DOI 10.1515/humor-2012-0019 Humor 2012; 25(4): 375 – 399 Conal Condren Satire and definition1 Abstract: This paper explores some of the difficulties involved in defining satire. Neither the formal characteristics of satire nor its informing purposes, in- cluding its variable associations with humour and the provocation of amusement allow for a unifying definition over the long term. It considers a range of ap- proaches to and types of definition and takes as a principle example the notion of Menippean satire. It argues that a characterisation in terms of family resemblance is more helpful for a strictly historical understanding than formal definitions and that it is misleading to take satire as a genre, let along a literary one. Throughout it also suggests that the case of satire tells us something about definition and the often naïve expectations of what definitions can establish. Keywords: definition, dictionaries, genre, history, humor, Menippean, morality, parody, satire Conal Condren: Centre for the History of European Discourses: University of Queensland, Australia 4072. E-mail:
[email protected] Plato’s early dialogue Euthyphro begins with Socrates going to the law courts to be tried for impiety and corrupting the youth of Athens. On his way he meets the young Euthyphro, also bound for court to accuse his father of killing a slave, who was thought to have committed murder. One travels to accuse, the other to be accused: both are in search of justice. Euthyphro is confident he knows what it is, for he can provide examples; but how, asks Socrates, can he be sure unless he already has in mind a paradeigma, a pattern of virtue? This is what Socrates de- mands, an abstract idea by which any matter can be defined and judged (Plato 1969 [c.