DOCSLIB.ORG

Presents Jennie Tourel on March 3 Musical Review, Packin

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Presents Jennie Tourel on March 3 Musical Review, Packin On Saturday Night 1 Stude. \.i Up, If We Know Where To Go \ And Stt L Show 5 j . <l 9 V , Angles Vol. 22 — No. 8 QuadState Teachers College, West Chester, Pa. February 27, 195.3 All-Star Program Positions Offered , Presents On '54 Serpentine Musical Review, Packin Up, Neais; Jennie Tourel On 3 Juniors interested in working Prepared s March on Cast For Tomorrow Show the 1954 edition of Serpen- tine should report Wednesday Responsible For The Show afternoon, March 4, at 4 p. m. Mezzo-soprano Is to the back social room of the Curtail* Goes Up Main dormitory. , Fifth In Series Persons are needed for work On Students Play on the literary, art, photogra- Jennie Tourel, mezzo-soprano, phic and typing staffs of the "Curtain going up!" That'll be will be guest artist Tuesday ;il 8:15 tomorrow book, and may state their the cry even- March 3 at 8:15 m. in Philips re- p. in In the Philips memorial audi- spective preferences at that memorial auditorium In the fifth torium when Packin' Up makes time. of the annual All-star series. If it is impossible to be in its first public appearance. While being interviewed for a attendance at this meeting, con- Packin' Up, an original musical newspaper recently, Miss Tourel tact Carolyn Meyer before March comedy, Is. a student enterprise. said, "I try to put a pedal onto 7. No names will be considered The songs were written by John my voice like a piano. A vocalist by Joyce after this date. Holmes, book Swend- must produce a continuous sen, orchestration by Kenneth sound,, not a note here and a Raeseler, and stage direction by note there." Wayne Hall Follies Virgil Marchinkevich. Miss Tourel also remarked, Mr. Powell C. Middleton of the "Tell all vocal students that music department is directing music is not only singing. There Presents TV Show the orchestra. are symphonies and chamber Jack Holmes, the composer of by Leonard Kleeman music and concertos and sona- the music and lyrics, is from tas. Tell them to listen carefully TV or not TV, that is the ques- Harrisburg. Packin' Up is not to these and not only stay tion. And the question around .lack's first attempt at musical amongst voices. campus is "What's with the Fol- comedy. He also has to his credit "Every time I hear music, lies?" The answer will be re- ;i musical which was written and no matter what it is, I learn from vealed on March 13 and 14, when presented during his senior year It. And singers, even if they do the Varsity club presents the in high school. From I. to r.—Ken Raessler, Virgil Marcinkevich, Joyce Swendsen, and John Holmes not believe it, are musicians, too. annual Wayne Hall Follies, Wrote Song Please - let them never forget figure of the early twentieth On campus Jack is well known that." Literally loaded with talent for his Junior prom theme song, Program Has Five Paris and laughs, it will move away Advisory Board, Men's Group | A Night in Venice. Jack is a Miss Tourel's program will from campus life this year and NEWS BRIEFS ,, j member of college choir, presi- consist of five groups of songs. center itself in a TV studio. No, dent of Music clutv, and a Dean's Jennie Tourel by Jacqueline Crolius Present "Finians Rainbow The first group will include there won't be any Uncle Miltie list student. Other activities in- "Thy Hand, Belinda," from Dido or Jack Benny, but there will be clude Phonograph club, under- 'and Aeneas, Purcell, If Music Sal Esposito, Magno, and study in Don't We All, and by Faculty College Joe a Many people have been won- will come to life at the Mid-winter formal, Saturday night, by Exhibits All Party ', Be The Food Of Love, Purcell, host of other clowns. dering what has happened to March 7, in Entitled Finian's Rainbow, the church work both here and in Canzonetta, by Haydn, The Mer- Watch for the tootin', Recreation hall. Harrisburg. Paintings In Lobby rootin', some of WC's alumni. In an at- formal will be from 9-12 p. m. with the Criterions supplying maid's Song, by Haydn. Set For March 25 shootin' Sloppalong Cassidy, the tempt to present a partial answer Admission will dollars. Joyce Swendsen, a junior the music. be three music The second group will include Familiar scones may now be brilliant one-toothed sleuth, Slam to this query this reporter has Sponsored jointly by the advisory board and the Men's student, is responsible for the book new Von Ewiger Liebe, by Brahms. viewed by students they sit March 25, is the announced Slade, and the famed sports uncovered the following facts. of the musical, as , Packin Up. this Standchen, by Franz Schubert, in the main lobby. The pictures date for the annual occurrence century, "Casey". Gloria Lange, '52, is now teach- only dance which is campus-wide Although is Sandy's first Fischeriwiese, by Robert Schu- presently hanging there are an known as the All-College Party. Chorus Lines Featured ing in Cheltenham grammar and does not appeal to a class i attempt at play- writing, she has had four year's bert, Widmung, by Robert Schu- exhibit of the work of the mem- This year's event will be simi- There's a chorus line imported school and recently became pinn- Archer To Appear loyalty. This is the first year that experience and mann, Ein Traum, by Edward bers of the art department. lar to that of last year. from France and the lovable ed to Donald Tedrow. Sam Mus- the men's councils have helped planning writing the script for her radio Grieg. Miss Tourel's third divi- Mr. H. Theodore Hallman, sweater girls of the Follies chor- tin, a '52 graduate, is teaching at with the annual formal. Both the own Several Dances To Be Held At Mar. 3 Program show. Her past six have sion will be the aria from II head of the art department, Miss us high-stepping to The Wayne Ridley Park. Our favorite Suzie Advisory board and the men's summers been Barbiere di Siviglia, by Rossini, Hazel L. Lamborn and Mr. One of the features of the Hall Follies. Montello, '52 has made tentative councils will share equally in the spent playing and singing unusual the small "Una voce pocofa." Robert D. McKinney, both mem- evening will be a volley ball The orchestra is under the ba- plans to attend the University of An program in expenses and profits. with dance-band combo's game. field of archery will be presen- and USO groups. The fourth group will consist bers of that department, have ton of Ray Hoester and features Pennsylvania to study journal- Committees Organized ted in convocation March 3. Sandy a member of college of Serenade, by Gounod, C'est combined their talents to place Several types of dances will be many of the better musicians on ism. Is Under the leadership of Margie choir display. held immediately following the This program will feature Jim i and was understudy in I'extase langoureuse, by Debussy, these paintings on campus. Bill Engard, a physical educa- Gordon, several committees have volleyball game. There will be J. Lynch. Don't We All. She has appeared. O quand je dore, by Liszt and Last Wednesday afternoon This year, Bob Brightbill is tion, major of '52 became engaged been organized. Committee chair- social dancing Rec. Hall and Lynch was the star of the j in Little tiioatre's The Curious the aria from Samson and Deli- faculty and students were in- in chairman of the Follies commit- to Jo Weinberg, a former stu- Mr. men are: Katherine Steffa, decor- square dancing the gym. Columbia moving picture King ! Savage, and musically In Green lah, by Saint-Saens, "My Heart vited 1o a tea at which the paint- in new tee with Bob Trimble leading the dent, on Valentine's Day. Joan ations; Joan Winters, publicity; He has also appeared i Grow the Lilacs. at Thy Sweet Voice." Miss Tourel ings were the topic of conversa- There will be social danc- "shapely" chorus gals. The Fol- Nyland, '52, also became engaged. Archer. Helen Dennis, refreshments: on many TV shows in New York Music Continued on Page 4 tion. ing in Rec. Hall and Square danc- lies of 1953, TV or not TV, is Ed Malekowski, '51, now married Katherine Johnson and Barbara I Arranged and Chicago. ing in the New Gym. written and directed by Tom to Jen Dailey, has become the Leeds, day-student publicity; Orchestrations were done, by high- Ken Refreshments will be served to Serayderian and Leonard Klee- proud papa of a baby boy, The program will be Nancy Snyder, tickets; and Dot Raessler, junior music stu- ■ of dent. Ken Students With "B" Average all, without cost, in the college man. Michael. Jesse Ragni, '51, sports lighted by demonstrations Young, invitations. Working for comes from High dining room. Tickets Cost 75? a diamond. precision with the bow and ar- the men are John Collins, Bill Spire, Penna. While in high row. school he was runner-up in the The grand finale of the even- Get your tickets early at the Return To Campus Freudenberger, Ted Frisby, ai Pennsylvania state Forensics Listed By Dr. Free's Office i.ng will be the faculty show fea- sign of the Flying "W" (or a var- Shots include shooting be- Harold Singley. on Returning once again to cam- back, trumpet.
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 96, 1976
    ORCHESTRA © 1976 New England Mutual Life Insurance Company. Boston. Subsidiary: NEL Equity Services Corporation, mutual funds; Affiliate: Loomis, Sayles & Company. Inc., investment counselors "MyNewEngland Life Agency? Downing&Desautels,ofcourseAVhy?" Because Downing & Desautels know the ropes so well, especially in the areas of pensions, estate planning and mutual funds. To be on the safe side, call them at 542-0553 in Boston. BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA A '•: Music Director -^%) Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Sixth Season 1976-77 The Trustees of the Boston Symphony Orchestra Inc Talcott M. Banks President Philip K. Allen Sidney Stoneman John L. Thorndike Vice-President Vice-President Treasurer Vernon R. Alden Mrs. Harris Fahnestock John T. Noonan Allen G. Barry Harold D. Hodgkinson Mrs. James H. Perkins Mrs. John M. Bradley David O. Ives Irving W. Rabb Richard P. Chapman E. Morton Jennings, Jr. Paul C. Reardon Abram T. Collier Edward M. Kennedy David Rockefeller Jr. Nelson J. Darling, Jr. Edward G. Murray Mrs. George Lee Sargent Archie C. Epps III Albert L. Nickerson John Hoyt Stookey Trustee Emeritus Henry A. Laughlin Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Joseph M. Hobbs Dinah Daniels Director of Development Director of Promotion Richard C. White Anita R. Kurland Niklaus Wyss Assistant to the Manager Administrator of Youth Activities Advisor for the Music Director Donald W. Mackenzie James F. Kiley Operations Manager, Symphony Hall Operations Manager, Tanglewood Michael Steinberg Director of Publications Programs copyright © 1976 Boston Symphony Orchestra Inc.
    [Show full text]
  • The Uuive .A,...,." Cal Society The
    The Uuive _.a,...,." cal Society The Presents Elly Ameling Soprano DALTON BALDWIN, Pianist Tuesday Evening, November 16, 1976, at 8:30 Rackham Auditorium, Ann Arbor, Michigan PROGRAM Das Lied der Trennung 1 Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte Abendempfindung J. WOLFGANG A. MOZART Das Veilchen An die Einsamkei t An Chloe !m FruehIing 1 Fruehlingsglau be An Sylvia ~ FRANZ SCHUBERT Die junge Nonne I Der Musensohn J INTERMISSION Drey Minnelieder FRANK MARTIN Ach Herzeli eb Ez Stuont ein Frouwe Alleine Un tel' del' Linden MandoIine Au bord de l'eau 1 Arpege GABRIEL FAURE Les Roses d'!spahan La Rose J Ludions ERIK SATIE Air du Rat Air du Poete Spleen Chanson du Chat Grcnouill e Americain e La Diva de l'Empire ERIK SATIE Philips, RCA, L ondon, Angel, Odeo n, EMI, Harmonia Mundi, and BASF R ecords Second Concert Debut Recital Series Complete Programs 4023 About the Artists Dutch soprano ELLY AMELING has made annual visits to the United States and Canada since her American debut in 1968 in New York's Avery Fisher Hall. While her personal preference is for the German Lieder and French Melodies included in her song recitals, she is at home in all forms of singing-chamber music , concerts with full orchestra, oratorios, and opera. She has just returned from a recital and concert tour of Australia and the Far East, will perform in South America this winter, and will make her debut with the National Orchestra of Mexico in March. Her North American tour this season extends the entire width of the continent from Florida to Alaska.
    [Show full text]
  • ACRL News Issue (B) of College & Research Libraries
    Columbia University has and Humanities Research received a $150,000 grant Council of Canada award from the Andrew W. Mellon and a $500 development Foundation to fund a three- G rants grant from the Canadian year extension of its Mellon Library Association to fund Preservation Administration and research on “Leadership for Internship Program. The pro­ Excellence in Canadian gram, initiated in 1982, trains University Libraries: Crite­ qualified administrators to fill ria for Success.” preservation positions in re­ Acquisitions search libraries through the Stanford University's country. Graduate School of Busi­ ness received a major gift Drexel University's Col­ to establish a high-tech re­ lege of Information Studies search facility within the received $118,400 from the U.S. Department Jackson Library. Named after its donors, Claude of Education to fund eight doctoral fellowships and Louise Rosenberg, both Stanford alumni, in the 1992-1993 academic year. the Rosenberg Corporate Research Center will occupy most of the first floor of the three-story Kansas Slate University (KSU) received an library and will contain the library’s entire ref­ additional $600,000 from a Florida woman to erence area. The library was combined with expand the development of a new engineer­ the Business School’s computing services into ing library. The money will allow KSU’s Col­ a single Department of Information Resources lege of Engineering to create an undergradu­ last year. ate library. In September Alice Fiedler of St. Petersburg, Florida, gave $1.4 million to estab­ The University of California at Santa Cruz lish the engineering library. received and matched donations from six promi­ nent Santa Cruz county families to establish a Kansas State University will receive $2 $24,000 endowment.
    [Show full text]
  • September 20, 1994
    D IOCESE OF THE A RMENIAN CHURCH OF AMERICA U rl-UQ\JnPf'l.nJ"I.fl)-l'J"I.\J ~UBnB UU'bPJ"l~UBJ"l UPbJ"I.blbU\J fl)-bU't> Archbishop Khajag Barsamian, Primate September 20, 1994 The Very Reverend Father Nareg Berberian St. James Armenian Church 834 Pepper Ave. Richmond, VA 23226 Dear Hayr Soorp: Enclosed is the biography of Ms. Anita Terzian who will be the recipient of this year's Renaissance A ward. Please include this information in its entirety in your program booklet for the Saturday evening banquet for the benefit of your people who will attend. We will handle PR on behalf of the Diocese from our Development Office. If you have any questions in this regard contact me ASAP. With continued prayers, _ Jy ,~~ Father Garabed Kochakian Chancellor Enc. c.c. Keith Muhleman FGK/as 630 SECOND AVENUE, NEW YORK, NY 10016-4885 TELEPHONE 212.686.0710 FAX 212.779.3558 Mezzo .. Soprano ANfT A TERZJAN Internationally renowned Mezzo Soprano ANITA TERZIAN has performed with distincti on at many of the world's leading opera houses including the Rome Opera, The Lyceo in Barcelona, • Lisbon's San Carlos, The Hamburg State Opera, Royal Opera Monnaie, Teatr o Colon, Munich Opera, Louisville Opera, Grand Theatre de Geneve, City Opera of Cologne, San Francisco Opera, Theatre de Nice, National Opera of Greece, State Opera of Bonn, Dusseldorf Opera, New Yo rk City Opera, Santa Fe Ope r a, Theatre des Champs-Elysees, Teatro La Fenice among many others. Her stellar operatic roles performed to great critical and audience acclaim include Ruggiero and Bradamante in Handel's Alcina, Giulietta in The Tales of Hoffmann, Ottavia in L'Incoronazione di Poppea, Dorabella in Cosi Fan Tutte, the title roles in Carmen and La Perichole, Azucena i n Il Trovatore, Adalgisa in Norma, Santuzza in Cavalleria Rusticana, Charlotte a signature r ole performed with great success in Spain, Germany and Fraance to the Werther of Alfredo Krauss.
    [Show full text]
  • Iance Lessons
    THE SUNDAY STAR, Washington, D. C. C—7 Actress Misses _SUNDAY, FEBRUARY 3, 1930 usa STARTING TUESDAY DollyYarden ft .. It*#. toufnf. m a 4annf Her Souvenirs Presented by ^Ina/Vld. Utm§ ftol if tntuftmflif mJ^V •** adultl tvTtnmM UaakUf By the Associated Press Rubinstein to Columbia Cpera Co HOLLYWOOD. Play Sponsored by D. C. Recreation Dept. An old steamer trunk belonging ROOSEVELT AUDITORIUM to Charlotte Greenwod is missing, I3th A Allison Sts. N.W. Recital Fri. * S»t„ Feb. 17 A 18—8:30 F.M. the actress considers It a Impromptu and Tickets. 2.40. J.80. 1.20 on sale Snow Concert Bureau. 1108 G St. N.W. loss. Method Artists RE. 4433. grievous Rarely Adopted by This particular trunk contains To Be Employed This Afternoon photos, clippings and memoirs of rW’PA* ♦ Alice Eversman the first 25 years in her fabulous By At his recital this afternoon in and Juliet” when he it in career. She stored it in the base- gave ICE Constitution Hall, Artur Rubin- celebration of the New York ment of an New York f ] upstate stein should enjcr# himself thor- Philharmonic's 100th anniversary, SKATING residence in 1940, but when she oughly. He is going to play just she has always been the really had her possessions shipped to what he pleases. There will be no satisfying artist. Of Russian and French RMANCE \ MORNING- Hollywood recently the trunk was printed program and the re- origins, nowned will announce the she was brought up in France and -8:30 P.M. not among them.
    [Show full text]
  • The Pin-Up Boy of the Symphony: St. Louis and the Rise of Leonard
    The Pin-Up Boy of the Symphony St. Louis and the Rise of Leonard Bernstein BY KENNETH H. WINN 34 | The Confluence | Fall/Winter 2018/2019 In May 1944 25-year-old publicized story from a New Leonard Bernstein, riding a York high school newspaper, had tidal wave of national publicity, bobbysoxers sighing over him as was invited to serve as a guest the “pin-up boy of the symphony.” conductor of the St. Louis They, however, advised him to get The Pin-Up Boy 3 Symphony Orchestra for its a crew cut. 1944–1945 season. The orchestra For some of Bernstein’s of the Symphony and Bernstein later revealed that elders, it was too much, too they had also struck a deal with fast. Many music critics were St. Louis and the RCA’s Victor Records to make his skeptical, put off by the torrent first classical record, a symphony of praise. “Glamourpuss,” they Rise of Leonard Bernstein of his own composition, entitled called him, the “Wunderkind Jeremiah. Little more than a year of the Western World.”4 They BY KENNETH H. WINN earlier, the New York Philharmonic suspected Bernstein’s performance music director Artur Rodziński Jeremiah was the first of Leonard Bernstein’s was simply a flash-in-the-pan. had hired Bernstein on his 24th symphonies recorded by the St. Louis Symphony The young conductor was riding birthday as an assistant conductor, Orchestra in the spring of 1944. (Image: Washing- a wave of luck rather than a wave a position of honor, but one known ton University Libraries, Gaylord Music Library) of talent.
    [Show full text]
  • Barbara Hendricks Un Concert Exceptionnel À L’Opéra
    14 15 SAISON JOURNAL DE L’OPÉRA NICE CÔTE D’AZUR N° 31 > OCTOBRE • NOVEMBRE • DÉCEMBRE 2014 BARBARA HENDRICKS UN CONCERT EXCEPTIONNEL À L’OPÉRA > OPÉRA LES VÊPRES SICILIENNES VERSION DE CONCERT > OPÉRA TURANDOT > BALLET Verse Us PLEIN FEUX SUR DWIGHT RHODEN & NACHO DUATO > JEUNE PUBLIC LA GRANDE FABRIQUE DE MOTS e rideau vient de tomber sur la saison 2013-2014 avec trois événements 4 OPÉRA inoubliables, la création mondiale de Dreyfus, sur une musique de LES VÊPRES SICILIENNES Michel Legrand et un livret de Didier van Cauwelaert, la prestation de en version de concert notre Ballet Nice Méditerranée qui est allé représenter la France au French May de Hong MARCO GUIDARINI SOPHIE FOURNIER Kong et la venue des très grands violonistes Julian Rachlin et Peter Zimmermann, TURANDOT ovationnés par le public. Quant à la nouvelle saison 2014-2015, elle s’annonce déjà FEDERICO GRAZZINI prometteuse, avec elle aussi des moments particulièrement émouvants. IRINA RINDZUNER Flâner sur le nouveau quai des Etats-Unis puis oublier ses préoccupations pendant quelques heures, voici ce que vous propose l’Opéra Nice Côte d’Azur, grâce à une 20 CONCERT excellence artistique toujours présente et soutenue par des projets ouverts sur la SEPTEMBRE création comme sur le grand répertoire, que ce soit pour la programmation lyrique, LE REQUIEM DE VERDI BARBARA HENDRICKS À NICE symphonique ou chorégraphique. OCTOBRE & DÉCEMBRE La saison lyrique, proposée par Marc Adam, Directeur artistique de l’Opéra, abordera BRAHMS, SYMPHONIES les grands titres attendus par le public mais également des titres plus rarement 7 DÉCEMBRE programmés qui ne manqueront pas de susciter la curiosité.
    [Show full text]
  • Regular Vocal Coaches' Bios for Spring 2020
    VOCAL COACHING REGULAR COACHES’ BIOGRAPHIES — SPRING 2020 Pianist NOBUKO AMEMIYA has built a reputation as a dynamic and versatile collaborator; her playing is described as “soaring with a thrilling panache, and then with great warmth and suppleness.” (Valley News, VT) Equally committed to opera, artsongs and instrumental chamber music, she traveled three continents to give recitals and concerts with numerous renowned conductors and soloists such as Seiji Ozawa, James Conlon, Brian Priestman, James Dunham, Colin Carr, Rober Spano, and Lucy Shelton. An enthusiastic advocate of new music, Ms. Amemiya has worked with today’s leading composers, including John Harbison, George Crumb, Bright Sheng, Oliver Knussen and George Benjamin. Her music festival appearances include Música da Figueira da Foz in Portugal, Britten-Pears Institute at Aldeburgh Music Festival, Festival de Musique Lausanne in Switzerland, Aspen Music Festival, and Tanglewood Music Center where she was awarded Tanglewood Hooton Prize, acknowledging the “extraordinary commitment of talent and energy.” Prizes and awards include “Vittorio Gui” in Florence, Italy, the Munich International Music Competition, Manhattan School of Music President’s Award and Aldeburgh Music Festival Grant. Also active as a coach and educator, she worked for AIMS in Graz, Opera North, Aspen Music School, IIVA in Italy, Lotte Lehmann Akademie, New England Conservatory and Palazzo Ricci Akademie für Musik in Montepulciano. Ms. Amemiya currently works for the Manhattan School of Music, Prelude to Performances by Martina Arroyo Foundation, Lyric Opera Studio Weimar and Berlin Opera Academy in Germany. Accompanist/vocal coach, KARINA AZATYAN, extensively collaborates with leading figures of vocal art in United States, Europe and Israel.
    [Show full text]
  • ARSC Journal
    A TRIBUTE TO JENNIE TOUREL: CenerentoZa - Nacqui aZZ'affano ... Non pih mesta; Barbiere di SivigZia - Una voce poco fa; L'Itaiiana in AZgeri - Gruda sorte!; Semiramide - Bei raggio iusinghier (Rossini); Carmen - Habanera; Seguidiiie; Gypsy song; Card scene (Bizet); Norma - Sgombra ~ ia sacra seiva (Bellini); Cancao de carreiro (Villa­ Lobos); Triste (Ginastera); Pano murciano (Nin); Copias de curro duZce (Obradors); Zyczenie Op.?4 no.i; Niema czego trzeba, Op.?4 no.Z3 (Chopin); Songs and dances of death (Musorgski); Chansons madecasses; Vocaiise - Etude (Ravel); Troia chan­ sons de BiZitis (Debussy) L'adieu de Z'h$tesse arabe Op.2Z no.4 (Bizet); Le chapeZier; Je te veux (Satie). Jennie Tourel, mezzo-soprano; Pietro Cimara, Jean Morel, Fausto Cleva, Heitor Villa­ Lobos, conductors; George Reeves, Leonard Bernstein, piano; John Wummer, flute; Laszlo Vargo, cello. Odyssey Y2 32880, 2 discs. IN MEMORIAM: RICHARD TUCKER: Requiem - Ingemisco tamquam reus; Rigoietto - Parmi veder ie Zagrime; Aida - ceieste Aida; Luisa MiZZer - Quando ie sere ai pZacido (Verdi); Manon Lescaut - Donna non vidi mai; ... Guardate, pazzo io son; Tosca - E iucevan ie steiie; Turandot - Non piangere, Li~; ... Nessu~ dorma; Boh~me - Che geZida manina; Fanciuiia dei West - Ch'eiia,mi creda Zibero (Puccini); Andrea Chenier - Un di aZZ'aAzurro spazio (Giordano); Gio­ conda - Cieio e mar (Ponchielli); PagZiacci - Vesti ia giubba (Leoncavallo); P~cheurs de peries - Je crois entendre encore; Carmen - Air de ia fZeur (Bizet); Africaine - 0 paradis (Meyerbeer); Le Cid - 0 Souverain,
    [Show full text]
  • Download Booklet
    110735 bk Tourel US 29|01|2003 10:40 AM Page 5 Joseph HAYDN 9 CARMEN: Séguidille 1:50 Sergey RACHMANINOV ADD 1 The Mermaid’s Song 2:43 Recorded 13th May 1952 & O Cease thy Singing, Maiden Fair, Op. 4, No. 4 4:17 GREAT SINGERS • TOUREL [Now the dancing sunbeams play] Columbia ML 4608 Recorded 23rd June 1945 8.110735 Recorded Summer 1952 Columbia 71807 Haydn Society HSL 2051 0 Adieu de l’hôtesse arabe Op 21, No.4 4:04 Recorded 7th October 1947 * In the Silence of the Night, Op. 4, No. 3 2:34 2 A Pastoral Song 4:00 Columbia ML 4158 Recorded 25th June 1945 [My mother bids me bind my hair] Columbia 71808 Recorded Summer 1952 Emmanuel CHABRIER Jennie Haydn Society HSL 2051 ! Romance de l’étoile 3:13 ( Floods of Spring, Op. 14, No. 4 2:06 Recorded 6th January 1947 Recorded 23rd June 1945 Gioacchino ROSSINI Columbia ML 4158 Columbia 71809 TOUREL 3 SEMIRAMIDE: Bel raggio lusinghier 4:14 Recorded 17th July 1946 Gabriel FAURÉ Sergey PROKOFIEV Columbia 72134 @ Trois poèmes d’un jour, Op. 21: 4:55 ) ALEXANDER NEVSKY: Field of the Dead 6:04 A Vocal Portrait a) Rencontre b) Toujours c) Adieu Recorded 21st May 1945 4 IL BARBIERE DI SIVIGLIA : Una voce poco fa Recorded 7th October 1947 From Columbia set M580 Recorded 12th & 17th July 1946 6:19 Columbia ML 4158 Columbia 72133/32 Tracks 1 and 2 sung in English BIZET Maurice RAVEL Accompanied by Ralph Kirkpatrick on a Challis Fortepiano Fryderyk CHOPIN # Vocalise en forme de Habanera 2:48 5 Zyczenie [The Maiden’s Wish] 2:13 Recorded 7th October 1947 Tracks 3 and 4 sung in Italian CHOPIN Recorded 28th February
    [Show full text]
  • Scholarly Program Notes on the Graduate Voice Recital of Alexis Turner
    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School 2020 Scholarly Program Notes on the Graduate Voice Recital of Alexis Turner Alexis Turner [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/gs_rp Recommended Citation Turner, Alexis. "Scholarly Program Notes on the Graduate Voice Recital of Alexis Turner." (Jan 2020). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF ALEXIS TURNER by Alexis Turner BFA, Taylor University, 2018 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music Department of Music in the Graduate School Southern Illinois University Carbondale May 2020 RESEARCH PAPER APPROVAL SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF ALEXIS TURNER by Alexis Turner A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Music Approved by: Dr. David Dillard, Chair Graduate School Southern Illinois University Carbondale April 2020 TABLE OF CONTENTS CHAPTER PAGE CHAPTERS CHAPTER 1 – GOUNOD’S “JE VEUX VIVRE” from ROMEO ET JULIETTE…………..1 CHAPTER 2 – BRAHM’S SECHS LIEDER, OP. 97………………………………………………….3 CHAPTER 3 – DE FALLA’S SIETES CANCIONES POPULARES ESPAÑOLAS………….9 CHAPTER 4 – MOZART’S DEH VIENI NON TARDAR from
    [Show full text]
  • INFORMATION to USERS This Manuscript Has Been Reproduced
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing In this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Ifowell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS The original manuscript received by UMI contains pages with slanted print. Pages were microfilmed as received. This reproduction is the best copy available UMI JANICE HARSANYI; PROFILE OF AN ARTISTATEACHER D.M.A.
    [Show full text]