A Brief Summary of Japanese-Ainu Relations and the Depiction of The
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Japan Has Still Yet to Recognize Ryukyu/Okinawan Peoples
International Covenant on Civil and Political Rights Alternative Report Submission: Violations of Indigenous Peoples’ Rights in Japan Prepared for 128th Session, Geneva, 2 March - 27 March, 2020 Submitted by Cultural Survival Cultural Survival 2067 Massachusetts Avenue Cambridge, MA 02140 Tel: 1 (617) 441 5400 [email protected] www.culturalsurvival.org International Covenant on Civil and Political Rights Alternative Report Submission: Violations of Indigenous Peoples’ Rights in Japan I. Reporting Organization Cultural Survival is an international Indigenous rights organization with a global Indigenous leadership and consultative status with ECOSOC since 2005. Cultural Survival is located in Cambridge, Massachusetts, and is registered as a 501(c)(3) non-profit organization in the United States. Cultural Survival monitors the protection of Indigenous Peoples’ rights in countries throughout the world and publishes its findings in its magazine, the Cultural Survival Quarterly, and on its website: www.cs.org. II. Introduction The nation of Japan has made some significant strides in addressing historical issues of marginalization and discrimination against the Ainu Peoples. However, Japan has not made the same effort to address such issues regarding the Ryukyu Peoples. Both Peoples have been subject to historical injustices such as suppression of cultural practices and language, removal from land, and discrimination. Today, Ainu individuals continue to suffer greater rates of discrimination, poverty and lower rates of academic success compared to non-Ainu Japanese citizens. Furthermore, the dialogue between the government of Japan and the Ainu Peoples continues to be lacking. The Ryukyu Peoples continue to not be recognized as Indigenous by the Japanese government and face the nonconsensual use of their traditional lands by the United States military. -
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
Ainu Imaginary, Ethnicity and Assimilation
The Fight for Self-Representation: Ainu Imaginary, Ethnicity and Assimilation Marcos P. Centeno Martín Abstract: Film representation of the Ainu people is as old as cinema but it has not remained stable over time. From the origins of cinema, Ainu people were an object of interest for Japanese and foreign explorers who portrayed them as an Other, savage and isolated from the modern world. The notion of “otherness” was slightly modified during wartime, as the Ainu were represented as Japanese subjects within the “imperial family”, and at the end of the fifties when entertainment cinema presented the Ainu according to the codes of the Hollywood Western on the one hand; and Mikio Naruse proposed a new portrayal focusing on the Ainu as a long-discriminated social collective rather than as an ethnic group, on the other. However, Tadayoshi Himeda’s series of seven documentaries following the Ainu leader Shigeru Kayano’s activities marked a significant shift in Ainu iconography. Himeda challenged both the postwar institutional discourse on the inexistence of minorities in Japan, and the touristic and ahistorical image that concealed the Ainu’s cultural assimilation to Japanese culture. The proposed films do not try to show an exotic people but a conventional people struggling to recover their collective past. Shifts in Ainu Film Representations The relationship between film and the Ainu people is as old as cinema. They are featured in The Ainu in Yeso (Les Aïnous à Yéso, 1897), which are two of the first thirty-three cinematographic sequences shot in Japan as part of the actualités filmed by the French operator François-Constant Girel for a Lumière brothers catalogue. -
Japanese Manuscript Sources on 19Th Century Russia in HUL
Title <LIBRARY COLLECTION>Japanese Manuscript Sources on 19th Century Russia in HUL Author(s) Akizuki, Takako Citation Acta Slavica Iaponica, 7, 149-153 Issue Date 1989 Doc URL http://hdl.handle.net/2115/7994 Type bulletin (article) File Information KJ00000034161.pdf Instructions for use Hokkaido University Collection of Scholarly and Academic Papers : HUSCAP 149 Japanese Manuscript Sources on 19th Century Russia in HUL* Takako AKIZUKI Introduction to the "Northern-Studies Collection" Hokkaido University Library (HUL) has a special section called "Hoppo Shiryo-shitsu", or "Northern-Studies Collection", which organizes research materials on Northern Pacific areas and Northern Eurasia, including Hokkaido, Sakhalin, the Kuriles, the Aleutian Islands, the Soviet Far East, Siberia, Alaska and the Arctic. As far as I know, this is one of the most concentrated collections of its kind in Japan. The Northern-Studies Collection formally opened in 1967, but its root goes back to 1937, when the Research Institute for Northern Culture (Hoppo Bunka Kenkyu-shitsu) was estab lished as an interdisciplinary research center at Hokkaido University. One of the purposes of the institute was to collect resource materials on the northern regions, with the ultimate goal that "nothing would remain beyond the scope of its collection". In 1966 the institute was reorganized as a facility attached to the Faculty of Literature, and its collection was moved to the University Library. The Library's own collection of northern-studies materials, dating from the Sapporo Agricultural College founded in 1876, was added to this to create the North ern-Studies Collection of to-day. Since its establishment, the Northern-Studies Collection has been very active in acquiring new materials. -
Some Observations on the Weddings of Tokugawa Shogun╎s
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
May 2020 1(4)
What’s in this issue Welcome Message Eye on Japan Tokyo Days – report by Nadine Willems Piece of Japan Upcoming Events General Links Editor: Oliver Moxham, CJS Project Coordinator CJS Director: Professor Simon Kaner Contact Us Header photo by editor Welcome Message CJS ニュースレターへようこそ! Welcome to the first May edition of the CJS e-newsletter. This week we are happy to bring you positive news from Japan on handling of the pandemic as infection rates continue to slow after a thankfully quiet Golden Week and the government finally accepts that the virus may not simply disappear by the end of May. We have inspiring stories of human kindness in Japan to keep spirits up, a brand new article from Nadine Willems on the trials of acquiring masks in lockdown Tokyo and a raft of cultural goodies on the theme of humanity versus nature in our Piece of Japan segment. You can find a message from CJS Director Professor Simon Kaner on the Sainsbury Institute for the Study of Japanese Arts and Cultures website and hear more from our SISJAC colleagues on their monthly e-bulletin. We hope you enjoy reading and as ever look forward to hearing from you on what you would like to see in future issues. Written by Oliver Moxham, CJS Project Coordinator and editor Editor’s note: Japanese names are given in the Japanese form of family name first i.e. Matsumoto Mariko Eye on Japan: Quiet Golden Week|Flattening the Curve|Castles in the Spotlight 日本の最新情報 As Golden Week passes by with World Heritage Sites on high alert for daring sightseers, it would seem that most heeded the calls to at least not travel, if not stay indoors. -
Provenance of Kiseru in an Ainu Burial at the Iruekashi Site, Hokkaido
Cultural contact and trade between the Ainu and Japanese prior to 1667: Provenance of kiseru in an Ainu burial at the Iruekashi site, Hokkaido FU K ASAWA Yuriko1 ABSTRACT Focusing on the production and circulation of kiseru (Japanese smoking devices), the aim of this paper is to discuss cultural contact and trade between the Ainu and Japanese in the 17th century. The archaeological discovery of several examples of kiseru, at the Iruekashi site including an Ainu burial that predates 1667, implies that these artefacts were diffused to Ainu by as early as the first half of the 17th century. Furthermore, results of a comparative chronological study on the morphological characteristics of artefacts suggest that they most likely originated from Kyoto. Ethnographic and historical sources have elucidated a long history of the production of such handicrafts in Kyoto, where metal materials were manufactured at specialized workshops concentrated in a specific area. Data from historical documents and archaeological excavations have also revealed how processes of technological production have changed over time. Finally, the results of this study indicate that a marine trade route connecting western Japan and Hokkaido along the cost of the Japan Sea was already in use by the middle of the 17th Century, before the establishment of the Kitamaebune trade route to the North. KEYWORDS: kiseru, smoking device, Ainu, Iruekashi site, Kyoto handicrafts, 1667 Introduction All over the world, the presence of devices for smoking including kiseru, European and clay pipes are significant in an archaeological context in order to understand cultural contact, trade, and the diffusion of cultural commodities. -
Rethinking Borders in Japan: Internal, Cultural, and Geopolitical
REVIEW ESSAY Rethinking Borders in Japan: Internal, Cultural, and Geopolitical Ingyu Oh, Korea University Christopher Bondy. Voice, Silence, and Self: Negotiations of Buraku Identity in Contemporary Japan. Cambridge, MA: Harvard University Asia Center, 2015. 184 pp. $40 (cloth). Koichi Iwabuchi. Resilient Borders and Cultural Diversity. Lanham, MD: Lexington Books, 2015. 137 pp. $75 (cloth/e-book). Akihiro Iwashita. Japan’s Border Issues: Pitfalls and Prospects. New York: Routledge, 2016. 144 pp. $160 (cloth). The books reviewed here address three different borders in present-day Japanese society: internal, cultural, and geopolitical. It is rare for three different authors to concurrently publish monographs on Japanese borders from three different angles. This may be a sign of increasing consciousness within Japan on the issues of diversity, multiethnicity, old and new forms of discrimination, and continuing border conflicts with neighboring countries. As Christopher Bondy clearly delineates in his book, most Japanese remain “silent” about the internal borders— that is, the social (i.e., status and class), ethnic, and racial divisions with invisible or sometimes geographically demarcated borders drawn within Japanese society in order to differentiate one group of human beings from another. Koichi Iwabuchi, however, posits that the cultural border in Japan is more severely attacked by conservatives and political extremists than the internal borders that are demarcated by socioeconomic classes, gender, and ethnicity. As cultural borders are intended to open up Japan to embrace diversity and multiculturalism, the nationalist internal borders remain firmly shut against the non-Japanese groups that migrate in and out of Japan with their own local cultures and identities. -
Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Fall 1-7-2020 Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities Jeffrey Braytenbah Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Asian History Commons, and the Asian Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Braytenbah, Jeffrey, "Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the ashioningF of Ainu/Japanese Colonial Identities" (2020). Dissertations and Theses. Paper 5356. https://doi.org/10.15760/etd.7229 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities by Jeff Braytenbah A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Thesis Committee: Kenneth J. Ruoff, Chair Laura Robson Jennifer Tappan Portland State University 2019 © 2019 Jeff Braytenbah Abstract Japan’s colonial activities on the island of Hokkaido were instrumental to the creation of modern Japanese national identity. Within this construction, the indigenous Ainu people came to be seen in dialectical opposition to the 'modern' and 'civilized' identity that Japanese colonial actors fashioned for themselves. This process was articulated through travel literature, ethnographic portraiture, and discourse in scientific racism which racialized perceived divisions between the Ainu and Japanese and contributed to the unmaking of the Ainu homeland: Ainu Mosir. -
The Moon Bear As a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan
Catherine Knight Independent Scholar The Moon Bear as a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan The Asiatic black bear, or “moon bear,” has inhabited Japan since pre- historic times, and is the largest animal to have roamed Honshū, Shikoku, and Kyūshū since mega-fauna became extinct on the Japanese archipelago after the last glacial period. Even so, it features only rarely in the folklore, literature, and arts of Japan’s mainstream culture. Its relative invisibility in the dominant lowland agrarian-based culture of Japan contrasts markedly with its cultural significance in many upland regions where subsistence lifestyles based on hunting, gathering, and beliefs centered on the mountain deity (yama no kami) have persisted until recently. This article explores the significance of the bear in the upland regions of Japan, particularly as it is manifested in the folklore of communities centered on hunting, such as those of the matagi, and attempts to explain why the bear, and folklore focused on the bear, is largely ignored in mainstream Japanese culture. keywords: Tsukinowaguma—moon bear—matagi hunters—yama no kami—upland communities—folklore Asian Ethnology Volume 67, Number 1 • 2008, 79–101 © Nanzan Institute for Religion and Culture nimals are common motifs in Japanese folklore and folk religion. Of the Amammals, there is a wealth of folklore concerning the fox, raccoon dog (tanuki), and wolf, for example. The fox is regarded as sacred, and is inextricably associated with inari, originally one of the deities of cereals and a central deity in Japanese folk religion. It has therefore become closely connected with rice agri- culture and thus is an animal symbol central to Japan’s agrarian culture. -
Kamikaze Diaries: Reflections of Japanese Student the Broader Question the Book Raises Is to What Ex- Soldiers
774 American Anthropologist • Vol. 109, No. 4 • December 2007 Although Miller is brave to put her body in the hands The seven soldiers whose writings are translated in the of quack practitioners, at times I felt that I wanted to hear book were student soldiers, three of whom were in the “Spe- more how “believers” in the beauty work experienced the cial Attack Forces” (tokubetsu kougeki tai). Most attended products and services. Also, for some of her sources, she re- Japan’s highest-ranking public or private universities and lies on surveys conducted in popular magazines. A discus- came from families of considerable learning and privilege. sion of their reliability—or, perhaps, of their complicity— (Of the approximately 4,000 young men recruited into the in the pushing of trends or conceptualizations of the body special forces, 1,000 were university students, graduated would have been quite useful to better understand Miller’s early so they could be drafted.) data and analysis. Finally, it would have been interesting The writings offer compelling reading, both for stu- had there been a discussion of the counter-globalization dents who may harbor stereotypical images of sword- of Japanese beauty ideas and products. Japanese cos- wielding samurai and resolute pilots, and for those metic companies and fashion designers, forms of “soft interested in prewar intellectual history. The students’ en- power,” are increasingly powerful players on the world gagement with thinkers from Immanuel Kant to Natsume market. Suseki opens a window into not only the ideas available to In conclusion, Beauty Up is well-written, accessible, and intellectual citizens in the years surrounding Japan’s mili- an excellent contribution to the recent discussions on glob- tary ambition but also into how these ideas were embraced.