Mhc Quarterly July-Sept-2015.Pdf
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Partial List of Institutional Clients
Lord Cultural Resources has completed over 2500 museum planning projects in 57+ countries on 6 continents. North America Austria Turkey Israel Canada Belgium Ukraine Japan Mexico Czech Republic United Kingdom Jordan USA Estonia Korea Africa France Kuwait Egypt Central America Germany Lebanon Morocco Belize Hungary Malaysia Namibia Costa Rica Iceland Philippines Nigeria Guatemala Ireland Qatar South Africa Italy Saudi Arabia The Caribbean Tunisia Aruba Latvia Singapore Bermuda Liechtenstein Asia Taiwan Trinidad & Tobago Luxembourg Azerbaijan Thailand Poland Bahrain United Arab Emirates South America Russia Bangladesh Oceania Brazil Spain Brunei Australia Sweden China Europe New Zealand Andorra Switzerland India CLIENT LIST Delta Museum and Archives, Ladner North America The Haisla Nation, Kitamaat Village Council Kamloops Art Gallery Canada Kitimat Centennial Museum Association Maritime Museum of British Columbia, Victoria Alberta Museum at Campbell River Alberta Culture and Multiculturalism Museum of Northern British Columbia, Alberta College of Art and Design (ACAD), Calgary Prince Rupert Alberta Tourism Nanaimo Centennial Museum and Archives Alberta Foundation for the Arts North Vancouver Museum Art Gallery of Alberta, Edmonton Port Alberni Valley Museum Barr Colony Heritage Cultural Centre, Lloydminster Prince George Art Gallery Boreal Centre for Bird Conservation, Slave Lake National Historic Site, Port Alberni Canada West Military Museums, Calgary R.B. McLean Lumber Co. Canadian Pacific Railway, Calgary Richmond Olympic Experience -
Introducing the Museum Roundtable
P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore. -
Malay Heritage Centre Media Factsheet
MALAY HERITAGE CENTRE MEDIA FACTSHEET ABOUT THE MALAY HERITAGE CENTRE Officially opened by Prime Minister Lee Hsien Loong in June 2005, the Malay Heritage Centre (MHC) showcases the history, culture and contributions of the Malay community within the context of Singapore‟s history and multi-cultural society. Re-opening on 1 September 2012, MHC‟s refurbished permanent galleries will be home to a collection of interesting artefacts that support its new focus on Kampong Gelam‟s history as a bustling port town integral to the development of the Malay community as well as Singapore‟s connections to the region. Through its exhibits, programmes and activities, MHC aspires to be a vibrant destination of historical and cultural significance for both Singaporeans and international visitors. It also hopes to honour the past of the Malay community while providing a means for the community‟s present-day expression. The Malay Heritage Centre is under the management of the National Heritage Board in partnership with the Malay Heritage Foundation. Vision To establish a sustainable destination of historical and cultural significance for visitors and the community Mission To develop the MHC, a heritage institution managed by the National Heritage Board (NHB), into a leading heritage institution and a focal point for the community 1 Key Objectives 1. To establish the MHC as a respected heritage institution through museum excellence; 2. To connect and collaborate with key stakeholders to promote Malay culture and community rootedness; 3. To conduct research to promote a deeper understanding of the MHC and its values; 4. To establish strategic partnerships with regional and international counterparts. -
Gentarasa 2016 Showcases the Significance of Malay Culture Through Traditional Performances and Poetry in Celebration of Hari Raya Aidilfitri
PEOPLE’S ASSOCIATION 9, King George’s Avenue Singapore 208581 Tel: (65) 6340 5430/5454/432/231 Fax: (65) 6348 5977 Website: www.pa.gov.sg 27 July 2016 GENTARASA 2016 SHOWCASES THE SIGNIFICANCE OF MALAY CULTURE THROUGH TRADITIONAL PERFORMANCES AND POETRY IN CELEBRATION OF HARI RAYA AIDILFITRI 18 Gentarasa performers who have excelled in both academic and cultural pursuits to receive Gentarasa Study Grant 2016 at Gala Show In conjunction with Hari Raya celebrations, Gentarasa 2016 will showcase the Malay community’s heritage, culture and customs through this cultural performance which will feature performers from all walks of life. The cast, comprising 85% local talents from the Community Centres/Clubs (CCs), includes a total of 150 artistes, both Malay and non-Malay performers coming together to promote understanding and appreciation of the Malay culture. This is one of the biggest cast participation in Gentarasa since 2002. William See is one of the 5 non-Malay performers who is very excited in performing dance on stage and will continue to support such programmes in the future. The youngest cast, Md Hasif Afiq Bin Md Ridwan, aged 6, will be involved in the martial arts performance. Md Hasif Afiq is from the Bukit Batok East CC Silat Interest Group and is his first Gentarasa performance. 2 The 100-minute flagship cultural concert by People’s Association (PA) Malay Activity Executive Committees Council (MESRA), entitled “Genggaman Jati, Menyulam Masa – Weaving Self through Time” – will perform to an anticipated 2,500 audience at the Kallang Theatre on Saturday, 30 July 2016 at 2.00pm (Matinee) and at 8.00pm (Gala Show). -
Malay Gamelan: Approaches of Music Learning Through Community Music
International Journal of Academic Research in Business and Social Sciences 2017, Vol. 7, No. 11 ISSN: 2222-6990 Malay Gamelan: Approaches of music learning through Community Music Wong Huey Yi @ Colleen Wong Department of Music and Music Education, Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris, Malaysia. Christine Augustine Department of Music and Music Education, Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris, Malaysia. DOI: 10.6007/IJARBSS/v7-i11/3562 URL: http://dx.doi.org/10.6007/IJARBSS/v7-i11/3562 Abstract This paper looked into the role of Rhythm in Bronze (RiB), a local music group in Malaysia, in community music work practices that uses Malay gamelan as the medium. The research delved into the different aspects of the approaches used to enhance music learning through community music; particularly the activities used and how they relate to Vygotsky’s theory of socialization in learning. Community music gathers people from different backgrounds. Experiences and knowledge shared helps the community through the development in terms of personal growth, self- esteem and self-confidence. These terms are just some of the aspects that community music promotes, apart from music making. Along the process of community music, creativity and expression are important in music making, as this will further develop creative thinking skills among musicians. Qualitative approaches such as observation, interview, and group’s past work were used in this research to gather information and data on how music has been taught to children through community music. Social interaction has certainly shown a big role in developing children thinking and perceptions through the activities implemented. -
1 MEDIA RELEASE Embargoed Until 4 October 2011, 7.15Pm
MEDIA RELEASE Embargoed until 4 October 2011, 7.15pm INAUGURAL MUSEUM ROUNDTABLE AWARDS CELEBRATED MUSEUM EXCELLENCE AND RECORD-BREAKING VISITORSHIP FIGURES A first ever national accolade for Singapore’s museum industry in the wake of unprecedented visitorship figures to Museum Roundtable museums SINGAPORE, 4 October 2011 – The best of Singapore‟s museums have been recognised and honoured with the launch of the inaugural Museum Roundtable (MR) Awards, an initiative by the National Heritage Board (NHB). The first national accolade dedicated to museums and galleries serves to identify and celebrate shining examples of museum excellence amongst members of the MR. The awards ceremony also celebrated record-breaking visitorship of 7.9 million to MR museums in Financial Year 2010 (FY 2010), a further increase from the 7 million of FY 2009. 2 Following the MR Awards is the annual Business of Heritage (BOH) Conference, which will once again facilitate active discussion on topics relevant to today‟s museum and heritage industry by prominent industry professionals, as well as showcase the latest heritage projects funded under NHB‟s Heritage Industry Incentive Programme (HI²P). MR Awards 2011 3 First announced in September 2010, the MR Awards aim to recognise excellence in the museum sector, celebrate museum best practices and innovation, and enhance the local and international profiles of members of the MR. Since its inception in 1996, the MR has witnessed an impressive growth in membership from 12 since its establishment, to over 50 members today. 4 The MR Awards 2011 featured a total of four winners, one for each of the four categories listed below: a. -
Malay Heri Tage Centre
Jul - Sep 2012 MALAY HERI TAGE CENTRE PROGRAMMES Name: _________________ Class: _________________ Subject: _________________ TAMAN WARISAN MELAYU _________________ ISTANA KAMPONG GELAM Managed by National Heritage Board With support from: Officially opened in June 2005, the Malay Heritage Centre (MHC) Malay Heritage Centre provides wonderful cultural exposure and community learning opportunities for Managed by the National Heritage Board visitors of all ages and interests. It acts as a vital place for the Malay community in Singapore by honouring the past and providing a means for present-day Address expression, nurturing talents and building resources for the future. The MHC is 85 Sultan Gate, Singapore 198501 part of the Singapore government’s larger plan to re-position key community Phone heritage institutions in the branding of Singapore as the global centre for the +65 63910450 various Asian diasporas. Website The Malay Heritage Foundation is working together with the National www.malayheritage.org.sg Heritage Board to develop the centre and achieve this vision. Facebook The revamped MHC will re-open to the public in September 2012. www.facebook.com/malayheritage Email For general enquiries: [email protected] For programme enquiries: [email protected] G lossary F oreword No Malay Term Definition/Translation The ninth month of the Islamic Calendar is In the last 2 quarters, the MHC introduced various forms of Malay arts 1 also the Islamic month of fasting where Muslims Ramadan refrain from eating and drinking from dawn through our monthly Neighbourhood Sketches and engaged the public to dusk. in discussions on subjects and themes related to our permanent galleries through our public lectures. -
Term-List-For-Ch4-Asian-Theatre-2
Asian Theatre: India, China, Korea, Japan, Indonesia, & Cambodia Cultural Periods and Events Theatrical Developments Persons Aryan migration & caste system Natya-Shastra (rasas & the Bharata Muni & Abhinavagupta Vedic & Gandhara Periods spectator’s liberation) Shūdraka & Kalidasa Hinduism & Sanskrit texts Islamic invasions actor-manager (sudtradhara) Buddhism (promising what?) shamanic rituals jester (vidushaka) Hellenistic influence court entertainments with string-puller (sudtradhara) Classical Period & Ashoka Jester Ming sheng, dan, jing, & chou (meanings) Theravada & Mahayana wrestling & Baixi men & women who played across gender Gupta golden age impersonations, dances, & women who led troupes Medieval Period acrobatics, sword tricks Guan Hanqing Muslim invasions small plays of song and dance Tang Xianzu Chola Dynasty Pear Garden & adjutant Li Yu Early Modern Period plays Kan’ami & Zeami Mughal Empire red light districts with shite & shite-tsure (across gender), waki, Colonial Period with British East southern dramas & waki-tsure, & kyogen India Company variety show musicals chorus of 8 men, musicians, & onstage British Raj with one star singing per stagehand (kuroko) Dramatic Performances Act act Okuni Contemporary Period complex, poetic dramas onnagata Shang, Zhou, Qin, Han, Jin, kun operas with plaintive Chikamatsu Northern & Southern, Sui, Tang, music & flowing Danjuro I Song, Yuan, Ming, & Qing melodies/dancing chanter, 3 puppeteers per puppet, & Dynasties Beijing Opera (jingju) as shamisen player nationalist & communist rulers -
Intangible Cultural Heritage in Singapore
Intangible Cultural Heritage in Singapore Living Heritage in a Multicultural Urban Environment Intangible Cultural Heritage in Singapore Living Heritage in a Multicultural Urban COVER IMAGES COURTESY OF NATIONAL HERITAGE BOARD AND YAHOO Environment Singapore shares many similar cultural practices On 22 February 2018, with countries around the region, a result of the arrival of early migrants from countries that include Singapore ratified the China, India, Indonesia and Malaysia. In turn, these early settlers brought along their cultural practices, UNESCO 2003 Convention and adapted them across generations into the ICH practices found in Singapore today. for the Safeguarding of the Over the years, Singapore has developed into a Intangible Cultural Heritage modern and multicultural urban city that is home to over 5.7 million people of different ethnicities and religions, all living and working in close proximity to (ICH) of Humanity. In doing so, one another. This multicultural urban environment has in turn encouraged ICH practices in Singapore to Singapore commits itself to the constantly evolve, often with the influences from the safeguarding and promotion of traditions, practices, and skills of other communities. This booklet will showcase the different multicultural its ICH for future generations. elements that make up Singapore’s diverse range of ICH, along with the innovative ways that members of the community have taken to ensure that ICH in Singapore is safeguarded for future generations. A selection of BOARD common breakfast food items that UNSPLASH include toasted OF HERITAGE bread, coffee and half-boiled eggs. COURTESY NATIONAL OF IMAGE COURTESY IMAGE A re-enactment of the social practices and rituals of a Peranakan wedding. -
The Values of Minangkabau Culture's Found in The
THE VALUES OF MINANGKABAU CULTURE’S FOUND IN THE MALIN KUNDANG A PAPER BY NURHAYATI REG. NO. 102202002 DIPLOMA-III ENGLISH STUDY PROGRAM FACULTY OF CULTURE STUDY UNIVERSITY OF SUMATERA UTARA MEDAN 2013 UNIVERSITAS SUMATERA UTARA Approved by Supervisor, Drs. Chairul Husni, M.Ed.TESOL. NIP: 195703081984031004 Submitted to Faculty of Culture Study University of Sumatera Utara In partial fulfillment of the requirements for Diploma-III in English Study Program Approved by Head of Diploma III English Study Program, Dr. Matius C.A. Sembiring, M.A. NIP. 19521126198112 1 001 Approved by the Diploma III English Study Program Faculty of Culture Study, University of Sumatera Utara As a Paper for the Diploma (D-III) Examination UNIVERSITAS SUMATERA UTARA Accepted by the Board of Examiner in partial of the requirements for the D-III Examination of the Diploma-DIII of English Study Program, Faculty of Culture Study, University of Sumatera Utara. The Examination is held on June 2013 Faculty of Culture Study University of Sumatera Utara Dean, Dr. Syahron Lubis, M.A. NIP. 19511013197603 1 001 Board of Examiners Signature 1. Dr. Matius C.A. Sembiring, M.A. (Head of ESP) 2. Dra. Syahyar Hanum, DPFE (Supervisor) 3. Drs. Marzaini Manday, M.SPD. (Reader) UNIVERSITAS SUMATERA UTARA AUTHOR'S DECLARATION I, NURHAYATI declare that I am the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. -
Factors Affecting Automatic Genre Classification: an Investigation Incorporating Non-Western Musical Forms
FACTORS AFFECTING AUTOMATIC GENRE CLASSIFICATION: AN INVESTIGATION INCORPORATING NON-WESTERN MUSICAL FORMS Noris Mohd Norowi, Shyamala Doraisamy, Rahmita Wirza Faculty of Computer Science and Information Technology University Putra Malaysia 43400, Selangor, MALAYSIA {noris,shyamala,rahmita}@fsktm.upm.edu.my characteristics is therefore highly sought. ABSTRACT Musical genre is used universally as a common metadata for describing musical content. Genre The number of studies investigating automated genre hierarchies are widely used to structure the large classification is growing following the increasing amounts of collections of music available on the Web. Musical digital audio data available. The underlying techniques to perform automated genre classification in general include genres are labels created and used by humans for feature extraction and classification. In this study, MARSYAS categorizing and describing the vast universe of music was used to extract audio features and the suite of tools [1]. Humans possess the ability to recognize and analyze available in WEKA was used for the classification. This study sound immediately based on instrumentation, the investigates the factors affecting automated genre rhythm and general tone. Furthermore, humans are able classification. As for the dataset, most studies in this area work to draw connections to other songs that have a similar with western genres and traditional Malay music is sound and feel. These commonalities make it possible incorporated in this study. Eight genres were introduced; Dikir for humans to classify music into different genres. Barat, Etnik Sabah, Inang, Joget, Keroncong, Tumbuk An automatic genre classification is a system that Kalang, Wayang Kulit, and Zapin. A total of 417 tracks from various Audio Compact Discs were collected and used as the allows structuring and organization of the huge number dataset. -
From Orphanage to Entertainment Venue: Colonial and Post-Colonial Singapore Reflected in the Convent of the Holy Infant Jesus
From Orphanage to Entertainment Venue: Colonial and post-colonial Singapore reflected in the Convent of the Holy Infant Jesus by Sandra Hudd, B.A., B. Soc. Admin. School of Humanities Submitted in fulfilment of the requirements of the qualification of Doctor of Philosophy University of Tasmania, September 2015 ii Declaration of Originality This thesis contains no material which has been accepted for a degree or diploma by the Universityor any other institution, except by way of backgroundi nformationand duly acknowledged in the thesis, andto the best ofmy knowledgea nd beliefno material previously published or written by another person except where due acknowledgement is made in the text oft he thesis, nor does the thesis contain any material that infringes copyright. �s &>-pt· � r � 111 Authority of Access This thesis is not to be made available for loan or copying fortwo years followingthe date this statement was signed. Following that time the thesis may be made available forloan and limited copying and communication in accordance with the Copyright Act 1968. :3 £.12_pt- l� �-- IV Abstract By tracing the transformation of the site of the former Convent of the Holy Infant Jesus, this thesis connects key issues and developments in the history of colonial and postcolonial Singapore. The convent, established in 1854 in central Singapore, is now the ‗premier lifestyle destination‘, CHIJMES. I show that the Sisters were early providers of social services and girls‘ education, with an orphanage, women‘s refuge and schools for girls. They survived the turbulent years of the Japanese Occupation of Singapore and adapted to the priorities of the new government after independence, expanding to become the largest cloistered convent in Southeast Asia.