|||GET||| an Anthology of Colonial and Postcolonial Short Fiction 1St Edition

Total Page:16

File Type:pdf, Size:1020Kb

|||GET||| an Anthology of Colonial and Postcolonial Short Fiction 1St Edition AN ANTHOLOGY OF COLONIAL AND POSTCOLONIAL SHORT FICTION 1ST EDITION DOWNLOAD FREE Dean R Baldwin | 9780618318810 | | | | | Colonial and Post-Colonial Literature Trivia About An Anthology of C Colonial and Post-Colonial Literature. Learn how to enable JavaScript on your browser. Organized by region, the compelling stories reflect the evolution of colonialism An Anthology of Colonial and Postcolonial Short Fiction 1st edition the seventeenth to the twentieth century. Furthermore, the marginalized status of women emerges as another major theme, both as regards the past for white women settlers, or the present for urbanized characters, primarily in Africa and India. Great short stories from Ireland, Canada, the Caribbean, India, Pakistan, Africa, Australia, and New Zealand demonstrate the diversity of the postcolonial experience around the world from the late nineteenth century to the present. Christina rated it really liked it May 14, Jennie marked it as to-read May 31, Alexandra rated it it was amazing Aug 12, Organized by region, the compelling stories reflect the evolution of colonialism from the seventeenth to the twentieth century. Nowhere Yet Everywhere. Hear the latest from Broadview! Henry Lawsons Hungerford. Olivia Fairfield,…. Temporarily Out of Stock Online Please check back later for updated availability. You can unsubscribe at any time. The present volume is a highly comprehensive assessment of the postcolonial short story since the thirty-six contributions cover most geographical areas concerned. Matthew rated it it was amazing Feb 03, Falling Away From the Centre. Though it predates the British abolition…. Emma Jones marked it as to-read Jan 30, The Postcolonial Short Story. Literary Foremother. View all copies of this ISBN edition:. Baldwin, Dean ; Quinn, Patrick J. Jay Mistry added it Sep 02, No trivia or quizzes yet. For a better shopping experience, please upgrade now. Joe rated it really liked it Feb 03, Rating details. Lists with This Book. The Mirror and the Window. Laurie rated it liked it May 30, Students explore the insights and emotions on both sides of the imperial fence, while learning about the hardships and triumphs of the colonial experience. Another important feature is that it deals not only with exclusive practitioners of the genre Mansfield, Munrobut also with well-known novelists Achebe, Armah, Atwood, Carey, Rushdieso that stimulating comparisons are suggested An Anthology of Colonial and Postcolonial Short Fiction 1st edition shorter and longer works by the same authors. Voyage Towards an Ending. Inspired by the life of…. Buy New Learn more about this copy. This anthology offers a balanced approach to colonial and postcolonial literature through a rich tapestry of short stories by both British colonizers and affected indigenous people. Students come to appreciate how fiction both supported and questioned the basis and results of colonialism. In the Cage of Consciousness. Uigi Ken rated it liked it Sep 02, Gabriela Medina rated it did not like it Dec 25, Poetry as An Anthology of Colonial and Postcolonial Short Fiction 1st edition metaphorical guillotine. An Anthology of Colonial and Postcolonial Short Fiction Caitlin Woodham added it Sep 01, Nowhere Yet Everywhere. More filters. Ostensibly the story of Mary Morstan, a beautiful young…. A An Anthology of Colonial and Postcolonial Short Fiction 1st edition pedagogical apparatus includes historical introductions, author headnotes, and reading questions that provide students with tools to approach each selection in an informed manner. Betsy marked it as to-read Jul 05, Jennpower marked it as to-read Jan 07, Dean Baldwin. This anthology offers a balanced approach to colonial and postcolonial literature through a rich tapestry of short stories by both British colonizers and affected indigenous people. Matthew rated it it was amazing Feb 03, Elias marked it as to- read Aug 06, James, "Triumph" V. Also including rich background materials and thorough explanatory footnotes to help students read these stories with an informed eye, this anthology is a must for any student interested in world literature in general and postcolonial literature in particular. A Measure of Irony. Rewriting the Frontier. Enlarge cover. This anthology offers a balanced approach to colonial and postcolonial literature through a rich tapestry of short stories by both British colonizers and affected indigenous people. Jay Mistry added it Sep 02, Alexandra rated it it was amazing Aug 12, Neither Fish Nor Fowl. No trivia or quizzes yet. Another important feature is that it deals not only with exclusive practitioners of the genre Mansfield, Munrobut also with well-known novelists Achebe, Armah, Atwood, Carey, Rushdieso that stimulating comparisons are suggested between shorter and longer works by the same authors. The novel focuses on…. Womens Short Fiction in Zimbabwe. Riley marked it as to-read Sep 02, Teaching Area s. You can unsubscribe at any time. Meg Singer marked it as to-read Nov 25, Great short stories from Ireland, Canada, the Caribbean, India, Pakistan, Africa, Australia, and New Zealand demonstrate the diversity of the postcolonial experience around the world from the late nineteenth century to the present. Hamel, the Obeah Man is set against the backdrop of early nineteenth-century Jamaica, and tells the story of a slave rebellion planned in the ruins…. To see what your friends thought of this book, please sign up. The first incarnation of this Broadview edition of Heart of Darkness appeared inthe second in ; both were widely acclaimed, and the Goonetilleke…. Students explore the insights and emotions on both sides of the imperial fence, while learning about the hardships and triumphs of the colonial experience. Teaching Area. Bander marked it as to-read Apr 21, Furthermore, the marginalized status of women emerges as another major theme, both as regards the past for white women settlers, or the present for urbanized characters, primarily in Africa and India. Condition: new. Unanswered Questions Unattended Quests. Students explore the insights An Anthology of Colonial and Postcolonial Short Fiction 1st edition emotions on both sides of the i This anthology offers a balanced approach to colonial and postcolonial An Anthology of Colonial and Postcolonial Short Fiction 1st edition through a rich tapestry of short stories by both British colonizers and affected indigenous people. Limitations and Possibilities. Subscribe To Our Newsletter Name. Coming Unstuck. ISBN 13: 9780618318810 This anthology offers a balanced approach to colonial and postcolonial literature through a rich tapestry of short stories by both British colonizers and affected indigenous people. Natty Natnat rated it it was amazing An Anthology of Colonial and Postcolonial Short Fiction 1st edition 31, The Poetics of Death. Literary Foremother. Introduction to Indigenous Literary Criticism in Canada collects 26 seminal critical essays indispensable to our understanding of the rapidly growing field of Indigenous literatures. Synopsis About this title This anthology offers a balanced approach to colonial and postcolonial literature through a rich tapestry of short stories by both British colonizers and affected indigenous people. Error rating book. Negotiating Place Re Creating Home. Dean Baldwin. Details if other :. More filters. Coetzee Janet Frame Jean Rhys Katherine Mansfield language literary Literatures in English lives London look male Maori Mavis Gallant meaning metaphor Miguel Street Mittelholzer mother Munro narrative narrator narrator's Native Ndebele never novel Olive Senior oral Osundare Peter Carey Piotr poem political postcolonial present protagonist published reader reality Rhys's seems sense settler sexual short fiction short story social society song South African suggests symbol tells things tion Toronto town traditional urban V. Shazia Rahman rated it it was amazing Feb 03, The first incarnation of this Broadview edition of Heart of Darkness appeared inthe second in ; both were widely acclaimed, and the Goonetilleke…. When abolitionists Thomas Clarkson and Ottobah Cugoano published their essays on slavery in the late eighteenth century, they became key participants in one of the…. Developing Agency. Showing The Triangle of Art and Life. MK marked it as to-read Dec 11, Want to Read Currently Reading Read. The prize-winning entry in a national competition for distinctively Canadian fiction, Winona was serialized in a Montreal story paper in A thorough pedagogical apparatus includes historical introductions, author headnotes, and reading questions An Anthology of Colonial and Postcolonial Short Fiction 1st edition provide students with tools to approach each selection in an informed manner. Trivia About An Anthology of C A Measure of Irony. Furthermore, the marginalized status of women emerges as another major theme, both as An Anthology of Colonial and Postcolonial Short Fiction 1st edition the past for white women settlers, or the present for urbanized characters, primarily in Africa and India. Elias marked it as to-read Aug 06, Condition: new. Jennifer Rodriguez rated it really liked it Nov 10, Paperbackpages. Laurie rated it liked it May 30, Show More. This specific ISBN edition is currently not available. Finding a Safe House of Fiction. Sort order. Poetry as a metaphorical guillotine. Original Title. You can unsubscribe at any time. https://cdn-cms.f-static.net/uploads/4564023/normal_5fbd11fc5802f.pdf https://cdn-cms.f-static.net/uploads/4564174/normal_5fbe91b95ad2c.pdf https://cdn-cms.f-static.net/uploads/4564377/normal_5fbe3e5032982.pdf https://cdn-cms.f-static.net/uploads/4564174/normal_5fbe91ed1fc00.pdf https://cdn-cms.f-static.net/uploads/4565041/normal_5fbec9cab50d7.pdf https://cdn-cms.f-static.net/uploads/4564305/normal_5fbd1d5676198.pdf.
Recommended publications
  • Island Ecologies and Caribbean Literatures1
    ISLAND ECOLOGIES AND CARIBBEAN LITERATURES1 ELIZABETH DELOUGHREY Department of English, Cornell University, Ithaca, NY 14850, USA. E-mail: [email protected] Received: August 2003 ABSTRACT This paper examines the ways in which European colonialism positioned tropical island landscapes outside the trajectories of modernity and history by segregating nature from culture, and it explores how contemporary Caribbean authors have complicated this opposition. By tracing the ways in which island colonisation transplanted and hybridised both peoples and plants, I demonstrate how mainstream scholarship in disciplines as diverse as biogeography, anthropology, history, and literature have neglected to engage with the deep history of island landscapes. I draw upon the literary works of Caribbean writers such as Édouard Glissant, Wilson Harris, Jamaica Kincaid and Olive Senior to explore the relationship between landscape and power. Key words: Islands, literature, Caribbean, ecology, colonialism, environment THE LANGUAGE OF LANDSCAPE the relationship between colonisation and ecology is rendered most visible in island spaces. Perhaps there is no other region in the world This has much to do with the ways in which that has been more radically altered in terms European colonialism travelled from one island of flora and fauna than the Caribbean islands. group to the next. Tracing this movement across Although Alfred Russel Wallace and Charles the Atlantic from the Canaries and Azores to Darwin had been the first to suggest that islands the Caribbean, we see that these archipelagoes are particularly susceptible to biotic arrivants, became the first spaces of colonial experimen- and David Quammen’s more recent The Song tation in terms of sugar production, deforestation, of the Dodo has popularised island ecology, other the importation of indentured and enslaved scholars have made more significant connec- labour, and the establishment of the plantoc- tions between European colonisation and racy system.
    [Show full text]
  • Gender, Ethnicity and Literary Represenation
    • 96 • Feminist Africa 7 Fashioning women for a brave new world: gender, ethnicity and literary representation Paula Morgan This essay adds to the ongoing dialogue on the literary representation of Caribbean women. It grapples with a range of issues: how has iconic literary representation of the Caribbean woman altered from the inception of Caribbean women’s writing to the present? Given that literary representation was a tool for inscribing otherness and a counter-discursive device for recuperating the self from the imprisoning gaze, how do the politics of identity, ethnicity and representation play out over time? How does representation shift when one considers the gender and ethnicity of the protagonist in relation to that of the writer? Can we assume that self-representation is necessarily the most “authentic”? And how has the configuration of the representative West Indian writer changed since the 1970s to the present? The problematics of literary representation have been with us since Plato and Aristotle wrestled with the purpose of fiction and the role of the artist in the ideal republic. Its problematics were foregrounded in feminist dialogues on the power of the male gaze to objectify and subordinate women. These problematics were also central to so-called third-world and post-colonial critics concerned with the correlation between imperialism and the projection/ internalisation of the gaze which represented the subaltern as sub-human. Representation has always been a pivotal issue in female-authored Caribbean literature, with its nagging preoccupation with identity formation, which must be read through myriad shifting filters of gender and ethnicity. Under any circumstance, representation remains a vexing theoretical issue.
    [Show full text]
  • Autumn 2003 JSSE Twentieth Anniversary
    Journal of the Short Story in English Les Cahiers de la nouvelle 41 | Autumn 2003 JSSE twentieth anniversary Olive Senior - b. 1941 Dominique Dubois and Jeanne Devoize Electronic version URL: http://journals.openedition.org/jsse/337 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 September 2003 Number of pages: 287-298 ISSN: 0294-04442 Electronic reference Dominique Dubois and Jeanne Devoize, « Olive Senior - b. 1941 », Journal of the Short Story in English [Online], 41 | Autumn 2003, Online since 31 July 2008, connection on 03 December 2020. URL : http:// journals.openedition.org/jsse/337 This text was automatically generated on 3 December 2020. © All rights reserved Olive Senior - b. 1941 1 Olive Senior - b. 1941 Dominique Dubois and Jeanne Devoize EDITOR'S NOTE Interviewed by Dominique Dubois, and Jeanne Devoize., Caribbean Short Story Conference, January 19, 1996.First published in JSSE n°26, 1996. Dominique DUBOIS: Would you regard yourself as a feminist writer? Olive SENIOR: When I started to write, I wasn't conscious about feminism and those issues. I think basically my writing reflects my society and how it functions. Obviously, one of my concerns is gender. I tend to avoid labels. Jeanne DEVOIZE: How can you explain that there are so many women writers in Jamaica, particularly as far as the short story is concerned. O.S.: I think there are a number of reasons. One is that it reflects what happened historically in terms of education: that a lot more women were, at a particular point in time, being educated through high school, through university and so on.
    [Show full text]
  • Jamaican Women Poets and Writers' Approaches to Spirituality and God By
    RE-CONNECTING THE SPIRIT: Jamaican Women Poets and Writers' Approaches to Spirituality and God by SARAH ELIZABETH MARY COOPER A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre of West African Studies School of Historical Studies The University of Birmingham October 2004 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Chapter One asks whether Christianity and religion have been re-defined in the Jamaican context. The definitions of spirituality and mysticism, particularly as defined by Lartey are given and reasons for using these definitions. Chapter Two examines history and the Caribbean religious experience. It analyses theory and reflects on the Caribbean difference. The role that literary forefathers and foremothers have played in defining the writers about whom my research is concerned is examined in Chapter Three, as are some of their selected works. Chapter Four reflects on the work of Lorna Goodison, asks how she has defined God whether within a Christian or African framework. In contrast Olive Senior appears to view Christianity as oppressive and this is examined in Chapter Five.
    [Show full text]
  • The Ignatieff Enigma
    THE IGNATIEFF ENIGMA $6.00 LRCLiterary Review of Canada Vol. 14, No. 5 • June 2006 Lowell Murray Born-again bilingualism Peter Desbarats Suzuki under his own microscope Suanne Kelman Death and diamonds in Sierra Leone Arthur Kroeger Gomery vs. Harper on accountability David Laidler Why monetary union with the U.S. won’t work Elspeth Cameron Atwood as scientist + David Biette on Canada in the world+ Dennis Duffy on building Canada + Ingeborg Boyens on genetically modified wheat + Paul Wells on jazz writing + Lawrence Hill on Joe Fiorito’s Toronto + Poetry by Olive Senior, Karen McElrea and Joe Cummings + Fiction reviews by Graham Harley and Tomasz Mrozewski + Responses from Marcel Côté, Gordon Gibson and David Chernushenko ADDRESS Literary Review of Canada 581 Markham Street, Suite 3A Toronto, Ontario m6g 2l7 e-mail: [email protected] LRCLiterary Review of Canada reviewcanada.ca T: 416 531-1483 Vol. 14, No. 5 • June 2006 F: 416 531-1612 EDITOR Bronwyn Drainie 3 Beyond Shame and Outrage 18 Astronomical Talent [email protected] An essay A review of Fabrizio’s Return, by Mark Frutkin ASSISTANT EDITOR Timothy Brennan Graham Harley Alastair Cheng 6 Death and Diamonds 19 A Dystopic Debut CONTRIBUTING EDITOR Anthony Westell A review of A Dirty War in West Africa: The RUF and A review of Zed, by Elizabeth McClung the Destruction of Sierra Leone, by Lansana Gberie Tomasz Mrozewski ASSOCIATE EDITOR Robin Roger Suanne Kelman 20 Scientist, Activist or TV Star? POETRY EDITOR 8 Making Connections A review of David Suzuki: The Autobiography Molly
    [Show full text]
  • The Engagement Between Past and Present in African American And
    Ghent University Faculty of Arts and Philosophy The Engagement between Past and Present in African American and Caribbean Literature: Orality in the Fiction of Toni Morrison, Gayl Jones, Edwidge Danticat, and Olive Senior by Jacoba Bruneel Paper submitted in partial fulfilment of the requirements for the degree of “Master in de Taal- Prof. Ilka Saal en Letterkunde: Engels” May, 2010 The Engagement between Past and Present in African American and Caribbean Literature: Orality in the Fiction of Toni Morrison, Gayl Jones, Edwidge Danticat, and Olive Senior by Jacoba Bruneel Prof. Ilka Saal Ghent University Acknowledgements I would like to express my gratitude to my supervisor Prof. Ilka Saal, for her advice and guidance which helped me to gain new insights into my topic, and for her enthusiasm which encouraged me to delve deeper. Special thanks to Dr. James Procter of the University of Newcastle-upon-Tyne, whose fascinating lectures on the Caribbean short story sparked my interest in the literature of the Caribbean, and to Prof. Susan Griffin who stimulated my interest in scholarly research in her “Scenes of Reading” seminars. I would also like to thank my family for their warm support and encouragements, and my friends for standing by me during these stressful times and for being there when I most needed them. Table of Contents Introduction .......................................................................................................................... 1 1. Similarities in the Use of Orality in African American and Caribbean Fiction ............. 10 1.1. Vernacular in Dialogue and Narrative .................................................................... 11 1.2. Written Performance ............................................................................................... 16 1.3. Call-and-Response: Seeking Engagement .............................................................. 20 1.4. Orality and the Written Text: a Fertile Hybridity ..................................................
    [Show full text]
  • Book Reviews -Gesa Mackenthun, Stephen Greenblatt, Marvelous Possessions: the Wonder of the New World. Chicago: University of Chicago Press, 1991
    Book Reviews -Gesa Mackenthun, Stephen Greenblatt, Marvelous Possessions: The wonder of the New World. Chicago: University of Chicago Press, 1991. ix + 202 pp. -Peter Redfield, Peter Hulme ,Wild majesty: Encounters with Caribs from Columbus to the present day. An Anthology. Oxford: Oxford University Press, 1992. x + 369 pp., Neil L. Whitehead (eds) -Michel R. Doortmont, Philip D. Curtin, The rise and fall of the plantation complex: Essays in Atlantic history. New York: Cambridge University Press, 1990. xi + 222 pp. -Roderick A. McDonald, Hilary McD.Beckles, A history of Barbados: From Amerindian settlement to nation-state. Cambridge: Cambridge University Press, 1990. xv + 224 pp. -Gertrude J. Fraser, Hilary McD.Beckles, Natural rebels; A social history of enslaved black women in Barbados. New Brunswick NJ and London: Rutgers University Press and Zed Books, 1990 and 1989. ix + 197 pp. -Bridget Brereton, Thomas C. Holt, The problem of freedom: Race, labor, and politics in Jamaica and Britain, 1832-1938. Baltimore: John Hopkins University Press, 1991. xxxi + 517 pp. -Peter C. Emmer, A. Meredith John, The plantation slaves of Trinidad, 1783-1816: A mathematical and demographic inquiry. Cambridge: Cambridge University Press, 1988. xvi + 259 pp. -Richard Price, Robert Cohen, Jews in another environment: Surinam in the second half of the eighteenth century. Leiden: E.J. Brill, 1991. xv + 350 pp. -Russell R. Menard, Nigel Tattersfield, The forgotten trade: comprising the log of the Daniel and Henry of 1700 and accounts of the slave trade from the minor ports of England, 1698-1725. London: Jonathan Cape, 1991. ixx + 460 pp. -John D. Garrigus, James E.
    [Show full text]
  • Unstable Identities: Michelle Cliff and Olive Senior “Shortstorytelling” Jamaica
    FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE FILOLOGÍA INGLESA TESIS DOCTORAL UNSTABLE IDENTITIES: MICHELLE CLIFF AND OLIVE SENIOR “SHORTSTORYTELLING” JAMAICA EVA MARÍA MÉNDEZ BLÁZQUEZ DIRIGIDA POR: DRA. JULIA SALMERÓN CABAÑAS Conclusión La primera vez que leí las historias cortas de Olive Senior and Michelle Cliff fue durante mi beca Erasmus en Louvain-la–Neuve, Bélgica. Formaban parte de la lectura obligatoria de una asignatura llamada Modernism/Postmodernism. Todo era nuevo para mí y me enamoré de sus historias ya que eran muy diferentes de todo aquello que había leído con anterioridad. En seguida, me transportaron a un mundo exótico en una remota isla caribeña de la que solo había oído a través de agencias turísticas como un lugar donde descansar y comer sin límite en hoteles de todo incluido. Ambas autoras me mostraron un paraíso muy diferente en el cual la gente luchaba por su derecho a ser independientes y donde las mujeres trataban de evitar el estigma que el postcolonialismo y el patriarcado les había impuesto. Mi viaje a través de su literature fue también muy diferente; me sentí una parte de la isla, empaticé con sus protagonistas y sus preocupaciones raciales y con respecto a las tradiciones de la isla. En su ensayo “Hacia un criticismo feminista negro” (“Towards a Black Feminist Criticism”), Barbara Smith (1986) explica como las cuestiones raciales y de género han sido consideradas de forma separada. Ella reclama que ni los hombres negros ni las mujeres feministas blancas comprenden la doble presión impuesta sobre las mujeres negras. Por tanto, hablar de cuestiones sociales y de género conjuntamente siendo una mujer blanca occidental debería ser imposible ya que no se puede sentir esa doble presión que sienten las mujeres negras.
    [Show full text]
  • Archiving Memories
    Orality in the Body of the Archive: Memorialising Representations of Creole Language and Culture in the Technologised Word A thesis submitted by Marl’ene Edwin in the fulfilment of the requirement for the degree of Doctor of Philosophy in English and Comparative Literature, Goldsmiths, University of London, 2016 I hereby declare that this thesis is my own work. Marl’ene Edwin 2 Dedicated to the memory of my beloved mother and father Linnette (1933-1996) and George (1925-1998) 3 ACKNOWLEDGEMENTS Too many people to mention here, Who have helped me along the way. However, there are a few things I find I must say. Overwhelming thanks to Professor Joan Anim-Addo, Supervisor, mentor and critical friend Without your pushing and pulling, This project would never have made it to the end. My colleagues in CELAW you know who you are. Natasha and fellow students in the Centre for Caribbean and Diaspora Studies, This is not the end by far! To my upgrade examiners, Clea Bourne and Geri Popova, Much food for thought And time to work my thesis over. For her quick reading and mock exam I extend my warmest regards To Maria Helena Lima and Our network of women in Europe and afar. For conducting the final examination, Viv Golding and Pia Pichler, I’ve run out of words and my face Must have been a picture! To my friends and family who have been with me to the end, Special thanks to Karol and Deirdre, two very good friends, Brothers and Sisters how could I miss you out Estola, Jasper, Marcia, Sandra, Yvette and Dave, there is no doubt This thesis is for us all, whether from a big island or small!! Jo and Steve, what can I say, Our weekend jaunts certainly saved the day.
    [Show full text]
  • The Strangers
    Why do I write? Patricia Cumper Although I wrote my first play at 23, my writing life began years earlier. I always got good marks at school. I was clever and I came from a clever family, said my teachers. The truth was a little more complex. I have always read copiously: from the Bobbsey Twins and Nancy Drew stories of my childhood to holiday reading by Agatha Christie, Georgette Heyer and Ellis Peters. I read Jamaican writers like Erna Brodber, Jean D’Costa, Olive Senior and Lorna Goodison; I learnt something of the Jewish experience from Anne Frank and Leon Uris; about the wider Caribbean from Andrew Salkey, Kamau Brathwaite and Derek Walcott; the lives of Black Americans through the words of Alice Walker, Toni Cade Bambara and Toni Morrison. Indeed, when I eventually came to university in England, I wanted to be sure that I was not at a disadvantage so I set myself the task of reading the classics. I got as far as all of Shakespeare’s plays and most of his son- nets, the Brontë sisters’ books, and D. H. Lawrence’s short stories Love Among the Haystacks but sadly stalled a hundred or so pages into Crime and Punishment. I also grew up in a household where debate was the most popular occupation. Not arguing. I only ever heard my parents argue once in my whole childhood and it shook me to the core, it was that aberrant. We – my brother, sister and I – debated. Over dinner. In the back of the old family Volkswagen.
    [Show full text]
  • Peter Abrahams. Mine Boy (Southern Africa – South Africa) Chinua Achebe
    WORLD LITERATURE: EMPHASIS IN WORLD LITERATURE IN ENGLISH (POSTCOLONIAL) GRADUATE COMPREHENSIVE EXAMINATION READING LIST SELECTED BY THE GRADUATE FACULTY THE CANDIDATE IS RESPONSIBLE FOR AT LEAST TWENTY-ONE MAJOR WORKS OR AUTHORS FROM AT LEAST THREE GEOGRAPHICAL REGIONS, DISTRIBUTED AS FOLLOWS: FICTION FROM AMONG THE FOLLOWING, SELECT AT LEAST EIGHT NOVELS OR STORY COLLECTIONS FROM AT LEAST THREE DIFFERENT GEOGRAPHICAL REGIONS: Peter Abrahams. Mine Boy (Southern Africa – South Africa) Chinua Achebe. Things Fall Apart, A Man of the People or Anthills of the Savannah (West Africa - Nigeria) Ama Ata Aidoo. Our Sister Killjoy or No Sweetness Here (West Africa – Ghana) Monica Ali. Brick Lane (Pakistan/England) Mulk Raj Anand. The Village, Untouchable, or Coolie (India) Ayi Kwei Armah. The Beautyful Ones are Not Yet Born (West Africa – Ghana) Erna Brodber. Jane and Louisa Will Soon Come Home (West Indies – Jamaica) Peter Carey. Any Novel (Australia) Michelle Cliff. Abeng or No Telephone to Heaven (West Indies – Jamaica) J.M. Coetzee. Waiting for the Barbarians; Life and Times of Michael K., Age of Iron, or Disgrace (Southern Africa – South Africa) Merle Collins. Angel or The Colour of Forgetting (Grenada) Tsitsi Dangarembga. Nervous Conditions (Southern Africa – Zimbabwe) Edwidge Danticat. Breath Eyes Memory, Krik? Krak! or The Farming of Bones (West Indies – Haiti) Anita Desai. Clear Light of Day (India) Alan Duff. Once Were Warriors (New Zealand) Buchi Emecheta. The Joys of Motherhood (West Africa – Nigeria) Nuruddin Farah. Maps (East Africa – Somalia) Sia Figiel. Where We Once Belonged (Western Samoa) Amitav Ghosh. The Shadow Lines or The Glass Palace (India) Nadine Gordimer. July’s People or Burger’s Daughter (Southern Africa – South Africa) Patricia Grace.
    [Show full text]
  • UC Santa Barbara Dissertation Template
    UNIVERSITY OF CALIFORNIA Santa Barbara Secrets of the Bush: Abortion in Caribbean Women’s Literary Imagination A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Leah Meagan Fry Committee in charge: Professor Maurizia Boscagli, Chair Associate Professor Teresa Shewry Associate Professor Stephanie Batiste September 2016 The dissertation of Leah Meagan Fry is approved. _____________________________________________ Stephanie L. Batiste _____________________________________________ Teresa Shewry _____________________________________________ Maurizia Boscagli, Committee Chair May 2016 Secrets of the Bush: Abortion in Caribbean Women’s Literary Imagination Copyright © 2016 by Leah Meagan Fry iii ACKNOWLEDGEMENTS Thank you to all those who made me believe that this work was possible. From my undergraduate years, this includes Liz Barnes, my honors thesis director, Deborah Morse, and Melanie Dawson. You continue to serve as my ideal feminist academics, and you guided me to a great PhD program. To Tina Gianquitto, thank you for supporting another a literary scholar writing about women and plants. I won’t forget your kindness. Thanks to the UCSB English department and UCSB Grad Division for helping to fund my research trip to Jamaica in 2015. This research was invaluable as I framed my critical methods. Thanks to my committee: Maurizia, for your enthusiasm and encouragement; Tess, for your unwaveringly excellent notes; and Stephanie, for your incisive questions about my position as a scholar. My parents, Jake, Aunt Beth-Eireann, Karen, MR—thanks for your unwaivering support! Thank you UAW 2865-Local, without whom I would never have had the necessary time each week to do my own research.
    [Show full text]