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Vmagwtr03 P30-59.Final (Page 30
By PAUL KINGSBURY, BA’80 The thorny legacy of Vanderbilt’s Fugitives and Agrarians Pride and Prejudice t’s one of the most famous and cherished photographs in Vanderbilt’s history. Allen Tate, Merrill Moore, Robert Penn Warren, John Crowe Ransom, Donald Davidson. Five balding white men, dressed impeccably in suits and ties, are seated outdoors, Iobviously posed by photographer Joe Rudis to appear as if lost in con- versation. Despite the artifice, the subjects seem relaxed and even playful, what with Moore practically sitting on Tate’s lap, Warren lean- ing in as if to insert a word edgewise, and the entire group looking to Allen Tate as if expecting a clever remark. It was a happy moment for the old friends. It was 1956, and after three decades of being ignored by the University, the Fugitives had returned to campus in glory for a colloquium devoted to their literary work. V anderbilt Magazine 31 Heroes Fugitives and Agrarians he five writers photographed in 1956 “Nothing in Vanderbilt’s history has come devoted to the Fugitives and Agrarians. The undergraduate courses on southern litera- were Vanderbilt graduates. They were anywhere close to the Fugitives and Agrari- 1956 reunion was followed by an Agrarian ture to these writers. On the graduate level, Donald Davidson (1893–1968) known as “Fugitives” after The Fugi- ans in giving it a national reputation,”con- reunion and symposium in 1980. That event, Kreyling says master’s and doctoral students BA’17, MA’22; Vanderbilt Ttive, the widely praised but little purchased firms Paul Conkin, distinguished professor though, seemed to mark a high tide for the in his department read them only occasion- English department, poetry magazine they self-published, along of history, emeritus, and the author of defin- Agrarians and Fugitives on campus. -
Clyde Pharr, the Women of Vanderbilt, and the Wyoming Judge: the Story Behind the Translation of the Theodosian Code in Mid- Century America
Clyde Pharr, the Women of Vanderbilt, and the Wyoming Judge: The Story behind the Translation of the Theodosian Code in Mid- Century America Linda Jones Hall* Abstract — When Clyde Pharr published his massive English translation of the Theodosian Code with Princeton University Press in 1952, two former graduate students at Vanderbilt Uni- versity were acknowledged as co-editors: Theresa Sherrer David- son as Associate Editor and Mary Brown Pharr, Clyde Pharr’s wife, as Assistant Editor. Many other students were involved. This article lays out the role of those students, predominantly women, whose homework assignments, theses, and dissertations provided working drafts for the final volume. Pharr relied heavily * Professor of History, Late Antiquity, St. Mary’s College of Mary- land, St. Mary’s City, Maryland, USA. Acknowledgements follow. Portions of the following items are reproduced by permission and further reproduction is prohibited without the permission of the respective rights holders. The 1949 memorandum and diary of Donald Davidson: © Mary Bell Kirkpatrick. The letters of Chancellor Kirkland to W. L. Fleming and Clyde Pharr; the letter of Chancellor Branscomb to Mrs. Donald Davidson: © Special Collections and University Archives, Jean and Alexander Heard Library, Vanderbilt University. The following items are used by permission. The letters of Clyde Pharr to Dean W. L. Fleming and Chancellor Kirkland; the letter of A. B. Benedict to Chancellor O. C. Carmichael: property of Special Collections and University Archives, Jean and Alexander -
Revisiting Mildred Haun's Genre and Literary Craft
From the Margins: Revisiting Mildred Haun’s Genre and Literary Craft By Clarke Sheldon Martin Honors Thesis Department of English and Comparative Literature University of North Carolina-Chapel Hill 2017 Approved: ____________________________________________ 2 Acknowledgements First and foremost, I would like to thank Professor Irons for her investment this project and in me. I would also like to thank Professor Gwin and Professor McFee for sitting on this committee and for their time and support. I am honored to have received funding from the Department of English and Comparative Literature to present Section IV of this paper at the Mildred Haun Conference in Morristown, Tennessee. Additionally, research for this project was supported by the Tom and Elizabeth Long Excellence Fund for Honors administered by Honors Carolina. Two fantastic librarians made my research for this paper a wonderful experience. Many thanks to Tommy Nixon at UNC Chapel Hill and Molly Dohrmann at Vanderbilt University. Lastly, I want to thank my parents Matthew and Catherine for their encouragement and enthusiasm during my time at Carolina and for their constant love. 3 I Mildred Haun burst onto the Appalachian literary scene when her 1940 book, The Hawk’s Done Gone, was published. The work, a collection of ten stories, offers an in-depth and instructional catalogue of Haun’s native east Tennessee mountain culture through the voice of Mary Dorthula Kanipe, a respected granny-woman trapped in a patriarchal social structure. The Hawk’s Done Gone enjoyed favorable reviews at its time of publication, but it quickly slipped into obscurity. Haun’s short life and complicated relationship with her publisher may have pushed her voice into the margins during her time, but The Hawk’s Done Gone provides cultural observation and connection to a way of life and oral tradition that is deserving of attention today. -
Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition Joseph Blotner
Robert Penn Warren Studies Volume 5 Centennial Edition Article 10 2005 Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition Joseph Blotner Follow this and additional works at: http://digitalcommons.wku.edu/rpwstudies Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Blotner, Joseph (2005) "Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition," Robert Penn Warren Studies: Vol. 5 , Article 10. Available at: http://digitalcommons.wku.edu/rpwstudies/vol5/iss1/10 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Robert Penn Warren Studies by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Robert Penn Warren, Cleanth Brooks, and the Southern Literary Tradition JOSEPH BLOTNER By the Southern literary tradition, I mean the works which were there, not some theoretical construct but rather aspects – models and genres – which would be prominent parts of the received tradition Warren and Brooks knew. This will be a speculative attempt, glancing in passing at the massive, two-volume textbook which they wrote and edited with R. W. B. Lewis: American Literature: The Makers and the Making (1973). But it will be difficult to extract a definition from it, as their remarks on their method put us on notice. For example, “William Faulkner has clearly emerged as one of the towering figures in American literary history and would undoubtedly warrant the -
The Consequences of Ideas: a (Prospective) Life of Richard Weaver Jay Langdale the “Legitimate Function of Modern Biography
The Consequences of Ideas: A (Prospective) Life of Richard Weaver Jay Langdale The “legitimate function of modern biography,” the twentieth-century libertarian Albert J. Nock notes, is “to help the historian.” This, he observes, is at odds with the general impression that “it begins with [one man’s] birth, ends with his death, and includes every single detail of historical significance.”1 The southern conservative Richard Malcolm Weaver (1917-1963), who was Nock’s intellectual contemporary, remains someone whose life story stands to aid the historian of modern American intellectual history and, especially, the historian of modern American conservatism. Weaver’s life story is predominately the tale of a native North Carolinian who, depending on one’s perspective, either converted or segued from Marxism to southern traditionalist conservatism. On the significance of the latter persuasion, Eugene Genovese, who knew a thing or two about such a transition, described southern conservatism as nothing less than “America’s most impressive native- born critique of our national development, of liberalism, and of the more disquieting features of the modern world.”2 As Genovese notes, a deep-seated anti-modernism lay at the center of this critique and Weaver, who memorably tells of his 1938 conversion in his essay “Up From Liberalism,” was something of the Apostle Paul of southern traditionalism.3 In short, Weaver remains the most important intellectual descendant of the Nashville Agrarians and, 1 Nock, “The Purpose of Biography” in The State of the Union: Essays in Social Criticism (Indianapolis: Liberty Fund, 1991), 5. 2 Genovese, The Southern Tradition: The Achievement and Limitations of an American Conservatism (Cambridge: Harvard University Press, 1994), 1-2. -
Race, Women, and the South: Faulkner’S Connection to and Separation from the Fugitive-Agrarian Tradition
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2005 Race, Women, and the South: Faulkner’s Connection to and Separation from the Fugitive-Agrarian Tradition Brandi Stearns University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Stearns, Brandi, "Race, Women, and the South: Faulkner’s Connection to and Separation from the Fugitive- Agrarian Tradition. " Master's Thesis, University of Tennessee, 2005. https://trace.tennessee.edu/utk_gradthes/2359 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Brandi Stearns entitled "Race, Women, and the South: Faulkner’s Connection to and Separation from the Fugitive-Agrarian Tradition." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. Thomas Haddox, Major Professor We have read this thesis and recommend its acceptance: Mary Papke, Allison Ensor Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Brandi Stearns entitled “Race, Women, and the South: Faulkner’s Connection to and Separation from the Fugitive-Agrarian Tradition.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. -
The Critical Reception of I'll Take My Stand and John
TRADITION, MYTH AND THE AGRARIAN COMMUNITY: THE CRITICAL RECEPTION OF I’LL TAKE MY STAND AND JOHN CROWE RANSOM’S AGRARIAN PHILOSOPHY BY MATTHEW ERIC JORDAN (Under the direction of Dr. James E. Kibler) ABSTRACT Seeking to define aspects of John Crowe Ransom’s agrarian philosophy, particularly as it relates to individuals, communities, and the traditions and myths associated with each. While critics dismissed the offering as a sentimentalized eulogy for the fantasy of antebellum culture, Ransom articulated that principles and ideas, those elements addressing the humane life lived in contemplation, were the focus of his contributions to I’ll Take My Stand. This examination presents key criticisms that represent the harshest charges leveled against Ransom, and, in doing so, a context is provided in which the subtleties of the Agrarian philosophy can be contrasted with those of Industrialism. Ultimately, this examination will reveal that Ransom’s philosophical position was dismissively misunderstood at I’ll Take My Stand’s original critical reception. INDEX WORDS: John Crowe Ransom, I’ll Take My Stand, Critical Reception, Agrarianism, Philosophy, Agrarians, Myth, Tradition. TRADITION, MYTH AND THE AGRARIAN COMMUNITY: THE CRITICAL RECEPTION OF I’LL TAKE MY STAND AND JOHN CROWE RANSOM’S AGRARIAN PHILOSOPHY by MATTHEW ERIC JORDAN B.A., The University of Georgia, 1997 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2002 2002 Matthew Eric Jordan All Rights Reserved TRADITION, MYTH AND THE AGRARIAN COMMUNITY: THE CRITICAL RECEPTION OF I’LL TAKE MY STAND AND JOHN CROWE RANSOM’S AGRARIAN PHILOSOPHY by MATTHEW ERIC JORDAN Approved: Major Professor: James Kibler Committee: Jonathan Evans Carl Rapp Electronic Version Approved: Gordhan L. -
Jesse Stuart: an Appreciation William Boozer
The Kentucky Review Volume 3 | Number 1 Article 5 1981 Jesse Stuart: An Appreciation William Boozer Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the Literature in English, North America Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Boozer, William (1981) "Jesse Stuart: An Appreciation," The Kentucky Review: Vol. 3 : No. 1 , Article 5. Available at: https://uknowledge.uky.edu/kentucky-review/vol3/iss1/5 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Jesse Stuart: An Appreciation William Boozer We turn from 1-64 at Grayson, Kentucky onto State Route 1 and vertigo north into a land that has a voice. It is a dizzying experience, these hairpin and horseshoe curves. Signs warn of bumps ahead in the aging asphalt violated by man and weather. Two s:me-lane bridges lay traps for us in bends in the road. Distractions are everywhere. One roadside marker sends us west to the grave of Lucy Virgin Downs, the first white child born west of the Alleghenies. Another sends us east to inspect an example of lost American architecture, the Oldtown covered bridge that has spanned the Little Sandy River since 1880. We are in the hills of eastern Kentucky, with West Virginia and Ohio and the Ohio River just over the horizon. -
Robert Penn Warren on Race and Community Steven D
Robert Penn Warren Studies Volume 2 Robert Penn Warren Studies Article 8 2002 “An Exciting Spiral”: Robert Penn Warren on Race and Community Steven D. Ealy Follow this and additional works at: https://digitalcommons.wku.edu/rpwstudies Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Ealy, Steven D. (2002) "“An Exciting Spiral”: Robert Penn Warren on Race and Community," Robert Penn Warren Studies: Vol. 2 , Article 8. Available at: https://digitalcommons.wku.edu/rpwstudies/vol2/iss1/8 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Robert Penn Warren Studies by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. “An Exciting Spiral”: Robert Penn Warren on Race and Community1 STEVEN D. EALY “The Southern people are not actually united on anything these days–except the Negro question,” Donald Davidson wrote to Allen Tate in October 1929.2 Davidson and Tate had been discussing the possible subjects and authors to be included in a symposium defending the rural South against the industrial North, and against those Southerners who sought to bring about a “New South” through industrialization.3 In any such defense of the South, the “Negro question” would be a crucial issue, especially if Davidson’s sense of a Southern consensus on race were correct. Among the names under consideration was that of Robert Penn Warren, who had been a “Fugitive” along with Tate and Davidson during -
Fugitive and Agrarian Collection Addition Finding
Fugitive and Agrarian Collection Addition MSS 622 Arranged and described in Spring/Summer 2010 SPECIAL COLLECTIONS Jean and Alexander Heard Library Vanderbilt University 419 21st. Avenue South Nashville, Tennessee 37203 Telephone: (615) 322-2807 © 2012 Vanderbilt University Special Collections and University Archives Scope and Content Note This collection, 3.34 linear feet, is an addition to the Fugitive and Agrarian Collection MSS 160. It includes a wide range of items relating to the Fugitive and Agrarian groups and is especially valuable in the holdings of items from the 1980’s and 1990’s including correspondence, articles, book reviews, and other materials. In addition to the Fugitives and Agrarians themselves, whose biographical notes follow below, associates represented in this collection include: William T. Bandy Arthur Mizener Richmond Croom Beatty Flannery O’Connor Melvin E. Bradford Katherine Anne Porter Cleanth Brooks Sister Bernetta Quinn Wyatt Cooper Louis D. Rubin, Jr. Louise Cowan James Seay James Dickey Jesse Stuart Fellowship of Southern Writers Isabella Gardner Tate Ford Madox Ford Peter Taylor George Garrett Rosanna Warren Caroline Gordon Richard Weaver M. Thomas Inge Eudora Welty Randall and Mary Jarrell Kathryn Worth (Mrs. W. C. Curry) Robert Lowell David McDowell Biographical Notes Walter Clyde Curry Walter Clyde Curry received his B.A. from Wofford College in 1909 and his M.A. and Ph.D. from Stanford University in 1913 and 1915, respectively. Upon his graduation from Stanford, he accepted a faculty position at Vanderbilt University in 1915 and remained until 1955, when he retired from active teaching. During the last thirteen years of his stay at Vanderbilt, he served as chairman of the English department. -
Sidney Lanier by Edwin Mims</H1>
Sidney Lanier by Edwin Mims Sidney Lanier by Edwin Mims Sidney Lanier by Edwin Mims [American (Southern U.S.) Scholar; 1872-1959.] [Note on text: Italicized words or phrases are capitalized. Some obvious errors have been corrected (see notes).] Sidney Lanier by Edwin Mims Preface The present volume is a biography of Lanier rather than a critical study of his work. So far as possible, I have told the story in his own words, or in the words of those who knew him most intimately. If I have erred in placing undue emphasis on the early part of his career, it was intentional, for that is the part of his life about which least is known. I have intentionally emphasized his relation to the South, in order to avoid page 1 / 329 a misconception that he was a detached figure. The bibliographies prepared by Mr. Wills for the "Southern History Association" and by Mr. Callaway for his "Select Poems of Lanier" make one unnecessary for this volume. Of previously published material, I have been greatly indebted to the Memorial by Mr. William Hayes Ward, the fuller sketch by the late Professor W. M. Baskervill, and the volume of letters published by Messrs. Charles Scribner's Sons. For new material, I am indebted, first of all, to Mrs. Sidney Lanier, who has put me in possession, not of the most intimate correspondence of the poet, but of many letters written by him to his father and friends, as well as unpublished fragments and essays. She has done all in her power to make this volume accurate and trustworthy. -
Robert Penn Warren Author, Poet ( 1905 – 1989 )
Robert Penn Warren Author, poet ( 1905 – 1989 ) Warren was a poet, novelist, and literary critic and was one of the founders of New Criticism. He was born in Guthrie, Kentucky and graduated from Vanderbilt University in 1925, and the University of California, Berkeley a year later. Warren later attended Yale University and was a Rhodes Scholar at Oxford University. He also received a Guggenheim Fellowship to study in Italy, and when he returned to the U.S., he began his teaching career at Southwestern College (now Rhodes College) in Memphis, Tennessee. While still an undergraduate at Vanderbilt, Warren became asso- ciated with the group of poets there known as the Fugitives, and somewhat later, during the early 1930s, he and some of the same writers formed a group known as the Southern Agrarians. He contributed The Briar Patch to the Agrarian manifesto I’ll Take My Stand along with 11 other Southern writers and poets (including fellow Vanderbilt poet/critics John Crowe Ransom, ALLEN TATE, and Donald Davidson). In The Briar Patch the young Warren defended racial segregation, a position he had recanted by the 1950s when he publicly supported racial integration. In 1965, he published Who Speaks for the Negro, a collection of interviews with black civil rights leaders, including Malcolm X and Martin Luther King. He went on to win the Pulitzer Prize in 1947 for his best-known work, All the King’s Men, whose main character was based on Loui- siana governor Huey Long. Warren had a close view of the charis- matic Long, having taught at LSU in Baton Rouge from 1933-42.