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An Analysis of the 50-Year Rule, 1966-2010
Copyright by Emily Jeanne Koller 2011 The Report Committee for Emily Jeanne Koller Certifies that this is the approved version of the following report: Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 APPROVED BY SUPERVISING COMMITTEE: Supervisor: Michael Holleran Monica Penick Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 by Emily Jeanne Koller, B.A.; MA Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Science in Community and Regional Planning The University of Texas at Austin May 2011 Abstract Listed, Obliterated or Status Unknown: An Analysis of the 50-Year Rule, 1966-2010 Emily Jeanne Koller, MSCRP The University of Texas at Austin, 2011 Supervisor: Michael Holleran The report evolves from previous work in the field that questions the efficacy of the 50-year rule, or criterion consideration G, of the National Register of Historic Places program to register and protect modern and recent past resources. Proponents of the recent past argue that by restricting evaluation of historic architecture to only that which is 50-years or older is leading to widespread endangerment and demolition of buildings and sites with periods of significance from the postwar era. This report studies the use of criterion G in-depth since the inception of the National Register program and attempts to identify and quantify the resources lost through continued adherence to the 50-year rule. The analysis is done in two parts. -
Cranbrook and the British Arts & Crafts Movement: George Booth's Legacy
Cranbrook and the British Arts & Crafts Movement: George Booth's Legacy CRANBROOK ART MUSEUM MAY 24-SEPTEMBER 28, 2003 CRANBROOK AND THE BRITISH ARTS & CRAFTS MOVEMENT: GEORGE BOOTH'S LEGACY presents Cranbrook's collection of British Arts & Crafts Movement objects collected by Cranbrook's founder, the newspaper publisher George Gough Booth (1864-1949). An anglophile and metals artisan, Booth greatly admired the father of the Arts & Crafts Movement, William Morris (1834-1896), and agreed with Morris' belief that the only way art and design could progress was through arts reform and education. Booth's admiration for Morris manifests itself in his participation in the founding of the Detroit Society of Arts & Crafts in June 1906, and his subsequent role as the Society's first president. Through this venue, Booth began a long career in arts patronage that involved supporting and educating artists and subsequently exhibiting their works in order to expose the public to the highest forms of art. Later, Booth established Cranbrook Educational Community based on Morris' philosophy that all the arts should have equal recognition, be it metalwork or painting, and that artwork was an integral part of a healthy life. The majority of the objects in this exhibition were purchased and later donated by Booth, with other objects coming into the collection of Cranbrook Art Museum as a result of the strength of Booth's vision to create an Arts & Crafts utopia in the United States in order to foster new art and design. BRITISH ARTS & CRAFTS IN DETROIT William Morris believed that the 1 industrial revolution of the l9 h century had led to poorly designed objects with unnecessary applied decoration that concealed an object's use and materials of construction. -
Clara E. Sipprell Papers
Clara E. Sipprell Papers An inventory of her papers at Syracuse University Finding aid created by: - Date: unknown Revision history: Jan 1984 additions, revised (ASD) 14 Oct 2006 converted to EAD (AMCon) Feb 2009 updated, reorganized (BMG) May 2009 updated 87-101 (MRC) 21 Sep 2017 updated after negative integration (SM) 9 May 2019 added unidentified and "House in Thetford, Vermont" (KD) extensively updated following NEDCC rehousing; Christensen 14 May 2021 correspondence added (MRC) Overview of the Collection Creator: Sipprell, Clara E. (Clara Estelle), 1885-1975. Title: Clara E. Sipprell Papers Dates: 1915-1970 Quantity: 93 linear ft. Abstract: Papers of the American photographer. Original photographs, arranged as character studies, landscapes, portraits, and still life studies. Correspondence (1929-1970), clippings, interviews, photographs of her. Portraits of Louis Adamic, Svetlana Allilueva, Van Wyck Brooks, Pearl S. Buck, Rudolf Bultmann, Charles E. Burchfield, Fyodor Chaliapin, Ralph Adams Cram, W.E.B. Du Bois, Albert Einstein, Dorothy Canfield Fisher, Ralph E. Flanders, Michel Fokine, Robert Frost, Eva Hansl, Roy Harris, Granville Hicks, Malvina Hoffman, Langston Hughes, Robinson Jeffers, Louis Krasner, Serge Koussevitzky, Luigi Lucioni, Emil Ludwig, Edwin Markham, Isamu Noguchi, Maxfield Parrish, Sergei Rachmaninoff, Eleanor Roosevelt, Dane Rudhyar, Ruth St. Denis, Otis Skinner, Ida Tarbell, Howard Thurman, Ridgely Torrence, Hendrik Van Loon, and others Language: English Repository: Special Collections Research Center, Syracuse University Libraries 222 Waverly Avenue Syracuse, NY 13244-2010 http://scrc.syr.edu Biographical History Clara E. Sipprell (1885-1975) was a Canadian-American photographer known for her landscapes and portraits of famous actors, artists, writers and scientists. Sipprell was born in Ontario, Canada, a posthumous child with five brothers. -
Defining Architectural Design Excellence Columbus Indiana
Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES -
ARCHIVES Carl Milles, 1875-1955 Papers, 1917-2000
ARCHIVES Carl Milles, 1875-1955 Papers, 1917-2000 (bulk, 1929-1945) 1 linear ft. Acquisition Number: 1989-13 Acquisition: Transferred to the Archives from the Cranbrook Academy of Art via transfer Jul-Aug 1989. Photocopied material and correspondence re the Aloe Plaza fountain commission was a gift of the Missouri Historical Society, St. Louis, Missouri, October 1987. Access: Access to the collection is unrestricted. Copyright: Copyright to this collection is held by the Cranbrook Educational Community. Preferred Citation: Carl Milles Papers, Cranbrook Archives, Bloomfield Hills, Michigan. Photographs: Moved to special photograph collection. Index: See end of finding aid. Processing: Gregg T. Trendowski, 1989. Collection was re-processed and finding aid updated by Jill Griffiths, July 2004. History Carl Emil Wilhelm Anderson was born 23 June 1875 at Orby in Lagga near Upsala, Sweden. He was the eldest son and second child of Lt. Emil (Mille, hence Milles’ adopted name) Anderson and his wife, Walborg Tissel. Milles lived at a boarding house in Stockholm while attending the Jacobskala (1885-1892). When he left school he was apprenticed to a cabinet maker/wood worker and attended night classes (1892-1897) in woodwork, and later in carving and modeling. After this period of work-study, he attended the technical school full time and was awarded a prize of 200 kroner from the Swedish Arts and Crafts Society. He then accepted a position to help manage a school of Swedish gymnastics in Santiago, Chile. However, upon reaching Paris on his way to Marseilles (en route) to South America he changed his plans. Milles remained in Paris until 1904, attempting to support himself with work jobbed out by master cabinetmakers, while continuing to teach himself modeling and trying to establish professional recognition as a sculptor. -
Sketches to Sculptures, Rendered Reality: Rendered Sculptures, to Sketches Sixty Years Sixty Marshall with M
Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks M. with Marshall Sixty Years This catalogue is published in conjunction with the exhibition Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks organized by the Marshall M. Fredericks Sculpture Museum. Saginaw Valley State University 7400 Bay Road, University Center, Michigan 48710 www.marshallfredericks.org Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks Marilyn L. Wheaton, Editor with contributions by Joseph Antenucci Becherer, Vince Carducci, Dennis Alan Nawrocki, Michael W. Panhorst, and MaryAnn Wilkinson The Marshall M. Fredericks Sculpture Museum Saginaw Valley State University University Center, Michigan 2011 i This volume is published to accompany the exhibition Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks, held at the Marshall M. Fredericks Sculpture Museum, University Center, Michigan, February 12 - June 12, 2010. ©2011 Marshall M. Fredericks Sculpture Museum, Saginaw Valley State University, University Center, Michigan All rights reserved under international copyright conventions. No part of this book may be reproduced in any form, or by any electronic, mechanical, or other means, without written permission from the publisher. Book designer: John Bowman Manuscript editor: Cynthia Newman Edwards Printer: F. P. Horak Company, Bay City, Michigan Cover: Color photo of Leaping Gazelle, Saginaw Valley State University campus, 2008; photo by Adam Baudoux; see also Cat. no.16 and 17. Please note: All drawings and sketches displayed are reproductions of the archival originals, which are housed in the Marshall M. Fredericks Sculpture Museum Archives. Where dimensions are given, height precedes width precedes depth unless otherwise indicated. -
Adopted Grosse Pointe Estate Historic District Preliminary Study
PRELIMINARY HISTORIC DISTRICT STUDY COMMITTEE REPORT GROSSE POINTE ESTATE HISTORIC DISTRICT GROSSE POINTE, MICHIGAN Adopted FEBRUARY 15, 2021 CHARGE OF THE HISTORIC DISTRICT STUDY COMMITTEE The historic district study committee was appointed by the Grosse Pointe City Council on December 14, 2020, pursuant to PA 169 of 1970 as amended. The study committee was charged with conducting an inventory, research, and preparation of a preliminary historic district study committee report for the following areas of the city: o Lakeland Ave from Maumee to Lake St. Clair o University Place from Maumee to Jefferson o Washington Road from Maumee to Jefferson o Lincoln Road from Maumee to Jefferson o Entirety of Rathbone Place o Entirety of Woodland Place o The lakefront homes and property immediately adjacent to the lakefront homes on Donovan Place, Wellington Place, Stratford Place, and Elmsleigh Place Upon completion of the report the study committee is charged with holding a public hearing and making a recommendation to city council as to whether a historic district ordinance should be adopted, and a local historic district designated. A list of study committee members and their qualifications follows. STUDY COMMITTEE MEMBERS George Bailey represents the Grosse Pointe Historical Society on the committee. He is an architect and has projects in historic districts in Detroit; Columbus, OH; and Savannah, GA. He is a history aficionado and serves on the Grosse Pointe Woods Historic Commission and Planning Commission. Kay Burt-Willson is the secretary of the Rivard Park Home Owners Association and the Vice President of Education for the Grosse Pointe Historical Society. -
Art in Architecture Acknowledgments
art in architecture Acknowledgments It is a pleasure to thank those who helped to make this exhibition a success. First and foremost, I would like to thank the Michigan Humanities Council, an affiliate of the National Endowment for the Humanities, whose generous support made this exhibition possible. I owe my deepest gratitude to the institutions from whose collections we borrowed objects for inclusion in this exhibition. My heartfelt thanks goes out to Leslie Edwards, Robbie Terman, and Laurie Kay at the Cranbrook Archives; Roberta Frey Gilboe at the Cranbrook Art Museum; David Schneider and Tracy Irwin at the Detroit Historical Museum; Jim Joyce at the Friedman Real Estate Group; Meredith Long at Meadow Brook Hall; and Jan Durecki at the Rabbi Leo M. Franklin Archives. Working with these individuals has been a joy and I truly appreciate all of the time and energy they spent preparing for the loan of these objects. Thank you also to the numerous archives, museums, historical societies and libraries throughout the state and the country who granted permission for the museum to use their photographs in the exhibition. Additionally, I would like to express my gratitude to the Flickr photographers who generously allowed the museum to include their photographs in the exhibition. It has been a pleasure to work with all of you. I wish to thank Tawny Ryan Nelb for her insightful essay that appears in this catalog. John Gallagher, Architecture Critic and Urban Development Writer at the Detroit Free Press, and Jennifer Baross, Partner, Destination Detroit Media, were gracious in accepting the museum’s invitation to give lectures during the course of the exhibition. -
Spring 2009/Vol. XX, No. 2
Spring 2009 Vol. XX, No. 2 A newsletter on historic preservation from the State Encouraging signs for Fort Historic Preservation Office of the Minnesota Historical Society. Snelling’s Upper Post by Britta L. Bloomberg, Deputy State Historic Preservation Officer Meetings and workshops In 2006 the Upper Post in the Fort of years. From 1820, when Fort Snelling Snelling Historic District was named was established, through the first half of April 24 one of America’s 11 Most Endangered the 20th century, the site also served the SHPO Workshop for State/Federal Historic Places by the National Trust for U. S. government as an active military Agencies, 8:30 a.m. to 3:00 p.m., Historic Preservation. The dubious honor installation. The Upper Post, established Minnesota Landscape Arboretum, Chaska. This workshop is intended was a call to action that has galvanized in 1879, was gradually abandoned after for state and federal cultural resource efforts to save this place for future World War II. In 1971 the title was staff and historical and archaeological generations. Although our work is far transferred to the State of Minnesota consultants. Registration information has been mailed. For details or to request from complete, there is progress to report. with deed restrictions requiring that registration materials, call Kelly Gragg- the property be used for “public park Johnson, 651-259-3455, or e-mail First, some background. The Fort or recreational purposes.” The area is [email protected]. Snelling Historic District was designated currently administered by the Minnesota April 25-29 Minnesota’s first National Historic Department of Natural Resources (DNR) National Planning Conference, Landmark in 1960. -
ITINERARY TSKW Detroit Arts Trip FINAL 18.5.30
FINAL ITINERARY FOR 2018 TSKW ARTS & CULTURE TRIP TO DETROIT Monday 20 August thro Friday 24 August Day 1 – Mon Aug 20 Travel to destination Check in at the Detroit Foundation Hotel, Larned Street, Detroit 313-915-4422 www.detroitfoundationhotel.com 5:45pm Welcome cocktail party and private dinner at Hotel With presentation by Local Art Historian to provide background for our week of Arts & Culture in Detroit Day 2 – Tue Aug 21 Breakfast – on your own 8:45 walk to trolley station at Congress at Woodward to Detroit Institute for the Arts 9:15 Meet with the Executive Director followed by Private guided tour of DIA (Detroit Institute for the Arts) The Detroit Institute of Arts has one of the largest and most significant art collections in the United States. With more than 65,000 artworks that date from the earliest civilizations to the present, the museum offers visitors an encounter with human creativity from all over the world. 11:30am -Lunch at the DIA in Dining Room B www.dia.org 1pm Bus picks up at DIA to take us to Motown Museum Afternoon 1:30pm Tour of The Motown museum Originally the recording studios and residence of Berry Gordy and Motown Records. Information for visitors to the museum, and profiles of the label's featured artists including Stevie Wonder, The Supremes, Jackson 5, and Four Tops. Located in Detroit, Michigan, US www.Motownmuseum.org Take bus back to hotel for freshen up 4:30pm Promptly Bus picks up from hotel to take us to Bay View Yacht Club for Private yacht & dinner trip down Detroit river to view the beautifully renovated River park. -
Contemporary Design Philosophy in American Architecture
^O 1 CONTEMPORARY DESIGN PHILOSOPHY IN AMERICAN ARCHITECTURE by KENNETH EDWARD LAY, JR. B. Arch., The Pennsylvania State University, 1956 e\\i A MASTER'S REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF ARCHITECTURE College of Architecture and Design KANSAS STATE UNIVERSITY Manhattan, Kansas 1966 Approved by: Ma^or Professor , Lb 2j>^i ii a.o- ACKNOWLEDGEMENTS I gratefully acknowledge the guidance and encouragement given me during the planning and writing of this report by Professor Emil C. Fischer, Dean of the College of Architecture and Design at Kansas State University. My most sincere appreciation goes to my wife, Margaret F. Lay, A.S.L.A. whose professional advice and understanding helped immeasurably in its preparation. Appreciation is further extended to my committee members, Professor Jack C. Durgan, Professor J. Cranston Heintzelman, Professor Cecil H. Miller, and Dr. William C. Tremmel, and to my typist, Mrs. Michael R. Hawkins. , TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION: THE MODERN MOVEMENT 1 Prior to the Chicago School 2 The Chicago School of Architecture 4 L'Art Nouveau and Cubism 6 The Organic Architecture of Frank Lloyd Wright . 8 The International Style 10 Mies van der Rohe 12 LeCorbusier 14 The Present Situation .............. 16 Design Trends in Architectural Education 17 The Rediscovery of History 19 Structural Experimentation 20 II. THE CLASSIC ARTICLE 22 III. STRUCTURAL EXPRESSIONISM 27 IV. THE AESTHETIC REVIVAL 36 V. THE DIRECTION OF AMERICAN ARCHITECTURE 42 VI. CRITICISM OF CONTEMPORARY DESIGN PHILOSOPHY .... 45 VII. THE NEW FREEDOM WITHIN THE MODERN MOVEMENT 57 VIII. THE NEW FREEDOM'S AVANT-GARDE 71 Dr. -
Washtenaw Impressions
-~!I..:'~" ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ii'" WASHTENAW COUNTY HISTORICAL SOCIETY· Founded December 17, 1857 MAY 1984 9(~'~ ~( WASHTENAW IMPRESSIONS COBBLESTONE FARM WCHS 1984 BUS TOUR SATURDAY; JUNE 16, WILL VISIT _ SUMMER EVENTS CRANBROOK ART ACADEMY FOR A DAY WITH THE MUSES Cobblestone Farm, 2781 Pack A day with the muses at Cran- Elementary, Cran. brook Institute of ard Road, is open noon-5 p.m. week brook Academy of Art in Bloomfield Science, Christ Church Cranbrook ends and holidays May through Hills is in store for all attending the (Episcopal) and Cranbrook House, October. Free admission to WCHS WCHS 1984 bus tour Saturday, June the former Booth home, all in a members with membership card. 16. setting of lake, hills, trees, gardens, Special events include Cobble Flora Burt, a WCHS life fountains and sculptures. (The stone Farm Association's Spring member and alumna of Cranbrook, Booths had 18 gardeners). Festival 1-5 p.m. Sunday, May 20. has arranged a tour and box lunch The Booth home, designed by Folk music festival, Sunday, on the grounds of the}OO-acre Albert Kahn, and the church are June 24. educational community founded by English style. Most of the other First person re-enactment of the late Detroit News publisher, buildings are Art Deco by Saarinen. Ann Arbor's first Independence Day George Gough Booth, and his wife, Bus boarding at 8:45 a.m. at celebration of 1824 on July 4 with Ellen Scripps Booth, daughter of the Maple Village Shopping Center, ice cream social, children's games. paper's founder. , Maple Road just north of Jackson Civil War encampment, July The Booths invited Finnish Road, Ann Arbor.