We Wish All Members & Friends of the Society a Peaceful Christmas and A

Total Page:16

File Type:pdf, Size:1020Kb

We Wish All Members & Friends of the Society a Peaceful Christmas and A The Anthony Powell Society Newsletter Issue 29, Winter 2007 ISSN 1743-0976 We wish all members & friends of the Society a Peaceful Christmas and a Prosperous New Year Contents From the Secretary’s Desk … 2 The End of the Dance … 3 Widmerpool Goes to Ground … 8 Conference 2007 Report … 12 Dates for Your Diary … 16 Society News … 17 Subscriptions … 20 A Chantry Docent … 21 Umfraville & Bagshaw Exposed … 22 Book Review: Bright Young People … 23 Cuttings … 25 Letters to the Editor … 28 Merchandise & Membership … 30 Anthony Powell Society Newsletter #29 From the Secretary’s Desk The Anthony Powell Society Saturday 17 November 2007 saw yet Registered Charity No. 1096873 another important, even momentous, day The Anthony Powell Society is a for the Society. It was the occasion of charitable literary society devoted to the the inaugural Anthony Powell Lecture, life and works of the English author given at the Wallace Collection in Anthony Dymoke Powell, 1905-2000. collaboration with the Society. The inaugural lecturer was the novelist, Officers & Executive Committee historian, film-maker and left-wing Patron: John MA Powell activist Tariq Ali. President: Simon Russell Beale While his talk concentrated mostly on a Hon. Vice-Presidents: discussion of Dance, it was wide- Julian Allason ranging, thought-provoking and touched Hugh Massingberd on almost the whole of Powell’s œvre – *Chairman: Dr Christine Berberich only the two post-Dance novels got no *Hon. Secretary: Dr Keith C Marshall major mention. Tariq touched too on his *Hon. Treasurer: Dr Derek WJ Miles personal likes and dislikes within Dance *Committee Members: and tried to make some sense of the Dr Nicholas Birns (USA) recent rather anti-Powell remarks by Sir Stephen Holden Vidia Naipaul. The questions posed Jeffrey Manley (USA) after the lecture were equally interesting Tony Robinson and incisive. Elwin Taylor One interesting point Tariq made in his Newsletter & Journal Editor: talk was that one cannot properly Stephen Holden understand any work of fiction (indeed Hon. Archivist: Noreen Marshall any work) without understanding the PR/Media Adviser: Julian Allason context against which it was written. All correspondence should be sent to: This reflects something I have been Hon. Secretary, Anthony Powell Society saying for a while about understanding 76 Ennismore Avenue, Greenford Dance, although I had not crystallised Middlesex, UB6 0JW, UK my thoughts in this beautifully clear and Phone: +44 (0) 20 8864 4095 precise way. Fax: +44 (0) 20 8864 6109 Email: secretary@anthonypowell.org The Society thanks Tariq Ali for this inaugural lecture; we hope it is the first of many more; Tariq will certainly be a * Members of the Executive Committee who are the Society’s trustees. All trustees are resident hard act to follow. We also thank The in England or Wales unless stated. Wallace Collection, especially Jeremy Warren and Emmajane Avery, for their continued support, friendship and Cover photograph © John S Monagan 1984 hospitality. and reproduced by kind permission. © The Anthony Powell Society, 2007 and the It remains only for me to wish all our individual authors named. All rights reserved. members and friends a peaceful Published by The Anthony Powell Society. Printed and distributed by Express Printing, Christmas and a prosperous 2008. Peterborough, UK. 2 Anthony Powell Society Newsletter #29 Michael Frayn The End of the Dance by Michael Frayn This article first appeared in The Observer on 7 September 1975. Tomorrow, the final volume of Anthony Powell’s much-acclaimed novel sequence, A Dance to the Music of Time, will be published by Heinemann. Here, MICHAEL FRAYN explores the extraordinarily complete world that Anthony Powell has created. Sometimes, when I pass the Quadriga, at used to think that people who looked Hyde Park Corner, I remember for an and behaved like Widmerpool had instant what has long been too obvious to really no right to fall in love at all. be noticed: how it felt to be grown-up. I suddenly catch the flavour of a sweltering Widmerpool, Jenkins, Barbara Goring, and summer’s night in the 1950s, when I all the events of that night are of course walked all round this part of London part of another world – the world created talking to a girl I’d just met at a party. It by Anthony Powell in A Dance to the must have been nearly dawn. We walked Music of Time, the huge novel which is down the middle of the empty roadways, finally completed tomorrow with the and I felt that after all those unsatisfactory publication of the twelfth volume, Hearing years of being young I had suddenly Secret Harmonies. inherited the entire city as my rightful estate. People think because a novel’s invented, it isn’t true, [says X Sometimes, though, it’s another memory Trapnel, one of the novel’s several that the Quadriga brings to mind – also of characters who are themselves something that happened here after a party novelists, in this final volume.] on a hot summer’s night. But this one was Exactly the reverse is the case. in, I think, 1929, several years before I Because a novel’s invented, it is true. was born. On the edge of the pavement Biography and memoirs can never be here, in Grosvenor Place, Kenneth wholly true, since they can’t include Widmerpool confided to Nicholas Jenkins every conceivable circumstance of the agonies of love he had been suffering what’s happened. The novel can do over Barbara Goring. They had just left that. The novelist himself lays it the Huntercombes’ dance in Belgrave down. His decision is binding. Square, where Barbara had poured the sugar over Widmerpool’s head. It was a I think (and I think that Powell thinks) that disclosure that came as something of a the relationship of imagined worlds to shock to Jenkins, partly because he too had perceived ones is more complex than this, been suffering over Barbara, and partly particularly where, as with Powell’s, they because in those far-off youthful days he occupy objective space and time. But in essence Trapnel is right. The world 3 Anthony Powell Society Newsletter #29 remembered by Nicholas Jenkins For 25 years this world has been in the (Powell’s first-person narrator) is in many process of creation – the first volume ways better established, more publicly appeared in the same year as the Festival accessible, more objectively there, than the of Britain. I didn’t stumble upon it until worlds we ourselves remember (or somewhere in the early sixties, when it had imagine we remember). reached the outbreak of the Second World War, and the threshold of my own You don’t remember my walking up conscious experience of life. It was like Grosvenor Place, but (if you’ve read discovering a complete civilisation – and Powell) you remember the night that not in some remote valley of the Andes or Widmerpool was there. In fact I remember the Himalayas, but in the midst of London, it better myself. I’ve forgotten now who in the midst of my own life. It altered my was at the party I’d come from, and I don’t perception of the world – and not only of know what’s become of the girl I was Hyde Park Corner. I began to see in my with. But I could tell you the names of own life the kind of patterns which were quite a number of the guests at the emerging in Jenkins’s life; glimpsed how Huntercombes’ dance. tremendous changes prepared themselves I know what became of Widmerpool. I unseen beneath the surface of the remember clearly the sequence of events apparently immutable course of events, which now began to occur in Grosvenor and then quite suddenly deflected one’s Place, and the position they came to life into some new course, apparently no occupy in the larger pattern of events less immutable. Another world had been which developed over the next 40 years. superimposed upon my own, refracting How Widmerpool stepped back to say and reflecting it. good night, and collided with Edgar One of the pleasures of Powell’s world is Deacon and Gypsy Jones on their way its sheer size. You can live in it – you can home from selling ‘War Never Pays!’ to get lost in it. Its texture is close and fine, late travellers at Victoria; how all four of its population dense enough to operate as them went off to have coffee at the stall by an autonomous society, with its own Hyde Park Corner – Widmerpool already political and business life, its own books falling in love with Gypsy, already and paintings. And everything in it is in becoming entangled into 40 years of perpetual movement and evolution, from increasingly bizarre political affiliations; the first appearance of Widmerpool, like how the air was full of the heavy summer some legendary ancestor of the tribe, as he night scent of the park; how at the coffee doggedly returns from one of the runs he stall an elderly man in a dinner-jacket was imposes upon himself at school, on a bleak very slowly practising the Charleston, the December afternoon “in, I suppose, the tips of his fingers in his coat pockets; how, year 1921,” until his final disappearance as they drank the coffee, Charles from the stage, now in his late sixties and Stringham, with whom Jenkins had shared stark naked, on another self-imposed run a study at school, reappeared from the in (I suppose) 1970. past, urbane and detached, and already in that state of curiously sober inebriation in You come across people you knew which he was going to spend so much of donkey’s volumes ago, often in the most his life.
Recommended publications
  • Anti-Zionism and Antisemitism Cosmopolitan Reflections
    Anti-Zionism and Antisemitism Cosmopolitan Reflections David Hirsh Department of Sociology, Goldsmiths, University of London, New Cross, London SE14 6NW, UK The Working Papers Series is intended to initiate discussion, debate and discourse on a wide variety of issues as it pertains to the analysis of antisemitism, and to further the study of this subject matter. Please feel free to submit papers to the ISGAP working paper series. Contact the ISGAP Coordinator or the Editor of the Working Paper Series, Charles Asher Small. Working Paper Hirsh 2007 ISSN: 1940-610X © Institute for the Study of Global Antisemitism and Policy ISGAP 165 East 56th Street, Second floor New York, NY 10022 United States Office Telephone: 212-230-1840 www.isgap.org ABSTRACT This paper aims to disentangle the difficult relationship between anti-Zionism and antisemitism. On one side, antisemitism appears as a pressing contemporary problem, intimately connected to an intensification of hostility to Israel. Opposing accounts downplay the fact of antisemitism and tend to treat the charge as an instrumental attempt to de-legitimize criticism of Israel. I address the central relationship both conceptually and through a number of empirical case studies which lie in the disputed territory between criticism and demonization. The paper focuses on current debates in the British public sphere and in particular on the campaign to boycott Israeli academia. Sociologically the paper seeks to develop a cosmopolitan framework to confront the methodological nationalism of both Zionism and anti-Zionism. It does not assume that exaggerated hostility to Israel is caused by underlying antisemitism but it explores the possibility that antisemitism may be an effect even of some antiracist forms of anti- Zionism.
    [Show full text]
  • Indian Scholar
    ISSN 2350-109X www.indianscholar.co.in Indian Scholar An International Multidisciplinary Research e-Journal POLITICAL AND CULTURAL CRITIQUES IN TARIQ ALI’S NIGHT OF THE GOLDEN BUTTERFLY Basharat Shameem Research Scholar, Department of English J.S. University, Shikohabad, Uttar Pradesh, India-283135 Abstract Through its close study of Night of the Golden Butterfly by Tariq Ali, this paper makes an attempt to study how the novel offers an alternate account of Pakistan’s political and cultural history through the medium of fiction. History as a tool of reconstruction of experience used by the dominant powers is often seen to be in clash with individual reconstruction of the experience through imagination in the form of literary narratives. This query about the general nature of representation gets attached to some very debatable questions prevailing among the contemporary Pakistanis and those mainly focus on the issues of identity, culture, race, and religion. Unlike the rest of the novels in the Islam Quintet, the novel is set in the modern times narrating an account of contemporary issues pertaining to western imperialism, rise of religious fanaticism, military-mullah-feudal nexus in Pakistan, and immigrant experiences. The paper tries to show how the novel not only takes a hard look at the western imperialism for its devastating impact on the colonized world, but in a self-reflexive way, also criticizes the Muslim societies for adopting the path of self-destructive religious fundamentalism with reference to Ali’s own native country, Pakistan, referred to as “Fatherland” in the novel. Keywords: Night of the Golden Butterfly, Tariq Ali, History, Pakistan, Muslims, Culture, Fundamentalism.
    [Show full text]
  • • Principals Off Er Alternative to Loans Scheme
    IRlBOT RICE GRLLERY a. BRQ~ University of Edinburgh, Old College THE South Bridge, Edinburgh EH8 9YL Tel: 031-667 1011 ext 4308 STATIONERS 24 Feb-24 March WE'RE BETTER FRANCES WALKER Tiree Works Tues·Sat 10 am·5 pm Admission Free Subsidised by the Scottish Ans Council Glasgow Herald Studen_t' Newspaper of the l'. ear thursday, february 15, 12 substance: JUNO A.ND •20 page supplement, THE PAYCOCK: Lloyd Cole interview .Civil War tragedy . VALENTINES at the .and compe~tion insi~ P.13 Lyceum p.10 Graduate Tax proposed • Principals offer alternative to loans scheme by Mark Campanile Means tested parental con­ He said that the CVCP administrative arrangements for Mr MacGregor also stated that tributions would be abolished, accepted that, in principle, stu­ loans and is making good prog­ administrative costs would be pro­ ress." hibitive, although the CVCP UNIVERSITY VICE Chan­ and the money borrowed would dents should pay something be repayed through income tax or towards their own education, but "The department will of course claim their plan would be cheaper cellors ancf Principals have national insurance contributions. that they believed that the current . be meeting the representatives of to implement than the combined announced details of a A spokesman for the CVCP, loans proposals were unfair, the universities, polytechnics, and running costs for grants and loans. graduate tax scheme which · Dr Ted Neild, told Student that administratively complicated, and colleges in due course to discuss NUS President Maeve Sher-. they want the government to the proposals meant that flawed because they still involved their role in certifying student lock has denounced the new prop­ consider as an alternative to graduates who had an income at a parental contributions, which are eligibility for loans." osals as "loans by any other student loans.
    [Show full text]
  • Andy Higgins, BA
    Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support.
    [Show full text]
  • NEWSLETTER 2016 Letter from the Acting Chair
    HISTORY OF ART, UNIVERSITY OF CALIFORNIA, BERKELEY ANNUAL NEWSLETTER 2016 Letter from the Acting Chair My second year as Acting Chair of the Department has been an exhilarating one, as I have become more closely acquainted with the accomplishments of a very active community of scholars who are pursuing the histories of art of differing cultures, time periods, aesthetic sensibilities, and meanings. Our traditional strengths in European, American, and Asian art have been expanded to include other traditions and global art of the modern and con- temporary periods. A quick perusal of the Department’s courses at http:// guide.berkeley.edu/courses/histart/ will introduce you to the variety. Last year at this time I knew that the faculty had reconceived the undergraduate major to be more inclusive and also more comparative, but I had not yet realized the extent to which new questions, new perspectives, and new technologies would be enlivening the intellectual interchanges among the faculty with such different specializations. Just one example: Complementing the long-time requirement, HA100 Theory and Methods of Art History that many of you will remember having taken, is a second methodology course, HA 101 Theory and Methods for a Global History of Bonnie Wade receives the Berkeley Citation at graduation in her home Art that was newly created this past year. Conceived to be team-taught, the department, Music. inaugural team consisted of Associate Professor Beate Fricke (medieval art and architecture) whose enthusiastic outburst at a faculty meeting about Bonnie Wade, our Acting Chair, received the Berkeley citation at gradua- the stimulating experience of teaching it with Assistant Professors Lisa Trev- tion in her home department, Music.
    [Show full text]
  • Three Anti-Fascist Novels Written by Women in the 1930S
    Narratives of collaboration and resistance: Three anti-fascist novels written by women in the 1930s RONALD PAUL University of Gothenburg Abstract Throughout the 1930s, the impact of fascism on the role of women in society and in the family was the focus of several anti-fascist novels written by women. In this article I concentrate on three of the most significant and successful of these works in order to explore the way they dramatize the relationship between collaboration with and resistance to fascism. I show how they not only viewed the reactionary transformation of the state by fascist regimes as a historic defeat for women. They also sought to depict the effect this catastrophe had on their personal lives and how they coped with its social and political challenges. I have therefore selected the following novels – Storm Jameson’s In the Second Year (1936), Murray Constantine’s (Katharine Burdekin) Swastika Night (1937) and Phyllis Bottome’s The Mortal Storm (1938), since they address the fundamentally regressive nature of fascism in different ways as well as individual struggles against it. Moreover, they remain outstanding examples of anti-fascist fiction that still resonate with us today when the world is once more faced with the rise of rightwing, populist and neofascist parties. Key words: Storm Jameson, Murray Constantine, Phyllis Bottome, 1930s, Anti-fascist novels In one of her last great polemics, Three Guineas, published in 1938, Virginia Woolf argued for a united front between the women’s movement and the anti-fascist struggle. Woolf showed that there is a natural and necessary correspondence between the continued fight for female emancipation and international resistance to the rise of fascism.
    [Show full text]
  • Baixa Descarrega El
    Jacqueline Hurtley and Elizabeth Russell Universitat de Barcelona and Universitat Rovira i Virgili, Tarragona Following the fruits of the second wave of feminism fiom the 60s into the 80s, the backlash has set in (cf. Susan Faludi), with texts such as Camille Pagha's Sexual Personae intensqing the reaction. Beyond the women's movemenf we are witnesses to a growing sense of intolerante, made manifest in xenophobic attitudes and racist attacks. In The Nature of Fascism, published in 1991, Roger Grifñn spends his fúst chapter dwelling on the "conundrum" of fascism, so temed because of the lack of consensus as to how fascism might be defined. We do not propose to consider the complexities involved here but will rnake use of Griíñn's working definition: "Fascism is a genus of political ideology whose mythc core in its various permutations is a pahgenetic fom of populist ultranationalism." (Grif6n 1991,26). For our particular purpose, we wish to focus on the concept of palingenesis (fkom palin - again, anew; and genesis - creation, biríh). Fascism promulgated the idea of rebiríh: the movement would bring about "a new national community", one which would draw on, " - where posible, traditions which had supposedly remained uncontaminated by degenerative forces and whose cohesion was assured by new institutions, organisations and practices based on a new political hierarchy and a new heroic ethos" (Griíñn 1991, 45). Women became conspicuous by their absence within the new phallocentnc hierarchy. The new fascist man (hornofmcistus) wodd be intent on saaiñcing himseíf to the higher needs of the nation. In Male Fantasies Klaus Theweleit drew on case-studies produced on a number of individuals who played an active part in German proto-fascism.
    [Show full text]
  • MISLEADING CASES Children of the Sun. a Narrative of Decadence in England After 1918
    BOOK REVIEWS 85 MISLEADING CASES Children Of The Sun. A Narrative of Decadence in England After 1918. By MARTIN GREEN. Constable, 1977; £7.50. Mr. Green purports to describe the 'imaginative history' of England between 1918 and 1957, seeing it as a 'cultural Downloaded from https://academic.oup.com/eic/article/XXVIII/1/85/493747 by guest on 01 October 2021 dialectic' between the 'dandy-aesthetes' and the 'anti- dandies'. He describes the former as representing the culture's 'thesis' (dominant 'temperament') and the latter as supporting its 'antithesis'. Into the first group he puts two 'gangs', one led by Harold Acton, Brian Howard, Connolly, Quennell, Waugh and Betjeman, the other by Auden, Isherwood, Spender and John Lehmann. The anti- thesis is represented by Leavis, Orwell and, sometimes, Lawrence who, along with the Georgian and Victorian forbears of the 'gangs' and their more conventional con- temporaries, stand for 'seriousness' and 'maturity'. The argument of the book revolves around the careers of Acton and Howard as the cultural leaders of the 'thesis'. Here, however, he runs into difficulties: the 'dandyism' of Acton is different in kind from that of Auden. The first gang, then, must be termed 'dandy-aesthete'; the second, 'naif. The 'cult of the naif, he assures us, was 'at the very core of Thirties' Marxism—the image of the sun-bronzed young man with his shirt open, bringing the radiant candour of his gaze to bear on the mess the fathers have made of the world'. But even this is not comprehen- sive enough. What about Beaverbrook and Winston Churchill? What about Peter Rodd and Randolph Churchill? They must naturally form another sub-section: 'uncles' and 'rogue-rebels'.
    [Show full text]
  • Dress Regulations
    BUll1 copy NUMBtO{: KOYALNAVY AND ItOy AI. MAIHNES • UNH'OHM It EGlII.A'I'IONS 1993 "l'IIIS DOCUMENT IS 'I'm; I'IWl'lm'l'Y OF IIER BRITANNIC MAJESTY'S GOVERNMIo;NT, and i~ ititillcd for lhe information of such persons only as need to know its contcnLs ill lhc cOllrse of their official duties. Any pcrtion finding this documcnt shollld halld il in to a BriLish rorces unit or to a police station for its safe return Lo lhe MINISTRY OF 1>L~I,'gNCE, [) MOl) SY, LONDON SWl 211B, wilh pMli~ldars of how and where round '1'111-; UNAUTHORISED RETI':N'I'ION Olt m;STRUCTlON 0(0' THE DOCUMENT IS AN OFFENCE UNDElt TilE OFFICIAL SECRETS ACTS OF 1911 . 1989.(When released to pcn;()llh ollbide Government service, this docllment is issued on a personal basis ulld the recipient to whom it is entrusted in confidence, within the provisions of Lhe Official SecreLs Acts 1911 1989, is personally responsible for its safc cusLody and for seeing Lhat its conlenLs are disclosed only Lo aULhorised pcrsonti.) - Ca BY COMMAND OFTHE DEFENCE COUNCIL DATE: April 1993 MINISTHY OF n~;FENCE I)IHEC'I'OH GENEHAI. OF SUPPLIES AND THANSPOH'I' (NAV ALl Il/STIl3 1175 I 2 /15 Urullch 1~ Cdl 1 SUbjt'l't SpOilS .... STll:IA ..... UJ"l'L ;:,ponsor S • H 1 I I • • " . - \ • • • • ,'- • • , • ,, • • , , • II ~ • , , • • ... • • • • • r •'- ,. straps Corps insignia (Hce Article 0515) on I'uch lupel g White M"ss Jock"'. Filled wil~ white SECTION 2 drill should('. 51 raps fll~t(]rwd ut.
    [Show full text]
  • Country, House, Fiction Kristen Kelly Ames
    Conventions Were Outraged: Country, House, Fiction Kristen Kelly Ames A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH YORK UNIVERSITY TORONTO, ONTARIO June 2014 © Kristen Kelly Ames, 2014 ii ABSTRACT The dissertation traces intersections among subjectivity, gender, desire, and nation in English country house novels from 1921 to 1949. Inter-war and wartime fiction by Daphne du Maurier, Virginia Woolf, Nancy Mitford, P. G. Wodehouse, Elizabeth Bowen, and Evelyn Waugh performs and critiques conventional domestic ideals and, by extension, interrupts the discourses of power that underpin militaristic political certainties. I consider country house novels to be campy endorsements of the English home, in which characters can reimagine, but not escape, their roles within mythologized domestic and national spaces. The Introduction correlates theoretical critiques of nationalism, class, and gender to illuminate continuities among the naïve patriotism of the country house novel and its ironic figurations of rigid class and gender categories. Chapter 1 provides generic and critical contexts through a study of du Maurier’s Rebecca, in which the narrator’s subversion of social hierarchies relies upon the persistence, however ironic, of patriarchal nationalism. That queer desire is the necessary center around which oppressive norms operate only partially mitigates their force. Chapter 2 examines figures of absence in “A Haunted House,” To the Lighthouse, and Orlando. Woolf’s queering of the country house novel relies upon her Gothic figuration of Englishness, in which characters are only included within nationalist spaces by virtue of their exclusion.
    [Show full text]
  • Brandausdie Zeitschrift
    BA 12_11 Umbruch _BA Umb Titel Mai 16.12.11 02:37 Seite 1 Die Zeitschrift der Niederösterreichischen Feuerwehren Brandaus 12 · 2011 Brandaus 12 · 2011 SchadstoffbekämpfungSchadstoffbekämpfung HochsensibleHochsensible MaterieMaterie DaDa brauchtbraucht eses SpezialistenSpezialisten P.b.b. Verlagspostamt 1140 Wien · 08Z037934M · www.noelfv.at · 08Z037934M 1140 Wien Verlagspostamt P.b.b. Porträt: Wissen: Kinderdorf-Mutter Wartung von Brigitte Virgolini, 22 Einsatzgeräten, 24 BA 12_11 Umbruch _BA Umb Titel Mai 16.12.11 02:37 Seite 2 2 Brandaus: Topstories Wenn’s heiß hergeht … Mercedes-Benz Allradfahrzeuge für den Feuerwehr-Einsatz und Katastrophenschutz. Ob es im Wald, am Berg oder im Gelände brennt, ob ein Klein-, Mittel- oder Großbrand zu löschen ist: mit Mercedes-Benz wird jeder Einsatz zum Erfolg. Denn die Marke mit dem Stern hat die breiteste Palette an Feuerwehr-Allradfahrzeugen und bietet somit für alle Anforderungen die passende Lösung. Dabei reicht das Angebot vom Vito als Mannschaftstransportfahrzeug über den Sprinter als Kleinlöschfahrzeug-Allrad, den Atego als Tanklöschfahrzeug-Allrad bis hin zum Actros als Großtanklöschfahrzeug-Allrad. Komplettiert wird die Auswahl durch die Unimog-Baureihen, als Geländelöschfahrzeug und Löschfahrzeug mit Berg- ausrüstung und Allrad, sowie den Zetros als Rüstlöschfahrzeug-Allrad. www.mercedes-benz.at/feuerwehr Pappas Georg Pappas Automobil AG Autorisierter Mercedes-Benz Vertriebs- und Servicepartner für Nfz und Unimog, 5301 Eugendorf, Gewerbestraße 34; 2355 Wiener Neudorf, Industriezentrum NÖ-Süd, Straße 4, Postfach 126, Pappas Gruppe. Das Beste erfahren. Hotline: 0800/727 727 www.pappas.at Brandaus 12 · 2011 BA 12_11 Umbruch _BA Umb Titel Mai 16.12.11 02:37 Seite 3 3 Wir haben viel umgesetzt Große Ereignisse prägten das Leider blieb die Feuerwehr- Jahr 2011 für die Freiwilligen familie auch von tragischen Feuerwehren Niederösterreichs.
    [Show full text]
  • News Release
    News Release CECIL BEATON’S DAZZLING BRIGHT YOUNG THINGS BROUGHT TOGETHER FOR THE FIRST TIME IN MAJOR NEW EXHIBITION Rarely exhibited prints by renowned photographer Cecil Beaton go on display at National Portrait Gallery London L-R: Mrs Freeman-Thomas by Cecil Beaton, 1928. © The Cecil Beaton Studio Archive; Cecil Beaton by Paul Tanqueray, 1937. National Portrait Gallery, London © Estate of Paul Tanqueray; The Bright Young Things at Wilsford by Cecil Beaton, 1927. © The Cecil Beaton Studio Archive. Cecil Beaton’s Bright Young Things National Portrait Gallery, London 12 March – 7 June 2020 Cecil Beaton’s portraits from a golden age are brought together for the first time in a major new exhibition at the National Portrait Gallery, London. Featuring 170 works, many of which are rarely exhibited, Cecil Beaton’s Bright Young Things explores the extravagant world of the glamorous and stylish ‘Bright Young Things’ of the twenties and thirties, seen through the eye of renowned British photographer Cecil Beaton. Through the prism of Beaton’s portraits the exhibition presents the leading cast, to many of whom he would become close, and who in these early years helped refine his remarkable photographic style - artists and friends Rex Whistler and Stephen Tennant, set and costume designer Oliver Messel, composer William Walton, modernist poets Iris Tree and Nancy Cunard, glamorous socialites Edwina Mountbatten and Diana Guinness (née Mitford), actresses and anglophiles Tallulah Bankhead and Anna May Wong, among many others. Brought to vivid life each of them has a story to tell. There are the slightly less well known too – style icons Paula Gellibrand, the Marquesa de Casa Maury and Baba, Princesse de Faucigny-Lucinge, the eccentric composer and aesthete Lord Berners, modernist poet Brian Howard, part model for Brideshead Revisited’s mannered ‘Anthony Blanche’, ballet dancer Tilly Losch and Dolly Wilde Oscar’s equally flamboyant niece.
    [Show full text]