Treasures of Thailand
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Wat Phra That Hariphunchai ( ) Sited in Mid-Town, It Was Built During the Reign of King Arthitayarat, a Descendant of Queen Chamthewi Some 800 Years Ago
Amphoe Mueang Lamphun 01 - Wat Phra That Hariphunchai ( ) Sited in mid-town, it was built during the reign of King Arthitayarat, a descendant of Queen Chamthewi some 800 years ago. A principal landmark is the 46-metre tall golden Chedi whose present appearance was the result of the restoration work in 1443 by a king of Chiang Mai. It has long been regarded as a major place of worship. Other architectural works include the ancient-style brick arch adorned with fine designs and the pair of sculptured lions at the door. There are also a square-shaped Chedi and a Khmer-style Buddha statue. 02 - Hariphunchai National Museum ( ). Located on Inthayongyot Road almost opposite Wat Phra That Hariphunchai it displays and exhibits include historical development and archaeological items found in Lamphun. These include prehistorical human skeletons and objects of arts from the Dvaravati, Hariphunchai, Lanna and Rattanakosin periods. A chamber is devoted to a collection of inscription stones in Mon and Lanna scripts. Another displays ancient utensils, Lanna indigenous arts and carvings. The museum is open Wednesday-Sunday from 9.00 a.m. to 4.00 p.m. 03 - Phra Nang Chamthewi Statue ( ) Located in the Nong Dok public park in town commemorating the first ruler of Hariphunchai. 04 - Suthewa Rusi Statue ( ) In front of the Town Hall, the Legend has it that the Rusi, or ascetic, was the actual founder of Hariphunchai. As an ascetic refraining from worldly affairs he invited Phra Nang Chamthevi, a daughter of the King of Lopburi, to ascend the throne and helped her to firmly establish Buddhism in the land. -
Unit 1 Is the Introduction. No Lecture Note Unit 2 Thai Architecture
1 Unit 1 is the introduction. No lecture note Unit 2 Thai Architecture Composition General concept of architecture- the art of shaping of space (physical, perceptual / conceptual and behavioral space) Outstanding characteristics of Thai arts/ architecture Influential factors and design concept of Thai architecture General Concept of Architecture Outstanding Characteristics of Thai Arts/ Architecture Thai art is very much influenced by nature and environment of Thai society. It’s outstanding characteristics include: - Its delicate beauty; this character reflects the character and mind of Thai people which can be perceived in created arts. - Most traditional arts in Thailand are created to promote Buddhism or are created from Buddhist faiths and beliefs. Thai architecture Thai architecture is defined as art of building or construction. In Thai context, buildings include houses and residences, buildings in monastery or temples such as Ubosot, Vihara, Stupa and Chedi, palatial buildings or palaces, halls, pavilions, and others. Architectural designs and functions vary by geographies and can be categorized by functions: (1) residences (e.g. houses, mansions, royal residences, palaces, grand palaces); and (2) monasteries or architecture that relates to religion (e.g. Ubosot, Vihara, monk’s residences, scripture halls, bell towers, drum towers, Stupa, Chedi). Background of architectural development of uumanity Architecture is not just a science of construction but it is a kind of ―Visual Art‖ Visual art is defined as plastic or tangible art which means that it has the following compositions: - stable form and size - ordered and well- planned structure - mass as well as massive 2 - space - proportion - unity - purpose - creativity - artistic value - serving human desires, physically and mentally (mind & imagination) Development of humanity architecture Human had been living in caves, cliffs, mountains, or other kinds of natural protecting areas. -
Vision of the Dhamma Bhikkhu P. A. Payutto
Vision of the Dhamma A Collection of Buddhist Writings in English Bhikkhu P. A. Payutto Sabbadàna§ dhammadàna§ jinàti The gift of the Dhamma excels all other gifts. Vision of the Dhamma A Collection of Buddhist Writings in English © Bhikkhu P. A. Payutto ISBN: 978-974-09-3420-2 Cover design by Ven. Chaiyos Buddhivaro First published — October 2007 6,000 copies This publication, supported by a number of donors, is reverentially offered as a tribute to the Venerable Bhikkhu P. A. Payutto on the occasion of his appointment as Honorary Fellow of the Royal Institute of Thailand on December 20, 2006. Wat Nyanavesakavan Tambon Bang Krathuek Amphoe Sam Phran Nakhon Pathom 73210 Thailand Tel. 662-482-1552–3, 662-889-4396 Preface The present volume is a collection of my Buddhist writings in English on different occasions over a span of some twenty-five years. Upon learning that although some of the writings were already published, their circulation was confined to a relatively narrow circle of readers, while others were still unpublished, Dr. Somseen Chanawangsa, Fellow of the Royal Institute of Thailand, came up with the idea of gathering them into a single volume for ease of reference. Here is a brief account of their sources: The first paper, “Peace Through Freedom and Happiness,” was the acceptance speech delivered in Paris on the occasion of receiving the UNESCO’s Prize for Peace Education on December 20, 1994. The second paper, “Foundations of Buddhist Social Ethics” was originally entitled “Foundations of Buddhist Social Ethics in Contemporary Thailand” and subsequently published in Thailand under the title “Social Dimension of Buddhism in Contemporary Thailand.” It was a commissioned paper presented on June 19, 1981, at the “Moral Values in Comparative Perspective” conference, which was sponsored by the Berkeley/Harvard Cooperative Program in Comparative Religion, and held at the Graduate Theological Union, UC Berkeley, June 17–20, 1981. -
ON the HISTORY of CHIANG RAI HANSPENTH ARCHIVE of LAN NA INSCRIPTIONS, SOCIAL RESEARCH INSTITUTE CHIANG Mal UNIVERSITY
ON THE HISTORY OF CHIANG RAI HANSPENTH ARCHIVE OF LAN NA INSCRIPTIONS, SOCIAL RESEARCH INSTITUTE CHIANG MAl UNIVERSITY The historical sources are nearly all agreed that King out the time and throughout its area of distribution, mang has Mang Rai founded Chiang Rai in Culasakkaraja (C.S.) 624, a the meaning of "king" or of "kingdom." year Tao Set. 1 It is therefore probable that Chiang Rai was founded sometime between 27 March 1262 A.D. and 28 March We do not know for how long mang was used in the royal 1263 A.D. 2 house ofthe Thai Yuan, to which PhayaMang Rai belonged. But Most sources do not indicate the day and the month, but it seems that soon after 1300 A.D. mang fell into disuse and was according to a work on the history of Phayao (PA Y.PP.29), the replaced by phaya after a period of transition during which both foundation day was a day 3, month 2, day 15 of the waxing words were used. The Chronicle of Chiang Mai mentions only moon, i.e. day of the full moon, C.S. 624. That corresponds to a two mang: Mang Rai and Mang Khram, his son. Both are also called phayif by the chronicle. But although mang is regularly Tuesday in about October- November 1292 or to a Tuesday two months later, viz. in about December 1262 - January 1263, used for Phaya Mang Rai and sometimes even exclusively depending on whether "month 2" here means the LcL11 Na (dropping the phaya), his son is rarely called Mang Khram; usually he is called Phaya Khram. -
9 DÍAS GRAN TOUR TAILANDIA -DESTINATION- Descripción
$LOGOIMAGE 9 DÍAS GRAN TOUR TAILANDIA -DESTINATION- THAILANDIA, CHIANG RAI Descripción: RESUMEN DEL TOUR Sumérgete en la cultura, el patrimonio y los panoramas del norte de Tailandia con este mágico circuito de Chiang Rai a Bangkok. Thailand está repleto de monumentos históricos, paisajes de ensueño, delicias gastronómicas y abundante fauna. Descubre los principales templos, conoce a los dóciles gigantes que son los elefantes asiáticos y visita las aldeas de las tribus que han vivido en las montañas del norte desde tiempos inmemorables. Continúa hacia Sukhothai y Ayutthaya, dos ciudades nombradas Patrimonio de la Humanidad y que fueron capitales del Reino de Siam. El tour termina en la bulliciosa Bangkok, popularmente conocida como la Ciudad de los Ángeles. PUNTOS DESTACADOS Chiang Rai: Aprende sobre las culturas locales en el museo de las tribus de montaña y durante visitas a aldeas tribales en los montes, y después descubre el deslumbrante templo de Wat Rong Khun Chiang Mai: Visita al templo de Doi Suthep, disfruta de un crucero en un barco tradicional de cola larga y una cena khantoke en una granja y descubre los templos de Wat Suan Dok, Wat Phra Sing y Wat Chedi Luang Sukhothai: Explora las ruinas bien conservadas de la antigua capital del Reino de Sukhothai Ayutthaya: Descubre las impresionantes ruinas de la que fue una de las ciudades más grandes del mundo al comienzo de la edad moderna Kanchanaburi: Visita el puente del Ferrocarril de la Muerte que inspiró la novela y película, El puente sobre el río Kwai Damnoen Saduak: Sumérgete -
Festival of the Tenth Lunar Month in Nakhon Si Thammarat (11/10/2015)
Festival of the Tenth Lunar Month in Nakhon Si Thammarat (11/10/2015) Each year, in the 10th lunar month, usually around September and October, a major cultural event is held in southern Thailand, especially Nakhon Si Thammarat province. The Tenth Lunar Month Festival involves merit-making to show respect and gratitude to the local peoples deceased ancestors. This year, Nakhon Si Thammarat holds the Tenth Lunar Month Festival between 6 and 15 October, but the highlight of this festival takes place from 10 to 13 October. On this occasion, the family members living far from their hometowns visit their families to make merit in memory of their ancestors. Legend has it that during the 10th lunar month, the souls of deceased ancestors are freed from the other world to visit their relatives in the human world. Nakhon Si Thammarat residents take this opportunity to prepare offerings not only for their deceased ancestors, but also for other spirits and Buddhist monks. The offerings consist of different kinds of food placed on beautifully decorated trays. Participants in the merit-making ceremony join a procession carrying trays of offerings from the town hall to Wat Phra Mahathat Woramahawihan, the main Buddhist temple of Nakhon Si Thammarat. The colorful procession attracts both local residents and tourists. Other activities are also held, such as a trade fair, exhibitions, and cultural performances. Nakhon Si Thammarat is the largest province in southern Thailand, in terms of population (more than 1.5 million in 2014). It is the second largest province in the South, after Surat Thani, in terms of land area. -
5-Day Ancient Siam: World Heritage Sites
5-Day Ancient Siam: World Heritage Sites Downloaded on: 8 Oct 2021 Tour code: BKKDBWH5 Tour type ( Private ) Tour Level: Moderate Tour Comfort: Superior Tour Period: 5 Days Bangkok, Ayutthaya, Kamphaeng Phet, Sukhothai, Chiang Mai highlights tour details See Ayutthaya's oldest relics Depart Bangkok for Bang Pa In before continuing to Ayutthaya by Visit the 600-year old Wat Yai Chaimongkol boat. Upon arrival, you’ll disembark at Wat Panan Choeng and Travel like a local in a long-tail boat continue to Wat Yai Chaimongkol. After lunch, you’ll visit Wat Explore the Khampheng Phet Historical Park Chaiwatthanaram, Wat Phra Si Sanpeth, Wat Phra Mahathat and the Tour Sukhothai's Historical Park by bicycle Boat Museum. On day-two you’ll depart for Khampheng Phet to tour Marvel at Chiang Mai's Wat Doi Suthep the Khampheng Phet Historical Park. Next stop is Sukhothai to visit Wat Si Chum, Wat Chang Lom, Wat Chang Rop, Wat Phra Si Ariyabot and the royal Wat Phra Kaew.Tour Sukhothai Historical Park by bicycle on day three, including Wat Mahathat, Wat Saphan Hin, Wat Si Sawai and the Sangkhalok Museum. The final two days include visits to Si Satchanalai Historical Park, Celadon Kiln Site Study & Conservation Centre, and Chiang Mai's Woraros Market, Wat Phra Singh and Wat Doi Suthep. Contact [email protected] www.diethelmtravel.com Copyright © Diethelm Travel Management Limited. All right reserved. 5-Day Ancient Siam: World Heritage Sites Contact [email protected] www.diethelmtravel.com Copyright © Diethelm Travel Management Limited. All right reserved. 5-Day Ancient Siam: World Heritage Sites tour description Day 1 : BANGKOK - AYUTTHAYA (-/L/D) Meet your private guide at the lobby of your hotel and depart to Bang Pa In. -
Appendix Appendix
APPENDIX APPENDIX DYNASTIC LISTS, WITH GOVERNORS AND GOVERNORS-GENERAL Burma and Arakan: A. Rulers of Pagan before 1044 B. The Pagan dynasty, 1044-1287 C. Myinsaing and Pinya, 1298-1364 D. Sagaing, 1315-64 E. Ava, 1364-1555 F. The Toungoo dynasty, 1486-1752 G. The Alaungpaya or Konbaung dynasty, 1752- 1885 H. Mon rulers of Hanthawaddy (Pegu) I. Arakan Cambodia: A. Funan B. Chenla C. The Angkor monarchy D. The post-Angkor period Champa: A. Linyi B. Champa Indonesia and Malaya: A. Java, Pre-Muslim period B. Java, Muslim period C. Malacca D. Acheh (Achin) E. Governors-General of the Netherlands East Indies Tai Dynasties: A. Sukhot'ai B. Ayut'ia C. Bangkok D. Muong Swa E. Lang Chang F. Vien Chang (Vientiane) G. Luang Prabang 954 APPENDIX 955 Vietnam: A. The Hong-Bang, 2879-258 B.c. B. The Thuc, 257-208 B.C. C. The Trieu, 207-I I I B.C. D. The Earlier Li, A.D. 544-602 E. The Ngo, 939-54 F. The Dinh, 968-79 G. The Earlier Le, 980-I009 H. The Later Li, I009-I225 I. The Tran, 1225-I400 J. The Ho, I400-I407 K. The restored Tran, I407-I8 L. The Later Le, I4I8-I8o4 M. The Mac, I527-I677 N. The Trinh, I539-I787 0. The Tay-Son, I778-I8o2 P. The Nguyen Q. Governors and governors-general of French Indo China APPENDIX DYNASTIC LISTS BURMA AND ARAKAN A. RULERS OF PAGAN BEFORE IOH (According to the Burmese chronicles) dat~ of accusion 1. Pyusawti 167 2. Timinyi, son of I 242 3· Yimminpaik, son of 2 299 4· Paikthili, son of 3 . -
Laos and Ethnic Minority Cultures: Promoting Heritage Edited by Yves Goudineau
Laos and Ethnic Minority Cultures: Promoting Heritage Edited by Yves Goudineau UNESCO PUBLISHING MEMORY OF PEOPLES 34_Laos_GB_INT 26/06/03 10:24 Page 1 Laos and Ethnic Minority Cultures 34_Laos_GB_INT 26/06/03 10:24 Page 3 Laos and Ethnic Minority Cultures: Promoting Heritage Edited by YVES GOUDINEAU Memory of Peoples | UNESCO Publishing 34_Laos_GB_INT 7/07/03 11:12 Page 4 The authors are responsible for the choice and the presentation of the facts contained in this book and for the opinions expressed therein, which are not necessarily those of UNESCO and do not commit the Organization. The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. UNESCO wishes to express its gratitude to the Japanese Ministry of Foreign Affairs for its support to this publication through the UNESCO/Japan Funds-in-Trust for the Safeguarding and Promotion of Intangible Heritage. Published in 2003 by the United Nations Educational, Scientific and Cultural Organization 7, place de Fontenoy F-75352 Paris 07 SP Plate section: Marion Dejean Cartography and drawings: Marina Taurus Composed by La Mise en page Printed by Imprimerie Leclerc, Abbeville, France ISBN 92-3-103891-5 © UNESCO 2003 Printed in France 34_Laos_GB_INT 26/06/03 10:24 Page 5 5 Foreword YVES GOUDINEAU It is quite clear to every observer that Laos owes part of its cultural wealth to the unique diversity which resides in the bosom of the different populations that have settled on its present territory down the ages, bringing with them a mix of languages, beliefs and aesthetic traditions. -
The Origin and Significance of the Emerald Buddha
The Origin and Significance of the Emerald Buddha Explorations in Southeast Asian Studies A Journal of the Southeast Asian Studies Student Association Vol 3 Fall 1999 Contents Article 1 Article 2 Article 3 Article 4 The Origin and Significance of the Emerald Buddha Eric Roeder >Eric Roeder is an M.A. candidate in the department of Asian Studies at the University of Hawaii at Manoa. he is spending the 1999-2000 academic year examining the educational opportunities for the physical handicapped within Thailand Notes The Emerald Buddha is known as 'the palladium of Thai society'. Located on the grounds of the Grand Palace and situated within Wat Phra Keo, The Emerald Buddha watches over the Thai nation. Yet the image's history continues to reveal very little. Fable, myth, legend and fact intermingle, creating a morass for those who study the Emerald Buddha. While the Buddha is often mentioned in texts about Thailand, surprisingly little is written about it in great length. Beyond the image's origins in documented history, the Emerald Buddha has traveled widely. This paper will look at the mythical origins of the Emerald Buddha as recorded in The Chronicle of the Emerald Buddha and other sources, then trace its history in Thailand beginning from its first appearance in the town of Chieng Rai. Upon its discovery in Chieng Rai, the Emerald Buddha became much coveted. The image moved throughout the region, from Chieng Rai to Lampang, Chieng Mai, Luang Prabang, Vientiane, Thonburi, and finally, to its present location in Bangkok. More than just a spoil of battle, the Emerald Buddha was believed to bring legitimacy and prosperity to all those who possess it. -
Flight of Lao War Captives from Burma Back to Laos in 1596: a Comparison of Historical Sources
SOAS Bulletin of Burma Research, Vol. 3, No. 1, Spring 2005, ISSN 1479-8484 THE FLIGHT OF LAO WAR CAPTIVES FROM BURMA BACK TO LAOS IN 1596: A COMPARISON OF HISTORICAL SOURCES Jon Fernquist Mae Fa Luang University Introduction In 1596, one thousand Lao war captives fled from Pegu, the capital of the kingdom of Burma, back to their native kingdom of Lan Sang. This incident is insignificant when compared to more cataclysmic changes like the founding or fall of dynasties, but it has attracted the attention of Western, Thai, and Burmese historians since the 17th century. The incident is noteworthy and exceptional in several ways. First, the flight was to a remote destination: Laos. Second, the incident involved two traditional enemies: Burmese and ethnic Tai's. "Tai" will be used to emphasize that this is an autonomous history of pre-modern states ranging from Ayutthya in the South, through Lan Sang, Lan Na, Kengtung, and Sipsong Panna in the North, to the Shan states of Burma in the far north. Third, the entries covering the incident in the Ayutthya, Chiang Mai, and Lan Sang chronicles are short, ambiguous, and beg to be explained. All of this gives the incident great dramatic potential and two historians of note have made use of these exceptional characteristics to further their literary and ideological goals: de Marini, a Jesuit priest, in a book published in 1663, and Prince Damrong, a Thai historian, in a book published in 1917. Sections 2 and 5 will analyze the works of these historians. In other ways the incident is unexceptional. -
Iconographical Issues in the Archeology of Wat Phra Men, Nakhon Pathom
75 Iconographical Issues in the Archeology of Wat Phra Men, Nakhon Pathom Nicolas Revire Wat Phra Men, an important temple site at Nakhon Pathom in the central plains of Thailand from around the 7th to 8th centuries CE, is re-examined for the diverse conclusions that can be drawn from iconographical study of its Buddha images. Four or five colossal images, seated in the so-called “European fashion”, are reputed to have originated here although they are today displayed in different temples and museums. The history of the discoveries and restorations at the site is reviewed. While the precise nature and original appearance of the monument remain a mystery, the iconographical significance of the images lies in different possible interpretations according to the Buddhist traditions that were practiced here. The nature of Buddhism in the Dvāravatī period was evidently very heterogeneous; esoteric forms of Mahāyāna Buddhism may have evolved at Wat Phra Men in Theravāda guise. The results of this re-examination should hold implications for other Buddhist sites in Nakhon Pathom and neighboring provinces. The importance of Nakhon Pathom in the early history of Thailand is well recognized because of the large number of archeological remains found there: ruins of stūpa or caitya foundations, stone and bronze sculptures, and clay and stucco artifacts, among other items (figure 1). How much is really known about the iconography of its art? While new archeological discoveries have been made1 and excavations are being carried out in central Thailand, art historians still need to rely on earlier studies and museum collections, not only for reference material but also in reconsidering some of what has been found and has fallen, for the most part, into oblivion.