DOCSLIB.ORG

Bob Spencer's Saints and Murderers – Lyrics

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bob Spencer's Saints and Murderers – Lyrics Though relatively short in duration, this album has been a long time in the Thanks in particular to these patient supporters: Becky Clarke, Christopher Hoare, Bill Webb, Libby Thomas, Mike Crawley, making. Some of these songs began life decades ago, but, not then having Andrew White, Phil Crew, Colin Hylton, Frank McIlquaham, Patricia Marshall, the correct vehicle to ignite, they remained in hibernation, until now. Mike Amato, Cameron Dench, Paul Brady, Frank Spizzica, John Di Natale, Bruce Saunders, Alex Carranza, Mike Lazarus, John Farrugia, Alex Green, Min Immesi and Grahame Harrison. depression, elation, despair and happiness, and which has also presented And to all who have followed and supported my whacky and meandering me with the terrifying opportunity to sing in public. This has allowed me to Musical journeys over the years. confront more of my demons. Another reason to be grateful. Songs embellished with the luscious inputs of: Ric McCann – loopy drums – track 8 Much love to: Peter Heckenberg – drums – tracks 3, 13 Jacob Cook – drums – tracks 7, 8, 9, 11, 12 Pauline and Ellee, my wonderful little family, for putting up with me during Peter Maslen – drums – tracks 1, 2, 4, 5, 6, 10 the course of this recording (and more). I’m so fortunate to have you in my Laura Davidson – backing vocals – tracks 1, 3, 5 life. Pam Maroney – backing vocals – tracks 1, 5 Pauline and Ellee – backing vocals – track 6 John Downes, for his invaluable guidance, true friendship and heroic Humble thanks to attempts to keep me on track. www.acorro.com.au Doug Ford and Greg Macainsh for their (unwitting) helping hands. Mark Tinson for his sensible critiques and constant reminders that I really Lorantz guitar speakers, Cole Clark Guitars, Tokai Guitars Australia, Don and need to do this before I fall off the perch. Southern Cross, Audio Pony Recording Studios, sE Microphones, Aston microphones, D’addario NYXL strings, Mick Brierley Pickups, Zoom cameras, May All Beings Be Happy. M.I. Audio effects, John Kav effects, Ash Moors effects, Les and 68 Guitars, Megasorber Acoustic Treatments, RME Audio Interfaces, Samplitude recording software. My mate Shane came ‘round the other day, But I can’t do that, ‘cause my wife will kill me, Take this skin, that it might change its colour Turned up, un-announced, I can’t say that, ‘cause my wife will kill me, I’d give anything, to be rid of this hue He said “You look like shit, son, I can’t even think that, no! I wish that I were born as white as Jesus better get you out the house”. ‘Cause my wife will kill me. Oh, to be as beautiful as you The good I made - thrown on, thrown on, thrown the ground What’s that in the driveway? You see I can’t do that ‘cause my wife will kill me, I take your blessings - on my knees An Italian soft top? I cant buy that ‘cause my wife will kill me, A rolling wreck – of rosaries And I wish that I could be as white as Jesus, Oh honey, can I have my way, I can’t even hold that, And lead foot ‘til I drop? ‘Cause my wife will kill me. And I wish that I could be as white as Jesus, And if only I were born, the man that he was, Oh please, little darling.... White As Jesus Who’s that bloke in the mirror? ‘cause I’ve been a good little soldier. What’s with all that grey hair? And if only I were born, the man that he was, Response Yes you’ve been a good little soldier, Ooh, he gives me the shivers, White As Jesus White As Jesus! And you’ve done just what I told ya. The rearview is so unfair. To get by, a boy wears many faces, So baby can I, So many things around me, You took pleasure, in my need to please, Scars on your miracles, and all your truths in shackles Collect guitars, smoke cigars, go dancing in Cuba. They look so beige. I’ll never be, the virgin that he was One step into lonely, and a mile into blue Restore that car, open up a bar, Bring back Jimi! Bring back paisley! Snake and mouse, and Sunday guarantees And now the ink is dry, but I pulled through And parachute naked! Bring back crazy! Bring back those days! While your God got off, under Section 2 A litany - of put me downs, How wonderful the world must be, for you. But I can’t do that, ‘cause my wife will kill me, I’m gonna dress rough, and leave the seat up, I can’t say that, ‘cause my wife will kill me, Only shave every three days. I can’t even think that, Never vacuum, and stay in my room, ‘Cause my wife will kill me. And maybe then I’m done.... as white as jesus The kids are out of high school, But I can’t do that, ‘cause my wife will kill me, And I wish that I could be as white as Jesus, And they just won’t leave home, I can’t say that, ‘cause my wife will kill me, I keep dropping those hints, I can’t even think that, No! And if only I were born, the man that he was, But no-where else will they roam. ‘Cause my wife will kill me. In my dreams, I can be, As right as him. The dishes they need cleaning, Oh no I can’t do that, ‘cause my wife will kill me, White As Jesus But I hide out in the shed, I can’t touch that, ‘cause my wife will kill me, Ooh, those shelves, they need some painting, I can’t even feel that, Response Maybe I’ll do that, instead. ‘Cause my wife will kill me. White As Jesus Aren’t I a good little soldier? Oh I can’t do that, ‘cause my wife will kill me, I wish that I could be, Yes, you’re a good little soldier, I can’t drink that, ‘cause my wife will kill me, As White As Jesus And you did just what we told ya. I can’t partake of that, huh!! ‘Cause my wife will, Now harden up, and tough it out, ‘Cause my wife will kill me. get up by your bootstraps. Ride the waves, smiling brave, ‘Cause my wife will kill me. I want to stand my ground ‘Cause my wife will kill me. ‘Cause my wife will.‘Cause my wife will. i can’t do that, my wife will kill me Smoke & mirrors & broken swings I’m like a schoolboy running through the halls, And guns & fags & children who sing How is it, that you knew? About things they hate, that they call sin, But they don’t understand. Got the right amount of sunshine, I almost missed you, in the right amount of breeze, you stayed true to your aim, An angel’s smile an imposter’s pain, C’mon greet the day. I love how you kissed me, Right amount of birds, I woke up like a hurricane. And trading stories with the lame, When The Devil Gets To Heaven, in the right amount of trees, To seize the upper hand. And all the saints have taken leave, Honey, sashay this way. You have my heart, now take my hand, When The Devil Gets To Heaven, Let’s get out into the Daylight Praise the Dead, raise the Dead, All the things you had, have gone, I’ll make the coffee, you make the bed, No looking back, since this began. Take from them what you crave. You’ll take what you need. Sit by the window, good days ahead. Let’s get out into the Daylight When The Devil Gets To Heaven, All above is calling You have my heart, now take my hand, You have my heart, now take my hand, And all the saints have taken leave, Paradise is closing. Get out into the Daylight. Let’s get out into the Daylight! No looking back, since this began, Get out into the Daylight. when the devil gets to heaven You’re a lighthouse in a foggy world, daylight sunshine through the mist, When The Devil Gets To Heaven, When The Devil Gets To Heaven, Feel my blood, it’s rushing. All the things you had, have gone, And all the saints have taken leave, Graceful as a string of pearls, You’ll settle for what you need. When The Devil Gets To Heaven, love your candy kiss, And all the things you had, have gone. Lord I think I’m blushing. And now the mud on my boots has yet to dry, But here I go again, into the rain outside. When The Devil Gets To Heaven, I messed up directions, I’m not that brave so I swallow my pride, And all the saints have taken leave, you were there to guide me home, And I ring the Master’s bell. When The Devil Gets To Heaven, A smile on the horizon, sweet as honeycomb. All the things you had, have gone, On a Saviour’s hand blood leaves no trace, You’ll settle for what you need. You have my heart, now take my hand, Like a deck of cards, without the ace. Get out into the Daylight Such pretty clothes, such a pretty face, Paradise is calling, No looking back, since this began, But such a dirty smell. Paradise is calling.
Load more

Recommended publications
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Songs by Artist
    Andromeda II DJ Entertainment Songs by Artist www.adj2.com Title Title Title 10,000 Maniacs 50 Cent AC DC Because The Night Disco Inferno Stiff Upper Lip Trouble Me Just A Lil Bit You Shook Me All Night Long 10Cc P.I.M.P. Ace Of Base I'm Not In Love Straight To The Bank All That She Wants 112 50 Cent & Eminen Beautiful Life Dance With Me Patiently Waiting Cruel Summer 112 & Ludacris 50 Cent & The Game Don't Turn Around Hot & Wet Hate It Or Love It Living In Danger 112 & Supercat 50 Cent Feat. Eminem And Adam Levine Sign, The Na Na Na My Life (Clean) Adam Gregory 1975 50 Cent Feat. Snoop Dogg And Young Crazy Days City Jeezy Adam Lambert Love Me Major Distribution (Clean) Never Close Our Eyes Robbers 69 Boyz Adam Levine The Sound Tootsee Roll Lost Stars UGH 702 Adam Sandler 2 Pac Where My Girls At What The Hell Happened To Me California Love 8 Ball & MJG Adams Family 2 Unlimited You Don't Want Drama The Addams Family Theme Song No Limits 98 Degrees Addams Family 20 Fingers Because Of You The Addams Family Theme Short Dick Man Give Me Just One Night Adele 21 Savage Hardest Thing Chasing Pavements Bank Account I Do Cherish You Cold Shoulder 3 Degrees, The My Everything Hello Woman In Love A Chorus Line Make You Feel My Love 3 Doors Down What I Did For Love One And Only Here Without You a ha Promise This Its Not My Time Take On Me Rolling In The Deep Kryptonite A Taste Of Honey Rumour Has It Loser Boogie Oogie Oogie Set Fire To The Rain 30 Seconds To Mars Sukiyaki Skyfall Kill, The (Bury Me) Aah Someone Like You Kings & Queens Kho Meh Terri
    [Show full text]
  • 2018 Edition
    2018 Edition JCC Ranch Camp, 21441 North Elbert Road, Elbert, CO 80106 Summer Office: 303-648-3800 [email protected] www.ranchcamp.org Rav todot, many thanks, to Carly Coons for recognizing that it was time for an update to our Ranch Camp songbook. With popular hits of its time becoming less familiar, and newer favorites missing, a new compilation was in order. Our songbook nonetheless provided an excellent foundation upon which to build. We would be remiss not to credit Matt Cohen, Polly Hall, and Dan Yolles for their work, which remains the single largest contribution to the current edition. Deepest thanks to those that contributed their time and feedback to this collection. Brynn Tully, Amy Stein Miller, Amalia Ritter, Dan Yolles, and Debra Winter put thought and spirit into the production of this book, including meticulous chord notation. It must be said that this songbook is “Tam v’lo nishlam,” finished, but not yet complete. Brynn and Carly will be tasked with implementing this collection over the course of Summer 2018 with the goal of producing a final edition after integrating feedback from our Ranch Camp Kehila. L’Shalom, Noah Gallagher Ranch Camp Director JCC Ranch Camp Songbook 3 ADAMAH V’SHAMAYIM – Segev Chorus (X2) Em Bm G Heya Heya Heya Heya Heya Heya Heya Ho (X2) Love is all you need G D C D Em G Heya Heya Heya Heya Heya Heya Heya Ho! Love is all you need (repeat till end) Em Bm Adamah… V’shamayim… AM I AWAKE? – Noah Aronson Em Bm Capo 2-3 Chom Ha’eish… Tzlil Hamayim… G D Ya la lai lai lai… Ani Margish Zot B’gufi
    [Show full text]
  • The Concepts of Modern Astrology: a Critique Ivan W
    From www.astrology-and-science.com 1 The Concepts of Modern Astrology: a Critique Ivan W. Kelly University of Saskatchewan, Canada [Note 1] Summary This article is a methodological and philosophical critique of astrology. It argues that astro- logy, as it is presently practised by the majority of astrologers (in either its traditional, or psychological form), offers no valid contribution to understanding ourselves, nor our place in the cosmos. Astrology itself is deeply problematic from beginning to end. Central notions like "as above, so below' and 'interconnectedness' are too poorly developed by astrologers to amount to anything useful. There is little consensus on basic issues in astrology, and little agreement on how to settle differences among astrological techniques and theories. Astrologi- cal symbolism is unsystematic and based on metaphors, analogies, verbal associations, and mythology, all of which are developed in different ways by astrologers with no clear way of evaluating them. The philosophies or world-views associated with astrology are underdevel- oped or poorly articulated. Modern advocates cannot provide research studies that have results commensurate with the claims made in astrology books. Astrologers overwhelmingly rely on anecdotes or testimonials as central evidence, seemingly either unaware or uninter- ested in the potential flaws and biasses inherent in such stories as evidence. Astrology as a discipline is a prime example of what happens when advocates consider only confirming evi- dence for their multitude of conflicting claims with little regard for contrary evidence, which is either 'explained away' by appeals to other parts of the horoscope, or with slogans like "the complexity of astrology", and "astrology is another way of viewing the world." 1 Introduction However, since Newton, the views of astrologers and scientists have become increasingly op- posed.
    [Show full text]
  • Teacher's Guide Luis Camnitzer
    TEACHER’s GUIDE Luis Camnitzer UNDER THE SAME SUN ART FROM LATIN AMERICA TODAY How to Use this Guide 5 Exhibition Overview 5 Introduction by Luis Camnitzer 7 How might you make a found object 17 into an archeological artifact? Mariana Castillo Deball How can mixing two seemingly unrelated systems 23 or ideas spark new meanings and insights? Paul Ramírez Jonas How do you make people aware of social injustices 29 and motivate them to action? Iván Navarro How might the world function if we could communicate 35 with everything the way we do with other people? Wilfredo Prieto What effects would a different structure of time have? 41 Carla Zaccagnini How might you tell a coherent story 47 without using grammar or narration? Rivane Neuenschwander How would you use the opportunity to address 53 a million people in a minute or less? Alfredo Jaar Authors 59 HOW TO USE THE GUIDE The guide proposes three approaches—Problems, Projects, and Questions—each of which is followed by a reproduction of a work of art in the exhibition, a quote from the artist, and information and questions related to the context in which the work was made. The Problems section presents ideas for consideration and poses a broad question. The related Projects section includes a call to action. The featured tasks are sequenced from simple to complex and can be adapted accordingly. They are intended to inspire the creation of new projects proposed by teachers, students, and anyone else involved. The final section, Questions, is wide-ranging, flexible, and not limited by disciplinary boundaries.
    [Show full text]
  • Evolving a Signature Sound: Blending Celtic Roots and Aesthetics with Divergent Music Production Practices in Studio Albums Recorded by the Corrs
    Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs Stephanie Caffrey May 2020 Supervisors: Dr Daithí Kearney and Mr Seán Keegan External Examiner: Dr Leah Kardos Internal Examiner: Mr Paul McGettrick Master of Arts by Research in Music Declaration I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Master of Arts by Research in Music is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ID No: D00140714 Date: 29th of May 2020 i Acknowledgements First of all, I am sincerely grateful to Dundalk Institute of Technology’s Research Scholarship Programme for providing me with the opportunity to study at a postgraduate research degree level. I would also like to thank the staff of the Research Support Team and the Department of Creative Arts, Media and Music. I am particularly indebted to my joint supervisors Dr Daithí Kearney and Mr Seán Keegan for their unwavering commitment, support and encouragement throughout the course of my project. Their enthusiasm for music, music production and scholarly learning motivated me throughout my research and their guidance kept me on the right path throughout. I am exceptionally grateful to Jim Corr for providing me with many opportunities to discuss aspects of my research.
    [Show full text]
  • Year-End Edition 2016
    ® YEAR-END EDITION 2 01 6 REPUBLIC #1 FOR THIRD STRAIGHT YEAR RCA Runner Up; Columbia Moves 5-3; Def Jam, 9-4; Interscope 5th REPUBLIC continues its reign as the #1 overall label in Mediabase chart share for a third straight year. The 2016 chart year is based on the time period from November 15, 2015 through November 12, 2016. Of the 10 Mediabase formats that comprise overall rankings, Republic landed the #1 spot at four formats: Top 40, Rhythmic, Hot AC and AC. Republic had a total chart share of 17.9%, while scoring over a 20% share at Top 40 (23.7%), Rhythmic (20.2%), and AC (20.2%). OTHER HIGHLIGHTS FOR REPUBLIC THIS YEAR: - The label’s total spins for the year across all formats was 7,539,293 – the second highest total ever – only behind the 9.3 million they had in their record setting 2015. - Over half of the Republic spins came at the Top 40 format, where they scored 3,834,134, over 1.6 million spins ahead of the next closest competitor. - Republic had 1,119,628 spins at Rhythmic and 1,117,379 at Hot AC, with both of those joining the million spin club. - For the second consecutive year, Republic nabbed the top slot honors at Top 40, Rhythmic and AC. - Republic was #3 Urban, #5 at Active Rock, #6 at Urban AC , #7 at Alternative, and #8 at Triple A. - Four of the top 10 artists at Top 40 belonged to Republic with Drake (#4), The Weeknd (#7), Shawn Mendes (#8), and Ariana Grande (#9).
    [Show full text]
  • Show Way 2 Feathers 3 After Tupac and D Foster 4 Hush 5
    Here are the books Jack Wool presented and talked about in his service Multicultural & Diversity Experience Through Middle and High School Literature, on Sunday July 7, at First Parish Church of Groton. SHOW WAY 2 FEATHERS 3 AFTER TUPAC AND D FOSTER 4 HUSH 5 ONE CRAZY SUMMER 6 HOME OF THE BRAVE 8 A LONG WALK TO WATER 9 SAME SUN HERE 12 THE SURRENDER TREE: POEMS OF CUBA'S STRUGGLE FOR FREEDOM 13 ESPERANZA RISING 14 HEART OF A SAMAURAI 15 KIRA-KIRA 16 INSIDE OUT & BACK AGAIN 17 PERSEPOLIS 18 THE RABBI'S CAT 19 A BOTTLE IN THE GAZA SEA 20 1 Show Way Illustrated by Hudson Talbott This is the first time I’ve written a book based on some of my own family history. ’Show Ways”, or quilts, once served as secret maps for freedom-seeking slaves. This is the story of seven generations of girls and women who were quilters and artists and freedom fighters. WHERE IT TAKES PLACE: It begins in Virginia and ends in Brooklyn. WHERE I WROTE IT: The story began in my grandmother’s living room in the Bushwick section of Broolyn. I wrote it here in Park Slope, Brooklyn mostly. WHY I WROTE IT: After my grandmother died and my daughter was born, I wanted to figure out a way to hold on to all the amazing history in our family. I wanted a Show Way for my own daughter. AWARDS • Newbery Honor Medal 2 Feathers “Feathers” takes place in the 1970s and begins when a boy walks into the classroom who is very different from the other kids there.
    [Show full text]
  • COPPER SUN Also by Sharon M
    COPPER SUN Also by Sharon M. Draper Tears of a Tiger Forged by Fire Darkness Before Dawn Romiette and Julio Double Dutch The Battle of Jericho November Blues This book is a work of fiction. Any references to historical events, real people, or real locales are used fictitiously. Other names, characters, places, and incidents are the product of the author’s imagination, and any resemblance to actual events or locales or persons, living or dead, is entirely coincidental. SIMON PULSE An imprint of Simon & Schuster Children’s Publishing Division 1230 Avenue of the Americas, New York, NY 10020 www.SimonandSchuster.com Copyright © 2006 by Sharon M. Draper All rights reserved, including the right of reproduction in whole or in part in any form. SIMON PULSE and colophon are registered trademarks of Simon & Schuster, Inc. Also available in an Atheneum Books for Young Readers hardcover edition. Designed by Sonia Chaghatzbanian The text of this book was set in Life. First Simon Pulse edition January 2008 The Library of Congress has cataloged the hardcover edition as follows: Draper, Sharon M. (Sharon Mills) Copper sun / Sharon M. Draper.—1st ed. p. cm. Summary: Two fifteen-year-old girls—one a slave and the other an indentured servant—escape their Carolina plantation and try to make their way to Fort Mose, Florida, a Spanish colony that gives sanctuary to slaves. ISBN-13: 978-0-689-82181-3 (hc) ISBN-10: 0-689-82181-6 (hc) [1. Slavery—Fiction. 2. Indentured servants—Fiction. 3. South Carolina—History—Colonial period, ca. 1600–1775—Fiction. 4. Florida—History—Spanish colony, 1565–1763—Fiction.
    [Show full text]
  • Allegra Hyde Shark Fishing
    Allegra Hyde Shark Fishing here was a storm, a shipwreck. There were Puritans looking for a place to pray. A reef—serrated and rising from the sea—named the TDevil’s Backbone by those who out-swam the drowning tug of hosiery and buckled boots, the swift darkness in a throatful of brine, who felt the soft footing of a sandy shore. The island they named Eleuthera, a Greek word for freedom. Then there was a cave like a yawning mouth: a home, high-ceilinged, acoustics of the finest church. A rocky pulpit—too perfect for coincidence—a sign to the Eleutherans: a gift from God. The island knelt before them, a blank surface of sea and sky, waiting to be given a past and a future. This is that future: the locals call the island “Lutra,” as if sun and salt could erode letters too. They fish from docks staggering rotten-legged into the sea, their bodies black against the horizon—like human hieroglyphics—and yet, how hard it is to read the meaning in their poses. To separate defiance from defeat. These children of children of children of slaves, shackled and shipped to an island named Freedom. The locals, they speak too quick for me to understand sometimes, their voices like chiming bells. “Dats da ting,” they tell me, dark arms lifting slack fishing lines. “Groupa gettin smalla an smalla.” Before long, the Eleutherans feared they’d failed their maker. The rye they’d planted hadn’t come. Their few spades cracked and split. They sweated, starved, dug graves for their companions.
    [Show full text]
  • Songs by Artist
    Songs By Artist Artist Song Title Disc # Artist Song Title Disc # (children's Songs) I've Been Working On The 04786 (christmas) Pointer Santa Claus Is Coming To 08087 Railroad Sisters, The Town London Bridge Is Falling 05793 (christmas) Presley, Blue Christmas 01032 Down Elvis Mary Had A Little Lamb 06220 (christmas) Reggae Man O Christmas Tree (o 11928 Polly Wolly Doodle 07454 Tannenbaum) (christmas) Sia Everyday Is Christmas 11784 She'll Be Comin' Round The 08344 Mountain (christmas) Strait, Christmas Cookies 11754 Skip To My Lou 08545 George (duet) 50 Cent & Nate 21 Questions 00036 This Old Man 09599 Dogg Three Blind Mice 09631 (duet) Adams, Bryan & When You're Gone 10534 Twinkle Twinkle Little Star 09938 Melanie C. (christian) Swing Low, Sweet Chariot 09228 (duet) Adams, Bryan & All For Love 00228 (christmas) Deck The Halls 02052 Sting & Rod Stewart (duet) Alex & Sierra Scarecrow 08155 Greensleeves 03464 (duet) All Star Tribute What's Goin' On 10428 I Saw Mommy Kissing 04438 Santa Claus (duet) Anka, Paul & Pennies From Heaven 07334 Jingle Bells 05154 Michael Buble (duet) Aqua Barbie Girl 00727 Joy To The World 05169 (duet) Atlantic Starr Always 00342 Little Drummer Boy 05711 I'll Remember You 04667 Rudolph The Red-nosed 07990 Reindeer Secret Lovers 08191 Santa Claus Is Coming To 08088 (duet) Balvin, J. & Safari 08057 Town Pharrell Williams & Bia Sleigh Ride 08564 & Sky Twelve Days Of Christmas, 09934 (duet) Barenaked Ladies If I Had $1,000,000 04597 The (duet) Base, Rob & D.j. It Takes Two 05028 We Wish You A Merry 10324 E-z Rock Christmas (duet) Beyonce & Freedom 03007 (christmas) (duets) Year Snow Miser Song 11989 Kendrick Lamar Without A Santa Claus (duet) Beyonce & Luther Closer I Get To You, The 01633 (christmas) (musical) We Need A Little Christmas 10314 Vandross Mame (duet) Black, Clint & Bad Goodbye, A 00674 (christmas) Andrew Christmas Island 11755 Wynonna Sisters, The (duet) Blige, Mary J.
    [Show full text]
  • Nr. Artist Loo Pealkiri Plaat Stiil Aasta BPM Hinne 0001 666
    Nr. Artist Loo pealkiri Plaat Stiil Aasta BPM Hinne 0001 666 Alarma! Alarma! Progressive Elect 1997 130 80 0002 666 Amokk Amokk Progressive Elect 1998 136 60 0003 &ME F.I.R. (Sante Remix) House 2009 124 40 0004 10,000 Maniacs Because The Night [Unplugged] Rock Ballads [Disc 1] Rock 2004 124 80 0005 10cc Wall Street Shuffle Absolute Rock Classics [Disc Rock 1974 98 40 0006 10cc Dreadlock Holiday Snatch Soundtrack 2001 105 40 0007 2 Brothers On The 4th Floor Dreams Super Hits Of The 90's Vol. 2 Dance 1994 134 100 0008 2 Eivissa Oh La La La Oh La La La Pop 1997 130 60 0009 2 Quick Start Ola-ola-yeah (Suvi) (Club Mix) Suve Hitt 1995 - Eesti Dance & House 1995 73 40 0010 2 Quick Start Siis veel ei tundnud sind Suve Hitt 1995 - Eesti Dance & House 1995 135 40 0011 2 Quick Start Nii kuum on tunne Kuumad eesti üheksakümnenPop 2003 130 80 0012 2 Quick Start Kaksikud Eesti Hit Pop 136 60 0013 2 Quick Start Lõpuks Leidsin Sind Eesti Hit 8 Pop 137 80 0014 2 Unlimited MTV Partyzone Megamix Dance Superhits Of The 90's Dance & House 1999 71 40 0015 2 Unlimited Tribal Dance 2.4 Play It Again Pop 2005 136 40 0016 20 Fingers Lick It Lick It Pop 1994 132 60 0017 2CELLOS Mombasa (From "Inception") Hans Zimmer: The Classics Soundtrack 2017 0018 30 Seconds To Mars A beautiful lie The voice #2 Pop 2008 80 40 0019 3LAU & Nom De Strip feat. EstelThe Night (Original Mix) 2015 128 20 0020 4 Strings Mainline Everybody Dance Now Cd 1 Dance 2007 105 40 0021 4 Ties Chirpy Chirpy Cheep Cheep The Best Soundtrack 1995 135 80 0022 42go Feat.
    [Show full text]