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[Japan] SALA GIOCHI ARCADE 1000 Miglia
SCHEDA NEW PLATINUM PI4 EDITION La seguente lista elenca la maggior parte dei titoli emulati dalla scheda NEW PLATINUM Pi4 (20.000). - I giochi per computer (Amiga, Commodore, Pc, etc) richiedono una tastiera per computer e talvolta un mouse USB da collegare alla console (in quanto tali sistemi funzionavano con mouse e tastiera). - I giochi che richiedono spinner (es. Arkanoid), volanti (giochi di corse), pistole (es. Duck Hunt) potrebbero non essere controllabili con joystick, ma richiedono periferiche ad hoc, al momento non configurabili. - I giochi che richiedono controller analogici (Playstation, Nintendo 64, etc etc) potrebbero non essere controllabili con plance a levetta singola, ma richiedono, appunto, un joypad con analogici (venduto separatamente). - Questo elenco è relativo alla scheda NEW PLATINUM EDITION basata su Raspberry Pi4. - Gli emulatori di sistemi 3D (Playstation, Nintendo64, Dreamcast) e PC (Amiga, Commodore) sono presenti SOLO nella NEW PLATINUM Pi4 e non sulle versioni Pi3 Plus e Gold. - Gli emulatori Atomiswave, Sega Naomi (Virtua Tennis, Virtua Striker, etc.) sono presenti SOLO nelle schede Pi4. - La versione PLUS Pi3B+ emula solo 550 titoli ARCADE, generati casualmente al momento dell'acquisto e non modificabile. Ultimo aggiornamento 2 Settembre 2020 NOME GIOCO EMULATORE 005 SALA GIOCHI ARCADE 1 On 1 Government [Japan] SALA GIOCHI ARCADE 1000 Miglia: Great 1000 Miles Rally SALA GIOCHI ARCADE 10-Yard Fight SALA GIOCHI ARCADE 18 Holes Pro Golf SALA GIOCHI ARCADE 1941: Counter Attack SALA GIOCHI ARCADE 1942 SALA GIOCHI ARCADE 1943 Kai: Midway Kaisen SALA GIOCHI ARCADE 1943: The Battle of Midway [Europe] SALA GIOCHI ARCADE 1944 : The Loop Master [USA] SALA GIOCHI ARCADE 1945k III SALA GIOCHI ARCADE 19XX : The War Against Destiny [USA] SALA GIOCHI ARCADE 2 On 2 Open Ice Challenge SALA GIOCHI ARCADE 4-D Warriors SALA GIOCHI ARCADE 64th. -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
May 2020 1(4)
What’s in this issue Welcome Message Eye on Japan Tokyo Days – report by Nadine Willems Piece of Japan Upcoming Events General Links Editor: Oliver Moxham, CJS Project Coordinator CJS Director: Professor Simon Kaner Contact Us Header photo by editor Welcome Message CJS ニュースレターへようこそ! Welcome to the first May edition of the CJS e-newsletter. This week we are happy to bring you positive news from Japan on handling of the pandemic as infection rates continue to slow after a thankfully quiet Golden Week and the government finally accepts that the virus may not simply disappear by the end of May. We have inspiring stories of human kindness in Japan to keep spirits up, a brand new article from Nadine Willems on the trials of acquiring masks in lockdown Tokyo and a raft of cultural goodies on the theme of humanity versus nature in our Piece of Japan segment. You can find a message from CJS Director Professor Simon Kaner on the Sainsbury Institute for the Study of Japanese Arts and Cultures website and hear more from our SISJAC colleagues on their monthly e-bulletin. We hope you enjoy reading and as ever look forward to hearing from you on what you would like to see in future issues. Written by Oliver Moxham, CJS Project Coordinator and editor Editor’s note: Japanese names are given in the Japanese form of family name first i.e. Matsumoto Mariko Eye on Japan: Quiet Golden Week|Flattening the Curve|Castles in the Spotlight 日本の最新情報 As Golden Week passes by with World Heritage Sites on high alert for daring sightseers, it would seem that most heeded the calls to at least not travel, if not stay indoors. -
Roll with Your Heart: We Love Daruma Brand and Website Launch
March 1, 2009 Roll with Your Heart: We Love Daruma Brand and Website Launch MarchForth International Ltd. Summary MarchForth International Ltd. is proud to announce the launch of the ‘We Love Daruma’ brand and complementary website ( www.welovedaruma.com ) on March 1, 2009. MarchForth International Ltd. is proud to announce the launch of the ‘We Love Daruma’ brand and complementary website ( www.welovedaruma.com ) on March 1, 2009. Daruma is a guardian of our hopes, dreams, and wishes. As he focuses on your goal, Daruma’s eye never blinks. He reminds us not to, either. Dear to the hearts of the Japanese people, Daruma reflects their determined spirit and peaceful outlook on life. Daruma’s Zen roots go back 1500 years, to Bodhidharma, founder of Zen Buddhism. The traditional Daruma doll represents the silhouette of Bodhidharma in deep meditation. Today, Daruma dolls are exchanged as gifts to mark occasions of all kinds, and millions keep a Daruma on hand for its motivational power and as a symbol of love and hope. While the Daruma tradition is deep-rooted in Japan, it is still not well-known outside of it. We created the We Love Daruma brand and website to spread Daruma’s optimistic and inspiring energy around the world. The timing, we feel, could not be more pertinent. Daruma’s positive force is just as valuable in good times as in difficult ones, but our current economic climate has made the need to focus our energies all the more essential. The tools of success are within all of us, but as we go about our hectic lives, we could all use a little encouragement and support. -
My 60 Years with the Akita-Inu"
[Translator Mitsko Suzaki's Comments:] [I have decided to start introducing the series in Aiken Journal by Mr. Shinkichi Kurimori under the title of "My 60 Years With The Akita-Inu". Mr. Kurimori has passed away on April 15, 1974 (?) at the age of 81. At the time of his passing, Aiken Journal still had portions of his articles to last 6 more monthly series. We can assume the series was written by a person who saw first hand what took place and dipped himself entirely in the history of Akita- inu! Out of 66 total pages, the following is the break-down by the subject: Page 1 - 12 .....History 13 - 21.....Postwar Akitas/transition from the past 22 - 24 ....Legacy of Goromaru-go 25 - 33 .....Trainability, unique ability, performance 34 - 37.....diet 38 - 39.....(missing pages) 40 - 42.....optimum maintenance/exercise 43 - 45.....Formation of Akiho Osaka Branch 46 - 48.....Ideal environment/judging criteria 49 - 51.....texture of coat/breeding 52 - 54.....breeding, gestation, whelping 55 - 58.....origin of Akita/purity 59 -60.....what is behind the recorded pedigree 61 - 63.....the story of mystical white dogs 64 - 65.....Odate, dog town. I will try to follow the outline as accurately as I can from the original text, and it is in no way the direct word- to-word translation, but the introduction of main subject in each section.] My 60 Years With The Akita Inu History: The articles by the late Dr.Shozaburo Watase and a few other scholars are the only source of documented history of Japanese dogs, and personally I chose Dr.Watase's thesis as the most reliable study on the subject. -
251St Edition November 2014
251st Edition November 2014 たかさきしこくさいこうりゅうきょうかい Takasaki International Relations Society 高崎市国際交流協会 TAKASAKI CITY Core City Takasaki City: Population: 375, 240 Area: 459.41 km² Registered Foreign Residents: There are 4,035 foreign residents from around 60 different countries residing in Takasaki City from China, Philippines, the Koreas etc… (as at 30th Sept 2014) =Information from the TIRS= walk along the hill’s nature trails, or enjoy a coffee Dance of the World with a view. Date: Saturday 29th November, 1:30pm-4pm Dokutsu Kannon & Tokumei-en Gardens (mid-late Place : Takasaki University of Economics Nov) Address : Ishihara-machi 2857 (Kaminamie-machi 1300), Mitsuogi Kaikan. Tokumei-en is one of the most spectacular Japa- Details : Foreign guests will perform their dance fol- nese gardens in the northern Kanto area. Enjoy a lowed by a mini lesson for participants. Light re- stroll or a rest in the gardens. Enter the cave to see freshments will be served. 33 kinds of statue of the Goddess of Mercy in an Dances : Salsa and dances from Sri Lanka and amazing 400m long tunnel. There’s a small, quirky Cameroon. manga museum too. Cost: ¥1000 per person Entrance: ¥800 yen (adults), ¥400 yen (children). Sign up : Call the TIRS office (details at bottom) Shorinzan Daruma Temple (late Nov-early Dec) from 10am on Wednesday 29th October (first 50 The home of Takasaki’s famous Daruma Doll, the people only). temple grounds are adorned with gorgeous au- tumn foliage as red as the Darumas themselves. Haruna Shrine (mid Oct-early Nov) Gunma Bar Association Legal Counseling Beautiful all year round, it’s not surprising Haruna Date: Sunday 16th November 2014, 1pm-5pm Shrine is also spectacular in the fall. -
The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’S Subjugation of Silla
Japanese Journal of Religious Studies 1993 20/2-3 The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’s Subjugation of Silla Akima Toshio In prewar Japan, the mythical tale of Empress Jingii’s 神功皇后 conquest of the Korean kingdoms comprised an important part of elementary school history education, and was utilized to justify Japan5s coloniza tion of Korea. After the war the same story came to be interpreted by some Japanese historians—most prominently Egami Namio— as proof or the exact opposite, namely, as evidence of a conquest of Japan by a people of nomadic origin who came from Korea. This theory, known as the horse-rider theory, has found more than a few enthusiastic sup porters amone Korean historians and the Japanese reading public, as well as some Western scholars. There are also several Japanese spe cialists in Japanese history and Japan-Korea relations who have been influenced by the theory, although most have not accepted the idea (Egami himself started as a specialist in the history of northeast Asia).1 * The first draft of this essay was written during my fellowship with the International Research Center for Japanese Studies, and was read in a seminar organized by the institu tion on 31 January 199丄. 1 am indebted to all researchers at the center who participated in the seminar for their many valuable suggestions. I would also like to express my gratitude to Umehara Takeshi, the director general of the center, and Nakanism Susumu, also of the center, who made my research there possible. -
Momotaro (The Peach Boy) and the Spirit of Japan: Concerning the Function of a Fairy Tale in Japanese Nationalism of the Early Showa Age*
Klaus Antoni Universitdt Hamburg Momotaro (The Peach Boy) and the Spirit of Japan: Concerning the Function of a Fairy Tale in Japanese Nationalism of the Early Showa Age* Abstract This article is concerned with a famous Japanese fairy tale, Momotaro, which was used during the war years in school readers as a primary part of nationalistic pro paganda. The tale and its central motif are analyzed and traced back through history to its earliest forms. Heroes from legend and history offered perfect identification patterns and images for the propagation of state ideals that were spread through education, the military, and war propaganda. Momotaro subtly- transmitted to young school pupils that which official Japan looked upon as the goal of its ideological education: through a fairy tale the gate to the “ Japanese spirit ” was opened. Key words: Momotaro — Japanese spirit — war propaganda Ryukyu Islands Asian Folklore Studies> Volume 50,1991:155-188. N a t io n a l is m a n d F o l k T r a d it io n in M o d e r n J a p a n F oundations of Japanese N ationalism APAN is a land rich in myths, legends, and fairy tales. It pos sesses a large store of traditional oral and literary folk literature, J which has not been accounted for or even recognized in the West. The very earliest traditional written historical documents contain narratives, themes, and motifs that express this rich tradition. Even though the Kojiki of the year 712, the oldest extant written source, was conceived of as a historical work at the time, it is a collection of pure myths, or at least the beginning portions are. -
Masaki Kobayashi: KWAIDAN (1965, 183M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
March 10, 2020 (XL:10) Masaki Kobayashi: KWAIDAN (1965, 183m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Directed by Masaki Kobayashi Writing Credits Yôko Mizuki (screenplay), Lafcadio Hearn (novel) (as Yakumo Koizumi) Produced by Takeshi Aikawa, Shigeru Wakatsuki Music by Tôru Takemitsu Cinematography by Yoshio Miyajima Film Editing by Hisashi Sagara The film won the Jury Special Prize and was nominated for the Palme d’Or at the 1965 Cannes Film Festival and was nominated for an Oscar for Best Foreign Language Film at the 1966 Academy Awards. CAST for the Palme d'Or at Cannes, and Samurai Rebellion “The Black Hair” (1967), and Kwaidan (1964), for which he, once again, Michiyo Aratama…First wife both won the Jury Special Prize and was nominated for the Misako Watanabe…Second Wife Palme d’Or. He was also nominated for the Palm d’Or for Rentarō Mikuni…Husband Nihon no seishun (1968). He also directed: Youth of the Son (1952), Sincerity (1953), Three Loves* (1954), “The Woman of the Snow” Somewhere Under the Broad Sky (1954), Beautiful Days Tatsuya Nakadai…Minokichi (1955), Fountainhead (1956), The Thick-Walled Room Jun Hamamura…Minokichi’s friend (1956), I Will Buy You (1956), Black River (1957), The *Keiko Kishi…the Yuki-Onna Inheritance (1962), Inn of Evil (1971), The Fossil (1974), Moeru aki (1979), Tokyo Trial* (Documentary) (1983), “Hoichi” and Shokutaku no nai ie* (1985). -
The Jomon Clay Figurines of the Kaminabe Site, Kyushu, Japan By
The Jomon Clay Figurines of the Kaminabe Site, Kyushu, Japan by Minako Togawa Department of Anthropology McGill University, Montreal June 2003 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts © Minako Togawa 2003 InoGi!' Ur-v Bi \ * / ^f V ABSTRACT This study considers the phenomenon of the sudden and brief appearance of clay figurines in west-central Kyushu towards the end of the Jomon Period (13,000-2,300 C years BP). The baked clay figurines representing humans were made throughout the Jomon Period, but mostly in central and northern Honshu. Following a review of previous interpretations of the Jomon clay figurines in general, the study focuses on the case of the numerous figurines recovered at the Kaminabe (ca. 2,800 14C years BP) site in Kyushu. Data on lithic assemblages and plant remains at Kaminabe and the sites in the surrounding area during the period under consideration indicate that small-scale cultivation was being practiced in the region. It is suggested here that the Kaminabe figurines represent the females who played important role in production of plant resources. 11 RESUME Cette etude examine le phenomene de la soudaine et breve apparition de figurines d'argile dans le centre sud de Kyushu vers la fin de l'epoque Jomon (13,000-2,300 l4C annees BP). Des figurines de terre cuite representant des humains ont ete fabriquees tout au long de la periode Jomon, mais essentiellement dans le centre et le nord de Honshu. Apres avoir passe en revue les interpretations precedentes concernant ces figurines, cette etude se penche sur le cas des nombreuses figurines trouvees a Kaminabe (ca. -
2 Les Dragons De Natsukawa
CONCOURS CREATION 2020 THEME : Le confinement EXPRESSION LITTERAIRE Catégorie Adulte (+19ans) 2ème Prix [email protected] UFE ABU DHABI www.ufeabudhabi.com FREDERIC DUMASLes dragons de NatsukawaLES DRAGONS DE NATSUKAWA La Victoire c’est tomber sept fois, se relever huit… Proverbe japonais FREDERIC DUMAS LES DRAGONS DE NATSUKAWA Tokyo 30ème jour du confinement… Ça y est ! Je ne suis plus seule. Je ne pensais pas que ma façon de vivre, ma philosophie, pourrait irradier le monde aussi vite. Bon apparemment j’y suis pour rien et c’était pas vraiment voulu… C’est un virus qui a tout déclenché… un coronavirus… un abominable avorton acaryote, tout droit sorti d’un sordide marché putride, mêlant des animaux improbables tels que chauves-souris, pangolins et rats- musqués. Et voilà ! Tout le monde se confine… Les gens ont peur… moi j’avais déjà peur avant… Il faut dire que j’ai peur de presque tout… des gens surtout… je suis ochlophobe… pour moi la foule ça commence à deux… les grands espaces ne me font peur que parce que quelqu’un peut surgir… Alors j’évite, j’esquive, j’avorte, j’annihile toute possibilité d’une relation physique avant même qu’elle n’ait eu une chance de germer dans le monde des possibles. Mon monde c’est ma chambre, mon univers c’est mon ordinateur, mes dieux sont Osamu Tezuka et Satoshi Nakamoto et mon meilleur ami le distributeur automatique de soda en bas de mon immeuble… Je m’appelle Natsukawa Fujiwara, j’habite dans le quartier Hakihabara à Tokyo, j’ai vingt-cinq ans et je suis une hikikomori… Aujourd’hui c’est le 30eme jour de confinement pour toute la population. -
Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective.