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The Arnold Newman Collection of Photographs at the Art Gallery of Ontario Finding Aid

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The Arnold Newman Collection of Photographs at the Art Gallery of Ontario Finding Aid THE ARNOLD NEWMAN COLLECTION OF PHOTOGRAPHS AT THE ART GALLERY OF ONTARIO FINDING AID by Sean Fraser Corscadden, BFA, Mount Allison University, 2009 A Thesis Project Presented to Ryerson University and the Art Gallery of Ontario in partial fulfillment of the requirements for the degree of Masters of Arts in the program of Photographic Preservation and Collections Management Toronto, Ontario, Canada, 2013 © Sean Fraser Corscadden, 2013 I hereby declare that I am the sole author of this thesis or dissertation. I authorize Ryerson University to lend this thesis or dissertation to other institutions or individuals for the purpose of scholarly research. _______________________________________ SEAN CORSCADDEN I further authorize Ryerson University to reproduce this thesis or dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. _______________________________________ SEAN CORSCADDEN ii The Arnold Newman Collection of Photographs at the Art Gallery of Ontario Finding Aid Masters of Arts 2013 Sean Fraser Corscadden Photographic Preservation and Collections Management Ryerson University / George Eastman House Abstract The Arnold Newman Collection of Photographs consists of 4820 photographs taken by photographer Arnold Newman between the years 1938 and 2004. This thesis acts as a research project investigating the collection and making it accessible to researchers and collections management at the Art Gallery of Ontario. The project includes research on the sitting subjects, an overview of the physical photographs, an annotated bibliography and the organization and housing of the collection for permanent accession into the Art Gallery of Ontario’s photography collection. The paper consists of an analytical portion which outlines the methodology of creating the finding aid. The finding aid acts as a standalone paper designed to assist researchers navigating the collection. iii Acknowledgements I would like to thank: Maia-Mari Sutnik, for introducing me to the Arnold Newman Collection of Photographs and for giving me the freedom to make the collection my own. Robert Burley, for his efforts in refining my thesis. Arnold Newman, for reminding me to take pictures every day. Alison Nordstrom, for never holding back. Thaddeus Holownia, for introducing me to silver. Laura Stephenson, for your support and encouragement. Finally, my parents, without whose help I would not have made it this far. iv Table of Contents THE ARNOLD NEWMAN COLLECTION ...............................................................................................I Abstract .....................................................................................................................................................................................iii Acknowledgements ................................................................................................................................................................... iv Table of Contents ....................................................................................................................................................................... v List of Figures .......................................................................................................................................................................... vii PART I: ANALYTICAL PAPER ................................................................................................................ 2 Introduction................................................................................................................................................................................ 2 Background Research & Literature Survey ............................................................................................................................ 5 Summary of Sources ............................................................................................................................................................... 9 Creating the Finding Aid ........................................................................................................................................................ 10 The Photographs ...................................................................................................................................................................... 15 Methodology of Re-Housing the Newman Collection ........................................................................................................... 17 Methodology of Creating the Indexes .................................................................................................................................... 19 Conclusion ................................................................................................................................................................................ 21 PART II: THE ARNOLD NEWMAN COLLECTIONS OF PHOTOGRAPHS FINDING AID ... 22 Collections History and Provenance ............................................................................................................................ 22 Notes on Important Figures: ................................................................................................................................................... 23 Arnold Newman (1918 – 2004) ............................................................................................................................................. 23 Igor Stravinsky (1882 – 1972) ............................................................................................................................................... 25 Carl Sandburg (1878 – 1967) ................................................................................................................................................ 26 Other Figures ......................................................................................................................................................................... 26 Effective Dates .......................................................................................................................................................................... 27 Physical Description and Organization.................................................................................................................................. 28 Markings................................................................................................................................................................................... 31 Photographs.............................................................................................................................................................................. 41 Picasso, Pablo (1881 – 1973) ................................................................................................................................................ 41 v Stravinsky, Igor (1882 – 1971) .............................................................................................................................................. 44 O’Keefe, Georgia (1887 – 1986) ........................................................................................................................................... 47 Stieglitz, Alfred (1864 – 1946) .............................................................................................................................................. 47 Moore, Henry (1898 – 1986) ................................................................................................................................................. 50 Sandburg, Carl (1878 – 1967) ............................................................................................................................................... 53 Graham, Martha (1894 – 1991) ............................................................................................................................................. 56 Annotated Bibliography: ......................................................................................................................................................... 59 Masterclass: Arnold Newman ............................................................................................................................................... 59 Visions and Images ............................................................................................................................................................... 59 Interviews with Master Photographers .................................................................................................................................. 60 Arnold Newman: Five Decades............................................................................................................................................. 61 Artists, Portraits from Four Decades ..................................................................................................................................... 61 Arnold Newman, Photo District News by Anthony Lasala ................................................................................................... 62 One Mind’s Eye: The Portraits and Other Photographs of Arnold Newman ........................................................................ 62 Artists Look Like This .........................................................................................................................................................
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