Architecture News | Archdaily, Page 254
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
An Analysis of the 50-Year Rule, 1966-2010
Copyright by Emily Jeanne Koller 2011 The Report Committee for Emily Jeanne Koller Certifies that this is the approved version of the following report: Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 APPROVED BY SUPERVISING COMMITTEE: Supervisor: Michael Holleran Monica Penick Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 by Emily Jeanne Koller, B.A.; MA Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Science in Community and Regional Planning The University of Texas at Austin May 2011 Abstract Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 Emily Jeanne Koller, MSCRP The University of Texas at Austin, 2011 Supervisor: Michael Holleran The report evolves from previous work in the field that questions the efficacy of the 50-year rule, or criterion consideration G, of the National Register of Historic Places program to register and protect modern and recent past resources. Proponents of the recent past argue that by restricting evaluation of historic architecture to only that which is 50-years or older is leading to widespread endangerment and demolition of buildings and sites with periods of significance from the postwar era. This report studies the use of criterion G in-depth since the inception of the National Register program and attempts to identify and quantify the resources lost through continued adherence to the 50-year rule. The analysis is done in two parts. -
Defining Architectural Design Excellence Columbus Indiana
Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES -
Art in Architecture Acknowledgments
art in architecture Acknowledgments It is a pleasure to thank those who helped to make this exhibition a success. First and foremost, I would like to thank the Michigan Humanities Council, an affiliate of the National Endowment for the Humanities, whose generous support made this exhibition possible. I owe my deepest gratitude to the institutions from whose collections we borrowed objects for inclusion in this exhibition. My heartfelt thanks goes out to Leslie Edwards, Robbie Terman, and Laurie Kay at the Cranbrook Archives; Roberta Frey Gilboe at the Cranbrook Art Museum; David Schneider and Tracy Irwin at the Detroit Historical Museum; Jim Joyce at the Friedman Real Estate Group; Meredith Long at Meadow Brook Hall; and Jan Durecki at the Rabbi Leo M. Franklin Archives. Working with these individuals has been a joy and I truly appreciate all of the time and energy they spent preparing for the loan of these objects. Thank you also to the numerous archives, museums, historical societies and libraries throughout the state and the country who granted permission for the museum to use their photographs in the exhibition. Additionally, I would like to express my gratitude to the Flickr photographers who generously allowed the museum to include their photographs in the exhibition. It has been a pleasure to work with all of you. I wish to thank Tawny Ryan Nelb for her insightful essay that appears in this catalog. John Gallagher, Architecture Critic and Urban Development Writer at the Detroit Free Press, and Jennifer Baross, Partner, Destination Detroit Media, were gracious in accepting the museum’s invitation to give lectures during the course of the exhibition. -
Spring 2009/Vol. XX, No. 2
Spring 2009 Vol. XX, No. 2 A newsletter on historic preservation from the State Encouraging signs for Fort Historic Preservation Office of the Minnesota Historical Society. Snelling’s Upper Post by Britta L. Bloomberg, Deputy State Historic Preservation Officer Meetings and workshops In 2006 the Upper Post in the Fort of years. From 1820, when Fort Snelling Snelling Historic District was named was established, through the first half of April 24 one of America’s 11 Most Endangered the 20th century, the site also served the SHPO Workshop for State/Federal Historic Places by the National Trust for U. S. government as an active military Agencies, 8:30 a.m. to 3:00 p.m., Historic Preservation. The dubious honor installation. The Upper Post, established Minnesota Landscape Arboretum, Chaska. This workshop is intended was a call to action that has galvanized in 1879, was gradually abandoned after for state and federal cultural resource efforts to save this place for future World War II. In 1971 the title was staff and historical and archaeological generations. Although our work is far transferred to the State of Minnesota consultants. Registration information has been mailed. For details or to request from complete, there is progress to report. with deed restrictions requiring that registration materials, call Kelly Gragg- the property be used for “public park Johnson, 651-259-3455, or e-mail First, some background. The Fort or recreational purposes.” The area is [email protected]. Snelling Historic District was designated currently administered by the Minnesota April 25-29 Minnesota’s first National Historic Department of Natural Resources (DNR) National Planning Conference, Landmark in 1960. -
Albert Kahn Research Symposium Friday, Feb
Albert Kahn Research Symposium Friday, Feb. 22, 2019 Lawrence Technological University A-200 Auditorium 9:00 a.m. – 9:30 a.m. Registration and Light Breakfast (Hallway outside of A200) Morning Papers - Albert Kahn (Current Research) 9:30 Welcome and Introductions Catherine Phillips, MLIS, and Deirdre Hennebury, PhD Albert Kahn Research Coalition Co-chairs, Lawrence Technological University 9:40 A Country Escape in the Hills: Albert Kahn’s Design for Stonelea Gregory Wittkopp Director, Cranbrook Center for Collections and Research, Bloomfield Hills, MI 10:10 This Moment of Modernity: Albert Kahn and the Century of Progress Exposition Chris Meister Independent Scholar, Royal Oak, MI 10:45 Coffee break 11:00 Guardians of Detroit Jeff Morrison Photographer, Detroit, MI 11:30 Assembly-Line Moderne: French Decorative Arts Folios from the Albert Kahn Library Alexandra Fraser, Ph.D. University of Michigan, Ann Arbor, MI 12:00 Pedagogical Applications of LTU’s Kahn Library Collections Len Dilaura, NCIDQ, LEED AP Director, Interior Architecture, Lawrence Technological University 12:15 – 1:30 p.m. Lunch (A210 Gallery) Exhibition: Assembly-Line Moderne: French decorative Arts Folios from the Albert Kahn Library Student Poster Viewing: A200 hallway easels Open House: Albert Kahn Collection – Albert Kahn’s personal library from his New Center Office was donated to Lawrence Tech in 1978. The collection is located in the LTU Library on the lower level of the Management Building. Afternoon Papers - Albert Kahn: Reuse and Restoration (Research and Projects) 1:30 Introductions Catherine Phillips, MLIS, and Deirdre Hennebury, PhD Albert Kahn Research Coalition Co-chairs, Lawrence Technological University 1:40 Albert Kahn in Minnesota: Limestone Monuments to Glass Sheds Brian McMahon Independent Architectural Historian, Twin Cities, MN 2:10 Designing for the next 100 years: Rehabilitating Albert Kahn's Conservatory and Cadillac Place Theresa Scherwitz, AIA, and Allyson Hrit G.H. -
ARCHIVES Saarinen-Swanson Reunion Records, 1995-2001 2.5 Linear Ft. Acquisition Number
ARCHIVES Saarinen-Swanson Reunion Records, 1995-2001 2.5 linear ft. Acquisition Number: 2001-14 Acquisition: Records were generated by Cranbrook Archives. Access: Access to the collection is unrestricted. Copyright: Copyright to this collection is held by the Cranbrook Educational Community. Preferred Citation: Saarinen-Swanson Reunion Records, Cranbrook Archives, Bloomfield Hills, Michigan. Photographs: Moved to Photograph Special File; Negatives moved to CEC Negatives. Audiotapes: Moved to Audio Cassette Tape Collection (1990-09). Videotapes: Moved to Videotape Collection (1990-35). Index: See end of finding aid. Processing: Isabel S. Hansen, April 2004 History Eliel Saarinen, along with his wife Loja, son Eero, daughter Pipsan, and son-in-law J. Robert F. Swanson, founded a creative tradition at Cranbrook that endures to this day. The Saarinens' fame and design philosophies attracted many of the brightest talents in the architectural, design, and planning fields to study at Cranbrook or to work for their businesses --- known variously as Saarinen and Swanson; Saarinen and Saarinen; Saarinen, Swanson, and Saarinen; Swanson Associates; and Eero Saarinen & Associates, depending upon the shifting union of the principals. Recognizing that these associates possessed a wealth of information about the architectural practices of Eliel and Eero Saarinen and the Swansons, the Cranbrook Archives, under the direction of Mark Coir, organized a reunion of more than fifty architects, model makers, draftsmen, and other members of the Saarinen circle at Cranbrook. The reunion, held over the weekend of August 11-13, 1995, was the first concerted attempt to capture recollections in a unified way, and it produced more than eight hours of recorded reminiscences. -
A Finding Aid to the Florence Knoll Bassett Papers, 1932-2000, in the Archives of American Art
A Finding Aid to the Florence Knoll Bassett Papers, 1932-2000, in the Archives of American Art Stephanie Ashley Funding for the digitization of this collection was provided by the Terra Foundation for American Art. 2001 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Biographical Material, 1932-1999............................................................. 6 Series 2: Selected Publications, 1946-1990, 1999.................................................. 7 Series 3: Drawings, Sketches, and Designs, 1932-1984, 1999.............................. -
Skylight Restoration-First Christian Church
Skylight Restoration-First Christian Church Eliel Saarinen, Architect 1942 Got Leaks? Indiana Historic Preservations Conference. April 2018 Louis Joyner Lecturer, Indiana University Principal, Louis Joyner Architect 2014 Condition Study Exterior concrete Limestone Steps Tower Retaining Wall Skylight: leaks Options Considered by Church • Roof over and install artificial lights • Roof over, install small residential skylights, add artificial lights • Replace From Architect’s letter to the Building Committee, 1940. Published in Dedication Booklet. Sanctuary Rendering (from model photo?), Eliel Saarinen, c. 1939. Eero From “The Symbolism of First Christian Saarinen collection, Yale University. Church. Undated manuscript by Elsie Irwin Sweeney Tapestry: Sermon on the Mount. Loja Sanctuary (Model?), Eliel Saarinen, Saarinen. 1942. c. 1939. Eero Saarinen collection, Yale University. Sanctuary c. 1950. Sanctuary, undated-perhaps late 1990’s. Balthazar Korab Collection, Library of Congress Life Magazine online archive Christ Church Lutheran , Minneapolis, Minnesota. Eliel Saarinen 1949 Photo: Pete Sieger. http://www.friendsofccl.org/ The Monumental Window 400 s.f. of glass Plexiglas skylight c. 1965 installed over historic glass block skylight. Concerns • Light – Affecting projection during services – Damaging tapestry • Heat and moisture buildup in space between skylights • Condensation of moisture on glass in monumental window Strategy Skylight: • New glass skylight above • Vent space between skylights with ducted fan • Power -operated horizontal blinds-eliminated due to cost. Monumental Window • Power -operated shade • Allow space at top and bottom for air movement • Encourage church to keep blind open most of the time. Next Steps Skylight: • Install power-operated blinds if needed Tapestry • Assess condition of tapestry and implement recommendations. • Explore reworking curtain rod to offset farther from face of tapestry. -
Weaving the Monumental Surface First Christian Church, Columbus, Indiana
530 ARCHIPELAGOS: OUTPOSTS OF THE AMERICAS Weaving the Monumental Surface First Christian Church, Columbus, Indiana RUSSELL D. RUDZlNSKl University of Arkansas School of Architecture "Weaving was never looked upon as folk art. Along with and the principal textile designer of Studio Loja Saarinen. all the other decoratire or applied arts it uas seen in Under her supervision. the Studio Loja Saarinen had produced direct rdationship to architecture. Carpets, lzanpngs, textiles and carpeting for manj of the earl1 Cranbrook and furnishing materials carried motifs found in jloor, buildings, often in direct collaboration with Eliel, in order to ceiling. windotc, or lcall treatments executed in stone, ensure a total architectural environment sympathetic with the brick, wood. or metal." arts and crafts ideals of the academy itself. But while the design Christa Mayer Thurmanl relationship betrbeen weaving- and architecture had been explored at Cranbrook as a unidirectional strategy - textiles "Ornament represents the spit of man in abstract form. reflecting the architecture - a reciprocal more symbiotic rela- It transposes the rhythmic characteristics of time in to a tionship remained elusive. This paper hypothesizes that it was sip$catire pattern of line, form, and color. It erolres in the analogous application of the weaving process to from the s~mpletoward the rich, from directness toward architecture that Saarinen discovered the solution. symbol. In tlzzs ez)olut7on, ornament assimilates 7ze1~ ideas, neu thoughts, and nelc patt~rns." The First Christian Church. in Columbus. Indiana demonstrates Eliel SaarinenL ho~a neM correlation bet~beenweaving and architecture was manifested in the surface articulation of architectural form. In By 1938 Eliel Saarinen, in addition to his role as director and the process of this exploration several questions will be asked. -
Eero Saarinen Shaping Community
eero saarinen shaping community by Reed Haslach he mid-20th century coincided This article considers three of Eero with the zenith of “high modern- Saarinen’s campus-based projects— Reed Haslach is an T ism” in architecture, marked by the General Motors Technical Center assistant curator at pure, abstract, and often monumental (1948–56), Concordia Senior College the National Building forms, especially in public and institutional (1953–58), and Stiles and Morse colleg- Museum. She is currently buildings. While much of Eero Saarinen’s es at Yale University (1958–62). These working with curator Susan Piedmont- (1910–61) work fits into that mold, projects stand as evidence of Saarinen’s Palladino on the modernism alone is not an adequate lens career-long efforts to achieve a balance upcoming exhibition through which to understand his oeuvre. between community and individuality, Green Community. Saarinen designed several major com- and reveal a keen desire to develop and plexes of buildings that ran counter to explore architectural forms and cam- modernist orthodoxy—subtly in some pus plans that not only reflected but cases but quite dramatically in others. His enhanced and even actively shaped the unusual approach to designing groups identities of their communities. of buildings, though often criticized at above: Where Today Meets Tomorrow this time, derived logically from his early promotional brochure for the General Motors Technical Center, Warren, Michigan, 1956. experiences in two creative communities Courtesy Eero Saarinen Collection. Manuscripts and Archives, Yale University Library. in extraordinary architectural settings. Spring/Summer 2008 blueprints Formative Experiences Saarinen was raised at his family’s villa, Hvitträsk, in Finland, and later at Cranbrook Academy, an edu- cational enclave in Bloomfield Hills, Michigan, near Detroit. -
Glorious Detroit
Robert Sharoff. American City: Detroit Architecture, 1845-2005. Detroit: Wayne State University Press, 2005. xxi + 121 pp. $60.00, cloth, ISBN 978-0-8143-3270-2. Reviewed by Kathryn Eckert Published on H-Urban (March, 2006) Surrounding and sheltering me as I grew up the many titles in the art and architecture section in Detroit were the city's glorious buildings. I visit‐ of its splendid Great Lakes Book series. Author ed my grandfather's law office in the Penobscot Robert Sharoff and photographer William Zbaren Building, ice-skated at Palmer Park, enjoyed holi‐ have created a frst-ever large-format book that day dinners at the Detroit Golf Club, rode the bus celebrates ffty of Detroit's functioning commer‐ up and down Woodward Avenue past landmark cial and civic buildings and monuments spanning neighborhoods and churches, shopped for shoes the period 1845 to 2005. The book presents both and visited my doctor in the Fisher Building, at‐ the glory of Detroit and its decline, in a format tended civic light opera at the Masonic Temple, that will appeal to a broad audience. The book and swam in the Pewabic pool at the Women's will inspire in everyone who picks it up an appre‐ City Club. Later, working in the State Historic ciation of Detroit's architecture and a call to ac‐ Preservation Office in Lansing for nearly twenty- tion to save it. five years, I helped identify, assess, designate and Sharoff, who spent his youth in the Detroit protect these beloved buildings and neighbor‐ area, claims he was unaware of the city's second- hoods as the economy of Detroit declined, and I to-none architectural resources until a recent visit supported Preservation Wayne and others in pre‐ to the city afforded him, together with Zbaren, the serving and promoting them. -
Zain Abuseir, Robert Adams, Michelle Adebayo, Anirban Adhya, Manju
Zain Abuseir, Robert Adams, Michelle Adebayo, Anirban Adhya, Manju Adikesavan, Kanwal Aftab, Jacob Aftergood, Florence Agbenyega, Sejal Agrawal, Sang Ahn, Gabriel Albarran, Nicole Allen, Peter Allen, Charles Alwakeel, Nora Ames, Amy Anderson, Christina Anderson, Kymberly Anderson, Leon Andrews, Rajeev Aravapalli, Ken Arbogast-Wilson, Turquoise Archie, Mashawnta Armstrong, Michael Arnold, Catherine Arreaza, Kevin Azanger, Omar Baghdady, Stephanie Bailey, Piyush Bajpal, Vera Baranova, Joshua Bard, Dane Barnes, Norman E. Barnett, Carlton Basmajian, James Bassett, Aaron Batsakis, Vandana Baweja, Christopher Beach, Melissa Beams, John Beck, Eric Beckett, Robert Beckley, Beth Berenter, Aysu Berk, Jason Berryhill, Rachel Betzen, Sara Biederman, Gunnar G. Birkerts, Alexander Block, Sara Blumenstein, Danielle Bober, Harold Borkin, M. Craig Borum, Mallory Bourdo, Kendal Bowman, T’Chana Bradford, Kurt Brandle, Lucas Branham, Peter Bratt, Stacy Braverman, Gary Brieschke, William Brodnax, Nicholas Brooks, Derek Brown, Keith A. Brown, Laura Brown, Donald Buaku, Andrey Budzinskiy, Jerome Buford, Matthew Buhr, Sarah Bulgarelli, Rachel Bullock, Atsen Bulus, Renee Burdick, Tom Buresh, Khalilah Burt, Sam Butler, Ashley Byers, Karam Byun, Hongyi Cai, Leonardo Caion-Demaestri, Robert Cameron, Scott Campbell, Greogroy Carley, Jason Carmello, Patrick Carmody, Andrés Carter, Kathryn Caskey, Sang Yeol Cha, Jeong-WonChae, James Chaffers, Kenneth Chaklos, Jennifer Chamberlin, Elizabeth Chan, Anny Chang, Jae Dong Chang, Justin Chang, Katherine Chang, Nupur Chaudhury, Lieh-Feng Chen, Xuezhen Chen, Gregory Cheng, Shan Cheng, Nina Cherian, Robin Chhabra, Chang-Yeon Cho, Seong Yun Cho , Hee Jung Choi, Anne Choike, Shun-Hui Chuang, Jihyun Chung, Aaron Clausen, Caitlyn Clauson, Alexis Coir, Sandro Condori, Caroline Constant, Adam Constantino, Michael Cooper, Whitney Cooper, Emily Corbett, Angela Corradin, Nondita Correa-Mehrotra, Christopher Coutts, Jennifer Cramer, J.