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Nhk World Tv | Asia 7 Days
NHK WORLD TV | ASIA 7 DAYS Home News TV Radio & Podcast Japanese Select language Lessons Corporate Info Sitemap Contact Us FAQ Home > TV > ASIA 7 DAYS TV Programs ASIA 7 DAYS TV Schedule TV Schedule View Full Schedule Program Info Archives How to Watch Other TV Program Anchors & Programs by Genre Reporters Program A-Z Sun. 14:10 - 14:40 (UTC) etc. FAQ Recommended Asia is a region of multiple ethnicities and What kind of channel is diverse culture. Each region has its own social NHK WORLD TV? / What structures and political systems, differs in the kind of channel is NHK stages of their development. ASIA 7 DAYS WORLD PREMIUM? / What wraps up major issues of Asia, in relation to is the difference between Hosted by Susumu Shimokawa the news occurred in that week. NHK WORLD TV and NHK English WORLD PREMIUM? NEWSLINE How Can I receive NHK Topics of the Week: Broadcasting every WORLD TV and NHK day on the hour WORLD PREMIUM? Mar. 27, Sun. 14:30 - 15:00 (UTC) etc. every hour Great Japan Quake: View from Asia Broadcast every day, FAQ List NEWSLINE provides Many foreigners from other parts of Asia are affected by the March 11 earthquake and detailed updates on the tsunami. Tens of thousands of Chinese, Filipinos and Thais live in the Tohoku disaster zone, ever-changing news in an easy-to-follow manner, where 25,000 people are so far believed dead or missing. For many of the foreign survivors -- focusing mainly on Japan workers, students and spouses -- the ordeal is far from over. -
Giovanni Ridolfi RAI – Technological Strategies
Global Forum - Shaping the future Venezia, 5-6 November 2007 “Towards HDTV and beyond …” Giovanni Ridolfi RAI – Technological Strategies Strategie Tecnologiche 1 Summary 9From TV to HDTV 9Technological developments 9Value chain impacts 9Beyond HDTV Strategie Tecnologiche 2 TV is a long-standing improving technology Berlin Olympic games (1936): 180 rows HD BBC (1937): 405 rows NTSC (1949): 525 rows PAL (1963): 625 rows SD HDTV: 1000 rows Strategie Tecnologiche 3 HDTV facts 9 Spatial resolution: ) 576 x 768 → 1080 x 1920 9 Wide format: ) 4/3 → 16/9 9 Rich audio: 9 Uncompressed = 1.5Gbps ) Stereo → Multichannel 9 Compressed 9 Stability of images: ) MPEG-2 = 18 Mbps ) MPEG-4 AVC = 9 Mbps ) 25 → 50 fps ) Interlaced → progressive HDTV experience requires high bandwith and new equipments to be really enjoyed ! Strategie Tecnologiche 4 Public Broadcasters are supposed to pioneer technology 9 In early 80s RAI pioneered HDTV production: ) 1983: “Arlecchino” (cinematography by Vittorio Storaro); ) 1986: “Giulia and Giulia” (directed by Peter Del Monte); 9 In 1986, RAI and NHK jointly performed technical tests and demonstrations with early HDTV system; 9 In 1990 (Italia-90 World Soccer Cup) RAI transmitted 17 games in HDTV with the first digital compression system via satellite (joint project Rai Research Center – Telettra)); 9 In 2006 (Turin Olympic Winter Games) RAI was the first worldwide broadcaster to transmit HDTV and Mobile TV combined on a single digital terrestrial channel. Strategie Tecnologiche 5 RAI for HDTV now 9 High quality productions, -
Japan Tsunami Marine Debris Overview and Update to Congress | August 2013
Photo credit: Hawaii Department of Land and Natural Resources Photo credit: Peter Mark Photo Credit: Kevin Head Severe Marine Debris Event Report: Japan Tsunami Marine Debris Overview and Update to Congress | August 2013 TABLE OF CONTENTS Introduction .......................................................................................................... 5 Background .......................................................................................................... 6 Potential Impacts .............................................................................................. 8 National Efforts: Monitoring .................................................................................. 10 National Efforts: Federal Coordination .......................................................... 12 National Oceanic and Atmospheric Administration, DOC ...................... 12 Bureau of Land Management, DOI .......................................................... 15 Department of State .................................................................................. 16 Fish and Wildlife Service, DOI .......................................................... 16 National Park Service, DOI ...................................................................... 18 U.S. Coast Guard, DHS ...................................................................... 18 U.S. Environmental Protection Agency .............................................. 19 U.S. Forest Service, USDA ..................................................................... -
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internet resources John H. Barnett Global voices, global visions International radio and television broadcasts via the Web he world is calling—are you listening? used international broadcasting as a method of THere’s how . Internet radio and tele communicating news and competing ideologies vision—tuning into information, feature, during the Cold War. and cultural programs broadcast via the In more recent times, a number of reli Web—piqued the interest of some educators, gious broadcasters have appeared on short librarians, and instructional technologists in wave radio to communicate and evangelize the 1990s. A decade ago we were still in the to an international audience. Many of these early days of multimedia content on the Web. media outlets now share their programming Then, concerns expressed in the professional and their messages free through the Internet, literature centered on issues of licensing, as well as through shortwave radio, cable copyright, and workable business models.1 television, and podcasts. In my experiences as a reference librar This article will help you find your way ian and modern languages selector trying to to some of the key sources for freely avail make Internet radio available to faculty and able international Internet radio and TV students, there were also information tech programming, focusing primarily on major nology concerns over bandwidth usage and broadcasters from outside the United States, audio quality during that era. which provide regular transmissions in What a difference a decade makes. Now English. Nonetheless, one of the benefi ts of with the rise of podcasting, interest in Web tuning into Internet radio and TV is to gain radio and TV programming has recently seen access to news and knowledge of perspec resurgence. -
This Is NHK 1976-77. INSTITUTION Japan Broadcasting Co., Tokyo PUB DATE 76 NOTE 36P
DOCUHENT RESUSE ED 129 272 IR 004 054 TITLE This is NHK 1976-77. INSTITUTION Japan Broadcasting Co., Tokyo PUB DATE 76 NOTE 36p. EDRS PRICE MF-$0.83 HC-$2.06 Plus Postage. DESCRIPTORS *Annual Peports; Audiences; *Broadcast Industry; Educational Radio; Foreign Countries; Production Techniques; Programing (Broadcast); *Public Television; Television Surveys IDENTIFIERS *Japan; NHK; *Nippon Hoso Kyokai ABSTRACT Nippon Hoso Kyokai (NHK), the Japanese Broadcasting Corporation, operates two public television, two medium wave radio and one VHF-FM public radio networks. NHK derives its support from receiver fees. Under the 1950 Broadcast Law which established NHK as a public broadcasting organization the Prime Minister appoints NHK's Board of Governors and the National Diet approves its budget. The government is restrained under the law from interfering with programing, however. NHK broadcasting standards are supplemented by extensive public surveying in making programing determinations. News, educational, cultural and entertainment programs plus special documentaries are presented over NHK stations. NHK's overseas system broadcasts in 21 languages. The network operates a Radio and TV Culture Research Institute and a Public Opinion Research Lab in addition to technical research division. Since 1972 NHK has had a budget deficit. New management techniques and higher fees have recently been instituted. Appendixes to the corporation report include public opinion data, technical descriptions, and a brief history of NHK. (KB) THIS IS NHK 1976-77 Nippon -
Media Industries You Will Need to Consider
Media Studies - TV Student Notes Media Industries You will need to consider: • Processes of production, distribution and circulation by organisations, groups and individuals in a global context. • The specialised and institutionalised nature of media production, distribution and circulation. • The significance of patterns of ownership and control including conglomerate ownership, vertical integration and diversification. • The significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products. • How media organisations maintain, including through marketing, varieties of audiences nationally and globally. • The regulatory framework of contemporary media in the UK. • How processes of production, distribution and circulation shape media products. • The role of regulation in global production, distribution and circulation. • Regulation (including Livingstone and Lunt) at A level. • Cultural industries (including Hesmondhalgh) at A Level. No Burqas Behind Bars This should be linked where relevant to • Social, • Cultural, • Economic, • Political and • Historical contexts. • The significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • The growing importance of co-productions (including international co-productions) in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes • The way in which production values -
THE MIT JAPAN PROGRAM I~~~~~~~~A
THE MIT JAPAN PROGRAM i~~~~~~~~A 0; - -) 'V3 ··it Science, Technology, Management kit 0-~ .Z9 EXPLORING THE INTERSECTION OF GOVERNMENT, POLITICS AND THE NEWS MEDIA IN JAPAN: THE TSUBAKI HA TSUGEN INCIDENT Paul M. Berger MITJP 95-04 Center for International Studies Massachusetts Institute of Technology --IIICI--l,.-..-.- --------- Exploring the Intersection of Government, Politics and the News Media in Japan The Tsubaki Hatsugen Incident Paul M. Berger MITJP 95-04 Distributed Courtesy of the MIT Japan Program Science Technology * Management Center for International Studies Massachusetts Institute of Technology Room E38-7th Floor Cambridge, MA 02139 phone: 617-253-2839 fax: 617-258-7432 © MIT Japan Program 1_ 9___0_1____ YII_ IX____ __ About the MIT Japan Program and its Working Paper Series The MIT Japan Program was founded in 1981 to create a new generation of technologically sophisticated "Japan-aware" scientists, engineers, and managers in the United States. The Program's corporate sponsors, as well as support from the government and from private foundations, have made it the largest, most comprehensive, and most widely emulated center of applied Japanese studies in the world. The intellectual focus of the Program is to integrate the research methodologies of the social sciences, the humanities, and technology to approach issues confronting the United States and Japan in their relations involving science and technology. The Program is uniquely positioned to make use of MIT's extensive network of Japan-related resources, which include faculty, researchers, and library collections, as well as a Tokyo-based office. Through its three core activities, namely, education, research, and public awareness, the Program disseminates both to its sponsors and to the interested public its expertise on Japanese science and technology and on how that science and technology is managed. -
Accountability in Public Service Broadcasting: the Evolution of Promises and Assessments
Accountability in Public Service Broadcasting: The Evolution of Promises and Assessments NAKAMURA Yoshiko Today, the world’s public service broadcasters, including NHK in Japan, are increasingly called upon to define their remits and make them public, and to present the assessments as to whether they are indeed being carried out. Since public service broadcasters throughout the world operate with funds collected through license fees (receiving fees in Japan) or public funds such as govern- ment subsidies, they are obliged to be accountable to the audiences and citi- zens paying for the service. Until now, public service broadcasters have sought to ensure accountability by meeting institutional requirements such as publication of mandatory annual reports and accounts, handling of audience complaints, and responses to audience needs through broadcasting commit- tees. Public service broadcasters obviously need to be accountable in order to maintain trust with their audiences. This basic assumption is shared by European media scholars and researchers. Cultural Dilemmas in Public Service Broadcasting, by Gregory Ferrell Lowe and Per Jauert (Lowe and Jauert, 2005), which not only focuses on public service broadcasting quality, performance assessment, and the need for accountability but also suggests possible strategies for public service broadcasters in the face of a changing media environment, offers valuable thought on these issues. This paper will present case studies of the initiatives taken by public broadcasters in Sweden, Denmark, the U.K., and Japan regarding accountability and discuss mainly institutional reforms for strengthening accountability. REASONS FOR STRENGTHENING ACCOUNTABILITY Since the 1990s, advances in cable television technology and the availability of satellite broadcasting have made it possible for broadcasters across the world to provide multiple channels. -
DOCUMENT RESUME Educational Broadcasts Of
DOCUMENT RESUME ED 067 884 EM 010 375 TITLE Educational Broadcasts of NHK; Special Issue of NHK Today and Tomorrow. INSTITUTION Japanese National Commission for UNESCO, Tokyo. PUB DATE Oct 72 NOTE 42p. EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS Children; Correspondence Courses; *Educational Radio; Educational Television; *Home Study; *Instructional Television; *Programing (Broadcast); Telecourses; *Televised Instruction IDENTIFIERS Japan; NHK; Nippon Hoso Kyokai ABSTRACT Nippon Hoso Kyokai (MR), the Japan Broadcasting Corporation, is the only public service broadcasting organization in Japan. This booklet lists the schedule of courses offered by NHK on educational television and radio for 1972. A wide range of instructional broadcasts are offered. For school children from kindergarten through high school, programs cover the Japanese language, science, social studies, English, music, art, ethics, technical questions, and home economics. Programs are also offered for correspondence education at senior high school and college levels. There are also special programs for physically or mentally handicapped children. In addition, the networks present cultural and special interest classes which are not connected to formal courses. The goals of NHK programing in each of these areas is discussed briefly. (JK) U S DEPARTMENT OF HEALTH. EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEH REPRO DUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION CMG INATING IT POINTS OF VIEW OR OPIN IONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDU CATION POSITION OR POLICY 1 A Special Issue of NHK TODAY AND TOMORROW OCTOBER 1972 PUBLIC RELATIONS BUREAU NIPPON HOSO KYOKAI (JAPAN BROADCASTING CORPORATION) TOKYO, JAPAN THE ANNUAL REPORT OF THE EDUCATIONAL BROADCASTS OF NHK FOR FISCAL YEAR 1972 PABLIC RELATIONS BUREAU NHK (JAPAN BROADCASTING CORPORATION) 2-2-3 UCHISAIWAI-CHO, CHIYODA-KU, TOKYO TEL. -
Racing by Local Governments in Japan 2020
Racing by Local Governments In Japan 2020 A brief history of horse racing in Japan ……………………………… 1 Races and racecourses ………………………………………………………… 4 Promotion …………………………………………………………………………… 10 The National Association of Racing (NAR) …………………………… 16 Friendly international exchange ………………………………………… 24 Ban-ei (Draft Horse Racing) …..…………………………………………… 27 Attendance and Turnover in 2020 ……………………………………… 28 The listed races by local governments in 2020 …………………… 29 Tokyo and Hakodate. In 1888, with Japan Race Club A brief history of (formerly Yokohama Race Club) having put for the first time in Japan one-dollar betting tickets on sale for club-sponsored races in Yokohama, the popularity of horse racing in Japan Western-style racing grew throughout the country. Roots of racing by local governments Presently, horse racing in Japan is classified into 2 Racing by local governments developed mainly as a form categories: racing conducted by the Japan Racing of public entertainment, from the ceremonial horse Association (JRA), and racing conducted by local racing which had been dedicated since ancient times to governments on the prefectural and municipal level. JRA local temples and shrines at festivals around Japan. racing provides revenue to the national treasury, and The recorded history of racing in Japan can be traced as racing by local governments provides revenue to certain far back as 701 A.D., during the reign of the Emperor designated local governments. Mommu. As time passed, horse racing developed into such Imperial Court-sponsored forms as “Kurabe-uma” European-style horse racing introduced in Japan (“match races”) at Butokuden Pavilion, races for religious at the end of the Edo Period ceremonies at Kyoto’s Kamo Jinja, and other shrines, and It was in 1861, towards the end of the era of the road races sponsored by court nobles. -
Tokyo Mx Tv Guide
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Nippon Television Network Prepares for 4K
Adobe Customer Story Nippon Television Network prepares for 4K. Japanese broadcaster implements a cost-effective solution based on Adobe Creative Cloud to create a dynamic and efficient workflow for 4K broadcasts. “Adobe Creative Cloud for enterprise offers us a cost-effective way to provide everyone with the applications they need.” Toru Fujihara, Associate Managing Director, technical operations department, engineering & technology division, Nippon Television Network Corporation SOLUTION RESULTS Adobe Creative Cloud for enterprise PROFESSIONAL PROGRAM NATIVE RESOLUTION EXPANDED WORKFLOWS FULL ACCESS Created a cost-efficient Viewed native resolution 4K Improved ability to work Provided all designers with but professional grade 4K footage on a single screen with different camera creative applications on their workstation without conversion footage and codecs for workstations, eliminating the more flexibility need for shared workspaces Adobe Customer Story Nippon Television Network Corporation Established in 1952 Employees: 1,199 Tokyo, Japan www.ntv.co.jp/english CHALLENGES Toru Fujihara Ayato Fujii Yasuo Tsutsumi Associate Managing Director, CG designer, technical operations CG designer, graphic design • Produce high-quality 4K television technical operations department, department, engineering & department, Nippon Television broadcasts quickly and efficiently engineering & technology division technology division Art Media Design Center • Develop a cost-effective environment that handles native 4K footage Producing ultra-high definition television • Design a workflow to produce live When the first 4K channel in Japan, Channel 4K, began test broadcasts, it started by airing live musical sports broadcasts in 4K performances, travelogues, and sports broadcasts provided for free by members of the Next Generation Television & Broadcasting Promotion Forum. Since then, broadcasters have started to produce their own 4K programming, but the equipment remains costly.