Okoshiyasu Higashiyama Okoshiyasu Higashiyama
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Inside the Secret World of the Geisha
2019 Spring Semester Inside the Secret World of the Geisha Section 1 Instructor/Title Professor Arif Iqball 【Course Outline / Description】 Painted by Picasso, sculpted by Rodin, entertainers to Queen Elizabeth, Prince Charles, and US Presidents, yet the role and image of the Japanese Geisha has often been misinterpreted outside Japan, and has shaped Western stereotypes about Japan and Japanese women. Being historically closed in a world of secrecy, not many Japanese either have been able to get access to this world with its own rules and etiquette, and with very little documentation. This course examines the primary role of the Geisha in Japan as an artist and an entertainer encompassing a variety of important social, cultural, and historical elements. Leveraging the instructor’s personal connections and research, a field trip to a seasonal dance performance, and conversations with current Geisha, as well as use of academic literature and visual documentation including historical photographs, documentaries and movie representations, this course attempts to provide a complete cultural experience to the Asian and Japanese Studies student on the true role and place of these artists in Japanese culture, and in a traditional world which runs parallel (and yet is completely different than) to the modern Japanese world of manga, anime, and robots. With emphasis on the Geisha of the five Kagai (performance districts) in Kyoto, this course not only explores the historical and cultural elements, but also introduces this relatively unknown and closed -
Meet "Maiko" in Gion and Kyoto One Day Bus Tour Includes Round Trip Bus Fares, Lunch, Keihan Train Tickets, and Hankyuu Train Tickets
No.12 : November 2020 ～ December 2021 1009 Meet "Maiko" in Gion and Kyoto One Day Bus Tour Includes round trip bus fares, lunch, Keihan Train tickets, and Hankyuu Train tickets. N ※Any additional cost would be at your own expense. O ※Meeting time is 8：20 at Umeda, 8:25 at Nippombashi, 8：50 at Namba, and 9:05 at Kyoto station. T ※Bus will leave according to the schedule, and will not wait for late arrivals. I C ※Smoking is not allowed in the bus. Thank you for your cooperation. E ※Itinerary is subject to change depending on the weather, traffic conditions, etc. ※We recommend you to wear a comfortable shoes since this tour has a long walk in Gion area. Detailed Itinerary Umeda Nippombashi Namba Kyoto Hearton Hotel Nishi-Umeda 1F Lobby → In front of Tsurutontan restaurant → Namba OCAT 1F JR Kyoto station 8：20 Meet 8：30 Dep. 8：25 Meet 8：35 Dep. 8：50 Meet 9：00 Dep. 9：05 Meet 9：15 Dep. Keihan Train Meet Maiko , Lunch ( Chanko Nabe ) Fushimi Inari Taisha → Fushimi-Inari to Gion-Shijo → Gion ( Hanamikoji & Yasaka Shrine ) 10：00 ～ 11：00 11：17 Dep. 11：24 Arr. 11：35 ～ 14：50 Hankyuu Train Arashiyama Namba Nippombashi Umeda Kyoto Station Kawaramachi to Arashiyama → → → → 14：50 Dep. 15：07Arr. 15：10 ～ 16：50 18：30 ETA 18：45 ETA 19：15 ETA 17：40 ETA Meet Maiko Activity detail Maiko Performance Maiko Questionaire Corner Picture with Maiko Ozashiki Asobi Experience → → → 13:10 ～ 13:20 (10Mins) 13:20 ～ 13:35 (15Mins) 13:35 ～ 13:50 (15Mins) 13:50 ～ 14:10 (20Mins) ※Customers depart from Kyoto station will travel to Inari station by JR train with our Tour Guide. -
Kyoto Sightseeing Route
Imamiya-jinja Nearest bus stop ❾● Nearest bus stop ❾● Eizan Elec. Rwy. Specialty Shrine For Shimogamo-jinja Shrine For Ginkaku-ji Templeダミー銀閣寺の説明。□□□□□□□□□□□□□□□□□□□□□□□□□ Free Wi-Fi on board Operate every 5～10 min. Operate every 5～10 min. ( to Kibune/Kurama) Specialty SSID：skyhopbus_Free PW：skyhopbus ABURI MOCHIダミー金閣寺の説明。□□□□□□□□□□□□□□□□□□ □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□ 1 2 GOLD LEAF aitokuji 【Kyoto City Bus】 【Kyoto City Bus】 yoto ta. arasuma ojo roasted□□□□□□□□□□□□□□□□□□□□□□□□□□□□D □□□□□□□□□□□□□□□□□ Sky Hop K S K G SOFT CREAM rice cakes Bus route No.203 & No.102 BusKita-Oji route St. No.203 & No.102 □□□□□□□□□□□□□□□□□□□□□□□□□□□□Temple Bus □□□ Koto-in Karasuma Imadegawa Demachiyanagi Sta. Karasuma Imadegawa Ginkakuji-michi Ichijoji Sta. SKYHOP BUS Kyoto With Kyoto as the gateway to Hotel New Kyoto Tower ↑ Nearby Byodo-ji Temple was Temple 8 ※Walking about 3 min. from❾ ※Walking about 12 min. ※Walking about 3 min. from❾ ※Walking about 10 min. ダミー下鴨神社の説明。□□□□□□□□□□□□□□□□□ history, the station features a Hankyu Kyoto Hotel established when a statue of 2 Ryogen-in Temple to Shimogamo-jinja Shrine to Ginkaku-ji Temple (1 trip 99 min./every 30 min.) Kinkakuji 7 廬山寺 □□□□□□□□□□□□□□□□□□□□□□□□□□□□ Japanese Go board tile design. Yakushi Nyorai was drawn from ※A separate fare fromShimei the SkySt. Hop Bus Kyoto ticket is ※A separate fare from the Sky Hop Bus Kyoto ticket is Gojo Shimogamo Hon-dori St. Hon-dori Shimogamo □□□□□□□□□□□□□□□□□□□□□□□□□□□□ required. This fareKarasuma St. is 230 yen (one way). required. This fare is 230 yen (one way). Visitors from abroad will the sea and enshrined in 997. Temple □□□□ 500m 法然院 Subway Karasuma Line ダミー銀閣寺の説明。□□□□□□□□□□□□□□□□□□□□□□□□□ Tomb of Murasaki Shikibu 1 appreciate the large tourist Information 京都The principle image of Yakushi □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□ Central Gojo St. -
Rites of Blind Biwa Players
ASIA 2017; 71(2): 567–583 Saida Khalmirzaeva* Rites of Blind Biwa Players DOI 10.1515/asia-2017-0034 Abstract: Not much is known about the past activities of blind biwa players from Kyushu. During the twentieth century a number of researchers and folklorists, such as Tanabe Hisao, Kimura Yūshō,KimuraRirō,Nomura(Ga) Machiko, Narita Mamoru, Hyōdō Hiromi and Hugh de Ferranti, collected data on blind biwa players in various regions of Kyushu, made recordings of their performances and conducted detailed research on the history and nature of their tradition. However, despite these efforts to document and publicize the tradition of blind biwa players and its representatives and their repertory, it ended around the end of the twentieth century. The most extensively docu- mented individual was Yamashika Yoshiyuki 山鹿良之 (1901–1996), one of the last representatives of the tradition of blind biwa players, who was known among researchers and folklorists for his skill in performing and an abundant repertory that included rites and a great many tales. Yamashika was born in 1901 in a farmer family in Ōhara of Tamana District, the present-day Kobaru of Nankan, Kumamoto Prefecture. Yamashika lost the sight in his left eye at the age of four. At the age of twenty-two Yamashika apprenticed with a biwa player named Ezaki Shotarō 江崎初太郎 from Amakusa. From his teacher Yamashika learned such tales as Miyako Gassen Chikushi Kudari 都合戦筑紫 下り, Kikuchi Kuzure 菊池くづれ, Kugami Gassen くがみ合戦, Owari Sōdō 尾張 騒動, Sumidagawa 隅田川 and Mochi Gassen 餅合戦. After three years Yamashika returned home. He was not capable of doing much farm work because his eyesight had deteriorated further by then. -
Kaempfer's Album of Famous Sights of Seventeenth Century Japan
KAEMPFER'S ALBUM OF FAMOUS SIGHTS OF SEVENTEENTH CENTURY JAPAN YU-YING BROWN WITHIN the covers of a large and weighty album bound in western style and preserved in The (Western) Manuscript Collections of the British Library (Add. MS. 5252; bearing Sloane's old classification 'Bibliothecae Sloanianae Min. 47') are to be found three groups of curiously varied material. The first consists of a series of fifty Japanese paintings executed in brilhant colours and in gold, each on paper measuring 215 x 322 mm. (ff. 1-50). They depict famous sights of Japan enlivened by vignettes of people engaged in a variety of activities, though mostly pleasure outings or pilgrimages to shrines, temples and scenic spots. The second comprises seven Japanese figure drawings mounted on ff. 53-59, together with three padded applique pictures (ff. 68-70), now identified as oshie (pressed pictures). The third group seems to be entirely Chinese in origin. It consists of twenty-six floral and figure pictures in silk brocade or embroidery (ff. 51, 52, 60-67, i00"i5)- These otherwise unrelated groups of items have one thing in common. They were all smuggled out of Japan in 1692 by the German physician and traveller, Dr Engelbert Kaempfer (1651-1716), and have all, until recently, lain dormant, in pristine condition, among the British Museum's foundation collections.^ This paper seeks to introduce the first and major part of the album only, namely the remarkable set of fifty miniature paintings. These are of unique importance for all historians of Japanese art and culture as well as for specialists in 'Kaempfer studies'. -
Prolegomenon to Geisha As a Cultural Performer: Miyako Odori, the Gion School and Representation of a Traditional" Japan
(159) Prolegomenon to Geisha as a Cultural Performer: Miyako Odori, The Gion School and Representation of a Traditional" Japan Manko Okada 1. Introduction In this paper, I would like to present an aspect of geisha that has been largely ignored in English literature. ′rhat is the geisha's professional identity as a "performer" of Japanese culture. ¶le common-run image of geisha is exotic, mysterious, and sexual, but is not sufficiently cultural. In the West, the image of geisha has been created through stage performances,丘Ims, and novels. Puccini's famous opera Madame Butterfly, John Huston's五Im The Barbarian and a Geisha (1958) and Jack Cardiff's My Geisha (1962) are the famous examples that have helped to formulate the image of geisha. People recognize geisha as a hostess who serves alcohol at banquets and entertains her guests with witty conversations and heart-warming care. Sometimes, a geisha is recognized as a high-class prostitute who seeks a chance to become a mistress of a wealthy man. I do not mean to say these images are incorrect, but I would like to emphasize that血ey alone cannot caphre the whole picture of a woman who works as a geisha. 2. Dominant Image of Geisha ¶lere is one example that has shown this strong bias. In 2001, an ex-geisha, Mineko Iwasaki sued the novelist Arthur Golden and the publishing company Alfred A. Knopf for defamation, breach of contract and copyright violation.1 Golden is the author of Memoirs of Geisha, which was the 1997 best-selling novel. Golden referred to Iwasaki in the acknowledgments as the most helpful informant for the novel. -
The Omotenashi of an English-Speaking Geisha in Kyoto
Feature The Art of Emotion: Japanese Entertainment and Hospitality THE OMOTENASHI OF AN ENGLISH-SPEAKING GEISHA IN KYOTO Speaking English allows Tomitsuyu to share the culture of Kyoto's "flower towns" with international visitors NFLUENCED by her family of TOMOKO NISHIKAWA kimono craftsmen, the geiko I known as Tomitsuyu grew up The “flower town” district of Gion in Kyoto is wheregeiko and feeling close to Japanese traditional maiko in glamorous kimono enchant people with their talents, cultural elements such as kimono elegance and grace. In this district representative of Kyoto, one geiko and period plays. However, the in particular shines through her use of two languages: kyo-kotoba, a young girl was also interested in vernacular of Japanese only spoken in this area, and English. the world unknown to her. Wanting to learn about different cultures, she left Kyoto where she’d been born and raised and flew to attend a school in New Zealand. In the lilting tones of the Kyoto dialect, Tomitsuyu explains why she chose to return to Japan and become a geiko after experiencing the world outside Japan. “There were many international students from various countries at the school I attended, including Germany, Brazil and China,” she recalls. “They all knew Tomitsuyu believes that being adaptable to the requirements of about their own countries very well, the moment is at the heart of true hospitality but I knew nothing about Japan. 14 highlighting japan “I was born in Kyoto, a city blessed with history and tradition, and knowing nothing about it embarrassed me,” she continues, “which made me interested in jobs related to Japanese traditions. -
Thesis Title: Shimenawa: Weaving Traditions with Modernity – Interdisciplinary Research on the Cultural History of Japanese Sacred Rope
Thesis Title: Shimenawa: Weaving Traditions with Modernity – Interdisciplinary Research on the Cultural History of Japanese Sacred Rope Shan Zeng, Class of 2019 I have not received or given unauthorized assistance. 1 Acknowledgements I would like to express my greatest appreciation to my advisors Professor Morrison and Professor Laursen, as well as Professor Sassin and Professor Garrison, without whose support this project would not have come to fruition. I also want to thank my Japanese instructors Hayasaka sensei, Takahashi sensei, and Cavanaugh sensei, whose exceptional language classes gave me the courage and competence to conduct fieldwork in Japanese. My thanks go to Professor Milutin for patiently sifting through emaki and ancient Japanese poems with me and to Professor Ortegren for sharing her experiences on ethnographic fieldwork. I would also like to thank my first-year advisor Professor Sheridan, and all the other faculty and staff from the Middlebury Department of Religion and Department of History of Art and Architecture for their valuable feedback and support. I extend my special thanks to the following people, who not only graciously accepted my interviews but showed me the incredible hospitality, kindness and patience of the Japanese people: Orihashi san and her fellow colleagues at Nawawaseya, Shiga san and his family, Nagata san of Izumo Oyashiro, Nasu san and his colleagues at Oshimenawa Sousakukan, Matsumoto San, Yamagawa san and his father at Kyoto, Koimizu san, Takashi san, Kubishiro and his workshop, and Oda san. My appreciation goes to all the other people who have helped me one way or another during my stay in Japan, from providing me food and shelter to helping me find my lost camera. -
Text Translations 1 5 6 7
TEXT TRANSLATIONS 1 5 6 7 4 3 1 2 PLAN OF THE GALLERY LIFE IN EDO X RUSSEL WONG IN KYOTO 1 Russel Wong in Kyoto Japan, particularly Kyoto, has always drawn and inspired local and international photographers. Russel Wong’s interest in photographing Kyoto and its geisha community began during a visit to Tokyo in 2005 to shoot publicity photographs for Watanabe Ken when he was starring in Memoirs of a Geisha (2005). Kyoto came up during their conversation and this rekindled Wong’s passion to dig deeper. The film received mixed reviews; mostly disapproval and disdain from the geisha community in Kyoto. Despite its controversies, the film has contributed in recent years to public perceptions of and curiosity about Japanese geisha (Kyoto dialect, geiko). Wong feels that perhaps his photographs can give the geiko community – which hardly speaks and is seldom seen – a voice for an international audience. Geiko community The geiko community in Kyoto is a closed group and the traditional system of ichigen- san okotowari, “turning away first-timers” still rules in most teahouses today. It took Wong five years to gain access to the geiko communities in all five kagai (geisha districts, also known as hanamachi) in Kyoto. Inspired by woodblock prints In making this body of work, Wong was inspired by Edo-period woodblock prints by Kitagawa Utamaro, Katsushika Hokusai, and Utagawa Hiroshige. He was particularly drawn to the compositions, how the elements of the image work together, and by the silhouettes and portraits of the women depicted in them. Wong’s photographs are infused with his own sense of nostalgia. -
To Be Enjoyed in February 2012
1. Published by Tourist Information Center of Japan National Tourism Organization and all rights reserved. Reproduction in whole or in part without written permission is prohibited. ©2012 Japan National Tourism Organization. 2. Dates and functions are subject to change without notice. Be sure to check the latest information in advance. 3. Events marked with ◎ are the major events. 4. Date of events marked with ◇ are the same every year. 5. Japanese explanations appearing at the bottom of each entry give the names of the event and the nearest railway station in Japanese. Point to this Japanese when you need help from a Japanese passerby. 6. Please refer to URL (basically in Japanese) for each event. 7. The subway Line and Station Number are indicated in parentheses( ). Note: The Internet Website of Japan National Tourism Organization is available at <http://www.jnto.go.jp>. Calendar Events to be enjoyed in February 2012 A. Tokyo 東京 Date Jan.29 ～ Mar.18 Tsubaki Matsuri or Camellia Festival on Oshima Island. Various species of camellia are usually in bloom during the festival period on this island. A demonstration of folk dance and Taiko drumming is held at Motomachi Port from 7:30 pm to 9 pm on Fridays, Saturdays, Sundays and national holidays between Feb. 12th and Mar. 18th. <http://www.izu-oshima.or.jp/info/event/eventinfo.html> Access (1) 8 hrs. by Tokai Kisen ferryboat or 1 hr. 45 min. by hydrofoil boat from Takeshiba Pier to Oshima Island (The Yurikamome Line from Shimbashi Sta. to Takeshiba Sta., or the JR Yamanote Line to Hamamatsucho Sta., and then walk 7 min.) (2) 30 min. -
Winter Delights
WINTER DEC–MAR 2018/19 No. 220 Free WESTERN JAPAN’S PREMIER VISITOR’S GUIDE Winter Delights Sake, skiing, spas and snowcrab Plus Inside… WHAT’S ON Explore Sights Food & Drink Discover EAT & DRINK A PERFECT LONG BEST SPOTS HOW SAKE IS KINOSAKI’S SEVEN SIGHTSEEING WEEKEND IN NARA FOR WINTER MAKING ITS HEALING SPRINGS SNOWSCAPES COMEBACK MAPS Discover Hiroshima’s Scenic Beauty YOICHI SHIDAREZAKURA CHERRY BLOSSOM A stunning 12m tall weeping cherry sitting atop a small in Akiota-cho hillock is lit up during its brief, but spectacular spring bloom OSORAKAN SNOW PARK Japan’s southernmost ski resort, offering long runs for all Breathtaking views, fabulous levels of skiers and snowboarders, as well as snow trekking and igloo building hiking, exciting snow sports and relaxing hot spring accommodation await SANDANKYO GORGE A stunning 13km river gorge, awarded 3 stars by the French travel guide Blue Guide and selected as one of the top 100 scenic beauty spots in Japan INI TANADA Picture-perfect terraced paddy fi elds, offering stunning photo opportunities year-round Nukui Springs Hotel Offers traditional outdoor hot spring baths overlooking Lake Ryuki in Kyoto Hiroshima’s Akiota-cho. Relax in comfortable western style or Japanese Himeji Okayama Osaka tatami mat rooms and enjoy our award-winning French dining. Akiota-cho Kobe Hiroshima Address: 4692-7, Kake, Akiotacho, Yamgatagun, Hiroshima 731-3501, Japan Tel: +81 (0)826-22-1200 Access: 1 hour by car from Hiroshima IC RESERVATIONS www.nukui-sp.com CONTENTS 26 Winter Dec / Jan / Feb 10 30 Features KANSAI FINDER 08 23 32 Events & Festivals Kansai’s Snowy Vistas Nara’s Cocktail Kings Where to experience the best of the region’s RASTA MUSICK winter snowscapes. -
Chapter I: Introduction ………………………………………… 1
GEISHA CULTURE MAINTENANCE IN ARTHUR GOLDEN’S MEMOIR OF A GEISHA THESIS Presented as a partial fulfillment of the requirements for the completion of Strata 1 Program of English Department Specialized in Literature By Pandu Patria Rhezatama C11.2008.00924 FACULTY OF HUMANITIES DIAN NUSWANTORO UNIVERSITY SEMARANG 2012 PAGE OF APPROVAL This thesis has been approved by Board Examiners, Strata 1 Study Program of English Department, Faculty of Humanities Dian Nuswantoro University on August 30th, 2012. Board of Examiners Chairperson First Examiner Haryati Sulistyorini, M.Hum. Sarif Syamsu Rizal, M.Hum. First Advisor Second Advisor as Second Examiner as Third Examiner Neni Kurniawati, M.Hum. Muhammad Rifqi, S.S., M.Pd. Approved by Dean of Faculty of Humanities Achmad Basari, S.S. M.Pd ii STATEMENT OF ORIGINALITY I certify that this thesis is absolutely my own work. I am completely responsible for the content of this thesis. The content of this thesis does not incorporate to any materials previously written or published by another person except those indicated in quotations and bibliography. Semarang, August 30th 2012 Pandu Patria Rhezatama iii MOTTO We Are Anonymous We Are Legion We Do Not Forgive We Do Not Forget Expect Us (Anonymous) iv DEDICATION This thesis is dedicated to: Allah SWT, who gives all the blessing for me to live on this world My parents, who always give me their love, pray, and support My beloved little sister and my little twin brother. My best friend: Titis, Rahastomo, Janet, Ayak, Imam, Okta, Ardian, Josha (Thank you for the support and the moment we spent together).