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Oi Duck-Billed Platypus! This July! Text © Kes Gray, 2018
JULY 2019 EDITION Featuring buyer’s recommends and new titles in books, DVD & Blu-ray Cats sit on gnats, dogs sit on logs, and duck-billed platypuses sit on …? Find out in the hilarious Oi Duck-billed Platypus! this July! Text © Kes Gray, 2018. Illustrations © Jim Field, 2018. Gray, © Kes Text NEW for 2019 Oi Duck-billed Platypus! 9781444937336 PB | £6.99 Platypus Sales Brochure Cover v5.indd 1 19/03/2019 09:31 P. 11 Adult Titles P. 133 Children’s Titles P. 180 Entertainment Releases THIS PUBLICATION IS ALSO AVAILABLE DIGITALLY VIA OUR WEBSITE AT WWW.GARDNERS.COM “You need to read this book, Smarty’s a legend” Arthur Smith A Hitch in Time Andy Smart Andy Smart’s early adventures are a series of jaw-dropping ISBN: 978-0-7495-8189-3 feats and bizarre situations from RRP: £9.99 which, amazingly, he emerged Format: PB Pub date: 25 July 2019 unscathed. WELCOME JULY 2019 3 FRONT COVER Oi Duck-billed Platypus! by Kes Gray Age 1 to 5. A brilliantly funny, rhyming read-aloud picture book - jam-packed with animals and silliness, from the bestselling, multi-award-winning creators of ‘Oi Frog!’ Oi! Where are duck-billed platypuses meant to sit? And kookaburras and hippopotamuses and all the other animals with impossible-to-rhyme- with names... Over to you Frog! The laughter never ends with Oi Frog and Friends. Illustrated by Jim Field. 9781444937336 | Hachette Children’s | PB | £6.99 GARDNERS PUBLICATIONS ALSO INSIDE PAGE 4 Buyer’s Recommends PAGE 8 Recall List PAGE 11 Gardners Independent Booksellers Affiliate July Adult’s Key New Titles Programme publication includes a monthly selection of titles chosen specifically for PAGE 115 independent booksellers by our affiliate July Adult’s New Titles publishers. -
A Brief Summary of Japanese-Ainu Relations and the Depiction of The
The road from Ainu barbarian to Japanese primitive: A brief summary of Japanese-ainu relations in a historical perspective Noémi GODEFROY Centre d’Etudes Japonaises (CEJ) “Populations Japonaises” Research Group Proceedings from the 3rd Consortium for Asian and African Studies (CAAS) “Making a difference: representing/constructing the other in Asian/African Media, Cinema and languages”, 16-18 February 2012, published by OFIAS at the Tokyo University of Foreign Studies, p.201-212 Edward Saïd, in his ground-breaking work Orientalism, underlines that to represent the “Other” is to manipulate him. This has been an instrument of submission towards Asia during the age of European expansion, but the use of such a process is not confined to European domination. For centuries, the relationship between Japan and its northern neighbors, the Ainu, is based on economical domination and dependency. In this regard, the Ainu’s foreignness, impurity and “barbaric appearance” - their qualities as inferior “Others” - are emphasized in descriptive texts or by the regular staging of such diplomatic practices as “barbarian audiences”, thus highlighting the Japanese cultural and territorial superiority. But from 1868, the construction of the Meiji nation-state requires the assimilation and acculturation of the Ainu people. As Japan undergoes what Fukuzawa Yukichi refers to as the “opening to civilization” (文明開化 bunmei kaika) by learning from the West, it also plays the role of the civilizer towards the Ainu. The historical case study of the relationship between Japanese and Ainu from up to Meiji highlights the evolution of Japan’s own self-image and identity, from an emerging state, subduing barbarians, to newly unified state - whose ultramarine relations are inspired by a Chinese-inspired ethnocentrism and rejection of outside influence- during the Edo period, and finally to an aspiring nation-state, seeking to assert itself while avoiding colonization at Meiji. -
Graphic No Vels & Comics
GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse. -
My 60 Years with the Akita-Inu"
[Translator Mitsko Suzaki's Comments:] [I have decided to start introducing the series in Aiken Journal by Mr. Shinkichi Kurimori under the title of "My 60 Years With The Akita-Inu". Mr. Kurimori has passed away on April 15, 1974 (?) at the age of 81. At the time of his passing, Aiken Journal still had portions of his articles to last 6 more monthly series. We can assume the series was written by a person who saw first hand what took place and dipped himself entirely in the history of Akita- inu! Out of 66 total pages, the following is the break-down by the subject: Page 1 - 12 .....History 13 - 21.....Postwar Akitas/transition from the past 22 - 24 ....Legacy of Goromaru-go 25 - 33 .....Trainability, unique ability, performance 34 - 37.....diet 38 - 39.....(missing pages) 40 - 42.....optimum maintenance/exercise 43 - 45.....Formation of Akiho Osaka Branch 46 - 48.....Ideal environment/judging criteria 49 - 51.....texture of coat/breeding 52 - 54.....breeding, gestation, whelping 55 - 58.....origin of Akita/purity 59 -60.....what is behind the recorded pedigree 61 - 63.....the story of mystical white dogs 64 - 65.....Odate, dog town. I will try to follow the outline as accurately as I can from the original text, and it is in no way the direct word- to-word translation, but the introduction of main subject in each section.] My 60 Years With The Akita Inu History: The articles by the late Dr.Shozaburo Watase and a few other scholars are the only source of documented history of Japanese dogs, and personally I chose Dr.Watase's thesis as the most reliable study on the subject. -
The Jomon Clay Figurines of the Kaminabe Site, Kyushu, Japan By
The Jomon Clay Figurines of the Kaminabe Site, Kyushu, Japan by Minako Togawa Department of Anthropology McGill University, Montreal June 2003 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts © Minako Togawa 2003 InoGi!' Ur-v Bi \ * / ^f V ABSTRACT This study considers the phenomenon of the sudden and brief appearance of clay figurines in west-central Kyushu towards the end of the Jomon Period (13,000-2,300 C years BP). The baked clay figurines representing humans were made throughout the Jomon Period, but mostly in central and northern Honshu. Following a review of previous interpretations of the Jomon clay figurines in general, the study focuses on the case of the numerous figurines recovered at the Kaminabe (ca. 2,800 14C years BP) site in Kyushu. Data on lithic assemblages and plant remains at Kaminabe and the sites in the surrounding area during the period under consideration indicate that small-scale cultivation was being practiced in the region. It is suggested here that the Kaminabe figurines represent the females who played important role in production of plant resources. 11 RESUME Cette etude examine le phenomene de la soudaine et breve apparition de figurines d'argile dans le centre sud de Kyushu vers la fin de l'epoque Jomon (13,000-2,300 l4C annees BP). Des figurines de terre cuite representant des humains ont ete fabriquees tout au long de la periode Jomon, mais essentiellement dans le centre et le nord de Honshu. Apres avoir passe en revue les interpretations precedentes concernant ces figurines, cette etude se penche sur le cas des nombreuses figurines trouvees a Kaminabe (ca. -
Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Fall 1-7-2020 Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities Jeffrey Braytenbah Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Asian History Commons, and the Asian Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Braytenbah, Jeffrey, "Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the ashioningF of Ainu/Japanese Colonial Identities" (2020). Dissertations and Theses. Paper 5356. https://doi.org/10.15760/etd.7229 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities by Jeff Braytenbah A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Thesis Committee: Kenneth J. Ruoff, Chair Laura Robson Jennifer Tappan Portland State University 2019 © 2019 Jeff Braytenbah Abstract Japan’s colonial activities on the island of Hokkaido were instrumental to the creation of modern Japanese national identity. Within this construction, the indigenous Ainu people came to be seen in dialectical opposition to the 'modern' and 'civilized' identity that Japanese colonial actors fashioned for themselves. This process was articulated through travel literature, ethnographic portraiture, and discourse in scientific racism which racialized perceived divisions between the Ainu and Japanese and contributed to the unmaking of the Ainu homeland: Ainu Mosir. -
The Moon Bear As a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan
Catherine Knight Independent Scholar The Moon Bear as a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan The Asiatic black bear, or “moon bear,” has inhabited Japan since pre- historic times, and is the largest animal to have roamed Honshū, Shikoku, and Kyūshū since mega-fauna became extinct on the Japanese archipelago after the last glacial period. Even so, it features only rarely in the folklore, literature, and arts of Japan’s mainstream culture. Its relative invisibility in the dominant lowland agrarian-based culture of Japan contrasts markedly with its cultural significance in many upland regions where subsistence lifestyles based on hunting, gathering, and beliefs centered on the mountain deity (yama no kami) have persisted until recently. This article explores the significance of the bear in the upland regions of Japan, particularly as it is manifested in the folklore of communities centered on hunting, such as those of the matagi, and attempts to explain why the bear, and folklore focused on the bear, is largely ignored in mainstream Japanese culture. keywords: Tsukinowaguma—moon bear—matagi hunters—yama no kami—upland communities—folklore Asian Ethnology Volume 67, Number 1 • 2008, 79–101 © Nanzan Institute for Religion and Culture nimals are common motifs in Japanese folklore and folk religion. Of the Amammals, there is a wealth of folklore concerning the fox, raccoon dog (tanuki), and wolf, for example. The fox is regarded as sacred, and is inextricably associated with inari, originally one of the deities of cereals and a central deity in Japanese folk religion. It has therefore become closely connected with rice agri- culture and thus is an animal symbol central to Japan’s agrarian culture. -
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Origins of the Japanese Languages. a Multidisciplinary Approach”
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master’s Thesis “Origins of the Japanese languages. A multidisciplinary approach” verfasst von / submitted by Patrick Elmer, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2019 / Vienna 2019 Studienkennzahl lt. Studienblatt / A 066 843 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Japanologie UG2002 degree programme as it appears on the student record sheet: Betreut von / Supervisor: Mag. Dr. Bernhard Seidl Mitbetreut von / Co-Supervisor: Dr. Bernhard Scheid Table of contents List of figures .......................................................................................................................... v List of tables ........................................................................................................................... v Note to the reader..................................................................................................................vi Abbreviations ....................................................................................................................... vii 1. Introduction ................................................................................................................. 1 1.1. Research question ................................................................................................. 1 1.2. Methodology ........................................................................................................ -
An Ethnographic Study of Tattooing in Downtown Tokyo
一橋大学審査学位論文 Doctoral Dissertation NEEDLING BETWEEN SOCIAL SKIN AND LIVED EXPERIENCE: AN ETHNOGRAPHIC STUDY OF TATTOOING IN DOWNTOWN TOKYO McLAREN, Hayley Graduate School of Social Sciences Hitotsubashi University SD091024 社会的皮膚と生きられた経験の間に針を刺す - 東京の下町における彫り物の民族誌的研究- ヘィリー・マクラーレン 一橋大学審査学位論文 博士論文 一橋大学大学院社会学研究科博士後期課程 i CONTENTS CONTENTS ................................................................................................................................... I ACKNOWLEDGEMENTS ........................................................................................................ III NOTES ........................................................................................................................................ IV Notes on Language .......................................................................................................... iv Notes on Names .............................................................................................................. iv Notes on Textuality ......................................................................................................... iv Notes on Terminology ..................................................................................................... iv LIST OF FIGURES ..................................................................................................................... VI LIST OF WORDS .................................................................................................................... VIII INTRODUCTION ........................................................................................................................ -
The Representation of Ainu Culture in the Japanese
Ainu Culture in the Japanese Museum System 331 THE REPRESENTAAATION OF AINU CULTURE IN THE JAPANESE MUSEUM SYSTEM Naohiro Nakamura Department of Geography, Queen’s University Mackintosh-Corry Hall, D308 Kingston Ontario Canada, K7L 3N6 [email protected] Abstract / Résumé Ainu culture was once considered to be useless or represented as the relic of the past. In the 1990s, however, there were some events regard- ing Ainu cultural promotion and they increased opportunities for the wider society to become aware of the Ainu. Despite these events, there are conflicts over the way the Ainu are represented culturally. The lack of contemporary culture from permanent exhibitions is another problem. This article reviews Ainu cultural representation in the Japanese mu- seum system and discusses what the conflicts are, why the lack of con- temporary culture is a problem, and why this problem remains unsolved. La culture des Aïnous a déjà été considérée inutile ou représentée comme une relique du passé. Toutefois, dans les années 1990, on a organisé des événements de promotion de la culture ainoue qui ont accru les possibilités de sensibilisation de l’ensemble de la société aux Aïnous. Malgré ces événements, la représentation culturelle des Aïnous fait l’objet de conflits. Le manque de représentations culturelles contemporaines dans les expositions permanentes est également un problème. L’article traite de la représentation culturelle des Aïnous dans le système muséal japonais et présente les conflits en cours en expliquant pourquoi le manque de représentations culturelles contemporaines est un problème et pourquoi il n’est toujours pas résolu. The Canadian Journal of Native Studies XXVII, 2(2007):331-365. -
The Treatment of Natives in the Nihon Shoki: the Case of Western Japan
The Treatment of Natives in the Nihon Shoki: the case of western Japan One of the first things that strikes the reader of the ancient compilation known as the Nihon shoki is that native peoples were treated with great contempt. The accuracy of the account is of course questionable, and to what extent we can even rely on the earlier sections before the 7th century may have happened. What is recorded cannot have been entirely made up, and even the severest critic of the compilation would not say that it is all fabrication. It is obvious though that the chronology of events depicted by the work could not be accurate. For example, it places Yamato Takeru as the conqueror of the Hitakami region (thought of as present day Miyagi prefecture) way before the Yamato state had pushed into the Kanto. It also depicts the conquest of certain Korean kingdoms such as Shiragi way before it could have been possible. The accuracy of whether naval expeditions of this sort could have taken place at that time has come under suspicion. Whatever the issues regarding its accuracy I want to examine the book from the standpoint of what it says about the native peoples, most definitely the Jomon inhabitants. The original inhabitants are called tsuchigumo, translated as "dirt spiders," and are killed by the Yamato indiscriminately whenever they are encountered. No attempt is made to bring them into alliance. This is straight genocide as we would call it. There is no sugar coating this. In every instance of early contact between Yamato and the natives who are called "dirt spiders", the latter are killed.