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CHINA RESEARCH MONOGRAPH 51 F M" INSTITUTE OF EAST ASIAN STUDIES ~ '-J UNIVERSITY OF CALIFORNIA • BERKELEY c::<::s CENTER FOR CHINESE STUDIES Cross-Cultural Readings of Chineseness Narratives, Images, and Interpretations of the 1990s EDITED BY Wen-hsin Yeh A publication of the Institute of East Asian Studies, University of Califor nia, Berkeley. Although the Institute of East Asian Studies is responsible for the selection and acceptance of manuscripts in this series, responsibil ity for the opinions expressed and for the accuracy of statements rests with their authors. Correspondence and manuscripts may be sent to: Ms. Joanne Sandstrom, Managing Editor Institute of East Asian Studies University of California Berkeley, California 94720-2318 E-mail: [email protected] The China Research Monograph series is one of several publications series sponsored by the Institute of East Asian Studies in conjunction with its constituent units. The others include the Japan Research Monograph series, the Korea Research Monograph series, and the Research Papers and Policy Studies series. A list of recent publications appears at the back of the book. Library of Congress Cataloging-in-Publication Data Cross-cultural readings of Chineseness : narratives, images, and interpretations of the 1990s I edited by Wen-hsin Yeh. p. em. - (China research monograph; 51) Collection of papers presented at the conference "Theoretical Issues in Modern Chinese Literary and Cultural Studies". Includes bibliographical references ISBN 1-55729-064-4 1. Chinese literature-20th century-History and criticism Congresses. 2. Arts, Chinese-20th century Congresses. 3. Motion picture-History and criticism Congresses. 4. Postmodernism-China Congresses. I. Yeh, Wen-hsin. -
Star Channels, Jan. 5-11, 2020
JANUARY 5 - 11, 2020 staradvertiser.com HEARING VOICES In an innovative, exciting departure from standard television fare, NBC presents Zoe’s Extraordinary Playlist. Jane Levy stars as the titular character, Zoey Clarke, a computer programmer whose extremely brainy, rigid nature often gets in the way of her ability to make an impression on the people around her. Premiering Tuesday, Jan. 7, on NBC. Delivered over 877,000 hours of programming Celebrating 30 years of empowering our community voices. For our community. For you. olelo.org 590191_MilestoneAds_2.indd 2 12/27/19 5:22 PM ON THE COVER | ZOEY’S EXTRAORDINARY PLAYLIST A penny for your songs ‘Zoey’s Extraordinary Playlist’ ...,” narrates the first trailer for the show, “... her new ability, when she witnesses an elabo- what she got, was so much more.” rate, fully choreographed performance of DJ premieres on NBC In an event not unlike your standard super- Khaled’s “All I Do is Win,” but Mo only sees “a hero origin story, an MRI scan gone wrong bunch of mostly white people drinking over- By Sachi Kameishi leaves Zoey with the ability to access people’s priced coffee.” TV Media innermost thoughts and feelings. It’s like she It’s a fun premise for a show, one that in- becomes a mind reader overnight, her desire dulges the typical musical’s over-the-top, per- f you’d told me a few years ago that musicals to fully understand what people want from formative nature as much as it subverts what would be this culturally relevant in 2020, I her seemingly fulfilled. -
University of California, San Diego
UNIVERSITY OF CALIFORNIA, SAN DIEGO Shanghai in Contemporary Chinese Film A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Comparative Literature by Xiangyang Liu Committee in charge: Professor Yingjin Zhang, Chair Professor Larissa Heinrich Professor Wai-lim Yip 2010 The Thesis of Xiangyang Liu is approved and it is acceptable in quality and form for publication on microfilm and electronically: ______________________________________________________________________ ______________________________________________________________________ ______________________________________________________________________ Chair University of California, San Diego 2010 iii TABLE OF CONTENTS Signature Page……………………………………………………………………… iii Table of Contents…………….…………………………………………………...… iv Abstract………………………………………………………………..…................ v Introduction…………………………………………………………… …………... 1 Chapter One A Modern City in the Perspective of Two Generations……………………………... 3 Chapter Two Urban Culture: Transmission and circling………………………………………….. 27 Chapter Three Negotiation with Shanghai’s Present and Past…………………………………….... 51 Conclusion………………………...………………………………………………… 86 Bibliography..……………………..…………………………………………… …….. 90 iv ABSTRACT OF THE THESIS Shanghai in Contemporary Chinese Film by Xiangyang Liu Master of Arts in Comparative Literature University of California, San Diego, 2010 Professor Yingjin Zhang, Chair This thesis is intended to investigate a series of films produced since the 1990s. All of these films deal with -
GANGS of NEW YORK Außer Konkurrenz GANGS of NEW YORK GANGS of NEW YORK Regie:Martin Scorsese
Wettbewerb/IFB 2003 GANGS OF NEW YORK Außer Konkurrenz GANGS OF NEW YORK GANGS OF NEW YORK Regie:Martin Scorsese USA 2002 Darsteller Amsterdam Vallon Leonardo DiCaprio Länge 168 Min. Bill Cutting Daniel Day-Lewis Format 35 mm, Jenny Everdeane Cameron Diaz Cinemascope Boss Tweed Jim Boadbent Farbe Happy Jack John C.Reilly Johnny Sirocco Henry Thomas Stabliste Pfarrer Vallon Liam Neeson Buch Jay Cocks Walter „Monk“ Steven Zaillian McGinn Brendan Gleeson Kenneth Lonergan McGloin Gary Lewis Story Jay Cocks Shang Stephen Graham Kamera Michael Ballhaus Killoran Eddie Marsan Kameraführung Andrew Rowlands Reverend Raleigh Alec McCowen Kameraassistenz Tom Lappin Mr.Schermerhorn David Hemmings Schnitt Thelma Soonmaker Jimmy Spoils Larry Gilliard,Jr. Mitarbeit James Kwei Hell-Cat Maggie Cara Seymour Pat Buba P.T.Barnum Roger Ashton- Ton Ivan Sharrock Griffiths Musik Howard Shore Einarmiger Priester Peter Hugo Daly Production Design Dante Ferreti Daniel Day-Lewis, Leonardo DiCaprio Junger Amsterdam Cian McCormack Ausstattung Stefano Ortolani Junger Johnny Andrew Gallagher Kostüm Sandy Powell O’Connell Philip Kirk Regieassistenz Joseph Reidy GANGS OF NEW YORK Bills Gang Liam Carney Casting Ellen Lewis Das südliche Manhattan in den 60er Jahren des 19. Jahrhunderts, einer Zeit Gary McCormack Produktionsltg. Michael Hausman großer Unruhen in den USA – das Land steht kurz vor dem Bürgerkrieg. Für David McBlain Produzenten Alberto Grimaldi die arme Bevölkerung von New York tobt der Kampf allerdings schon lange Jennys Mädchen Katherine Wallach Harvey Weinstein – und zwar direkt vor ihrer Haustür. Korruption bestimmt die Politik, Gesetz- Carmen Hanlon Executive Producers Michael Ovitz Ilaria D’Elia Bob Weinstein losigkeit das Alltagsleben; rivalisierende Gangs kämpfen um die Vorherr- Gangmitglieder Nevan Finnegan Rick Yorn schaft auf den Straßen. -
Italian Cinema WL 3390/CTV 3390 No Prerequisites. in English
Italian Cinema WL 3390/CTV 3390 No prerequisites. In English. SYLLABUS Brandy Alvarez [email protected] 416 Clements Hall Tel. 214 768 1892 Required texts: Peter Bondanella, Italian Cinema from Noerealism to the Present ; Continuum, New York, 1997 (Third Edition 2001) and course packet Grading: 25 % class discussion 25 % daily response papers 25 % oral presentation 25 % final paper Methods of evaluation : Students will write short responses to each film (generally one page to a page and a half) and answer analytical questions that are distributed with each film, present to the class a summary of a critical film essay, and write a five-page final paper on one of the film's we viewed in class. Absences: Given the nature of the J-term course, any absence will affect the final grade (one grade for each absence). Student Learning Outcomes: (from Creativity and Aesthetics: Level One : 1). Students will be able to identify methods, techniques, or languages of a particular art form and explain how those inform its creation, performance, or analysis, and 2. Students will be able to demonstrate an understanding of concepts fundamental to the creative impulse through analysis. Overview and additional learning expectations : This course offers a brief chronological survey of renowned Italian films and directors as well as exemplars of popular cinema that enjoyed box office success abroad. We will explore the themes and cinematic style of Neorealism and the 'generational' waves of those directors who followed in its wake, including Fellini. Students will watch the films in original language with English subtitles. • Students learn the fundamentals of film analysis, including the basic structural and narrative components of a film, and the terminology necessary to describe both. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Download the List of History Films and Videos (PDF)
Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future. -
Piranha 3Dd English Subtitles Free Download
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A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS
ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. -
The Myth of the Good Italian in the Italian Cinema
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 5 No 16 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy July 2014 The Myth of the Good Italian in the Italian Cinema Sanja Bogojević Faculty of Philosophy, University of Montenegro Doi:10.5901/mjss.2014.v5n16p675 Abstract In this paper we analyze the phenomenon called the “myth of the good Italian” in the Italian cinema, especially in the first three decades of after-war period. Thanks to the recent success of films such as Tarantino’s Inglorious Basterds or Academy Award- winning Benigni’s film La vita è bella and Spielberg’s Schindler’s List it is commonly believed that the Holocaust is a very frequent and popular theme. Nevertheless, this statement is only partly true, especially when it comes to Italian cinema. Soon after the atrocities of the WWII Italian cinema became one of the most prominent and influential thanks to its national film movement, neorealism, characterized by stories set amongst the poor and famished postwar Italy, celebrating the fight for freedom under the banners of Resistance and representing a nation opposed to the Fascist and Nazi regime. Interestingly, these films, in spite of their very important social engagement, didn’t even mention the Holocaust or its victims and it wasn’t until the 1960’s that Italian cinema focused on representing and telling this horrific stories. Nevertheless, these films represented Italians as innocent and incapable of committing cruel acts. The responsibility is usually transferred to the Germans as typically cold and sadistic, absolving Italians of their individual and national guilt. -
ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.