Clemson University TigerPrints All Theses Theses May 2021 “The Profoundest Arcana of Our Dual Existence, and Its Intermediates”: The Technology of Monstrously Gendered Bodies in “Carmilla” and Havelock Ellis Dennis Ranahan Clemson University,
[email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Ranahan, Dennis, "“The Profoundest Arcana of Our Dual Existence, and Its Intermediates”: The Technology of Monstrously Gendered Bodies in “Carmilla” and Havelock Ellis" (2021). All Theses. 3491. https://tigerprints.clemson.edu/all_theses/3491 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact
[email protected]. “THE PROFOUNDEST ARCANA OF OUR DUAL EXISTENCE, AND ITS INTERMEDIATES”: THE TECHNOLOGY OF MONSTROUSLY GENDERED BODIES IN “CARMILLA” AND HAVELOCK ELLIS A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English by Dennis Ranahan May 2021 Accepted by: David Coombs, Committee Chair Erin Goss, Committee Member Matthew Hooley, Committee Member ABSTRACT Queer readings of the Gothic traditionally privilege and prioritize a lens of stabilized sexuality at the forefront of their framework for tackling the genre and its works, often dismissing the destabilizing effects of gender queerness in their theoretical pre-occupations. This thesis takes up Susan Stryker’s political project of de-centering and de-privileging queer-sexuality as the primary lens of queer critique and does so through a reading of Le Fanu’s “Carmilla” to read Carmilla as a prototypically trans character, a topos that is woven in and inseparable from her status as a paradigmatic Gothic monster.