DOCSLIB.ORG

Iance Lessons

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Iance Lessons THE SUNDAY STAR, Washington, D. C. C—7 Actress Misses _SUNDAY, FEBRUARY 3, 1930 usa STARTING TUESDAY DollyYarden ft .. It*#. toufnf. m a 4annf Her Souvenirs Presented by ^Ina/Vld. Utm§ ftol if tntuftmflif mJ^V •** adultl tvTtnmM UaakUf By the Associated Press Rubinstein to Columbia Cpera Co HOLLYWOOD. Play Sponsored by D. C. Recreation Dept. An old steamer trunk belonging ROOSEVELT AUDITORIUM to Charlotte Greenwod is missing, I3th A Allison Sts. N.W. Recital Fri. * S»t„ Feb. 17 A 18—8:30 F.M. the actress considers It a Impromptu and Tickets. 2.40. J.80. 1.20 on sale Snow Concert Bureau. 1108 G St. N.W. loss. Method Artists RE. 4433. grievous Rarely Adopted by This particular trunk contains To Be Employed This Afternoon photos, clippings and memoirs of rW’PA* ♦ Alice Eversman the first 25 years in her fabulous By At his recital this afternoon in and Juliet” when he it in career. She stored it in the base- gave ICE Constitution Hall, Artur Rubin- celebration of the New York ment of an New York f ] upstate stein should enjcr# himself thor- Philharmonic's 100th anniversary, SKATING residence in 1940, but when she oughly. He is going to play just she has always been the really had her possessions shipped to what he pleases. There will be no satisfying artist. Of Russian and French RMANCE \ MORNING- Hollywood recently the trunk was printed program and the re- origins, nowned will announce the she was brought up in France and -8:30 P.M. not among them. pianist \ AFTERNOON— numbers from the stage. He had Switzerland. She first studied the Now making a picture, “Peggy,” flute and later the A career )F THE I NIGHT— Miss Greenwood said she needs had a Chopin program all ar- piano. * to P.M.— U 11 P.M. on the latter instrument was B 8:30 the data for a forthcoming book, ranged, but, as one was given by for her when a SKATES RENTED “Never Too Tall.” In the trunk Guiomar Novaes on October 23, planned friend, 3 ©LSI Patrick Hayes, both artists being hearing her sing, advised her to are photos of her as a chorus Chase Ice Palace < on his Rubinstein to voice. In a few she Chevy girl in ‘The White Cat” in 1905, series, urged study years of re- was for the 4461 CONN. AVE. N.W. her debut as a comedienne in give one the impromptu ready Opera Comique RY citals he likes so well. in Paris and made her debut there | EM. 8100 “The Passing Show of 1912” and ING i It is understandable that an in "Carmen” in 1933. In less \ her starring appearance in “So JENNIE .TOUREL, mezzo-soprano of the Metropolitan Opera, right, gives her first song recital TUBB as well as artist should feel some rebellion at than 10 years she had won New 1 Long Letty,” stills from here on Tuesday in Constitution Hall. At left is JOHN MARTIN, the National Symphony’s first her movie debut in “Jane” in being limited to one or two set York. After being introduced by >EARL I -1 cellist, who will be heard as soloist on the Orchestra’s Wednesday program. 1918. programs each season. To sit Toscanini, Koussevitzky took her nd OSCAR I down before an audience, as be- as soloist with the Boston Sym- Recital A ^ a of in a for : BROS. I Rybier r Romberg ‘Evening’ fore group friends private phony and Stokowski the room, and play for it N. B. C. IANEY 3 Performances Only! At Student To Feature Soloists drawing | CHRISTIANSEN House whatever comes to mind must act This summer she will be the DUBADOURS THE ONE AND ONLY as an The featured soloist at the % CONDUCTING Felicia Rybier, Washington ^ ' The popular Sigmund Romberg inspiration. strange Edinburgh AND MANY OTHERS current binding a performer to his Festival. On August 29, she will will give a concert at Maurice will returns to Constitution Hall for a | pianist, Eisenberg, cellist, listeners is familiar to artist the first program on Thursday featuring every give English performance Tickets Now S International Student House, 1825 give a recital in the Phillips Gal- his orchestra and soloists. This if not to the audience itself. He to Hindemith’s new version of his 1.20, 1.80, 2.40, 3.00? CONCORDIA CHOIR lery this afternoon at 5. The R street NW., Saturday at 8:30. concert of his can sense how pleased they are “Das Marienleben,” which she (Tax Incl.) artist had a wide experience as a SrvJMrvAF Her will consist of coast to before the applause comes, how premiered in New York last winter MINN.) program coast (MOORHEAD, concert performer, having lived the Bach-Tausig “Toccata and tour is called indifference is politely masked or and repeated by request at Christ- and concertized here and in Eng- Fugue,” Beethoven’s “Sonata in “An how no impression was made maSf Two days later, she will be HOLLYWOOD Danilova ★ Franklin land, Canada, France, Switzerland Evening § TUE., FEB. 14, 8:30 P.M. D No. 3”: Poulenc’s with whatsoever. To set this magic heard in a sdng recital. On her 1- Danielian ★ Boris ★ Moyian ★ Tupine Major, Op. 10, Sigmund and Holland. Carlo Bussotti is “Suite,” Turina’s “Miniatures,” Romberg" for current operating pleasantly is the third postwar tour of Europe last IRECORDSHOP I & Brilliant Corps de Ballet the accompanist. CONSTITUTION HALL Albeniz’ “Leyenda” and numbers the artist’s task and sometimes he; summer, which included a tour Charlotte will program 1006 7th St, N.W. Bloecher, soprano, works at it. of her success was | § With NATIONAL SYMPHONY by Chopin. will be built hard Israel, phe- Also on be heard in a recital tomor- ¥ Sale at Arena JK song nomenal. This Day of « Tickets st SI. SI.80. 82 trom around excerpts Stated the past week she paid Concert —Constitution Hall— row Programs Vogue. Jh O Omer carillonist at the night at 8:30, assisted by Olga Ha,es Concert Bureau, 1108 N.W. Raup, from his many tribute to another great artist is, Bloecher, flutist, and Otto Guth Some people will be disappoint- FEBRUARY 18, 19, 20—8:30 P.M. National Presbyterian Church, successful when she was soloist at the dinner the Utah Cen- at the piano. ed not to be able to look forward Sat.. Feb. 18: Concerto Barocco; Pas guest soloist with Fritz Kreisler on his 75th Broadway pro- to the of some honoring de Deux Classique; Mute Wife itennial Chorus at the Washing- .hearing specific Scheherazade Louis Potter will return from ductions. As is birthday tendered him by the ton Saints’ Chapel work. Usually an artist prepares Sun., Feb. 19: Les Sylphides; Birthday; Latter-Day he Musicians’ Emergency Fund in Winston-Salem to teach a month- customary, or more that he will Gaite Parisienne Saturday at 8 p.m. two programs class will take his New York. Mon., Feb. 20; Paquita; Rodeo; Pas de ly piano beginning tomorrow use alternately during the season. place at the pi- Deux Classique; Graduation Ball. at the Washington Musical Insti- They are built mostly about some WARREN F. ano to a MiM SI.20, 1.80. 2.10, 3.00. 3.60 (tax incl.) JOHNSON, Organic tute. play major work, preferably something Poem National Symphony Box Office OF THE PILGRIMS number of his most familiar works. Symphonic CHURCH new or seldom played. After Kitt s, 1330 G St. N.W., NA. 7332 The Columbia School of Music 22nd & P St*. N.W. 7:30 O’Clock For this appearance he brings the artist’s Steinway Piano many repetitions, first Strauss to 1 announces the beginning of eve- _ Boellmann as soloists the Minnesota \ Fanlaisle Leon soprano, fine glow of interest must dim. By ning classes in theory, harmony, Kirsten Kenyon, who sang the ro- However, most pianists would ear training, music history and Feature Cellist mantic lead in “Song of Norway"; favor the long practiced program, appreciation on Tuesday. : The National Or- Christiba Carroll, Id.. ly of the even the worries as to this or that Symphony MUSICAL Metropolitan Opera, Gail Manners, chestra, Howard Mitchell, con- WASHINGTON McCall passage, rather than trust to the Lanham will present from and Gene will feature Strauss’ fa- lyric soprano Ohio, inspiration of the moment as will ductor, II CONCERT ORCHESTRA Louise Winfield, soprano soloist, INC. Marvey who has been a member Rubinstein. mous symphonic poem, "Don | INSTITUTE, at the Central Presbyterian for some the solo cello in of Romberg’s group years. But does he guide himself by Quixote.” part Church, and Robert Weeks Nor- be John twenty-second year Hungarian born, Romberg was the momentary rapport he feels which will played by ||_mSataM* | throp, tenor soloist at the National who succeeded Mr. Mitch- a student in a school of engineer- with his public? Does he think Martin, and School Baptist Church, Wednesday, 8:30 as first cellist when the latter College Preparatory ing in Vienna when he decided to to himself at the finish of a num- ell CONSTITUTION HALL I I p.m., in the Washington Club. The write operettas. He came to the ber, "Now, what shall I became permanent conductor. Feb. of Eminent teachers include WELDON CARTER. Director and head proceeds will go to the funds of I play?” Thursdoy Eve., 9, 8:30 i still a Mr. Martin, a native Washing- Tickets Now i United States while youth and does he ever get to the point Snow Concert Bureau J§ of MYRON WHITNEY. ROMANO ROMANI, St. Paul’s Episcopal Church. The 1108 Gi St.
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 96, 1976
    ORCHESTRA © 1976 New England Mutual Life Insurance Company. Boston. Subsidiary: NEL Equity Services Corporation, mutual funds; Affiliate: Loomis, Sayles & Company. Inc., investment counselors "MyNewEngland Life Agency? Downing&Desautels,ofcourseAVhy?" Because Downing & Desautels know the ropes so well, especially in the areas of pensions, estate planning and mutual funds. To be on the safe side, call them at 542-0553 in Boston. BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA A '•: Music Director -^%) Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Sixth Season 1976-77 The Trustees of the Boston Symphony Orchestra Inc Talcott M. Banks President Philip K. Allen Sidney Stoneman John L. Thorndike Vice-President Vice-President Treasurer Vernon R. Alden Mrs. Harris Fahnestock John T. Noonan Allen G. Barry Harold D. Hodgkinson Mrs. James H. Perkins Mrs. John M. Bradley David O. Ives Irving W. Rabb Richard P. Chapman E. Morton Jennings, Jr. Paul C. Reardon Abram T. Collier Edward M. Kennedy David Rockefeller Jr. Nelson J. Darling, Jr. Edward G. Murray Mrs. George Lee Sargent Archie C. Epps III Albert L. Nickerson John Hoyt Stookey Trustee Emeritus Henry A. Laughlin Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Joseph M. Hobbs Dinah Daniels Director of Development Director of Promotion Richard C. White Anita R. Kurland Niklaus Wyss Assistant to the Manager Administrator of Youth Activities Advisor for the Music Director Donald W. Mackenzie James F. Kiley Operations Manager, Symphony Hall Operations Manager, Tanglewood Michael Steinberg Director of Publications Programs copyright © 1976 Boston Symphony Orchestra Inc.
    [Show full text]
  • The Uuive .A,...,." Cal Society The
    The Uuive _.a,...,." cal Society The Presents Elly Ameling Soprano DALTON BALDWIN, Pianist Tuesday Evening, November 16, 1976, at 8:30 Rackham Auditorium, Ann Arbor, Michigan PROGRAM Das Lied der Trennung 1 Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte Abendempfindung J. WOLFGANG A. MOZART Das Veilchen An die Einsamkei t An Chloe !m FruehIing 1 Fruehlingsglau be An Sylvia ~ FRANZ SCHUBERT Die junge Nonne I Der Musensohn J INTERMISSION Drey Minnelieder FRANK MARTIN Ach Herzeli eb Ez Stuont ein Frouwe Alleine Un tel' del' Linden MandoIine Au bord de l'eau 1 Arpege GABRIEL FAURE Les Roses d'!spahan La Rose J Ludions ERIK SATIE Air du Rat Air du Poete Spleen Chanson du Chat Grcnouill e Americain e La Diva de l'Empire ERIK SATIE Philips, RCA, L ondon, Angel, Odeo n, EMI, Harmonia Mundi, and BASF R ecords Second Concert Debut Recital Series Complete Programs 4023 About the Artists Dutch soprano ELLY AMELING has made annual visits to the United States and Canada since her American debut in 1968 in New York's Avery Fisher Hall. While her personal preference is for the German Lieder and French Melodies included in her song recitals, she is at home in all forms of singing-chamber music , concerts with full orchestra, oratorios, and opera. She has just returned from a recital and concert tour of Australia and the Far East, will perform in South America this winter, and will make her debut with the National Orchestra of Mexico in March. Her North American tour this season extends the entire width of the continent from Florida to Alaska.
    [Show full text]
  • ACRL News Issue (B) of College & Research Libraries
    Columbia University has and Humanities Research received a $150,000 grant Council of Canada award from the Andrew W. Mellon and a $500 development Foundation to fund a three- G rants grant from the Canadian year extension of its Mellon Library Association to fund Preservation Administration and research on “Leadership for Internship Program. The pro­ Excellence in Canadian gram, initiated in 1982, trains University Libraries: Crite­ qualified administrators to fill ria for Success.” preservation positions in re­ Acquisitions search libraries through the Stanford University's country. Graduate School of Busi­ ness received a major gift Drexel University's Col­ to establish a high-tech re­ lege of Information Studies search facility within the received $118,400 from the U.S. Department Jackson Library. Named after its donors, Claude of Education to fund eight doctoral fellowships and Louise Rosenberg, both Stanford alumni, in the 1992-1993 academic year. the Rosenberg Corporate Research Center will occupy most of the first floor of the three-story Kansas Slate University (KSU) received an library and will contain the library’s entire ref­ additional $600,000 from a Florida woman to erence area. The library was combined with expand the development of a new engineer­ the Business School’s computing services into ing library. The money will allow KSU’s Col­ a single Department of Information Resources lege of Engineering to create an undergradu­ last year. ate library. In September Alice Fiedler of St. Petersburg, Florida, gave $1.4 million to estab­ The University of California at Santa Cruz lish the engineering library. received and matched donations from six promi­ nent Santa Cruz county families to establish a Kansas State University will receive $2 $24,000 endowment.
    [Show full text]
  • September 20, 1994
    D IOCESE OF THE A RMENIAN CHURCH OF AMERICA U rl-UQ\JnPf'l.nJ"I.fl)-l'J"I.\J ~UBnB UU'bPJ"l~UBJ"l UPbJ"I.blbU\J fl)-bU't> Archbishop Khajag Barsamian, Primate September 20, 1994 The Very Reverend Father Nareg Berberian St. James Armenian Church 834 Pepper Ave. Richmond, VA 23226 Dear Hayr Soorp: Enclosed is the biography of Ms. Anita Terzian who will be the recipient of this year's Renaissance A ward. Please include this information in its entirety in your program booklet for the Saturday evening banquet for the benefit of your people who will attend. We will handle PR on behalf of the Diocese from our Development Office. If you have any questions in this regard contact me ASAP. With continued prayers, _ Jy ,~~ Father Garabed Kochakian Chancellor Enc. c.c. Keith Muhleman FGK/as 630 SECOND AVENUE, NEW YORK, NY 10016-4885 TELEPHONE 212.686.0710 FAX 212.779.3558 Mezzo .. Soprano ANfT A TERZJAN Internationally renowned Mezzo Soprano ANITA TERZIAN has performed with distincti on at many of the world's leading opera houses including the Rome Opera, The Lyceo in Barcelona, • Lisbon's San Carlos, The Hamburg State Opera, Royal Opera Monnaie, Teatr o Colon, Munich Opera, Louisville Opera, Grand Theatre de Geneve, City Opera of Cologne, San Francisco Opera, Theatre de Nice, National Opera of Greece, State Opera of Bonn, Dusseldorf Opera, New Yo rk City Opera, Santa Fe Ope r a, Theatre des Champs-Elysees, Teatro La Fenice among many others. Her stellar operatic roles performed to great critical and audience acclaim include Ruggiero and Bradamante in Handel's Alcina, Giulietta in The Tales of Hoffmann, Ottavia in L'Incoronazione di Poppea, Dorabella in Cosi Fan Tutte, the title roles in Carmen and La Perichole, Azucena i n Il Trovatore, Adalgisa in Norma, Santuzza in Cavalleria Rusticana, Charlotte a signature r ole performed with great success in Spain, Germany and Fraance to the Werther of Alfredo Krauss.
    [Show full text]
  • The Pin-Up Boy of the Symphony: St. Louis and the Rise of Leonard
    The Pin-Up Boy of the Symphony St. Louis and the Rise of Leonard Bernstein BY KENNETH H. WINN 34 | The Confluence | Fall/Winter 2018/2019 In May 1944 25-year-old publicized story from a New Leonard Bernstein, riding a York high school newspaper, had tidal wave of national publicity, bobbysoxers sighing over him as was invited to serve as a guest the “pin-up boy of the symphony.” conductor of the St. Louis They, however, advised him to get The Pin-Up Boy 3 Symphony Orchestra for its a crew cut. 1944–1945 season. The orchestra For some of Bernstein’s of the Symphony and Bernstein later revealed that elders, it was too much, too they had also struck a deal with fast. Many music critics were St. Louis and the RCA’s Victor Records to make his skeptical, put off by the torrent first classical record, a symphony of praise. “Glamourpuss,” they Rise of Leonard Bernstein of his own composition, entitled called him, the “Wunderkind Jeremiah. Little more than a year of the Western World.”4 They BY KENNETH H. WINN earlier, the New York Philharmonic suspected Bernstein’s performance music director Artur Rodziński Jeremiah was the first of Leonard Bernstein’s was simply a flash-in-the-pan. had hired Bernstein on his 24th symphonies recorded by the St. Louis Symphony The young conductor was riding birthday as an assistant conductor, Orchestra in the spring of 1944. (Image: Washing- a wave of luck rather than a wave a position of honor, but one known ton University Libraries, Gaylord Music Library) of talent.
    [Show full text]
  • Barbara Hendricks Un Concert Exceptionnel À L’Opéra
    14 15 SAISON JOURNAL DE L’OPÉRA NICE CÔTE D’AZUR N° 31 > OCTOBRE • NOVEMBRE • DÉCEMBRE 2014 BARBARA HENDRICKS UN CONCERT EXCEPTIONNEL À L’OPÉRA > OPÉRA LES VÊPRES SICILIENNES VERSION DE CONCERT > OPÉRA TURANDOT > BALLET Verse Us PLEIN FEUX SUR DWIGHT RHODEN & NACHO DUATO > JEUNE PUBLIC LA GRANDE FABRIQUE DE MOTS e rideau vient de tomber sur la saison 2013-2014 avec trois événements 4 OPÉRA inoubliables, la création mondiale de Dreyfus, sur une musique de LES VÊPRES SICILIENNES Michel Legrand et un livret de Didier van Cauwelaert, la prestation de en version de concert notre Ballet Nice Méditerranée qui est allé représenter la France au French May de Hong MARCO GUIDARINI SOPHIE FOURNIER Kong et la venue des très grands violonistes Julian Rachlin et Peter Zimmermann, TURANDOT ovationnés par le public. Quant à la nouvelle saison 2014-2015, elle s’annonce déjà FEDERICO GRAZZINI prometteuse, avec elle aussi des moments particulièrement émouvants. IRINA RINDZUNER Flâner sur le nouveau quai des Etats-Unis puis oublier ses préoccupations pendant quelques heures, voici ce que vous propose l’Opéra Nice Côte d’Azur, grâce à une 20 CONCERT excellence artistique toujours présente et soutenue par des projets ouverts sur la SEPTEMBRE création comme sur le grand répertoire, que ce soit pour la programmation lyrique, LE REQUIEM DE VERDI BARBARA HENDRICKS À NICE symphonique ou chorégraphique. OCTOBRE & DÉCEMBRE La saison lyrique, proposée par Marc Adam, Directeur artistique de l’Opéra, abordera BRAHMS, SYMPHONIES les grands titres attendus par le public mais également des titres plus rarement 7 DÉCEMBRE programmés qui ne manqueront pas de susciter la curiosité.
    [Show full text]
  • Regular Vocal Coaches' Bios for Spring 2020
    VOCAL COACHING REGULAR COACHES’ BIOGRAPHIES — SPRING 2020 Pianist NOBUKO AMEMIYA has built a reputation as a dynamic and versatile collaborator; her playing is described as “soaring with a thrilling panache, and then with great warmth and suppleness.” (Valley News, VT) Equally committed to opera, artsongs and instrumental chamber music, she traveled three continents to give recitals and concerts with numerous renowned conductors and soloists such as Seiji Ozawa, James Conlon, Brian Priestman, James Dunham, Colin Carr, Rober Spano, and Lucy Shelton. An enthusiastic advocate of new music, Ms. Amemiya has worked with today’s leading composers, including John Harbison, George Crumb, Bright Sheng, Oliver Knussen and George Benjamin. Her music festival appearances include Música da Figueira da Foz in Portugal, Britten-Pears Institute at Aldeburgh Music Festival, Festival de Musique Lausanne in Switzerland, Aspen Music Festival, and Tanglewood Music Center where she was awarded Tanglewood Hooton Prize, acknowledging the “extraordinary commitment of talent and energy.” Prizes and awards include “Vittorio Gui” in Florence, Italy, the Munich International Music Competition, Manhattan School of Music President’s Award and Aldeburgh Music Festival Grant. Also active as a coach and educator, she worked for AIMS in Graz, Opera North, Aspen Music School, IIVA in Italy, Lotte Lehmann Akademie, New England Conservatory and Palazzo Ricci Akademie für Musik in Montepulciano. Ms. Amemiya currently works for the Manhattan School of Music, Prelude to Performances by Martina Arroyo Foundation, Lyric Opera Studio Weimar and Berlin Opera Academy in Germany. Accompanist/vocal coach, KARINA AZATYAN, extensively collaborates with leading figures of vocal art in United States, Europe and Israel.
    [Show full text]
  • ARSC Journal
    A TRIBUTE TO JENNIE TOUREL: CenerentoZa - Nacqui aZZ'affano ... Non pih mesta; Barbiere di SivigZia - Una voce poco fa; L'Itaiiana in AZgeri - Gruda sorte!; Semiramide - Bei raggio iusinghier (Rossini); Carmen - Habanera; Seguidiiie; Gypsy song; Card scene (Bizet); Norma - Sgombra ~ ia sacra seiva (Bellini); Cancao de carreiro (Villa­ Lobos); Triste (Ginastera); Pano murciano (Nin); Copias de curro duZce (Obradors); Zyczenie Op.?4 no.i; Niema czego trzeba, Op.?4 no.Z3 (Chopin); Songs and dances of death (Musorgski); Chansons madecasses; Vocaiise - Etude (Ravel); Troia chan­ sons de BiZitis (Debussy) L'adieu de Z'h$tesse arabe Op.2Z no.4 (Bizet); Le chapeZier; Je te veux (Satie). Jennie Tourel, mezzo-soprano; Pietro Cimara, Jean Morel, Fausto Cleva, Heitor Villa­ Lobos, conductors; George Reeves, Leonard Bernstein, piano; John Wummer, flute; Laszlo Vargo, cello. Odyssey Y2 32880, 2 discs. IN MEMORIAM: RICHARD TUCKER: Requiem - Ingemisco tamquam reus; Rigoietto - Parmi veder ie Zagrime; Aida - ceieste Aida; Luisa MiZZer - Quando ie sere ai pZacido (Verdi); Manon Lescaut - Donna non vidi mai; ... Guardate, pazzo io son; Tosca - E iucevan ie steiie; Turandot - Non piangere, Li~; ... Nessu~ dorma; Boh~me - Che geZida manina; Fanciuiia dei West - Ch'eiia,mi creda Zibero (Puccini); Andrea Chenier - Un di aZZ'aAzurro spazio (Giordano); Gio­ conda - Cieio e mar (Ponchielli); PagZiacci - Vesti ia giubba (Leoncavallo); P~cheurs de peries - Je crois entendre encore; Carmen - Air de ia fZeur (Bizet); Africaine - 0 paradis (Meyerbeer); Le Cid - 0 Souverain,
    [Show full text]
  • Download Booklet
    110735 bk Tourel US 29|01|2003 10:40 AM Page 5 Joseph HAYDN 9 CARMEN: Séguidille 1:50 Sergey RACHMANINOV ADD 1 The Mermaid’s Song 2:43 Recorded 13th May 1952 & O Cease thy Singing, Maiden Fair, Op. 4, No. 4 4:17 GREAT SINGERS • TOUREL [Now the dancing sunbeams play] Columbia ML 4608 Recorded 23rd June 1945 8.110735 Recorded Summer 1952 Columbia 71807 Haydn Society HSL 2051 0 Adieu de l’hôtesse arabe Op 21, No.4 4:04 Recorded 7th October 1947 * In the Silence of the Night, Op. 4, No. 3 2:34 2 A Pastoral Song 4:00 Columbia ML 4158 Recorded 25th June 1945 [My mother bids me bind my hair] Columbia 71808 Recorded Summer 1952 Emmanuel CHABRIER Jennie Haydn Society HSL 2051 ! Romance de l’étoile 3:13 ( Floods of Spring, Op. 14, No. 4 2:06 Recorded 6th January 1947 Recorded 23rd June 1945 Gioacchino ROSSINI Columbia ML 4158 Columbia 71809 TOUREL 3 SEMIRAMIDE: Bel raggio lusinghier 4:14 Recorded 17th July 1946 Gabriel FAURÉ Sergey PROKOFIEV Columbia 72134 @ Trois poèmes d’un jour, Op. 21: 4:55 ) ALEXANDER NEVSKY: Field of the Dead 6:04 A Vocal Portrait a) Rencontre b) Toujours c) Adieu Recorded 21st May 1945 4 IL BARBIERE DI SIVIGLIA : Una voce poco fa Recorded 7th October 1947 From Columbia set M580 Recorded 12th & 17th July 1946 6:19 Columbia ML 4158 Columbia 72133/32 Tracks 1 and 2 sung in English BIZET Maurice RAVEL Accompanied by Ralph Kirkpatrick on a Challis Fortepiano Fryderyk CHOPIN # Vocalise en forme de Habanera 2:48 5 Zyczenie [The Maiden’s Wish] 2:13 Recorded 7th October 1947 Tracks 3 and 4 sung in Italian CHOPIN Recorded 28th February
    [Show full text]
  • Scholarly Program Notes on the Graduate Voice Recital of Alexis Turner
    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School 2020 Scholarly Program Notes on the Graduate Voice Recital of Alexis Turner Alexis Turner [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/gs_rp Recommended Citation Turner, Alexis. "Scholarly Program Notes on the Graduate Voice Recital of Alexis Turner." (Jan 2020). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF ALEXIS TURNER by Alexis Turner BFA, Taylor University, 2018 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music Department of Music in the Graduate School Southern Illinois University Carbondale May 2020 RESEARCH PAPER APPROVAL SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOICE RECITAL OF ALEXIS TURNER by Alexis Turner A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Music Approved by: Dr. David Dillard, Chair Graduate School Southern Illinois University Carbondale April 2020 TABLE OF CONTENTS CHAPTER PAGE CHAPTERS CHAPTER 1 – GOUNOD’S “JE VEUX VIVRE” from ROMEO ET JULIETTE…………..1 CHAPTER 2 – BRAHM’S SECHS LIEDER, OP. 97………………………………………………….3 CHAPTER 3 – DE FALLA’S SIETES CANCIONES POPULARES ESPAÑOLAS………….9 CHAPTER 4 – MOZART’S DEH VIENI NON TARDAR from
    [Show full text]
  • INFORMATION to USERS This Manuscript Has Been Reproduced
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing In this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Ifowell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS The original manuscript received by UMI contains pages with slanted print. Pages were microfilmed as received. This reproduction is the best copy available UMI JANICE HARSANYI; PROFILE OF AN ARTISTATEACHER D.M.A.
    [Show full text]
  • Regular Vocal Coaches Bios Spring 2021
    VOCAL COACHING REGULAR COACHES’ BIOGRAPHIES — SPRING 2021 Pianist NOBUKO AMEMIYA has built a reputation as a dynamic and versatile collaborator; her playing is described as “soaring with a thrilling panache, and then with great warmth and suppleness.” (Valley News, VT) Equally committed to opera, artsongs and instrumental chamber music, she traveled three continents to give recitals and concerts with numerous renowned conductors and soloists such as Seiji Ozawa, James Conlon, Brian Priestman, James Dunham, Colin Carr, Rober Spano, and Lucy Shelton. An enthusiastic advocate of new music, Ms. Amemiya has worked with today’s leading composers, including John Harbison, George Crumb, Bright Sheng, Oliver Knussen and George Benjamin. Her music festival appearances include Música da Figueira da Foz in Portugal, Britten-Pears Institute at Aldeburgh Music Festival, Festival de Musique Lausanne in Switzerland, Aspen Music Festival, and Tanglewood Music Center where she was awarded Tanglewood Hooton Prize, acknowledging the “extraordinary commitment of talent and energy.” Prizes and awards include “Vittorio Gui” in Florence, Italy, the Munich International Music Competition, Manhattan School of Music President’s Award and Aldeburgh Music Festival Grant. Also active as a coach and educator, she worked for AIMS in Graz, Opera North, Aspen Music School, IIVA in Italy, Lotte Lehmann Akademie, New England Conservatory and Palazzo Ricci Akademie für Musik in Montepulciano. Ms. Amemiya currently works for the Manhattan School of Music, Prelude to Performances by Martina Arroyo Foundation, Lyric Opera Studio Weimar and Berlin Opera Academy in Germany. Accompanist/vocal coach, KARINA AZATYAN, extensively collaborates with leading figures of vocal art in United States, Europe and Israel.
    [Show full text]