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Boston Symphony Orchestra Concert Programs, Season 96, 1976
ORCHESTRA © 1976 New England Mutual Life Insurance Company. Boston. Subsidiary: NEL Equity Services Corporation, mutual funds; Affiliate: Loomis, Sayles & Company. Inc., investment counselors "MyNewEngland Life Agency? Downing&Desautels,ofcourseAVhy?" Because Downing & Desautels know the ropes so well, especially in the areas of pensions, estate planning and mutual funds. To be on the safe side, call them at 542-0553 in Boston. BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA A '•: Music Director -^%) Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Sixth Season 1976-77 The Trustees of the Boston Symphony Orchestra Inc Talcott M. Banks President Philip K. Allen Sidney Stoneman John L. Thorndike Vice-President Vice-President Treasurer Vernon R. Alden Mrs. Harris Fahnestock John T. Noonan Allen G. Barry Harold D. Hodgkinson Mrs. James H. Perkins Mrs. John M. Bradley David O. Ives Irving W. Rabb Richard P. Chapman E. Morton Jennings, Jr. Paul C. Reardon Abram T. Collier Edward M. Kennedy David Rockefeller Jr. Nelson J. Darling, Jr. Edward G. Murray Mrs. George Lee Sargent Archie C. Epps III Albert L. Nickerson John Hoyt Stookey Trustee Emeritus Henry A. Laughlin Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Joseph M. Hobbs Dinah Daniels Director of Development Director of Promotion Richard C. White Anita R. Kurland Niklaus Wyss Assistant to the Manager Administrator of Youth Activities Advisor for the Music Director Donald W. Mackenzie James F. Kiley Operations Manager, Symphony Hall Operations Manager, Tanglewood Michael Steinberg Director of Publications Programs copyright © 1976 Boston Symphony Orchestra Inc. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
The Uuive .A,...,." Cal Society The
The Uuive _.a,...,." cal Society The Presents Elly Ameling Soprano DALTON BALDWIN, Pianist Tuesday Evening, November 16, 1976, at 8:30 Rackham Auditorium, Ann Arbor, Michigan PROGRAM Das Lied der Trennung 1 Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte Abendempfindung J. WOLFGANG A. MOZART Das Veilchen An die Einsamkei t An Chloe !m FruehIing 1 Fruehlingsglau be An Sylvia ~ FRANZ SCHUBERT Die junge Nonne I Der Musensohn J INTERMISSION Drey Minnelieder FRANK MARTIN Ach Herzeli eb Ez Stuont ein Frouwe Alleine Un tel' del' Linden MandoIine Au bord de l'eau 1 Arpege GABRIEL FAURE Les Roses d'!spahan La Rose J Ludions ERIK SATIE Air du Rat Air du Poete Spleen Chanson du Chat Grcnouill e Americain e La Diva de l'Empire ERIK SATIE Philips, RCA, L ondon, Angel, Odeo n, EMI, Harmonia Mundi, and BASF R ecords Second Concert Debut Recital Series Complete Programs 4023 About the Artists Dutch soprano ELLY AMELING has made annual visits to the United States and Canada since her American debut in 1968 in New York's Avery Fisher Hall. While her personal preference is for the German Lieder and French Melodies included in her song recitals, she is at home in all forms of singing-chamber music , concerts with full orchestra, oratorios, and opera. She has just returned from a recital and concert tour of Australia and the Far East, will perform in South America this winter, and will make her debut with the National Orchestra of Mexico in March. Her North American tour this season extends the entire width of the continent from Florida to Alaska. -
Wallingford Riegger
WALLINGFORD RIEGGER: Romanza — Music for Orchestra Alfredo Antonini conducting the Orchestra of the “Accademia Nazionale di Santa Cecilia-Roma” Dance Rhythms Alfredo Antonini conducting the Oslo Philharmonic Orchestra THIS RELEASE is but further evidence of the growing and gratifying tendency of recent years to recognize Wallingford Riegger as one of the leading and most influential figures in twentieth century American composition, in fact as the dean of American composers. Herbert Elwell, music critic of the Cleveland Plain Dealer, said it in April, 1956: “I am coming more and more to the conclusion that it is Riegger who has been the real leader and pathfinder in contemporary American music . not only a master of his craft but in some ways a prophet and a seer.” In the same month, in Musical America, Robert Sabin wrote: “I firmly believe that his work will outlast that of many an American composer who has enjoyed far greater momentary fame.” Riegger was born in Albany, Georgia, on April 29, 1885. Both his parents were amateur musicians and were determined to encourage their children in musical study. When the family moved to New York in 1900, the young Wallingford was enrolled at the Institute of Musical Art where he studied the cello and composition. Graduating from there in 1907 Riegger then went to Germany to study at the Hochschule für Musik in Berlin with Max Bruch. In 1915-1916 he conducted opera in Würzburg and Königsberg and the following season he led the Blüthner Orchestra in Berlin. Since his return to the United States in 1917, he has been active in many phases of our musical life. -
Verdi, Moffo, Bergonzi, Verrett, Macneil, Tozzi
Verdi Luisa Miller mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Luisa Miller Country: Italy Released: 1965 Style: Opera MP3 version RAR size: 1127 mb FLAC version RAR size: 1383 mb WMA version RAR size: 1667 mb Rating: 4.8 Votes: 183 Other Formats: WMA DXD DTS MP2 MMF ASF AU Tracklist A1 Overture A2 Act I (Part I) B Act I (Concluded) C Act II (Part I) D Act II (Concluded) E Act III (Part I) F Act III (Concluded) Credits Baritone Vocals [Miller] – Cornell MacNeil Bass Vocals [Count Walter] – Giorgio Tozzi Bass Vocals [Wurm] – Ezio Flagello Chorus – RCA Italiana Opera Chorus Chorus Master – Nino Antonellini Chorus Master [Assistant] – Giuseppe Piccillo Composed By – Verdi* Conductor – Fausto Cleva Conductor [Assistant] – Fernando Cavaniglia, Luigi Ricci Engineer – Anthony Salvatore Libretto By – Salvatore Cammarano Libretto By [Translation] – William Weaver* Liner Notes – Francis Robinson Mezzo-soprano Vocals [Federica] – Shirley Verrett Mezzo-soprano Vocals [Laura] – Gabriella Carturan Orchestra – RCA Italiana Opera Orchestra Producer – Richard Mohr Soprano Vocals [Luisa] – Anna Moffo Sound Designer [Stereophonic Stage Manager] – Peter F. Bonelli Tenor Vocals [A Peasant] – Piero De Palma Tenor Vocals [Rodolfo] – Carlo Bergonzi Notes Issued with 40-page booklet containing credits, liner notes, photographs and libretto in Italian with English translation Other versions Category Artist Title (Format) Label Category Country Year Verdi*, Moffo*, Verdi*, Moffo*, Bergonzi*, Verrett*, Bergonzi*, MacNeil*, Tozzi*, Verrett*, -
CCF 18-27 RELEASE: September 24, 2018 The
COLLECTORS’ CORNER with HENRY FOGEL Broadcast Schedule - Fall 2018 PROGRAM #: CCF 18-27 RELEASE: September 24, 2018 The Art of Sergei Lemeshev – Program 1 A program of arias and songs sung by the great Russian tenor (1902‐1977). Please consult cue sheet for details. PROGRAM #: CCF 18-28 RELEASE: October 1, 2018 The Art of Sergei Lemeshev – Program 2 A program of arias and songs sung by the great Russian tenor (1902‐1977). Please consult cue sheet for details. PROGRAM #: CCF 18-29 RELEASE: October 8, 2018 Music by Josef Suk – Program 1 All pieces composed by Josef Suk. Please consult cue sheet for details. Fantasy for Violin and Orchestra (Pamela Frank, violin; Sir Charles Mackerras, conductor; Czech Philharmonic Orchestra) Meditation on Saint Wenceslas (Rafael Kubelik, conductor; Czech Philharmonic Orchestra) Minuet, Op.21 (Ignaz Friedman, piano) Praga (Libor Pesek, conductor; Royal Liverpool Philharmonic Orchestra) A Summer’s Tale (Jiri Belohlavek, conductor; BBC Symphony Orchestra) PROGRAM #: CCF 18-30 RELEASE: October 15, 2018 Music by Josef Suk – Program 2 All pieces composed by Josef Suk. Please consult cue sheet for details. Symphony in C Minor for large orchestra, Op. 27, “Asrael” (Vaclav Talich, conductor; Czech Philharmonic Orchestra) The Ripening, Symphonic Poem, Op. 34 (Vaclav Talich, conductor; Czech Philharmonic Orchestra) Four pieces for violin and piano, Op. 17, “Burleska” (Nathan Milstein, violin; Artur Balsam, piano) Pieces for Violin and Piano, Op. 17, no. 2, “Appassionata” (Ginette Neveu, violin; Bruno Seidler‐Winkler, piano) PROGRAM #: CCF 18-31 RELEASE: October 22, 2018 Music by Ernest Bloch – Program 1 All pieces composed by Ernest Bloch. -
ACRL News Issue (B) of College & Research Libraries
Columbia University has and Humanities Research received a $150,000 grant Council of Canada award from the Andrew W. Mellon and a $500 development Foundation to fund a three- G rants grant from the Canadian year extension of its Mellon Library Association to fund Preservation Administration and research on “Leadership for Internship Program. The pro Excellence in Canadian gram, initiated in 1982, trains University Libraries: Crite qualified administrators to fill ria for Success.” preservation positions in re Acquisitions search libraries through the Stanford University's country. Graduate School of Busi ness received a major gift Drexel University's Col to establish a high-tech re lege of Information Studies search facility within the received $118,400 from the U.S. Department Jackson Library. Named after its donors, Claude of Education to fund eight doctoral fellowships and Louise Rosenberg, both Stanford alumni, in the 1992-1993 academic year. the Rosenberg Corporate Research Center will occupy most of the first floor of the three-story Kansas Slate University (KSU) received an library and will contain the library’s entire ref additional $600,000 from a Florida woman to erence area. The library was combined with expand the development of a new engineer the Business School’s computing services into ing library. The money will allow KSU’s Col a single Department of Information Resources lege of Engineering to create an undergradu last year. ate library. In September Alice Fiedler of St. Petersburg, Florida, gave $1.4 million to estab The University of California at Santa Cruz lish the engineering library. received and matched donations from six promi nent Santa Cruz county families to establish a Kansas State University will receive $2 $24,000 endowment. -
September 20, 1994
D IOCESE OF THE A RMENIAN CHURCH OF AMERICA U rl-UQ\JnPf'l.nJ"I.fl)-l'J"I.\J ~UBnB UU'bPJ"l~UBJ"l UPbJ"I.blbU\J fl)-bU't> Archbishop Khajag Barsamian, Primate September 20, 1994 The Very Reverend Father Nareg Berberian St. James Armenian Church 834 Pepper Ave. Richmond, VA 23226 Dear Hayr Soorp: Enclosed is the biography of Ms. Anita Terzian who will be the recipient of this year's Renaissance A ward. Please include this information in its entirety in your program booklet for the Saturday evening banquet for the benefit of your people who will attend. We will handle PR on behalf of the Diocese from our Development Office. If you have any questions in this regard contact me ASAP. With continued prayers, _ Jy ,~~ Father Garabed Kochakian Chancellor Enc. c.c. Keith Muhleman FGK/as 630 SECOND AVENUE, NEW YORK, NY 10016-4885 TELEPHONE 212.686.0710 FAX 212.779.3558 Mezzo .. Soprano ANfT A TERZJAN Internationally renowned Mezzo Soprano ANITA TERZIAN has performed with distincti on at many of the world's leading opera houses including the Rome Opera, The Lyceo in Barcelona, • Lisbon's San Carlos, The Hamburg State Opera, Royal Opera Monnaie, Teatr o Colon, Munich Opera, Louisville Opera, Grand Theatre de Geneve, City Opera of Cologne, San Francisco Opera, Theatre de Nice, National Opera of Greece, State Opera of Bonn, Dusseldorf Opera, New Yo rk City Opera, Santa Fe Ope r a, Theatre des Champs-Elysees, Teatro La Fenice among many others. Her stellar operatic roles performed to great critical and audience acclaim include Ruggiero and Bradamante in Handel's Alcina, Giulietta in The Tales of Hoffmann, Ottavia in L'Incoronazione di Poppea, Dorabella in Cosi Fan Tutte, the title roles in Carmen and La Perichole, Azucena i n Il Trovatore, Adalgisa in Norma, Santuzza in Cavalleria Rusticana, Charlotte a signature r ole performed with great success in Spain, Germany and Fraance to the Werther of Alfredo Krauss. -
Il Trovatore Was Made Stage Director Possible by a Generous Gift from Paula Williams the Annenberg Foundation
ilGIUSEPPE VERDItrovatore conductor Opera in four parts Marco Armiliato Libretto by Salvadore Cammarano and production Sir David McVicar Leone Emanuele Bardare, based on the play El Trovador by Antonio García Gutierrez set designer Charles Edwards Tuesday, September 29, 2015 costume designer 7:30–10:15 PM Brigitte Reiffenstuel lighting designed by Jennifer Tipton choreographer Leah Hausman The production of Il Trovatore was made stage director possible by a generous gift from Paula Williams The Annenberg Foundation The revival of this production is made possible by a gift of the Estate of Francine Berry general manager Peter Gelb music director James Levine A co-production of the Metropolitan Opera, Lyric Opera of Chicago, and the San Francisco principal conductor Fabio Luisi Opera Association 2015–16 SEASON The 639th Metropolitan Opera performance of GIUSEPPE VERDI’S il trovatore conductor Marco Armiliato in order of vocal appearance ferr ando Štefan Kocán ines Maria Zifchak leonor a Anna Netrebko count di luna Dmitri Hvorostovsky manrico Yonghoon Lee a zucena Dolora Zajick a gypsy This performance Edward Albert is being broadcast live on Metropolitan a messenger Opera Radio on David Lowe SiriusXM channel 74 and streamed at ruiz metopera.org. Raúl Melo Tuesday, September 29, 2015, 7:30–10:15PM KEN HOWARD/METROPOLITAN OPERA A scene from Chorus Master Donald Palumbo Verdi’s Il Trovatore Musical Preparation Yelena Kurdina, J. David Jackson, Liora Maurer, Jonathan C. Kelly, and Bryan Wagorn Assistant Stage Director Daniel Rigazzi Italian Coach Loretta Di Franco Prompter Yelena Kurdina Assistant to the Costume Designer Anna Watkins Fight Director Thomas Schall Scenery, properties, and electrical props constructed and painted by Cardiff Theatrical Services and Metropolitan Opera Shops Costumes executed by Lyric Opera of Chicago Costume Shop and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ms. -
Il Trovatore
Synopsis Act I: The Duel Count di Luna is obsessed with Leonora, a young noblewoman in the queen’s service, who does not return his love. Outside the royal residence, his soldiers keep watch at night. They have heard an unknown troubadour serenading Leonora, and the jealous count is determined to capture and punish him. To keep his troops awake, the captain, Ferrando, recounts the terrible story of a gypsy woman who was burned at the stake years ago for bewitching the count’s infant brother. The gypsy’s daughter then took revenge by kidnapping the boy and throwing him into the flames where her mother had died. The charred skeleton of a baby was discovered there, and di Luna’s father died of grief soon after. The gypsy’s daughter disappeared without a trace, but di Luna has sworn to find her. In the palace gardens, Leonora confides in her companion Ines that she is in love with a mysterious man she met before the outbreak of the war and that he is the troubadour who serenades her each night. After they have left, Count di Luna appears, looking for Leonora. When she hears the troubadour’s song in the darkness, Leonora rushes out to greet her beloved but mistakenly embraces di Luna. The troubadour reveals his true identity: He is Manrico, leader of the partisan rebel forces. Furious, the count challenges him to fight to the death. Act II: The Gypsy During the duel, Manrico overpowered the count, but some instinct stopped him from killing his rival. The war has raged on. -
Verdi's Rigoletto
Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered. -
FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST and PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected]
FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST AND PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected] LONG YU TO CONDUCT CHINA PHILHARMONIC ORCHESTRA, PRESENTED BY THE NEW YORK PHILHARMONIC PROKOFIEV’s Violin Concerto No. 2 with JULIAN RACHLIN SHOSTAKOVICH’s Symphony No. 5 December 11, 2016 NEW YORK PHILHARMONIC IN SIXTH ANNUAL CHINESE NEW YEAR CONCERT and GALA U.S. PREMIERE of CHEN Qigang’s Joie Éternelle with Trumpet Player ALISON BALSOM PUCCINI’s Selection from Turandot and Traditional Chinese Folk Songs with Soprano SUMI JO SAINT-SAËNS’s Introduction and Rondo Capriccioso with Concertmaster FRANK HUANG January 31, 2017 The New York Philharmonic will present two programs honoring its strong ties to China, both led by Long Yu: the China Philharmonic Orchestra will perform at David Geffen Hall on December 11, 2016, and the New York Philharmonic will perform its sixth annual Chinese New Year Concert and Gala, January 31, 2017. Both programs celebrate the cultural exchange between China and the U.S., particularly the Philharmonic’s connections to China. China Philharmonic Orchestra The New York Philharmonic will present the China Philharmonic Orchestra, led by Long Yu, its Music Director, at David Geffen Hall on December 11, 2016, at 3:00 p.m. The program will feature Prokofiev’s Violin Concerto No. 2, with Julian Rachlin as soloist, and Shostakovich’s Symphony No. 5. Long Yu co-founded the China Philharmonic Orchestra in 2000, and has since served as its artistic director and chief conductor. The orchestra’s appearance at David Geffen Hall, presented by the New York Philharmonic, is part of its 2016 Tour of the Americas.