Kodak Retina Reflex III, Reflex S, Reflex IIIS Camera Lens

Total Page:16

File Type:pdf, Size:1020Kb

Kodak Retina Reflex III, Reflex S, Reflex IIIS Camera Lens www.butkus.us Kodak Interchangeable Lenses for the Kodak Retina Reflex lll, Reflex and lllS Cameras (29mm to 135mm) I t, ;. i, ii ii il li , ; ,.-i ',i www.butkus.us Kodak Interchangeable Lenses* for the Kodak Retina Reffex f f l, Reflex S and lllS Cameras TO REMOVE A LENS To remove the lens on the camera, press in the safety LocK and, at the same time, turn the lens counterclockwise by its second' KNURLED RrNc and lift it off. Change lenses :i in subdued light. .j TO ATTACH A LENS { The red figure 4 on the lens opening scale : identifies this l/number as the correct setting l *28 .s to 135mm. lnstructions for the Kodak Retina Tele- 3 fi Xenar 200mm, f /4.8 Lens Kit are packed with the lens. q 'q 3 .H g 4-&-@- j a-" for attaching interchangeable lenses. There- fore, first turn the setting wheel to set the lens opening at the red figure 4; then line up the red dot on the lens mount with the red dot on the rim of the shutter, insert the lens and turn it clockwise until the safety lock engages. AUTOMATTC EXPOSURE CONTROL .Setting the automatic exposure control is me- chanically the same with all interchangeable lenses. {' Set the required shutter speed and adjust *lf the brightness of the field seen by the lens in use differs from that of the 50mm lens (seen by the meter), see "Hints on Using the Exposure Meter," page26 of the camera manual. 4 www.butkus.us . the setting wheel for correct exposure. II FOCUSING ll RETINA RtrFLEX III and REFLEX S - Focusing, with any Retina interchangeable lens mounted on either of these cameras, is accomplished in the same manner as with the standard lens. Use either the rangefinder or - ground glass method as described in the cam- era manual. Remember, the finder image is ll visible only after operating the rapid wind lever. RETINA IIIS CAMERA - Retina inter- lll changeable lenses (28mm to 135mm), mounted on the Retina IIIS Camera. are auto- matically coupled with the rangefinder. you can therefore set the correct focus in the same manner as described in the camera manual for the standard lens. I VIEWING RETINA REFLEX III and REFLEX S _ Whichever interchangeable lens is attached to either of these cameras, the reflex finder with full-sized ground glass always shows the correct field of view. This field is free of parallax with all focal length lenses and at all distances. Viewing is always at the largest lens open- ing with a subsequent automatic "stop-down" to a previously selected lens opening. 6 www.butkus.us RETINA IIIS CAMERA-Look through the eyepiece of the camera. The outer, perma- nent viewframe shows the field of view for the 35mm wide-angle lens. When you attach lenses of from 50 to l35mm in focal length, the inner viewframe changes automatically to show the field of view for the lens in place. To show the field of view for the 28mm wide- angle lens, the Kodak Retina 28 Optical Finder is available to slide into the accessory clip on top of the camera. Parallax correction in the camera finder is automatic-the viewframes shift to compen- sate automatically for film-to-subject dis- tances. DEPTH OF FIELD All interchangeable Retina lenses have an au- tomatic depth-of-field indicator. you simply read off the nearest and farthest distances that will be in sharp focus opposite the two red pointers, as described in the camera manual. THE T/AUX|LTARY LENSES These auxiliary lenses permit working at closer camera-to-subject distances. The minimum focusing distances for the 135mm and 85mm telephoto lenses are 14 and 6 feet, respectively. If you wish to use these lenses at closer distances, one of the following auxiliary lenses is required: I www.butkus.us KODAK RETINA TELE AUXILIARY LENS T I /60-for 135mm telephoto lens pic- tures within the range from about 7 ft to 5 ft. KODAK RETINA TELE AUXILIARY LEN S T 11 /60-for 135mm telephoto lens pictures within the range from about 13 ft to 7 ft. KODAK RETINA TELE AUXILIARY LEI/S T 1/32-for 85mm telephoto lens pic- tures within the range from about 6 ft to 3 ft. Attach an auxiliary lens to one of the tele- photo lenses by screwing the threaded shoul- der of the auxiliary lens into the front of the telephoto lens mount. It is recommended that lens openings of l/5.e or smaller be used when possible. WITH THE RETINA REFLEX III ANd RE- FLEX S - Focus the camera either by means of the ground glass or rangefinder. To deter- mine depth-of-field, read off the distance fig- ure shown opposite the index mark on the lens; then, from the appropriate table on pages 12 to 17, find the depth-of-field for the lens opening in use. WITH THE RETINA 11lS-You can meas- ure the exact subject distance with the camera rangefinder and the standard lens in place, or with a tape measure. Then find the required 10 www.butkus.us focus (distance) setting for the desired auxil- iary lens telephoto lens combination from 1 - the appropriate table on pages 12 to 17. For example, with the T 1, l60 auxiliary lens, you have measured the subject distance to be 72 inches. In the table on page 12, opposite 72 inches, 50 feet is shown as the setting for the camera focusing scale. Set the focusing scale for this distance. The table also shows field size and depth-of-field* at the various lens openings *Disregard the depth-of-field indicator on the camera with these auxiliary lenses. I I 11 I I Toble f or Kodok Retinq Tele Auxiliory lens I Subject Focusing Depth of field* Field Size scale of distance tt4 1i5.6 in inches camera set I (inches) to (feet)* from to I from to 125/s" x783/q" 79Vz' @ 783/q" 801/2" 78V+" 197/e" 123/e" xl8t/+" 775/a" 200 763/q" 785/s" 76Y2" 79" 12 xl73/t" 753/r" 100 74Vs" 763/+' 743/c' 77 IIV+" x165/a" 72', 50 7lt/q" 727/a" 71" 731/s' 103/e" xl53/s" 67Yz' 30 663/q' 68Va" 66r/2" 685/a' 10" xl43/r" 653/e" 25 643/r" 661/e" 541/z' 663/a" 9Vz" x14" 623/e" 20 617/8" 63" 615/s" 63Yq' 9/a" xl3L/2" 677h" 18 603/e' 613/s' 60r/a" 615/a' 87+" x13" 59" 16 58r/2" 59Y2" 583/a" 593/c' 83/a" x723/e" 57y8" l4 563/r" 575/s" 56V2" 573/+' *The distqnces ore meosured from ihe film plone. The ot l4so inch ()(6 mm.) ,1 12 II www.butkus.us ,T I l60 for use with 135 mm Telephoto lens in inches at perture Repro- duction t/8 t/11 t/18 t/22 I scale from to I from to lrom to lrom t0 l: 773/+" 81Y2" 771/s" 821/+" 753/+' 84' 7434" 85Y4" 0.0714 76" 79t/2" 753/s" 80t/r" 74" 813/r" 73Y4' 827/s' 0.0733 74V+' 77lz' 735/e" 78Y4" 723/e' 793/c" 715/s" 803/r' 0.0755 705/a' 735/a" 70Va' 74r/a' 69" 751/2" 68Y4' 763/a" 0.0803 66t/c/ 687/8" 65'1/s" 69Ta" 647/8' 70Y2" 641/q" 7lY4' 0.0869 64Y4" 66s/e" 637/8" 671e" 63" 68Y4" 623/a" 683/q' 0.0904 613/a" 63r/z' 6lt/s" 637/s" 601/a' 65Ya" 593/+" 651/2" 0.0958 597/s" 617/8" 595/a" 62Ya" 583/+" 63Ys" 583/a" 635/s' 0.0989 58r/e" 60" 57/8" 603/a" 571/a" 6LVa" 563/s" 6L5/s' 0. i 026 56Y4" 58" 56" 58V+" 55Y4" 59Y8" 547/8" 595/s' 0.r072 deplh of field is colculoled for o circle of confusion a 13 Tqble for Kodok Relina Tele Auxiliory lens Subjcct Focusing Depth fiald* Field $ze scale of distance* t/4 t/5.6 in inches camera" (feet) set to (feet) lrom to from to 255/s" x385/a" 72',t|vz' lnf. 12'5tX," 13' 3Vz' 12' 43/c" 13' 43/r' 243/a" x 363/e" 12', 23/a', 200 ll'llVz'72' 23/s' ll' 9Yz" 72' lYe' 231/2" x35" lt' 7y8' 100 ll' 23/e" ll' 9Yz" ll' lx,'7t'L0L/2" 2lXt'x375/a" 10' 43/t" 50 70' txr" l0'7vs" l0' t0' 8y4" l8t/s" x27Ya" 9, 23/a' 30 9', xi' 9' 43/r' 8'11\," 9', SXt" 16r/2" x245/a" 8', 8y4', ta 8'6Vz" 8'l0r/2" 8'5'X"" 8'llXt' l1'Xi'x23s/a" 8' IXI' 20 7' 9r/z' 8' \X,' |',\txi', 8', 23/8', 151/+" x23Xt" 7' 9Vz' 18 7'73/+' 7'lQVz' 7' 7Ys" 7'll%' 141/a" x2lXt" 7' 43/+" 16 7' 4r/s" 7'7ls' 7' 3r/2" 7' 73/+" 13' xl9L/2" 7', l4 6'10" 7' lxt' 6'9r/2" 7' l3/e' *The distonces ore meosured from lhe film plone. The of llso inch ()60 mm). 1 14 i www.butkus.us T t I /60 for use with 135 mm Tetephoto lens in leet rt aperture Rapro- ductior t/11 t/16 t/22 t/8 | scalc from to I from to from to fiom to t: 12'3lz' 13' 8t/q' 12', t3',10V2', ll' 71/a" 14'5tX:' ll' 23/e" 15' 23/s' .035 Ll'7t/s" l2'101/z' 11' 43/t" 73' |Xt" ll IX"" l3'l0r/2" l0'7Va" 14'3Vz' .039 ll' 72'23/e" 70'9Vz' 12' 43/r" l0'stxi' 12' 9r/2" 70' 7%" 13', 43/t .040 9'l0t/2" l0'l0W' 9'9r/z' ll'lXt" 9'5'Xt" 7l' 43/t' 9'2Ta' ll'lQVz' .045 8'10" 9', 7L/e" 8' $r/t" 9'8'Xt" 8'5'Xi', 9',10r/2" 8'3V2" l0' .052 8' 43/q' 9' Kt' 8'3r/z' 9' 23/e' 8' lXt" 9' 43/q' 7'l0Vz" 9'8Vc .057 7'81/+" 8'3Vz" 7'73/c" 8' 43/c" 7'S'Xc" 8' TYsn 7'3r/2" 8'I0L/z .0595 7'5'7t" 8' %" 7',sxi', 8' 73/t" 7' 3Vz' 8'3V2" 7' l3/+' 8' 6r/z .062 7' 3" 7',8'X,', 7', l3/+' 7',10' 7' %t" 8' Xt' 6'l0Vz" 8'23/c' .0665 6'8'Xt" 7' ZVa" 6' 8V+" 7'3Y2' 6'lVe' 7' 5Xt' 6'StXt" 7' 7Ys' .072 ; depth.
Recommended publications
  • Kodak SALES NEWS Published by the Marketing Division ! Coburg
    '.':r~. J. L.'\CZ :rn . CO LO IJ :-: P: ~ I 'J' [' I l [PT ,o, sratt " " """ I '"'""'"'"· A BGO sro :'D . Kodak SALES NEWS Published by the Marketing Division ! Coburg. May/June, 1965 in the Retina caniera line ... • l KODAK RETINA REFLEX IV SALES NEWS "GIANT DOUBLEISSUE" Giant double issues of periodicals are usually produced about Christmas time, or as a "gimmick" to sell advertising space. The reason, however, for ou.r double issue is much more ordinary. The simple facts are that much of the copy for the May issue was held up and when the edition was ready for the press our Multi­ lith operator went down with a bad case of gastric influenza. When he returned to work he had to tackle the Kodak Price List, plus several other jobs of higher priority than Sales News. Rather than send out the May issue at the beginning of June we decided to combine it with the June issue. 1n the fin der and on top of the camera. The Kodak Retina Reflex IV Camera , In add1t1on lens aperture and shutter f i tted with f/ 2.8 Xenar le ns , 1s speed settings are visi ble in the priced at £109.0.0 retail, including finder. Two flash contacts are pro ­ imported always - ready case. Fitted vided , one in the access ory shoe and with f/1 :9 Xenon lens £ 125 .5 . 0 , in c ­ a cable socket on the front of the luding imported al ways re ady case. camern. The counter auto matica ll y re sets , to the sta rtin g mark before OOR PICTURE- TAKING Ci\J,TPJ\IGN number 36, on opening the camera back .
    [Show full text]
  • History of KODAK Cameras
    CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P.
    [Show full text]
  • Kodak Movie News; Vol. 10, No. 4; Winter 1962-63
    PUBLISHED BY EASTMAN KODAK COMPANY W I N T E R 1 9 6 2- 6 3 KODAK MOVIE NEWS Q. I have a roll of KODACHROME Film in my 8mm camera that has been exposed on the first half. I've LETTERS TO lost the carton the film came in and I forgot whether I have KODACHROME or KODACHROME II Film . And I'm not sure whether it's Daylight Type or Type A. Is THE EDITOR there any way I can tell? Mr. C. B., Nashville, Tenn. Comments: I thought you might be interested in an unusual sequence I shot recently. I observed a big snapping turtle come into my yard and, knowing that she was going to dig a hole and lay her eggs, I loaded my camera and took some wonderful shots. I watched the eggs, and 3½ months later when they started to hatch, I made shots of the baby turtles coming out of the eggs and learning to walk. Later I made appropri· ate titles, and came up with what I call a creditable color movie. Mrs. B. E. C., Moorestown, N.J. A. Yes. Take a look at the end of your film. If it's Your seasonal titles are more helpful now that you KODACHROME Fi lm, you will see the legend "KOD print them sideways. At least mine were not creased. HALF EXP " punched through the film ind icating Day- Mr. L. G. P., Philadelphia, Pa. light Type, or " KOD A HALF EXP" if it's Type A. If your roll is KODACHROME II Film, th ere will be Please continue to publish seasonal titles.
    [Show full text]
  • HAWKEYE INSTAMATIC Cameras
    · V 1965 SPRING SUMMER KODAK PRE·MI MCATALOG HAWKEYE INSTAMATIC Cameras ... No. C 11 SMP HAWKEYE INSTAMATIC Flasholder For "bounce-back" offers where initial offer was the Hawkeye Instamatic camera. Creates additional sales, gives promotion longer life. Flash holder attaches eas­ ily to top of Hawkeye Instamatic camera. Makes in­ door snapshots as easy to take as outdoor ones. No. ASS HAWKEYE INSTAMATIC Camera A great self-liquidator. Handsomely styled in teal green and ivory with bright aluminum trim. Hawkeye Instamatic camera laads instantly with No. CS8MP HAWKEYE INSTAMATIC Field Case film in handy, drop-in Kodapak cartridges. Takes black-and-white and Perfect choice for "bounce-back" offers where initial color snapshots, and color slides. Extremely easy to use .• • gives en­ offer was the Hawkeye Instamatic camera or Hawkeye joyment to the entire family. Available in mailer pack. May be person­ Instamatic F camera. Handsome black simulated­ alized on special orders with company identification on the camera, either leather case protects camera from dirt and scratches, removable or affixed permanently. facilitates carrying. Supplied flat in mailing envelope. 3 STEPS 1. Dealer load to your customers. TO ORGANIZING Whether your customer operates a supe-­ market, drug store, service station, or 0 eo" retail business, be sure he is stocked the products your promotion will feo 'eo. AN EFFECTIVE Accomplish this dealer-loading step by fering your customer additional ince .. to stock your product. SELF -LIQUIDATOR For example: With the purchase of • cases of your product, your custo mer ~ ceives a free in-store display and a HA PROMOTION EYE INSTAMATIC F Outfit.
    [Show full text]
  • KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
    KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market.
    [Show full text]
  • Digitális Fotokamerák
    DIGITÁLIS FOTOKAMERÁK 2020 augusztus blzs ver. 1.1 TARTALOMJEGYZÉK 1. A digitális kameragyártás általános helyzete…………………………...3 2. Középformátum………………………………………………………...6 2.1 Hátfalak……………………………………………………………..9 2.2 Kamerák…………………………………………………………...18 3. Kisfilmes teljes képkockás formátum………………………………….21 3.1 Tükörreflexesek……………………………………………………22 3.2 Távmérősek………………………………………………………...31 3.3 Kompaktok…………………………………………………………33 3.4 Tükörnélküli cserélhető objektívesek………………………………35 4. APS-C formátum……………………………………………………….42 4.1 Tükörreflexesek…………………………………………………….43 4.2 Kompaktok………………………………………………………….50 4.3 Tükörnélküli cserélhető objektívesek……………………………….53 5. Mikro 4/3-os formátum…………………………………………………60 5.1 Olympus…………………………………………………………….61 5.2 Panasonic…………………………………………………………...64 6. „1 col”-os formátum……………………………………………………69 6.1 Cserélhető objektívesek…………………………………………….69 6.2 Beépített objektívesek………………………………………………71 7. „Nagyszenzoros” zoom-objektíves kompaktok………………………..75 8. „Kisszenzoros” zoom-objektíves kompaktok………………………….77 8.1 Bridge kamerák…………………………………………………….78 8.2 Utazó zoomos ( szuperzoomos ) kompaktok……………………….81 8.3 Strapabíró ( kaland- víz- ütés- porálló ) kompaktok………………..83 9. A kurrens kamerák összefoglalása……………………………………...87 9.1 Technológia szerint…………………………………………………87 9.2 Gyártók szerint……………………………………………………..89 10. Gyártók és rendszereik………………………………………………....90 10.1 Canon……………………………………………………………...91 10.2 Sony……………………………………………………………….94 10.3 Nikon……………………………………………………………...98 10.4 Olympus………………………………………………………….101 10.5 Panasonic………………………………………………………...104
    [Show full text]
  • Curso De Fotografia Digital
    CCUURRSSOO DDEE FFOOTTOOGGRRAAFFIIAA DDIIGGIITTAALL Alfonso Bustos Toldos - 1 - HHiissttoorriiaa ddee llaa ffoottooggrraaffííaa El término cámara deriva de camera, que en latín significa ‘habitación’ o ‘cámara’. La cámara oscura original era una habitación cuya única fuente de luz era un minúsculo orificio en una de las paredes. La luz que penetraba en ella por aquel orifício proyectaba una imagen del exterior en la pared opuesta. Aunque la imagen así formada resultaba invertida y borrosa, los artistas utilizaron esta técnica, mucho antes de que se inventase la película, para esbozar escenas proyectadas por la cámara. Con el transcurso de los siglos la cámara oscura evolucionó y se convirtió en una pequeña caja manejable y al orificio se le instaló una lente óptica para conseguir una imagen más clara y definida. La idea de la fotografía surge como síntesis de dos experiencias muy antiguas. La primera, es el descubrimiento de que algunas sustancias son sensibles a luz. La segunda fue el descubrimiento de la cámara oscura (todos habréis observado, como algunas veces durante las siestas de verano, la luz que penetra por los resquicios de la ventana forma en la pared opuesta de la habitación en penumbras, una imagen invertida de lo que ocurre en el exterior). El descubrimiento de las sustancias fotosensibles se remonta a muchos años de antigüedad. El hombre observó por ejemplo que al retirar un objeto dejado durante algún tiempo sobre una hoja verde, ésta conservaba la silueta del objeto. Desde la antigüedad se conocía que las sales de plata oscurecían bajo la acción de la luz y los alquimistas medievales llamaban al cloruro de plata: la "luna cornata".
    [Show full text]
  • Estate Cameras
    REBECCA L. GRAMBO Grambo Photography and Design Inc. Box 910, 113 – 7th Ave N. Warman, SK S0K 4S0 Canada 306-931-8523 [email protected] ESTATE CAMERA COLLECTION I have been entrusted with over 1,000 (yes, that’s one thousand) cameras plus projectors, flash bulbs, magic lanterns and more – before you ask, there are no Leica’s as far as I know. These items range from the sublime (a reconnaissance camera from a Lancaster bomber) to the ridiculous (a hot pink Barbie Polaroid) and getting them photographed and listed on either eBay or in my Etsy shop (http://www.etsy.com/shop/rgwriter?section_id=7253390) is going to take a while. The gentleman who assembled this collection chose pieces in good shape and gently cleaned them with compressed air and a soft cloth. Many might benefit from your detailed attention but I’ve left them as is rather than risk damaging them in any way. These lovely things are truly works of art and to feel a 70+-year-old shutter click over solidly is, to me, technically amazing. I feel extremely privileged to have the opportunity to see and handle each and every one of them. While in most cases I will not be running film through them due to the sheer volume of cameras, I will check to see that the shutter fires, parts move if they are supposed to, and things appear to be as they should. How does it works if you want to buy something? Let me know what item(s) interest you -- please include the box number with the item if you can.
    [Show full text]
  • Kodak AUTOMATIC 35F CAMERA
    Kodak Customer Service Series Kodak AUTOMATIC 35F CAMERA • AUTOMATIC 35mm picture-taking at its easiest and happiest! • AUTOMATIC electric eye ... sets exposure for you in sun or shade! • AUTOMATIC flash-exposure control .. sets cor­ rect exposure as you focus! • AUTOMATIC "zone minder" .. reminds you where your focus is set! • AUTOMATIC "best choice" in an automatic "35" -and sensibly priced, too! OUTDOORS Aim the camera , and the electric eye automati- cally selects the right exposure ___ in sun or shade ... for fast films, slow films, black-and- white or color. No setting of lens openingsl Set a simple "guide number" for the film and flashbulbs you use. Then as you focus, the camera automatically picks the right lens opening. Flash unit is built into camera! Stops errors, does the work - while you have the fun This is the wonderful thing about the Kodak Auto­ matic 35F Camera_ You can concentrate on your subject _ . _ watch for opportunities ___ and when you see the right moment, aim and shoot! You don't lose time figuring exposures. _ . you don't worry about mistakes. The camera does the exposure-setting for you_ Naturally, you get more good pictures_ The Kodak Automatic 35F Camera is designed to make picture-taking as easy and sure as it can pos­ sibly be. Here are some of the things this remarkable camera does automatically for you: . ' . Sets the correct exposure for you outdoors in sun or shade. • Sets correct exposure as you focus for flash shots indoors - anywhere from 5 to 25 feet. • Reminds you where your focus is set - for close, group, or scene - as you look through the viewfinder.
    [Show full text]
  • Retina Reflex S Cameras
    Kodak Customer Service Series Kodak RETINA REFLEXS CAMERAS -lowest cost, greatest versatility in use of specialized Retina 5 photo aids -extra speed, greatest capacity for color and action shots in minimum light -a complete family of new wide- ~ an g I e and telephoto lenses, 28mm to 13Smm! METER-LINKED LENS SETTING! Masters of every situation - the Kodak Retina Reflex S Cameras Kodak Retina Reflex Cameras are world-famous. Now, the new Retina Reflex S //2.8 and //1.9 models, and a new family of superb wide-angle and telephoto lenses, bring a new range of versatility and performance ... new meter-link{'d lens control ... new automatic field-depth indicator for all lenses ... and other new refinements. These are the finest Kodak Retina Cameras ever made. In supreme degree, they reflect the Kodak Retina tradition of astute optical and mechanical engineering, sensitive styling, uncompromising craftsmanship, and stern inspection that tolerates only one standard of excellence. They are cameras to own with pride. These are the new RETINA REFLEX S interchangeable lenses Full range ... 28mm and 35mm for wider view from any position . 50mm normal . .. 85mm and 135mm to reach out and draw in the distant scene These are the BASIC FEATURES of: the Kodak Retina Reflex S Camera • Direct meter·guided aperture setting - match a pointer to • Direct shutter-lens linkage - automatic as soon as dia­ the meter needle, and diaphragm is correctly set! No need phragm is set - for rapid change from high-speed sports­ to read EV numbers, no need to transfer a meter reading to action settings to smaller-aperture maximum-depth settings a separate diaphragm control! Works with all S lenses.
    [Show full text]
  • Copy of Auctionflex Catalog Model Inclusive
    LOT # TITLE 1 Keystone 8mm K-8 8mm 1930-1940 2 Bell Howell Filmo Sportster 8mm 1939-1950 3 Kodak EK Medallion 8 Mag 8 Mag 1960+ 4 Kodak Brownie 8mm II Reg 8 1951-1963 5 Kodak Box EK Cine Spec II 6 Box EK Cine K-100 Turret 7 Kodak CK 16mm Mag 16mm 1936-1945 8 Kodak CK Model 8-25 8mm 1932-1947 9 Kodak CK Magazine 8 8mm 1946-1955 10 Simplex Simplex Pockette 8mm 1931- 11 Cinekon Cinekon 3 Lens Turret 8mm 1950 12 Canon G III - QL 35 1960+ 13 Canon Autofocus AF35M 35 1978 14 Graflex Graphic 35 RR 35 1955-1958 15 Bell Howell Electric Eye 127 127 1958 16 Voigtlander Vitessa 35 Vtron 50/2.0 1950 17 Bell Howell Dial 35 35 1963-1967 18 Vivitar Point & Shoot 110 110 1982 19 Kodak #2 Hawkeye Model C 120 May-30 20 Voightlander Avus 6x9 1927-1934 21 Agfa A-8 Cadet Flash 127 1940 22 Lionel Linex Stereo Camera Spec 1940's 23 ASR Foto Disc & Photo Disc Magazines 22x24 1950 24 Ansco Clipper 120 1940-1950 25 Ansco Memar 35 Apotar 1954-1958 26 Ansco Memo 35 1927 27 Ansco Ready Flash 620 1953 28 Ansco Vest Pocket D 127 1916-1923 29 Murer UF 4x4 1910 30 Kodak 1A Pocket 116 Kodex #1 1926-1931 31 Seneca RF Sensor #1 (Uno) 1910 32 Kodak Jr. Six 16 Series II 616 1937-1940 33 Kodak Six 16 Improved 616 1934-1936 34 Kodak Tourist 620 1948-1951 35 Graflex Super Graphic 4x5 4.7 Graflex Optar 1958-1973 36 Ansco No 1 Ansco Delux 120 1925-1928 37 Kodak Premo #1 3 1/4x4 ¼ 1906-1916 38 Kodak Vest Pocket AutoGraph Spec 127 1915-1926 39 Kodak No.
    [Show full text]
  • History of KODAK Cameras
    KODAK CUSTOMER SERVICE PAMPHLET • $2.00 11:1' AA-13 History of KODAK Cameras ORIGINAL ON THE MARKET FILM LIST CAMERA NAME FROM TO SIZE PRICE No. lA AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 21.00 No.3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No.1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. lA AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No.1 AUTOGRAPHIC KODAK Special Camera (Bakelite side panels) 1915 1920 120 56.00 No.1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. (Only produced for a few months) 1921 1921 120 79.00 No.1 AUTOGRAPHIC KODAK Special Camera (Model B) (knurled screw focusing) 1922 1926 120 74.00 No. lA AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No; lA AUTOGRAPHIC KODAK Special Camera (w/coupled rangefmder and Bakelite side panels) 1917 1923 116 91.00 No. lA AUTOGRAPHIC KODAK Special Camera w/coupled rangefinder, Model B (Back overlaps sides) 1923 1926 116 60.00 No. 2C AUTOGRAPHIC KODAK Special Camera w/coupled rangefinder 1923 1928 130 65.00 No.3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera (w/coupled rangefmder) 1916 1934 122 109.50 Boy Scout KODAK Camera (V.P.
    [Show full text]