Spring 2009/Vol. XX, No. 2
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An Analysis of the 50-Year Rule, 1966-2010
Copyright by Emily Jeanne Koller 2011 The Report Committee for Emily Jeanne Koller Certifies that this is the approved version of the following report: Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 APPROVED BY SUPERVISING COMMITTEE: Supervisor: Michael Holleran Monica Penick Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 by Emily Jeanne Koller, B.A.; MA Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Science in Community and Regional Planning The University of Texas at Austin May 2011 Abstract Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 Emily Jeanne Koller, MSCRP The University of Texas at Austin, 2011 Supervisor: Michael Holleran The report evolves from previous work in the field that questions the efficacy of the 50-year rule, or criterion consideration G, of the National Register of Historic Places program to register and protect modern and recent past resources. Proponents of the recent past argue that by restricting evaluation of historic architecture to only that which is 50-years or older is leading to widespread endangerment and demolition of buildings and sites with periods of significance from the postwar era. This report studies the use of criterion G in-depth since the inception of the National Register program and attempts to identify and quantify the resources lost through continued adherence to the 50-year rule. The analysis is done in two parts. -
Defining Architectural Design Excellence Columbus Indiana
Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES -
Preserving a “Fine Residential District”: the Merriam Park Freeway Fight Tom O’Connell and Tom Beer, Page 3
Helping the Sun Shine Brighter for Farmers Robert Freeman on Mount Ramsey Harlan Stoehr — page 14 Winter 2013 Volume 47, Number 4 Preserving a “Fine Residential District”: The Merriam Park Freeway Fight Tom O’Connell and Tom Beer, page 3 The front cover of the May1967 issue of Minnesota Highways magazine, the official Minnesota Department of Highways employee newsletter between 1951 and 1976. At the time this cover illustration was drawn, the nation was in the midst of building the vast Interstate Highway system that was largely paid for with federal money. This illustration conveys an idealized view of how the new freeways would safely and efficiently transport automobiles and trucks into and out of a city. Plans that called for the construction of an interchange on I-94 in St. Paul at Prior Avenue produced plenty of controversy and called into question some of the underlying assumptions behind these new roadways. Image courtesy of the Minnesota Department of Transportation and the Minnesota Digital Libary. RAMSEY COUNTY HISTORY RAMSEY COUNTY Executive Director John M. Lindley Founding Editor (1964–2006) Virginia Brainard Kunz Editor Hıstory John M. Lindley Volume 47, Number 4 Winter 2013 RAMSEY COUNTY HISTORICAL SOCIETY THE MISSION STATEMENT OF THE RAMSEY COUNTY HISTORICAL SOCIETY BOARD OF DIRECTORS ADOPTED BY THE BOARD OF DIRECTORS ON DECEMBER 20, 2007: Paul A. Verret President The Ramsey County Historical Society inspires current and future generations Cheryl Dickson to learn from and value their history by engaging in a diverse program First Vice President of presenting, publishing and preserving. William Frels Second Vice President Julie Brady Secretary C O N T E N T S Carolyn J. -
Minnesota History: Building a Legacy
January 2019 Minnesota History: Building A Legacy Report to the Governor and the Legislature on Funding for History Programs and Projects Supported by the Legacy Amendment’s Arts and Cultural Heritage Fund Letter from MNHS CEO and Director In July 2018, I was thrilled to take on the role of the Minnesota Historical Society’s executive director and CEO. As a newcomer to the state, over the last six months, I’ve quickly noticed how strongly Minnesotans value their communities and how proud they are to be from Minnesota. The passage of the Clean Water, Land, and Legacy Amendment in 2008 clearly demonstrates this. I’m inspired by the fact that 10 years ago, Minnesotans voted to commit tax dollars to bettering their state for the future, including preserving our historical and cultural heritage. I’m proud that over 10 years, MNHS has been able to oversee a surge of communities engaging with their local history in new ways, thanks to the Arts and Cultural Heritage Fund (ACHF). As of December 2018, Minnesotans have invested $51 million in history through nearly 2,500 historical and cultural heritage grants in all 87 counties. These grants allow organizations to preserve and share stories about what makes their communities so unique through projects like oral histories, digitization, and new research. Without this funding, this important history can quickly be lost to time. A great example is the Hotel Sacred Heart—explored in our featured stories section —a 1914 hotel on the National Register of Historic Places that’s sat unused since the 1990s. -
Minnesota History Center
This document is made available electronically by the Minnesota Legislative Reference Library as part of an ongoing digital archiving project. http://www.leg.state.mn.us/lrl/lrl.asp MINNESOTA HISTORY CENTER F 602.912 PROJECT .' .M~:J 198 SUMMARY MISSION STATEMENT It shall be the purpose of the Minnesota Historical Society to nurture among people a knowledge of and appreciation for the history of Minnesota. To realize this objective, the Society shall collect and preserve the materials and records of human culture relating to Minnesota and Minnesotans, serve as an information center on and for the state, and, through research and interpretation, illuminate the human story. It shall counsel and assist organizations, institutions, units of government, and individuals in identifying, preserving, and interpreting the cultural resources of Minnesota. Among the official state historical functions accepted by the Society and defined by statute are those of serving as a free public research library, overseeing the preservation of the State Capitol, and administering the state's historic preservation, public records, archaeology, and folklife programs. For the cultural enrichment of people everywhere, the Society shall make the collections confided to its care accessible, conduct and encourage scholarly research, and, through these efforts, continue to illuminate the Minnesota story. Through fostering a sense of history among all Minnesotans, the Society enriches the state's cultural environment and enables people everywhere to draw strength and perspective from the past and impart purpose to the future. MINNESOTA HISTORY CENTER TABLE OF CONTENTS The Need .. .. 1 History Center Program 2 Program Elements and Square Foot Requirements 4 Sunnnary of History Center Space Allocation . -
Art in Architecture Acknowledgments
art in architecture Acknowledgments It is a pleasure to thank those who helped to make this exhibition a success. First and foremost, I would like to thank the Michigan Humanities Council, an affiliate of the National Endowment for the Humanities, whose generous support made this exhibition possible. I owe my deepest gratitude to the institutions from whose collections we borrowed objects for inclusion in this exhibition. My heartfelt thanks goes out to Leslie Edwards, Robbie Terman, and Laurie Kay at the Cranbrook Archives; Roberta Frey Gilboe at the Cranbrook Art Museum; David Schneider and Tracy Irwin at the Detroit Historical Museum; Jim Joyce at the Friedman Real Estate Group; Meredith Long at Meadow Brook Hall; and Jan Durecki at the Rabbi Leo M. Franklin Archives. Working with these individuals has been a joy and I truly appreciate all of the time and energy they spent preparing for the loan of these objects. Thank you also to the numerous archives, museums, historical societies and libraries throughout the state and the country who granted permission for the museum to use their photographs in the exhibition. Additionally, I would like to express my gratitude to the Flickr photographers who generously allowed the museum to include their photographs in the exhibition. It has been a pleasure to work with all of you. I wish to thank Tawny Ryan Nelb for her insightful essay that appears in this catalog. John Gallagher, Architecture Critic and Urban Development Writer at the Detroit Free Press, and Jennifer Baross, Partner, Destination Detroit Media, were gracious in accepting the museum’s invitation to give lectures during the course of the exhibition. -
Albert Kahn Research Symposium Friday, Feb
Albert Kahn Research Symposium Friday, Feb. 22, 2019 Lawrence Technological University A-200 Auditorium 9:00 a.m. – 9:30 a.m. Registration and Light Breakfast (Hallway outside of A200) Morning Papers - Albert Kahn (Current Research) 9:30 Welcome and Introductions Catherine Phillips, MLIS, and Deirdre Hennebury, PhD Albert Kahn Research Coalition Co-chairs, Lawrence Technological University 9:40 A Country Escape in the Hills: Albert Kahn’s Design for Stonelea Gregory Wittkopp Director, Cranbrook Center for Collections and Research, Bloomfield Hills, MI 10:10 This Moment of Modernity: Albert Kahn and the Century of Progress Exposition Chris Meister Independent Scholar, Royal Oak, MI 10:45 Coffee break 11:00 Guardians of Detroit Jeff Morrison Photographer, Detroit, MI 11:30 Assembly-Line Moderne: French Decorative Arts Folios from the Albert Kahn Library Alexandra Fraser, Ph.D. University of Michigan, Ann Arbor, MI 12:00 Pedagogical Applications of LTU’s Kahn Library Collections Len Dilaura, NCIDQ, LEED AP Director, Interior Architecture, Lawrence Technological University 12:15 – 1:30 p.m. Lunch (A210 Gallery) Exhibition: Assembly-Line Moderne: French decorative Arts Folios from the Albert Kahn Library Student Poster Viewing: A200 hallway easels Open House: Albert Kahn Collection – Albert Kahn’s personal library from his New Center Office was donated to Lawrence Tech in 1978. The collection is located in the LTU Library on the lower level of the Management Building. Afternoon Papers - Albert Kahn: Reuse and Restoration (Research and Projects) 1:30 Introductions Catherine Phillips, MLIS, and Deirdre Hennebury, PhD Albert Kahn Research Coalition Co-chairs, Lawrence Technological University 1:40 Albert Kahn in Minnesota: Limestone Monuments to Glass Sheds Brian McMahon Independent Architectural Historian, Twin Cities, MN 2:10 Designing for the next 100 years: Rehabilitating Albert Kahn's Conservatory and Cadillac Place Theresa Scherwitz, AIA, and Allyson Hrit G.H. -
ARCHIVES Saarinen-Swanson Reunion Records, 1995-2001 2.5 Linear Ft. Acquisition Number
ARCHIVES Saarinen-Swanson Reunion Records, 1995-2001 2.5 linear ft. Acquisition Number: 2001-14 Acquisition: Records were generated by Cranbrook Archives. Access: Access to the collection is unrestricted. Copyright: Copyright to this collection is held by the Cranbrook Educational Community. Preferred Citation: Saarinen-Swanson Reunion Records, Cranbrook Archives, Bloomfield Hills, Michigan. Photographs: Moved to Photograph Special File; Negatives moved to CEC Negatives. Audiotapes: Moved to Audio Cassette Tape Collection (1990-09). Videotapes: Moved to Videotape Collection (1990-35). Index: See end of finding aid. Processing: Isabel S. Hansen, April 2004 History Eliel Saarinen, along with his wife Loja, son Eero, daughter Pipsan, and son-in-law J. Robert F. Swanson, founded a creative tradition at Cranbrook that endures to this day. The Saarinens' fame and design philosophies attracted many of the brightest talents in the architectural, design, and planning fields to study at Cranbrook or to work for their businesses --- known variously as Saarinen and Swanson; Saarinen and Saarinen; Saarinen, Swanson, and Saarinen; Swanson Associates; and Eero Saarinen & Associates, depending upon the shifting union of the principals. Recognizing that these associates possessed a wealth of information about the architectural practices of Eliel and Eero Saarinen and the Swansons, the Cranbrook Archives, under the direction of Mark Coir, organized a reunion of more than fifty architects, model makers, draftsmen, and other members of the Saarinen circle at Cranbrook. The reunion, held over the weekend of August 11-13, 1995, was the first concerted attempt to capture recollections in a unified way, and it produced more than eight hours of recorded reminiscences. -
2013 MNHS Legacy Report (PDF)
Minnesota History: Building A Legacy JAnuAry 2013 | Report to the Governor and the Legislature on Funding for History Programs and Projects supported by the Legacy Amendment’s Arts and Cultural Heritage Fund Table of Contents Letter from the Minnesota Historical Society Director and CEO . 1 Introduction . 2 Feature Stories on FY12–13 History Programs, Partnerships, Grants and Initiatives Then Now Wow Exhibit . 7 Civil War Commemoration . 9 U .S .-Dakota War of 1862 Commemoration . 10 Statewide History Programs . 12 Minnesota Historical and Cultural Heritage Grants Highlights . 14 Archaeological Surveys . 16 Minnesota Digital Library . 17 FY12–13 ACHF History Appropriations Language . Grants tab FY12–13 Report of Minnesota Historical and Cultural Heritage Grants (Organized by Legislative District) . 19 FY12–13 Report of Statewide History Programs . 57 FY12–13 Report of Statewide History Partnerships . 73 FY12–13 Report of Other Statewide Initiatives Surveys of Historical and Archaeological Sites . 85 Minnesota Digital Library . 86 Civil War Commemoration . 87 Estimated cost of preparing and printing this report (as required by Minn. Stat. § 3.197): $6,413 Upon request this report will be made available in alternate format such as Braille, large print or audio tape. For TTY contact Minnesota Relay Service at 800-627-3529 and ask for the Minnesota Historical Society. For more information or for paper copies of this report contact the Society at: 345 Kellogg Blvd. W., St Paul, MN 55102, 651-259-3000. The 2012 report is available at the Society’s website: legacy.mnhs.org. COVER IMAGE: Kids try plowing at the Oliver H. Kelley Farm in Elk River, June 2012 Letter from the Director and CEO January 15, 2013 As we near the close of the second biennium since the passage of the Legacy Amendment in November 2008, Minnesotans are preserving our past, sharing our state’s stories and connecting to history like never before. -
A Finding Aid to the Florence Knoll Bassett Papers, 1932-2000, in the Archives of American Art
A Finding Aid to the Florence Knoll Bassett Papers, 1932-2000, in the Archives of American Art Stephanie Ashley Funding for the digitization of this collection was provided by the Terra Foundation for American Art. 2001 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Biographical Material, 1932-1999............................................................. 6 Series 2: Selected Publications, 1946-1990, 1999.................................................. 7 Series 3: Drawings, Sketches, and Designs, 1932-1984, 1999.............................. -
Skylight Restoration-First Christian Church
Skylight Restoration-First Christian Church Eliel Saarinen, Architect 1942 Got Leaks? Indiana Historic Preservations Conference. April 2018 Louis Joyner Lecturer, Indiana University Principal, Louis Joyner Architect 2014 Condition Study Exterior concrete Limestone Steps Tower Retaining Wall Skylight: leaks Options Considered by Church • Roof over and install artificial lights • Roof over, install small residential skylights, add artificial lights • Replace From Architect’s letter to the Building Committee, 1940. Published in Dedication Booklet. Sanctuary Rendering (from model photo?), Eliel Saarinen, c. 1939. Eero From “The Symbolism of First Christian Saarinen collection, Yale University. Church. Undated manuscript by Elsie Irwin Sweeney Tapestry: Sermon on the Mount. Loja Sanctuary (Model?), Eliel Saarinen, Saarinen. 1942. c. 1939. Eero Saarinen collection, Yale University. Sanctuary c. 1950. Sanctuary, undated-perhaps late 1990’s. Balthazar Korab Collection, Library of Congress Life Magazine online archive Christ Church Lutheran , Minneapolis, Minnesota. Eliel Saarinen 1949 Photo: Pete Sieger. http://www.friendsofccl.org/ The Monumental Window 400 s.f. of glass Plexiglas skylight c. 1965 installed over historic glass block skylight. Concerns • Light – Affecting projection during services – Damaging tapestry • Heat and moisture buildup in space between skylights • Condensation of moisture on glass in monumental window Strategy Skylight: • New glass skylight above • Vent space between skylights with ducted fan • Power -operated horizontal blinds-eliminated due to cost. Monumental Window • Power -operated shade • Allow space at top and bottom for air movement • Encourage church to keep blind open most of the time. Next Steps Skylight: • Install power-operated blinds if needed Tapestry • Assess condition of tapestry and implement recommendations. • Explore reworking curtain rod to offset farther from face of tapestry. -
Weaving the Monumental Surface First Christian Church, Columbus, Indiana
530 ARCHIPELAGOS: OUTPOSTS OF THE AMERICAS Weaving the Monumental Surface First Christian Church, Columbus, Indiana RUSSELL D. RUDZlNSKl University of Arkansas School of Architecture "Weaving was never looked upon as folk art. Along with and the principal textile designer of Studio Loja Saarinen. all the other decoratire or applied arts it uas seen in Under her supervision. the Studio Loja Saarinen had produced direct rdationship to architecture. Carpets, lzanpngs, textiles and carpeting for manj of the earl1 Cranbrook and furnishing materials carried motifs found in jloor, buildings, often in direct collaboration with Eliel, in order to ceiling. windotc, or lcall treatments executed in stone, ensure a total architectural environment sympathetic with the brick, wood. or metal." arts and crafts ideals of the academy itself. But while the design Christa Mayer Thurmanl relationship betrbeen weaving- and architecture had been explored at Cranbrook as a unidirectional strategy - textiles "Ornament represents the spit of man in abstract form. reflecting the architecture - a reciprocal more symbiotic rela- It transposes the rhythmic characteristics of time in to a tionship remained elusive. This paper hypothesizes that it was sip$catire pattern of line, form, and color. It erolres in the analogous application of the weaving process to from the s~mpletoward the rich, from directness toward architecture that Saarinen discovered the solution. symbol. In tlzzs ez)olut7on, ornament assimilates 7ze1~ ideas, neu thoughts, and nelc patt~rns." The First Christian Church. in Columbus. Indiana demonstrates Eliel SaarinenL ho~a neM correlation bet~beenweaving and architecture was manifested in the surface articulation of architectural form. In By 1938 Eliel Saarinen, in addition to his role as director and the process of this exploration several questions will be asked.