275.80 Paul Kristina Educational Studies Faculty 66,565.32 Petroff Neil South Bend/Elkhart S Visiting Fac/Emeriti 65,489.79 Popescu Voicu Computer Science Faculty 137,891.08 Otagaki Erin Intercollegiate Athl Admin/Prof 57,319.00 Paul Lake Bindley Bioscience C Mgmt/Prof 79,201.02 Petros David 4REM WL Admin/Prof 46,647.60 Popov Alexander Birck Nanotechnology Clin, Res, or NonTT 64,301.83 Oteham Carol 4VP Research Admin/Prof 49,682.88 Paul Rajib Birck Nanotechnology Post Doc Intern Res 54,089.98 Petrosyan Arshak Mathematics Faculty 130,554.26 Poppe Jamelle Aviation Technology Continuing Lecturer -
Visions of Peace and Heaven University Symphony
-fierbergerCollege of Fine Arts °111%b VISIONS OF PEACE AND HEAVEN UNIVERSITY SYMPHONY ORCHESTRA CHORAL UNION Timothy Russell, conductor Robert Porco, guest conductor Lucy Shelton, soprano Robert Barefield, baritone School of Music Herberger College of Fine Arts Arizona State University Wednesday, October 22, 2003 7:30 p.m. Gammage Auditorium ARIZONA STATE mat UNIVERSITY PROGRAM TEXTS Symphony No. 4 Gustav Mahler GUSTAV MAHLER SYMPHONY No.4 I. Bedachtig, nicht eilen We enjoy heavenly pleasures Whole dishfuls are set for us! II. In gemachlicher Bewegung, ohne Hast and therefore avoid earthly ones. Good apples, good pears and good grapes, III. Ruhevoll and gardeners who allow everything! IV. Sehr behaglich ("Wir geniessen die himmlischen Freuden") No worldly tumult is to be heard in heaven. If you want roebuck or hare, All live in gentlest peace. on the public streets Lucy Shelton, soprano We lead angelic lives, they come running right up. Should a fast-day come along, Timothy Russell, conductor yet have a merry time of it besides. We dance and we spring, all the fishes at once come swimming We skip and we sing. with joy. INTERMISSION Saint Peter in heaven looks on. There goes Saint Peter running with his net and his bait John lets the lambkin out, to the heavenly pond. Ralph Dona Nobis Pacem Vaughan Williams and Herod the Butcher lies in wait for it. Do you want carp, do you want pike, or Cantata for Soprano and Baritone Soloists, Chorus, and Orchestra We lead a patient, trout? innocent, patient, Good dried cod or fresh anchovies? dear little lamb to its death. -
Hanging on to the Edges Hanging on to the Edges
DANIEL NETTLE Hanging on to the Edges Hanging on to the Edges Essays on Science, Society and the Academic Life D ANIEL Essays on Science, Society I love this book. I love the essays and I love the overall form. Reading these essays feels like entering into the best kind of intellectual conversati on—it makes me want and the Academic Life to write essays in reply. It makes me want to get everyone else reading it. I almost N never feel this enthusiasti c about a book. ETTLE —Rebecca Saxe, Professor of Cogniti ve Science at MIT What does it mean to be a scien� st working today; specifi cally, a scien� st whose subject ma� er is human life? Scien� sts o� en overstate their claim to certainty, sor� ng the world into categorical dis� nc� ons that obstruct rather than clarify its complexi� es. In this book Daniel Ne� le urges the reader to unpick such DANIEL NETTLE dis� nc� ons—biological versus social sciences, mind versus body, and nature versus nurture—and look instead for the for puzzles and anomalies, the points of Hanging on to the Edges connec� on and overlap. These essays, converted from o� en humorous, some� mes autobiographical blog posts, form an extended medita� on on the possibili� es and frustra� ons of the life scien� fi c. Pragma� cally arguing from the intersec� on between social and biological sciences, Ne� le reappraises the virtues of policy ini� a� ves such as Universal Basic Income and income redistribu� on, highligh� ng the traps researchers and poli� cians are liable to encounter. -
Surnames 198
Surnames 198 P PACQUIN PAGONE PALCISCO PACUCH PAHACH PALEK PAAHANA PACY PAHEL PALENIK PAAR PADASAK PAHUSZKI PALERMO PAASSARELLI PADDOCK PAHUTSKY PALESCH PABALAN PADELL PAINE PALGUTA PABLIK PADGETT PAINTER PALI PABRAZINSKY PADLO PAIRSON PALILLA PABST PADUNCIC PAISELL PALINA PACCONI PAESANI PAJAK PALINO PACE PAESANO PAJEWSKI PALINSKI PACEK PAFFRATH PAKALA PALKO PACELLI PAGANI PAKOS PALL PACEY PAGANO PALACE PALLO PACHARKA PAGDEN PALADINO PALLONE PACIFIC PAGE PALAGGO PALLOSKY PACILLA PAGLARINI PALAIC PALLOTTINI PACINI PAGLIARINI PALANIK PALLOZZI PACK PAGLIARNI PALANKEY PALM PACKARD PAGLIARO PALANKI PALMA PACKER PAGLIARULO PALAZZONE PALMER PACNUCCI PAGLIASOTTI PALCHESKO PALMERO PACOLT PAGO PALCIC PALMERRI Historical & Genealogical Society of Indiana County 1/21/2013 Surnames 199 PALMIERI PANCIERRA PAOLO PARDUS PALMISANO PANCOAST PAONE PARE PALMISCIANO PANCZAK PAPAKIE PARENTE PALMISCNO PANDAL PAPCIAK PARENTI PALMO PANDULLO PAPE PARETTI PALOMBO PANE PAPIK PARETTO PALONE PANGALLO PAPOVICH PARFITT PALSGROVE PANGBURN PAPPAL PARHAM PALUCH PANGONIS PAPSON PARILLO PALUCHAK PANIALE PAPUGA PARIS PALUDA PANKOVICH PAPURELLO PARISE PALUGA PANKRATZ PARADA PARISEY PALUGNACK PANNACHIA PARANA PARISH PALUMBO PANNEBAKER PARANIC PARISI PALUS PANONE PARAPOT PARISO PALUSKA PANOSKY PARATTO PARIZACK PALYA PANTALL PARCELL PARK PAMPE PANTALONE PARCHINSKY PARKE PANAIA PANTANI PARCHUKE PARKER PANASCI PANTANO PARDEE PARKES PANASKI PANTZER PARDINI PARKHILL PANCHICK PANZY PARDO PARKHURST PANCHIK PAOLINELLIE PARDOE PARKIN Historical & Genealogical Society of Indiana County -
Insider's Guidetoazpolitics
olitics e to AZ P Insider’s Guid Political lists ARIZONA NEWS SERVICE ARIZONA CAPITOL TIMES • Arizona Capitol Reports FEATURING PROFILES of Arizona’s legislative & congressional districts, consultants & public policy advocates Statistical Trends The chicken Or the egg? WE’RE EXPERTS AT GETTING POLICY MAKERS TO SEE YOUR SIDE OF THE ISSUE. R&R Partners has a proven track record of using the combined power of lobbying, public relations and advertising experience to change both minds and policy. The political environment is dynamic and it takes a comprehensive approach to reach the right audience at the right time. With more than 50 years of combined experience, we’ve been helping our clients win, regardless of the political landscape. Find out what we can do for you. Call Jim Norton at 602-263-0086 or visit us at www.rrpartners.com. JIM NORTON JEFF GRAY KELSEY LUNDY STUART LUTHER 101 N. FIRST AVE., STE. 2900 Government & Deputy Director Deputy Director Government & Phoenix, AZ 85003 Public Affairs of Client Services of Client Public Affairs Director Development Associate CONTENTS Politics e to AZ ARIZONA NEWS SERVICE Insider’s Guid Political lists STAFF CONTACTS 04 ARIZONA NEWS SERVICE BEATING THE POLITICAL LEGISLATIVE Administration ODDS CONSULTANTS, DISTRICT Vice President & Publisher: ARIZONA CAPITOL TIMES • Arizona Capitol Reports Ginger L. Lamb Arizonans show PUBLIC POLICY PROFILES Business Manager: FEATURING PROFILES of Arizona’s legislative & congressional districts, consultants & public policy advocates they have ‘the juice’ ADVOCATES, -
Fuller’S Leadership and Over- Vincent of the Refuge Staff Are Notable for Having Sight Were Invaluable
Acknowledgments Acknowledgments Many people have contributed to this plan over many detailed and technical requirements of sub- the last seven years. Several key staff positions, missions to the Service, the Environmental Protec- including mine, have been filled by different people tion Agency, and the Federal Register. Jon during the planning period. Tom Palmer and Neil Kauffeld’s and Nita Fuller’s leadership and over- Vincent of the Refuge staff are notable for having sight were invaluable. We benefited from close col- been active in the planning for the entire extent. laboration and cooperation with staff of the Illinois Tom and Neil kept the details straight and the rest Department of Natural Resources. Their staff par- of us on track throughout. Mike Brown joined the ticipated from the early days of scoping through staff in the midst of the process and contributed new reviews and re-writes. We appreciate their persis- insights, analysis, and enthusiasm that kept us mov- tence, professional expertise, and commitment to ing forward. Beth Kerley and John Magera pro- our natural resources. Finally, we value the tremen- vided valuable input on the industrial and public use dous involvement of citizens throughout the plan- aspects of the plan. Although this is a refuge plan, ning process. We heard from visitors to the Refuge we received notable support from our regional office and from people who care about the Refuge without planning staff. John Schomaker provided excep- ever having visited. Their input demonstrated a tional service coordinating among the multiple level of caring and thought that constantly interests and requirements within the Service. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Routledge Handbook of Indian Cinemas the Indian New Wave
This article was downloaded by: 10.3.98.104 On: 28 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK Routledge Handbook of Indian Cinemas K. Moti Gokulsing, Wimal Dissanayake, Rohit K. Dasgupta The Indian New Wave Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 Ira Bhaskar Published online on: 09 Apr 2013 How to cite :- Ira Bhaskar. 09 Apr 2013, The Indian New Wave from: Routledge Handbook of Indian Cinemas Routledge Accessed on: 28 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 THE INDIAN NEW WAVE Ira Bhaskar At a rare screening of Mani Kaul’s Ashad ka ek Din (1971), as the limpid, luminescent images of K.K. Mahajan’s camera unfolded and flowed past on the screen, and the grave tones of Mallika’s monologue communicated not only her deep pain and the emptiness of her life, but a weighing down of the self,1 a sense of the excitement that in the 1970s had been associated with a new cinematic practice communicated itself very strongly to some in the auditorium. -
AACE Annual Meeting 2021 Abstracts Editorial Board
June 2021 Volume 27, Number 6S AACE Annual Meeting 2021 Abstracts Editorial board Editor-in-Chief Pauline M. Camacho, MD, FACE Suleiman Mustafa-Kutana, BSC, MB, CHB, MSC Maywood, Illinois, United States Boston, Massachusetts, United States Vin Tangpricha, MD, PhD, FACE Atlanta, Georgia, United States Andrea Coviello, MD, MSE, MMCi Karel Pacak, MD, PhD, DSc Durham, North Carolina, United States Bethesda, Maryland, United States Associate Editors Natalie E. Cusano, MD, MS Amanda Powell, MD Maria Papaleontiou, MD New York, New York, United States Boston, Massachusetts, United States Ann Arbor, Michigan, United States Tobias Else, MD Gregory Randolph, MD Melissa Putman, MD Ann Arbor, Michigan, United States Boston, Massachusetts, United States Boston, Massachusetts, United States Vahab Fatourechi, MD Daniel J. Rubin, MD, MSc Harold Rosen, MD Rochester, Minnesota, United States Philadelphia, Pennsylvania, United States Boston, Massachusetts, United States Ruth Freeman, MD Joshua D. Safer, MD Nicholas Tritos, MD, DS, FACP, FACE New York, New York, United States New York, New York, United States Boston, Massachusetts, United States Rajesh K. Garg, MD Pankaj Shah, MD Boston, Massachusetts, United States Staff Rochester, Minnesota, United States Eliza B. Geer, MD Joseph L. Shaker, MD Paul A. Markowski New York, New York, United States Milwaukee, Wisconsin, United States CEO Roma Gianchandani, MD Lance Sloan, MD, MS Elizabeth Lepkowski Ann Arbor, Michigan, United States Lufkin, Texas, United States Chief Learning Officer Martin M. Grajower, MD, FACP, FACE Takara L. Stanley, MD Lori Clawges The Bronx, New York, United States Boston, Massachusetts, United States Senior Managing Editor Allen S. Ho, MD Devin Steenkamp, MD Corrie Williams Los Angeles, California, United States Boston, Massachusetts, United States Peer Review Manager Michael F. -
De Club De Club 100 VERHALEN OVER HET CLUBGEVOEL Door Sven Vantomme & Benjamin Van Synghel
de Club de Club 100 VERHALEN OVER HET CLUBGEVOEL door Sven Vantomme & Benjamin Van Synghel Memento Club 12 Minuut 23 52 VOORWOORD AUTEUR FRANÇOIS STERCHELE Een vergeelde groepsfoto 14 Brief aan Birger Jensen 56 DE BEGINJAREN In een koud en ver land 61 Vak 322 18 DE ZWARTE PARELS VAN CLUB BRUGGE BUREN IN HET STADION Brugge aan zee 63 Requiem voor de HECTOR GOETINCK Eeuwige Rechtsachter 21 FONS BASTIJNS De Oude Leeuw van Brugge 64 CHARLES CAMBIER Retouche van een wondergoal 23 ROBERT ŠPEHAR De retro van Marmenout 67 GILBERT MARMENOUT Voor Lorenzo 25 MATHEW RYAN Brugge, die Scone 68 PAUL COURANT De parels van Vermant 26 SVEN VERMANT Kattenkwaad in het strafschopgebied 71 BOŠKO BALABAN Leider van 30.000 volgers 29 PERCY TAU Allemoale thope! 73 DE CLUB BRUGGE FOUNDATION Jongensdroom 31 PASCAL PLOVIE Even leek alles mogelijk 74 ANDRÉS MENDOZA, DANY VERLINDEN & AC MILAN, 2003 ‘Ik was d’erby!’ 32 ENKELE DERBY’S Thuiskomen bij Club 76 JOS VOLDERS De opvolger van Churchill 35 IVAN LEKO Een kogel in de bovenhoek 79 6 OP 18 IN DE CHAMPIONS LEAGUE Brief aan Raoul Lambert 37 De verzwolgen topspits 81 Bouwen aan de toekomst 43 JEAN-PIERRE PAPIN BASECAMP WESTKAPELLE Stille Jan 82 In het spoor van de Front Wanderers 45 EDGARAS JANKAUSKAS ‘Jin, twji, drieje!’ 47 ‘Victor! Victor! Victor!’ 85 TROND SOLLIED VICTOR VÁZQUEZ De Europese Vuurdoop 49 Het hart van Brugge bleef stilstaan 87 VOORBIJ LASK EN KIEV NAAR DE CHAMPIONS LEAGUE NICO RIJNDERS De gewijde grond 51 Het gezicht van mijn Club 88 DE PLATSE HUGO BROOS Brief aan Jan Ceulemans 90 De D-Day van Roger -
Indian Films on Partition of India
PEOPLE: International Journal of Social Sciences ISSN 2454-5899 Manoj Sharma, 2017 Volume 3 Issue 3, pp. 492 - 501 Date of Publication: 15th December, 2017 DOI-https://dx.doi.org/10.20319/pijss.2017.33.492501 This paper can be cited as: Sharma, M. (2017). Cinematic Representations of Partition of India. PEOPLE: International Journal of Social Sciences, 3(3), 492-501. This work is licensed under the Creative Commons Attribution-Non-commercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. CINEMATIC REPRESENTATIONS OF PARTITION OF INDIA Dr. Manoj Sharma Assistant Professor, Modern Indian History, Kirori Mal College, University of Delhi, Delhi-110007 – India [email protected] ________________________________________________________________________ Abstract The partition of India in August 1947 marks a watershed in the modern Indian history. The creation of two nations, India and Pakistan, was not only a geographical division but also widened the chasm in the hearts of the people. The objective of the paper is to study the cinematic representations of the experiences associated with the partition of India. The cinematic portrayal of fear generated by the partition violence and the terror accompanying it will also be examined. Films dealing with partition have common themes of displacement of thousands of masses from their homelands, being called refugees in their own homeland and their struggle for survival in refugee colonies. They showcase the trauma of fear, violence, personal pain, loss and uprooting from native place. -
Fall 2020 Commencement Program
TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Fall 2020 December 14, 2020 THE NATIONAL ANTHEM THE STAR-SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program have completed degree requirements.