Japanese Cultural Activities Resource Guide

Total Page:16

File Type:pdf, Size:1020Kb

Japanese Cultural Activities Resource Guide “Waku Waku” Japanese Cultural Activities ResourceGuide 和 敬 清 寂 A Project Supported by the Northern California Western Nevada Pacific District Funded by Japanese American Citizens LeagueLegacyFundGrant Acknowledgments This resource guide ismadepossible by the Japanese American Citizens LeagueLegacyFundGrantsProgram Supported by the Japanese AmericanCitizensLeague Northern California Western Nevada Pacific District Sonoma County Taiko & Japanese CulturalCampCommittee Sanae Nakajima-Chambers, Carol Kawase, Meg Mizutani,ArnoldShimizu,MiwaSmith Content Editors Carol Kawase, Meg Mizutani, ArnoldShimizu,MiwaSmith In Design Formatting Meg Mizutani, Arnold Shimizu Illustration and Copyediting Holly Kirkman Table of Contents Why Teach Our Children About TheirHeritage?5 Chapter 3:SEI Purity 31 How Our Resource GuideWasBorn 5 Story - Hanasaka Jiisan 32 What Makes This Resource GuideaUniqueTool 6 Craft - Pochi/Shiro 36 Song - Hanasaka Jiisan 37 About the Four Virtues ofJapaneseCulture7 Game 1 - Jan-ken-pon 39 Game 2-Daruma-san ga Koronda 40 Chapter 1:WA Harmony 9 Language - Kanji andPictograph 42 Story - Momotarō 10 Food - Dorayaki 45 Craft - Origami Kabuto 14 Song -Momotarō 15 Chapter 4:寂 JYAKU Tranquility 47 Game - Kamizumo 16 Story -Kasajizō 48 Language - Onomatopoeia 17 Craft -Jizō 52 Food - Kibidango 19 Song - Yuki 53 Game 1 -Koma 54 Chapter 2:KEI Respect 21 Game 2 - Kendama 55 StoryWarashibe - Chōja 22 Language - Haiku Poetry 56 Craft - Horsefly on a Stick 26 Food - Mochi 57 Song - Ouma noOyako 27 Game - Otedama 28 Questionnaire 58 Language - Greetings and Self-introduction29 Index 59 Food - Onigiri 30 Some 36 sociology studies concludethat culturally responsive pedagogy [educationaltheory] and positive racial identity canplayamajorrolein promoting academic achievementand resilience for minority youth. - Mary Stone Haley and GeorgeW.Noblit 4 Why Teach Our Children AboutTheirHeritage? Social psychologist and professor StephenFranzoiwrote,“Social identities provide young people withasharedsetofviews, belief values and goals about themselves and the world in which they live. If society devalues a specific societal group, then there is the risk of falling victim to a negative self-fulfilling prophecy.”1 Studies have shown that children can determine racialdifferencesasyoung preschool, and early detrimental experiencescancreateinternalized negative viewpoints2 ofthemselves . Franzoi also writes, “One way that ethnicminoritieshavecoped with intolerance and non-acceptance isbyrediscoveringtheir own ethnic heritage and actively rejecting the negative stereotypes in the larger culture.”1 This project was developed withthebeliefthat there is an inherent need to create ways for Japanese American youth tofeelproudoftheirheritage.Thus,wedevelopedaresource guide that would appeal to all ages, so anyone can easily explore and enjoy the cultural and historical significances of Japanese heri- tage through storytelling, music, dance,craft,language,games, and foods. The main goal of this resource guideistosupportmulti-and bi-racial youth by offering resources withwhichtoexploretheirJapanese heritage. The guide was developed to encourage us to pass on Japanese cultureandtraditionstoallchildreninafun,informative,en- gaging manner. Empowering people to showcase their Japanese heritage tothegeneralpublicwillfurthercommunicationandunder- standing within a diverse community. The participant feedback questionnaire attheendofguide will allow the project to be assessed foreffectivenessandexpandedto potentially include anothervolume. How Our Resource GuideWasBorn In 2004, Sonoma County Japanese American Citizens LeaguepartneredwithSonomaCountyTaiko to form an instructional team to developacomprehensiveJapanese culture program forlocalyouth. The team launched a summer day camp called Taiko andJapaneseCultureCamp(TJCC)inthe same year. 1 Franzoi, Stephen L. “The Self.” Social Psychology. 6th ed. Redding , CA : BVT Pub.,2012.67-106pg86 2 Tilford Center for Multicultural Competency Development, Kansas State University 5 This book is a compilation of selected activities taught at TJCC over theyears.TJCC’smultifacetedcurriculumcoversavarietyof activities, including language, storytelling,songs,folkdance, taiko drumming, craft projects, andJapaneserecipescultural foods. As hundreds of local youth have participatedandenjoyedtheprogram, we became aware that parents andeducatorsneededmorere- sources with which to teach Japanese cultureontheirown,at home or school. After TJCC’s 10th anniversary celebrationin2013,we explored how we could compile our resourcestoshareourrichcurriculum with others who would liketoteachJapaneseculture. The result is this resource guide of activitiesforyouthbetweenthe ages of 5 and 12yearsold. “Waku waku” is a Japanese onomatopeia to describe the feeling of excitement. Hope you and your students enjoy this book! What Makes This Resource GuideaUniqueTool Unlike many resource guides that are organized by the seasons or the holidays,thisguideisorganizedbythevirtuesofJapanesecul- ture. TJCC’s curriculum is virtue-based. It is whatwebelievemakesitasuccessfulprogram. Our original focus was simply to offer a good variety of hands-on activities. However,astheprogramgrew,itbecameobviousthat we needed to give the students the toolstounderstandandappreciate Japanese cultural virtues through thoseactivities.Withthisin mind, we madeFour “The Virtues of Japanese Culture” our instructional framework. We borrowed the concept from the four virtues of chanoyu, the tea ceremony, which has been an aesthetic aspect of Japanese cultureandJapanesesocietyforcenturies.Thosevirtues are wa (和), harmony;kei (敬), respect;sei (清), purity;jyaku and (寂), tranquility. They are interconnected anddependentuponone another, just like the four pillarsofahouse. We encourage our Culture Camp students to share the virtues they experience orobservewhileparticipatingineachactivity.Bythe end of the camp, the students are abletounderstandtheircamp experiences in the context of thevirtuesandutilizethese new experi- ences in other aspects of their everydaylives:speakingpolitely, taking turns, sharing, and caringforone’sbelongings. Today, hundreds of activity ideas can be found online. However, we believethisresourceguidewillgiveyouthetoolstoteachJapa- nese culture in a more meaningful and profound manner. This book is designedtoteachyouactivitiescanconductateventslike cultural festivals, school diversity events,Sundayschoolprograms, and social science units focusingonJapanandJapanese holidays. The activities may be utilized as aworkshop,demonstration,or as a series of workshops. Each sectionhasafolkstorythat illustrates the virtue featured in the section. Itisfollowedbyvirtue discussion topics, craft ideas, asong,games,languagelesson, and simple snack ideas. Any activity in this book can be done onitsownorincombinationwithothers. 6 About the Four Virtues ofJapaneseCulture WaHarmony - The characterwa is made up of two individual characters. The left-hand side of the character symbolizes “rice” and the right-hand side of the character symbolizes “mouth.” The meaning of wa comes from the idea thatwhenallare fed, there is harmony. In ancient Japan, villages were a unit organized for rice farming, where cooperationofallvillagersandconformityinthecommunity was essential for survival. Thus, oftentimes in Japanese culture, the interestofagroupcomesbeforetheanindividual. Working and living in harmony was an important virtue in ancient Japan. Asimilargroup-orientedmentalityandworkethicisstill present today. Wa is also the way that Japanese refer toartobjects.Harmonyexpresses itself in myriad ways in Japaneseculture,frombehaviors that show and maintain an attitude of peacetotheaestheticsofdisplaying everyday objects. KeiRespect - Respect is another backbone of Japanese culture.Ingroup-oriented communities, it is assumed thatwhateveranin- dividual does affects the entire community. People are expected totakecareofeachother.Showingthattheycare, even through ritual, is very important. Peoplewhoaregracious, humble, fair, and thoughtful ofothersareconsid- ered respectful. You can show your respect in many ways, including bowing or using honorific words and phrases when you speak. Respect should be paid not only topeoplebutalsofornatureand resources. Taking off your shoes beforeyouenteranindoorspaceis not only keeps the space clean but alsotoshowsrespect.Children are taught not to leave food onaplatebecauseitiswasteful as well as disrespectful ofthefood. 7 SeiPurity - Sei represents cleanliness and orderliness. Inlandarea,Japanis about the size of California, butinpopulation,it ranks sixth in the world, which is almost half of the entire U.S. population! It is so crowded that keeping everything clean and organized isessential. Sei also indicates a pure state of mind. Honesty, generosity, and hard workaregoodexamplesofthisvirtue.Frugalityandapprecia- tion are also considered virtues. Where there is abundance, itiseasytooverlookthetruevaluesofwhatyouhave. This virtue also encourages people inJapantovaluetheprocess of making things clean andkaiseki beautiful.Traditional cuisine and the art of gift wrapping are good examplesofhowpeopletaketime and care to create somethingelaborate. JyakuTranquility - Jyaku represents stillness and a calm state of mind. Tranquility, observedinJapanesemeditationgardens,isconsid- ered essential for innerpeace. 寂 Tranquility also comes from resilience and acceptance. Overcoming challenges not with control or fighting but through
Recommended publications
  • Roll with Your Heart: We Love Daruma Brand and Website Launch
    March 1, 2009 Roll with Your Heart: We Love Daruma Brand and Website Launch MarchForth International Ltd. Summary MarchForth International Ltd. is proud to announce the launch of the ‘We Love Daruma’ brand and complementary website ( www.welovedaruma.com ) on March 1, 2009. MarchForth International Ltd. is proud to announce the launch of the ‘We Love Daruma’ brand and complementary website ( www.welovedaruma.com ) on March 1, 2009. Daruma is a guardian of our hopes, dreams, and wishes. As he focuses on your goal, Daruma’s eye never blinks. He reminds us not to, either. Dear to the hearts of the Japanese people, Daruma reflects their determined spirit and peaceful outlook on life. Daruma’s Zen roots go back 1500 years, to Bodhidharma, founder of Zen Buddhism. The traditional Daruma doll represents the silhouette of Bodhidharma in deep meditation. Today, Daruma dolls are exchanged as gifts to mark occasions of all kinds, and millions keep a Daruma on hand for its motivational power and as a symbol of love and hope. While the Daruma tradition is deep-rooted in Japan, it is still not well-known outside of it. We created the We Love Daruma brand and website to spread Daruma’s optimistic and inspiring energy around the world. The timing, we feel, could not be more pertinent. Daruma’s positive force is just as valuable in good times as in difficult ones, but our current economic climate has made the need to focus our energies all the more essential. The tools of success are within all of us, but as we go about our hectic lives, we could all use a little encouragement and support.
    [Show full text]
  • 251St Edition November 2014
    251st Edition November 2014 たかさきしこくさいこうりゅうきょうかい Takasaki International Relations Society 高崎市国際交流協会 TAKASAKI CITY Core City Takasaki City: Population: 375, 240 Area: 459.41 km² Registered Foreign Residents: There are 4,035 foreign residents from around 60 different countries residing in Takasaki City from China, Philippines, the Koreas etc… (as at 30th Sept 2014) =Information from the TIRS= walk along the hill’s nature trails, or enjoy a coffee Dance of the World with a view. Date: Saturday 29th November, 1:30pm-4pm Dokutsu Kannon & Tokumei-en Gardens (mid-late Place : Takasaki University of Economics Nov) Address : Ishihara-machi 2857 (Kaminamie-machi 1300), Mitsuogi Kaikan. Tokumei-en is one of the most spectacular Japa- Details : Foreign guests will perform their dance fol- nese gardens in the northern Kanto area. Enjoy a lowed by a mini lesson for participants. Light re- stroll or a rest in the gardens. Enter the cave to see freshments will be served. 33 kinds of statue of the Goddess of Mercy in an Dances : Salsa and dances from Sri Lanka and amazing 400m long tunnel. There’s a small, quirky Cameroon. manga museum too. Cost: ¥1000 per person Entrance: ¥800 yen (adults), ¥400 yen (children). Sign up : Call the TIRS office (details at bottom) Shorinzan Daruma Temple (late Nov-early Dec) from 10am on Wednesday 29th October (first 50 The home of Takasaki’s famous Daruma Doll, the people only). temple grounds are adorned with gorgeous au- tumn foliage as red as the Darumas themselves. Haruna Shrine (mid Oct-early Nov) Gunma Bar Association Legal Counseling Beautiful all year round, it’s not surprising Haruna Date: Sunday 16th November 2014, 1pm-5pm Shrine is also spectacular in the fall.
    [Show full text]
  • HISTORY and STAGE METHOD of JUGGLING with HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine
    INNOVATIVE SOLUTIONS IN MODERN SCIENCE № 2(11), 2017 UDC 792 (792.7) HISTORY AND STAGE METHOD OF JUGGLING WITH HULA HOOPS Oleksandra Sobolieva Kyiv Municipal Academy of Circus and Variety Arts, Kiev, Ukraine Research the methods of teaching juggling tricks by the big and small hula hoops, due to rising demand for hula hoops in recent years. Hula hoops acquire much popularity both abroad and in Ukraine, and are used not only in school, gymnastics and emotional pleasure, but also in a circus and juggling sports. Also highlights the main directions in the juggling with their features and how the juggling acts itself directly on human health. Also will be examined where this fascinating art form came to us, how it developed, and what kinds acquired in the present. Keywords: hula hoops, juggling, "track", stage technique, white substance, "helicopter". Problem definition and analysis of researches. Today juggling reached incredible development. There is no country where people would not be interested in juggling. There are a lot of conventions and juggling competitions, where people come from all over the world and share experiences with each other. But it should be noted, that there aren’t so much professional juggling schools. And if we talk about juggling by hula hoops, we can admit that there aren’t so much real experts in this field. Peter Bon, Tony Buzan in collaboration with Michael J. Gelb, Luke Burridge, Alexander Kiss, Paul Koshel and many others have written about all kinds of juggling, but left unattended hula hoops juggling. That is why in this article will be examples of author’s tricks with large and small hula hoops with a detailed description.
    [Show full text]
  • New Twirling Family Information Package
    NEW TWIRLING FAMILY INFORMATION PACKAGE Prepared by: The Southern California Baton Boosters Association (SCBBA) Executive Board and Committee Members Dedicated to Mary Foster (original author) Updated: February 2019 1 Contents History of Twirling ………………………………………………………..….3 List of California Champions at National and World Events …………….3 What is the Southern California Baton Boosters Association (SCBBA)?....9 How to Join SCBBA ……………………………………………………….…9 SCBBA Gratuities ………………………………………………………..…...9 Officers and Committee Members ……………………………………… 10 Twirling Organizations and Publications …………………….…………...11 Pageants and Contests:…………………………………………….…..…..11 What is AYOP? What is a pageant? What are the California State Championships? What are the Western Region Championships? What is the California Miss Majorette Pageant? Contest Checklist ………………………………………………………..….12 Contest Protocol…………………………………………………………… 13 Suggestions from the SCBBA ………………………………………..……14 Hair, Costumes Modeling Attire, Shoes Where to purchase twirling supplies Good Luck Gifts Use of cameras/videos SCBBA Website…………………………………………………………..….15 Contest Result Tracking ……………………………………………...……..16 SCBBA Membership Form ……………………………………………...….17 2 History of Baton Twirling The following is taken from Who’s Who in Baton Twirling, 1987 Edition. Twirling Progress Baton twirling can be traced back many decades to Siam, Arabia and the Samoan Islands where a “far- cry” form of twirling was used for ceremonial dance and celebration. Spears, knives and guns were manipulated in a manner that resembles many of the movements found in twirling today. The first sign of baton twirling in America was the early juggling drum majors who performed feats of balance and dexterity that would amaze even the most critical of modern day twirlers. Probably the greatest of early performers was Major C. W. Booth, of Chicago, who performed in every civilized country in the world.
    [Show full text]
  • Creating a Board Game to Influence Student Retention and Success
    ENROLLED: CREATING A BOARD GAME TO INFLUENCE STUDENT RETENTION AND SUCCESS by Andrew H. Peterson This dissertation is submitted in partial fulfillment of the requirements for the degree of Doctor of Education Ferris State University November 2018 © 2019 Andrew H. Peterson All Rights Reserved ENROLLED: CREATING A BOARD GAME TO INFLUENCE STUDENT RETENTION AND SUCCESS by Andrew H. Peterson Has been approved November 2018 APPROVED: Jonathan Truitt, PhD Committee Chair David Simkins, PhD Committee Member Paul Wright, PhD Committee Member Dissertation Committee ACCEPTED: Roberta C. Teahen, PhD, Director Community College Leadership Program ABSTRACT This dissertation documents the justification, creation, and refinement of a traditional board game to be used in first-year experience (freshman seminar) courses. The board game enRolled allows students to play college in a guided classroom environment. The game creates a low-stakes environment for students to be able to fail at college without risking time and money. Further, it is designed to give students a relatable topic to debate. By having a common experience, students can distance themselves from what their expectations of college are and deliberate on the tangible game they have played. The discussions that stem from this play and the modification of the game elements are designed to help the students take ownership over the experience. Having a game experience to discuss allows a student to objectively analyze their player’s path through the academic setting and debate realistic and perceived unrealistic challenges. Through these discussions, it is possible for students to engage with content while having little to no firsthand knowledge. It is the hope of this author that the creation of enRolled leads to a more engaging curriculum in first-year experience courses.
    [Show full text]
  • Inhabiting Literary Beijing on the Eve of the Manchu Conquest
    THE UNIVERSITY OF CHICAGO CITY ON EDGE: INHABITING LITERARY BEIJING ON THE EVE OF THE MANCHU CONQUEST A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF EAST ASIAN LANGUAGES AND CIVILIZATIONS BY NAIXI FENG CHICAGO, ILLINOIS DECEMBER 2019 TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS .............................................................................................................v ABSTRACT ................................................................................................................................. viii 1 A SKETCH OF THE NORTHERN CAPITAL...................................................................1 1.1 The Book ........................................................................................................................4 1.2 The Methodology .........................................................................................................25 1.3 The Structure ................................................................................................................36 2 THE HAUNTED FRONTIER: COMMEMORATING DEATH IN THE ACCOUNTS OF THE STRANGE .................39 2.1 The Nunnery in Honor of the ImperiaL Sister ..............................................................41 2.2 Ant Mounds, a Speaking SkulL, and the Southern ImperiaL Park ................................50
    [Show full text]
  • Palace Hotel Tokyo Celebrates Japan's New Year Traditions
    Palace Hotel Tokyo Celebrates Japan’s New Year Traditions Tea ceremonies and kendama, soba noodles and shishi-mai, music, magic and games round out festive pursuits TOKYO (24 September 2013) – Across the moat from Japan’s tranquil Imperial Palace gardens, the city's most lauded, new luxury hotel is abuzz with preparations for a New Year celebration that’s equal parts tradition, sophistication and fun. As Japan marks one of its most symbolic and meaningful holidays, Palace Hotel Tokyo hopes to immerse travellers in one of the world’s most refined cultures by synthesizing time-honoured ceremonies, renowned arts and distinctive experiences under one roof in the heart of the capital. Essential culinary customs and their origins - such as eating toshikoshi soba noodles and feasting on osechi-ryori (foods specially prepared for the holiday) - will be presented by the hotel’s expert Japanese chefs, while a skilled iwai-gumi will be on hand to demonstrate the tradition of mochi - making. Travellers staying in the hotel will also have the opportunity to observe and participate in hatsugama , the first tea ceremony of the new year and a ritual that is, perhaps, the most emblematic expression of Japanese hospitality. With more than half of its rooms featuring open balconies and terraces, the hotel offers an ideal vantage point from which to contemplate views of Tokyo’s lush Imperial Palace gardens and observe the crowds that gather to cheer the annual appearance of Japan’s Imperial family on 2 January. Throughout the three-day period between 31 December and 2 January known as oshogatsu , traditionally dressed musicians in the hotel lobby will strum holiday tunes on the koto , a classic Japanese instrument that dates back to the 8th century.
    [Show full text]
  • Arts in the Wind: JICC Kite Collection List and Supplementary Descriptions 2017 6/12-8/18
    Arts in the Wind: JICC Kite Collection List and Supplementary Descriptions 2017 6/12-8/18 Goryokaku: 1 This kite, designed by Hikozo Ohta, originates in Hakodate, Hokkaido and depicts Fort Goryokaku, where loyalists to the Shogunate staged their final resistance when the Meiji Restoration returned power to the Emperor. Today, the remains of the fort, in what is now known as Goryokaku Park, are a special Historical Site and popular cherry blossom viewing spot. Noshiro kite: 2, 3, 8 This type of kite originated in Noshiro, Akita Prefecture. It is unique in that the frame has no diagonal pieces and no bottom. Daruma: 7, 16, 39, 49 Bodhidharma, a Zen Buddhist mystic from the 5th or 6th century, is known as Daruma in Japan. The Daruma doll (left) is used to achieve an important goal. Upon undertaking a task, one eye is filled. The other eye is filled only when the goal is achieved. In one legend, he is said to have sat facing a wall in a cave near the Shaolin Monastery for nine years, neither moving nor speaking, as his legs atrophied. This is why the Daruma doll commonly seen in Japan has neither arms nor legs. “Rashomon”: 11, 69 “Rashomon” is a Noh story which contains a depiction of the battle between a samurai and an oni at Rashomon. The samurai here is Watanabe no Tsuna, who is one of the four champions of Minamoto no Yorimitsu - a revered samurai lord of the Minamoto Clan from the Heian period (794 - 1185.) Kintoro/Sakata Kintoki: 21, 33 Contemporary to Watanabe no Tsuna, this legendary figure was also one of the four champions of Minamoto no Yorimitsu.
    [Show full text]
  • COX-DISSERTATION-2018.Pdf (5.765Mb)
    Copyright Copyright by Benjamin Davis Cox 2018 Signature Page The Dissertation Committee for Benjamin Davis Cox certifies that this is the approved version of the following dissertation: Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan Committee: ____________________________________ John W. Traphagan, Supervisor ____________________________________ A. Azfar Moin ____________________________________ Oliver Freiberger ____________________________________ Kirsten Cather Title Page Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan by Benjamin Davis Cox Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2018 Dedication For my mother, who tirelessly read all of my blasphemies, but corrected only my grammar. BB&tt. Acknowledgments Fulbright, CHLA This research was made possible by the Fulbright-Hays Doctoral Dissertation Fellowship, a Hannah Beiter Graduate Student Research Grant from the Children’s Literature Association, and a grant from the Mitsubishi Heavy Industries Endowment in the College of Liberal Arts, University of Texas at Austin. I would additionally like to thank Waseda University for sponsoring my research visa, and in particular Glenda Roberts for helping secure my affiliation. Thank you to the members of my committee—John Traphagan, Azfar Moin, Oliver Freiberger, and Kirsten Cather—for their years of support and intellectual engagement, and to my ‘grand-advisor’ Keith Brown, whose lifetime of work in Mizusawa opened many doors to me that would otherwise have remained firmly but politely shut. I am deeply indebted to the people of Mizusawa for their warmth, kindness, and forbearance.
    [Show full text]
  • Festival Brochure
    The Festival on One Page Check for updates in each day’s festival newsletter and listen for late-breaking announcements in the gym. tuesday Registration & IJA Table Open (Gym)............................................................................... 9am - 4pm Open Juggling (Gym)................................................................................................................... All Day Workshops (See Workshop Schedule).......................................................................... 10am - 5pm Special Workshop, Stefan Sing............................................................................................ 1pm - 3pm -3-*8):-:0-6>-5-A:$06="8-9-5:):165)33............................................................... 7pm 18- 1/0: 68:0"):16.................................................................................... dusk till about 11pm wednesday 6//315/0)4716590179605)890)33$%8)+2....................................................... 8am - 12pm Open Juggling (Gym)................................................................................................................... All Day Registration & IJA Table Open (Gym)............................................................................... 9am - 4pm Workshops (See Workshop Schedule).......................................................................... 10am - 5pm North American Kendama Open (Auditorium)........................................................ 11am - 12pm Special Workshop, Stefan Sing...........................................................................................
    [Show full text]
  • The Hanging-Doll Decorations of Izu Inatori ---Parents’ Never-Changing Love for Their Children
    The Hanging-Doll Decorations of Izu Inatori ---Parents’ never-changing love for their children--- On the occasion of the Hina Matsuri (Doll Festival), which is also known as the Momo no Sekku (Peach Festival), households with girls display cute little hanging dolls on both sides of the standard tiered platform of hina dolls. Each of these warm, colorful decorations is about the size of an infant’s hand. These days the custom can be seen throughout Japan, but its birthplace is Inatori (Higashi-Izu Town, Kamo- gun, Shizuoka Prefecture), located in the southeast of the Izu Peninsula. I visited this scenic port town to see this representative handicraft of Izu Peninsula. Giving shape to prayers Hanging-doll decorations are a custom dating from the late Edo period (1603–1868) that is unique to Izu Inatori. Mothers and grandmothers would make dolls by hand, one by one, as prayers for the sound health and luck in encountering good marriage partners of girls greeting their first Doll Festival (on March 3). Previously the custom was to display these hanging dolls on both sides of the tiered platform of hina dolls, but these days, because of the lack of space in apartments and other dwellings, an increasing IHCSA Café International Hospitality and Conference Service Association (IHCSA) number of families just celebrate the festival with the hanging dolls. And many families now decorate the indoor entrances and living rooms with hanging dolls not only at the time of the Doll Festival but throughout the year, as kind of Japanese-style mobiles, so hanging dolls have become a colorful part of everyday life.
    [Show full text]
  • Siteswap Ben's Guide to Juggling Patterns
    Siteswap Ben’s Benjamin Beever ([email protected]) AD2000 Writings on juggling, for: 1) Jugglers 2) Mathematicians 3) Other curious people ABOUT THE BOOK The scientific understanding of ‘air-juggling’ has improved dramatically over the last 2 decades. This book aims to bring the reader right up to the forefront of current knowledge (or pretty close anyway). There are 3 kinds of people who might be reading this (see cover). As far as possible, I wanted to cater for everyone in the same book. Maybe this would help jugglers to appreciate maths, mathematicians to get into juggling, or even non-juggling, non-mathematicians to develop a favourable perception of the juggling game. In order to fulfil this ambition, I have indicated which parts of the text are aimed at a specific kind of reader. Different fonts have been used to indicate the main intended audience. Everyone (with many exceptions) should be able to understand most of the writings for the curious. However, non-jugglers may not be able to envisage the patterns discussed in the jugglers text, and non-mathematicians may find some of the concepts in the technical sections hard to get their grey matter around. I must point out however, that juggling is a fairly complicated business. It can be very hard to understand what’s going on in a juggling pattern when it’s being juggled in front of you, and it’s not always easy to understand on paper. This book introduces ‘Generalised siteswap’ (GS) notation, and shows how most air-juggling patterns can be formalised within the GS framework.
    [Show full text]