Percy Bysshe Shelley
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The Life of Michelangelo Buonarroti by John Addington Symonds</H1>
The Life of Michelangelo Buonarroti by John Addington Symonds The Life of Michelangelo Buonarroti by John Addington Symonds Produced by Ted Garvin, Keith M. Eckrich and PG Distributed Proofreaders THE LIFE OF MICHELANGELO BUONARROTI By JOHN ADDINGTON SYMONDS TO THE CAVALIERE GUIDO BIAGI, DOCTOR IN LETTERS, PREFECT OF THE MEDICEO-LAURENTIAN LIBRARY, ETC., ETC. I DEDICATE THIS WORK ON MICHELANGELO IN RESPECT FOR HIS SCHOLARSHIP AND LEARNING ADMIRATION OF HIS TUSCAN STYLE AND GRATEFUL ACKNOWLEDGMENT OF HIS GENEROUS ASSISTANCE CONTENTS CHAPTER page 1 / 658 I. BIRTH, BOYHOOD, YOUTH AT FLORENCE, DOWN TO LORENZO DE' MEDICI'S DEATH. 1475-1492. II. FIRST VISITS TO BOLOGNA AND ROME--THE MADONNA DELLA FEBBRE AND OTHER WORKS IN MARBLE. 1492-1501. III. RESIDENCE IN FLORENCE--THE DAVID. 1501-1505. IV. JULIUS II. CALLS MICHELANGELO TO ROME--PROJECT FOR THE POPE'S TOMB--THE REBUILDING OF S. PETER'S--FLIGHT FROM ROME--CARTOON FOR THE BATTLE OF PISA. 1505, 1506. V. SECOND VISIT TO BOLOGNA--THE BRONZE STATUE OF JULIUS II--PAINTING OF THE SISTINE VAULT. 1506-1512. VI. ON MICHELANGELO AS DRAUGHTSMAN, PAINTER, SCULPTOR. VII. LEO X. PLANS FOR THE CHURCH OF S. LORENZO AT FLORENCE--MICHELANGELO'S LIFE AT CARRARA. 1513-1521. VIII. ADRIAN VI AND CLEMENT VII--THE SACRISTY AND LIBRARY OF S. LORENZO. 1521-1526. page 2 / 658 IX. SACK OF ROME AND SIEGE OF FLORENCE--MICHELANGELO'S FLIGHT TO VENICE--HIS RELATIONS TO THE MEDICI. 1527-1534. X. ON MICHELANGELO AS ARCHITECT. XI. FINAL SETTLEMENT IN ROME--PAUL III.--THE LAST JUDGMENT AND THE PAOLINE CHAPEL--THE TOMB OF JULIUS. -
Wine, Women, and Song
WINE, WOMEN, AND SONG. "Wer liebt nicht Weib Wein and Gesang Der bleibt ein Narr sein Lebenslang." —Martin Luther. MEDIÆVAL LATIN STUDENTS' SONGS Now First Translated into English Verse WITH AN ESSAY BY JOHN ADDINGTON SYMONDS London CHATTO AND WINDUS, PICCADILLY 1884 TO ROBERT LOUIS STEVENSON. Dear Louis, To you, in memory of past symposia, when wit (your wit) flowed freer than our old Forzato, I dedicate this little book, my pastime through three anxious months. Yours, JOHN ADDINGTON SYMONDS Villa Emily, San Remo, May 1884. Wine, Women, and Song. [1] I. When we try to picture to ourselves the intellectual and moral state of Europe in the Middle Ages, some fixed and almost stereotyped ideas immediately suggest themselves. We think of the nations immersed in a gross mental lethargy; passively witnessing the gradual extinction of arts and sciences which Greece and Rome had splendidly inaugurated; allowing libraries and monuments of antique civilisation to crumble into dust; while they trembled under a dull and brooding terror of coming judgment, shrank from natural enjoyment as from deadly sin, or yielded themselves with brutal eagerness to the satisfaction of vulgar appetites. Preoccupation with the other world in this long period weakens man's hold upon the things that make his life desirable. Philosophy is sunk in the slough of ignorant, perversely subtle disputation[2] upon subjects destitute of actuality. Theological fanaticism has extinguished liberal studies and the gropings of the reason after truth in positive experience. Society lies prostrate under the heel of tyrannous orthodoxy. We discern men in masses, aggregations, classes, guilds—everywhere the genus and the species of humanity, rarely and by luminous exception individuals and persons. -
John Addington Symonds
2015 Bachelorthesis Student: Bente Cox Student Number: S4135733 Supervisor: F. Meens Date: 15-08-‘15 JOHN ADDINGTON SYMONDS A comprehensive analysis of how JA Symonds used his work to try and make the lives of homosexuals in England in the nineteenth and early twentieth century better. Bente Cox s4135733 Bachelor thesis 15-8-2015 My object is known to myself. But it is not one which I care to disclose in set phrases. Someone, peradventure, will discover it; and if he is a friend, will shed perhaps a tear at the thought of what these lines have cost me – if he is a scientific student of humanity, will appreciate my effort to be sincere in the dictation of a document – if he be but a fellow-creature, will feel some thrill of pity, and will respect the record of a soul which has still to settle it’s account with god. From the memoirs of John Addington Symonds 1 Bente Cox s4135733 Bachelor thesis 15-8-2015 Content: Introduction: The reappearance of J.A. Symonds ................................................................................... 3 “ods plea: ........................................................................................................................................ 6 Late Style: ................................................................................................................................................ 8 The importance of “ods ealie ok: ........................................................................................... 15 Conclusion: ........................................................................................................................................... -
Uriah Heep(Gb)
29. März bis 6. April 2014 Eine Veranstaltung der HEADLINER & HIGHLIGHT & ABSCHLUSSKONZERT URIAH HEEP (GB) ROCKLEGENDS IN CONCERT Sonntag, 6. April 2014 Kulturfabrik (Stieberstraße 7, 91154 Roth) 20 Uhr Stehplatz VVK 39,60 €/AK 42 € Sitzplätze ausverkauft (KEIN ZAC-Rabatt; Festivalpass: Stehplatz) Die Musikkritik ließ anfangs kein gutes Haar an ihnen, die Fans – und davon gibt es mit dreißig Millionen verkaufter Alben en masse – juckt das bis heute recht wenig. „Heep Heep Hurra“. Uriah Heep haben mit „Easy Living“ oder „Free me“ Rockklassiker geschrieben, „Lady in Black“ ist die Rockballade schlechthin. Sie waren in 52 Ländern, haben zig Besetzungswechsel überstanden und sind live immer noch eine Nummer. Ihr Geheimnis: Enthusiasmus, Spielfreude, Durchhaltevermögen und Können. Als Gitarrist Mick Box Ende der 1960er mit Sänger David Byron durch die englischen Clubs tingelte, lag die internationale Popularität noch in weiter Ferne. Erst als Ken Hensley die Keyboards übernahm und man sich mit Uriah Heep nach dem finsteren Betrüger aus Charles Dickens „David Copperfield“ benannte, standen die Zeichen auf Erfolg. Mit dem Debüt „Very ´Eavy, Very ´Umble“ zeigte man sofort, wo es in Zukunft lang gehen sollte: harter Gitarrenrock, voller Orgelsound und mehrstimmiger Gesang. In Deutschland war man vollkommen begeistert, hier landeten Uriah Heep mit „Gypsy“ ihren ersten großen Hit. 1971 erschien „Salisbury“, auf der die Ken Hensleys-Komposition „Lady in Black“ sofort einschlug. Jeder wollte die Heeps live sehen – eine Band die gerade mal ein Jahr existierte. Europa und die USA waren erobert, „Look at Yourself“ brachte goldene Platten und eine Japantour. 1972 fanden sie ihre Traumbesetzung: Bassist Newton und Drummer Clark machten Platz für Gary Thain und Lee Kerslake . -
SYMONDS, JOHN ADDINGTON + Played the Role of Mccarthy, Accusing the BIBLIOGRAPHY
SYMONDS, JOHN ADDINGTON + played the role of McCarthy, accusing the BIBLIOGRAPHY. Bent Hansen, Nozdisk authorities of being corrupted by "homo- bibliografi: Homoseksualiteit, Copen- sexual leagues." The campaign was in hagen: Pan, 1984. Fredrik Silverstolpe practice an attack on all homosexuals (and on homosexuality as such). But the RFSL succeeded in strengthening itself in the SYMONDS,JOHN ADDING- struggle, and in presenting its goals and TON (1840-1893) aims in the press during a difficult period. English scholar. John Addington The sixties were politically a si- Symonds was born into a prosperous Lon- lent era for the homosexual movement. don family; his father was a renowned But they also meant a ~~~~olidationof physician and the young Syrnonds was RFSL and the new indoor subculture: the educated at H~~~~ and at Oxford. cafes and small dance halls that had Symonds realized that he was emerged during the fifties. homosexual at a very early age. Even as a Whenga~liberationswe~tinfrom child, he had vivid dreams of being in a the West at the beginning of the seventies, room surrounded by naked sailors: odd gay life in Sweden was vitalized and radi- dreams, since he had not seen a nude adult calked. At the end of the seventies, the much less a nude sailor. According first sizable gay demonstrations in Stock- to his ~~~~i~~,the central theme of holm were held, organized by RFSL. They Symonds' life was his ongoing attempt to &Few from 400 people in 1977 to several deal with what he felt to be an inborn thousand in the eighties- The !St~~kholm propensity to love the male sex. -
Reading John Addington Symonds (1840-93)
This is a repository copy of Introduction: (Re)Reading John Addington Symonds (1840-93). White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/109610/ Article: Amigoni, D. and Regis, A.K. (2013) Introduction: (Re)Reading John Addington Symonds (1840-93). English Studies, 94 (2). pp. 131-136. ISSN 0013-838X https://doi.org/10.1080/0013838X.2013.767567 © 2013 Taylor & Francis. This is an author produced version of a paper subsequently published in English Studies. Uploaded in accordance with the publisher's self-archiving policy. Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Introduction: (Re)Reading John Addington Symonds (1840-1893) David Amigoni (Keele University) and Amber K. Regis (University of Sheffield) The articles in this special issue of English Studies began life as papers delivered or offered by delegates at the “(Re)Reading John Addington Symonds” conference held at Keele University, UK, in September 2010. -
A PROBLEM in GREEK ETHICS One Hundred Copies Only of This Book Have Been Printed (For
CORNELL UNIVERSITY LIBRARY . BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE ''"'''*™"V Library HO 7e <!Qft'"*" * Wihiniii'Iiiite'* elhicsibeing an inqui 3 1924 021 844 950 The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021844950 A PROBLEM IN GREEK ETHICS One Hundred Copies only of this Book have been printed (for Private Circulation)^ and the type has been distributed. No.. PROBLEM IN GREEK ETHICS BEING AN INQUIRY INTO THE PHENOMENON OF SEXUAL INVERSION ADDRESSED ESPECIALLY TO MEDICAL PSYCHOLOGISTS AND JURISTS BY JOHN ADDINGTON SYMONDS LONDON (901 //9 % r\Ci PREFACE. The following treatise on Greek Love was written in the year 1873, when my mind was occupied with my Studies of Greek Poeis. I printed ten copies of it privately in 1883. It was only when T read the Terminal Essay appended by Sir Richard Burton to his translation of the Arabian Nights in 1886, that I became aware of M. H. E. Meier's article on Paederastie (Ersch and Gruber's Encyclopcedie, Leipzig, Brock- haus, 1837). My treatise, therefore, is a wholly independent production. This makes Meier's agreement (in Section 7 of his article) with the theory I have set forth in Section X, regarding the North Hellenic origin of Greek Love, and its Dorian character, the more remarkable. That two students, working separately upon the same mass of material, should have arrived at similar conclusions upon this point strongly confirms the probability of the hypothesis. -
Hallowed PDF-Article Design by Daniel Källmalm Hallowed PDF
Hallowed PDF-article Hallowed PDF-article Design by Daniel Källmalm Design by Daniel Källmalm Hallowed PDF-article Hallowed PDF-article Design by Daniel Källmalm Design by Daniel Källmalm subsequently became Vertigo. During the following months after beginning to work with Bron, the band changed the name to Uriah Heep (the ‘orrible little character from David Copperfield by Charles Dickens who was very much in fa- shion then because of the hundredth year since his death) on suggestion from Bron; they also started using the keyboards in their music. - We’d actually recorded half the first album when we decided that keyboards would be good for our sound, says Box who got this inspi- ration somewhat from being a fan of Vanilla Fudge with their hammond organs with guitars soaring on top. They decided to shape it like that along with David’s vibrato vocals. First they had session keyboardist Colin Woods who was brought in by Bron and it was when they started looking for a permanent keyboardist they found Ken Hensley who had been playing with Newton in The Gods and was now playing the gui- tar for Toe Fat. Hensley explains that he saw the potential to do something different with Uriah Heep which The history of Uriah Heep can Having higher ambitions that their though at first that made it difficult is why he joined the band. And it be dated all the way back to fellow band members Mick Box and getting gigs, eventually we built a was not only Hensley’s talents as a 1967, the year after the English David Byron quit their day jobs to little cult following because of that. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Announce Release of New Studio Album Album: “Wake the Sleeper” Release Date: 2 Nd June 2008
30 million album selling British rock legends return with first new studio album in ten years…. Announce Release Of New Studio Album Album: “Wake The Sleeper” Release Date: 2 nd June 2008 Universal Music are delighted to announce the release of a new studio album from British rock legends Uriah Heep in June 2008. “Wake The Sleeper” will be Uriah Heep’s first studio album in almost ten years (the first since 1998’s “Sonic Origami”) and is set to herald an exciting new phase for the band. The album see’s Uriah Heep back to their very best and is set to become a future classic – sure to please their dedicated worldwide fan base and fans of progressive rock in general. Recorded in 2007 the album was produced by Mike Paxman (Status Quo, Judie Tzuke). In the words of Mick Box, “We are delighted to be reunited with a major label in Universal music. “Wake The Sleeper” is an album we are incredibly proud of, and one that we hope the fans will see as one of Uriah Heep’s best. We can’t wait to get back out on the road to showcase the new songs.” The live arena has been vital to the longevity of Uriah Heep. So in addition to album sales of over 30 million worldwide the band have toured in 52 countries and established themselves as consummate live performers. The band has a series of impressive firsts including being the first British rock band to play Russia in December 1987. This is the band's first album without their long-standing and original drummer, Lee Kerslake who sadly had to leave the band due to ill health in January 2007. -
JA Symonds's in the Key of Blue
This is a repository copy of Late style and speaking out: J A Symonds's In the Key of Blue. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/109609/ Article: Regis, A. (2013) Late style and speaking out: J A Symonds's In the Key of Blue. English Studies, 94 (2). pp. 206-231. ISSN 0013-838X https://doi.org/10.1080/0013838X.2013.767081 © 2013 Taylor & Francis. This is an author produced version of a paper subsequently published in English Studies. Uploaded in accordance with the publisher's self-archiving policy. Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Late style and speaking out: J.A. Symonds’s In the Key of Blue Amber K. -
Ten Unpublished Letters by John Addington Symonds at Duke University*
Spring 1999 Ten Unpublished Letters by John Addington Symonds at Duke University* John G. Younger In 1934 Duke University acquired a small collection of right comer. Symonds then folds each sheet vertically in half papers which were eventually catalogued in 1994: ten and begins as if writing a book, beginning with the right half unpublished letters by John Addington Symonds (1840~1893) of the obverse (p. 1), the left half of the reverse (p. 2), and so to Edmund Gosse (1849-1928), a short list of the contents of on; page 5 begins a new sheet. Similar paper, but without the these lellers by an earlier compiler, an envelope, and a small AM HOF imprint and laid out horizontally, is used for Duke monograph. Letters N, VI, and the Post Script X; perhaps the AM HOF Of the letters nine are complete and one is an undated sheets were designed to be covers and the unaddressed sheets post script; all fall within the period 17 December 1889 to 29 seconds. March 1892. When at the Countess Pisani's villa, Symonds uses her The large envelope (15x23 cm.) was addressed to stationery for his Letter V, a dark blue onion skin paper; it, Edmund Gosse, 1 Whitehall, London and sent 4 December like the AM HOF stationery, is also laid out horizontally and 1894 by registered mail. The envelope· therefore could not folded vertically with her address occupying the two top have been mailed by Symonds, who died 16 April 1893, even corners of p. 1 (right half of the obverse), in italics: Stazione e though the back flaps of the envelope are sealed in red wax Posta Stanghella obliquely at the left and Vescana, Provincia and stamped with his signet ring bearing part of his coal of di Padova horizontally at the right.