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Retina Reflex S Cameras

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Retina Reflex S Cameras Kodak Customer Service Series Kodak RETINA REFLEXS CAMERAS -lowest cost, greatest versatility in use of specialized Retina 5 photo aids -extra speed, greatest capacity for color and action shots in minimum light -a complete family of new wide- ~ an g I e and telephoto lenses, 28mm to 13Smm! METER-LINKED LENS SETTING! Masters of every situation - the Kodak Retina Reflex S Cameras Kodak Retina Reflex Cameras are world-famous. Now, the new Retina Reflex S //2.8 and //1.9 models, and a new family of superb wide-angle and telephoto lenses, bring a new range of versatility and performance ... new meter-link{'d lens control ... new automatic field-depth indicator for all lenses ... and other new refinements. These are the finest Kodak Retina Cameras ever made. In supreme degree, they reflect the Kodak Retina tradition of astute optical and mechanical engineering, sensitive styling, uncompromising craftsmanship, and stern inspection that tolerates only one standard of excellence. They are cameras to own with pride. These are the new RETINA REFLEX S interchangeable lenses Full range ... 28mm and 35mm for wider view from any position . 50mm normal . .. 85mm and 135mm to reach out and draw in the distant scene These are the BASIC FEATURES of: the Kodak Retina Reflex S Camera • Direct meter·guided aperture setting - match a pointer to • Direct shutter-lens linkage - automatic as soon as dia­ the meter needle, and diaphragm is correctly set! No need phragm is set - for rapid change from high-speed sports­ to read EV numbers, no need to transfer a meter reading to action settings to smaller-aperture maximum-depth settings a separate diaphragm control! Works with all S lenses. without refiguring exposure. • True full·area focusing - corner to corner - always at wide· • No parallax error with any lens at any range - not even in open brilliance-on a ground glass so fine·grained you hardly close-ups down to 6 inches, film to subject, with supplemen­ realize it is there ... tary close-up lenses on the lens .. _ • Clear split·image rangefinding, centered in the ground glass, • Automatic field-depth indicator - two red pointers move to give you precision focusing even in dim light .. closer together or farther apart as you set the diaphragm, • Choice of superb basic lenses ... f/ 2.8 or f/ 1.9 . both and automatically show the near and far sharpness ... instantly interchangeable with the wide-angle or telephoto lenses above ... all fully corrected to Kodak Retina stand­ • The pleasure of direct pelltaprism viewing that delivers to ards for finest detail, color, and linear rendering . .. your eye a clear image, right-side-up, laterally correct from left-to-right, and about natural size .. • Automatic diaphragm action - lens wide open for focusing, closing down instantly to your pre-selected aperture at the • Smooth, fast-action single-stroke thumb-lever film advance, instant before exposure - and automatic not only with the for fast-changing action situations and sequence shots ... 50mm lenses, but also with all the wide-angle and telephoto • Automatic shutter setting, exposure count, double-exposure lenses in the Retina S family above ... prevention; provision for multiple exposures. Automatic • Fast-action flash with popular inexpensive bulbs-at shutter safety stop when counter arrives at last exposure. speeds up to and including 1/ 500 . .. • A wide range of special photo-aids - angle finders, sports • Electronic flash at all speeds ... finders, microscope attachments, filters and close-up lenses • Superb camera balance in an instrument that always "feels - many designed specifically for use with the 50mm f / 2.8 right" in your hands ... with each control placed for con­ lens - to provide growth as your interests grow . venience ... each scale placed for quick reference and de­ • Plus the beauty of styling and craftsmanship that have made signed for instant legibility ... the name "Retina" famous throughout the world. I and they bring you command of ~very scene, every picture situation ~ HERE'S WHY YOUR KODAK RETINA REFLEX S 1. Average scenes. Your superb 2. For close·ups. Without adding ~ I COMMAND 50mm f/2.8 or f!1.9 lens - built supplementary lenses, you focus to give you maximum detail and from infinity down to as near as OF fullest color quality - also gives 3 feet, for close·ups in full-color you normal perspective for most or black-and-white . .. and no SCENE scenes. framing error at any distance! 5. Wide-choice focusing. Focus ~ 6. Automatic diaphragm. You ~ your Retina by lens scale-by always focus at wide·open bril­ full-area ground glass which liance. The automatic diaphragm shows you the entire scene, from is automatic with all lens units. corner to corner - or by the It opens wide when you wind the clear split-image rangefinder in film - closes down the moment center of groundglass. before exposure . 9. Close-up depth. Do you need ~ 10. Sel·f·timer. Need to get into ~ extreme depth of field for a the picture yourself? Your Reti­ close-up shot? The lens of your na's built-in self-timer gives Retina Reflex stops down to very about 10 seconds delay - to join small aperture - a special aid in a group, enter a scene which extra-close shots with "N" and calls for a foreground figure, "R " close-up lenses. and so on. 13. Metering the light. Aim the 14. Match up. Turn finger-tip ~ built-in exposure meter at the wheel under lens until meter COMMAND subject - to measure the re­ pointer covers meter needle. OF flected light - or put on the This automatically sets the lens incident-light mask and aim it at aperture correctly for the light. SITUATION the light-source. Needle gives It's quick . .. direct ... one set­ correct indication. Then ... ting and that's all! Now .. 17. For long shots. Put the ~ 18. For micro-worlds. Put your ~ 85mm or 135mm telephoto lens Retina on a microscope - using in place of the 50mm - and the kit pictured here - and you your Retina Reflex reaches out are in command of the fascinat­ to bring you the distant view in ing world of ultra-small subjects larger scale. The 85mm also - in black-and-white or crisply­ makes more pleasing head-and­ deta iled full-color. shoulder close·ups of people. 21. To follow action. For fast- ~ 22. Flash synch range. Shooting ~ breaking sports action, where with flash? Your Retina has you must keep both eyes on your synch for popular bulbs and elec­ subject right up to the moment tronic flash at speeds right up of exposure, just slip this 50mm through 1/500 - handles high­ / 80mm sports finder into the speed sports action with ease clip on your Retina . and reliability. ACTION - SPORTS - SEQUENCES - SCENICS - CLOSE-UPS I MAKES YOU MASTER OF EVERY SITUATION I ' 3. Extreme close-ups . Add an y ~ 4. Precise viewing. With any ~ of the various close-up devices scene, look through the eyepiece to the 50mm f /2.8 lens- and you - and here, clear and bright, in are in command of even smaller about natural size, is the exact subjects. The " R" close-up lenses scene, viewed through the lens bring you as near as 5 7/8 inches, that will take the picture. film to subject. 7_ Shutter for action. Is action ~ 8. Rapid film-wind. Are action ~ changing rapidly-subjects mov­ opportunities coming in rapid ing rapidly ? Run the shutter of sequence? Your Retina Reflex your Retina up to 1/ 500 - you has a fast-action lever - one have plenty of lens speed to quick thumb-stroke, and you 're cope with fast action even in ready - film wound, shutter set poor light - even in color. for the next shot. 11. Automatic indicator. Two red ~ 1D1IIUIIODIIUDHU. 12. Plus-value aids. Rapid load- ~ pOinters move as you set the ing-double-exposure prevention ~ lens aperture- tell you the near with provision for intentional and far limits of sharpness for multiple exposures - click-stop each opening and distance. Fully settings for all shutter speed s automatic with all lenses! -are additional Retina Reflex operating aids. 15_ Constant link. The lens ring ~ :::=:::=:-::~;;:t::==~ 16. For wide angles. Substitute ~ and shutter-speed ring are now the 28mm or 35mm wide-angle linked in correct-exposure pairs. lens in place of your basic 50mm They stay in step as you pick 4 8 15 30 60 15 250500 len s - and you widen you r view, the pai r that best fits each sub- .~ l. ~ ~ for shots in cramped quarters, ject. No need to read the meter or wider coverage' from a given again unless the light chan ges! ~1-,U::::20 viewpoint. Ground glass shows you exact coverage of each lens. 19. Pictorial aids. Does the ~ 20. Low angles. Do you need an ~ scene call for special pictorial extreme low angle - camera all treatment - a darker sky, a dif­ the way down to ground level for ferent tone adjustment? Do you a " worm 's-eye" view? There's a need to switch from color shots Retina right-angle finder for indoors to dayl ight outside ? easy down-low and around-the­ There are fi Iters for every need . corner angling. 23. Beauty- plus action. Camera ~ 24. Specialized aids. Cop yi ng ~ protection? This beautiful Field documents, sta ging small sub­ Case, in rich mahogany leather jects? Thi s table-top stand is and chrome , has fl ip-open front typical of the jewel-like aid s that that puts you in action instantly. make up the Retina Sy stem - to Beautiful Fitted Case also avail· meet all your special needs. See able . next page. I COPYING - PHOTOMICROGRAP';'Y - SPECIALIZED USES I Technical data KODAK RETINA REFLEX S CAMERA FILM: 20- or 36-exposure magazines, Kodak No.
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