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The Grave Goods of Roman Hierapolis
THE GRAVE GOODS OF ROMAN HIERAPOLIS AN ANALYSIS OF THE FINDS FROM FOUR MULTIPLE BURIAL TOMBS Hallvard Indgjerd Department of Archaeology, Conservation and History University of Oslo This thesis is submitted for the degree of Master of Arts June 2014 The Grave Goods of Roman Hierapolis ABSTRACT The Hellenistic and Roman city of Hierapolis in Phrygia, South-Western Asia Minor, boasts one of the largest necropoleis known from the Roman world. While the grave monuments have seen long-lasting interest, few funerary contexts have been subject to excavation and publication. The present study analyses the artefact finds from four tombs, investigating the context of grave gifts and funerary practices with focus on the Roman imperial period. It considers to what extent the finds influence and reflect varying identities of Hierapolitan individuals over time. Combined, the tombs use cover more than 1500 years, paralleling the life-span of the city itself. Although the material is far too small to give a conclusive view of funerary assem- blages in Hierapolis, the attempted close study and contextual integration of the objects does yield some results with implications for further studies of funerary contexts on the site and in the wider region. The use of standard grave goods items, such as unguentaria, lamps and coins, is found to peak in the 1st and 2nd centuries AD. Clay unguentaria were used alongside glass ones more than a century longer than what is usually seen outside of Asia Minor, and this period saw the development of new forms, partially resembling Hellenistic types. Some burials did not include any grave gifts, and none were extraordinarily rich, pointing towards a standardised, minimalistic set of funerary objects. -
Plays by Women on Female Writers and Literary Characters a Thesis Submitted to the Graduate School of So
MYTHMAKING IN PROGRESS: PLAYS BY WOMEN ON FEMALE WRITERS AND LITERARY CHARACTERS A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY PÜRNUR UÇAR-ÖZB İRİNC İ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH LITERATURE OCTOBER, 2007 Approval of the Graduate School of Social Sciences ____________________________ Prof. Dr. Sencer Ayata Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. ____________________________ Prof. Dr. Wolf König Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. Prof. Dr. Nursel İçöz Prof. Dr. Meral Çileli Co-Supervisor Supervisor Examining Committee Members Prof. Dr. Ay şegül Yüksel (Ankara Uni.) Assoc. Prof. Dr. Ünal Norman (METU) Asst. Prof. Dr. Nurten Birlik (METU) Dr. Rüçhan Kayalar (Bilkent Uni.) ii I hereby declare that all information in this document has been presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: Pürnur Uçar-Özbirinci Signature: iii ABSTRACT MYTHMAKING IN PROGRESS: PLAYS BY WOMEN ON FEMALE WRITERS AND LITERARY CHARACTERS Uçar-Özbirinci, Pürnur Ph.D., English Literature Supervisor: Prof. Dr. Meral Çileli Co-Supervisor: Prof. Dr. Nursel İçöz October 2007, 247 pages This thesis analyzes the process of women’s mythmaking in the plays written by female playwrights. -
Notices of the American Mathematical Society
OF THE 1994 AMS Election Special Section page 7 4 7 Fields Medals and Nevanlinna Prize Awarded at ICM-94 page 763 SEPTEMBER 1994, VOLUME 41, NUMBER 7 Providence, Rhode Island, USA ISSN 0002-9920 Calendar of AMS Meetings and Conferences This calendar lists all meetings and conferences approved prior to the date this issue insofar as is possible. Instructions for submission of abstracts can be found in the went to press. The summer and annual meetings are joint meetings with the Mathe· January 1994 issue of the Notices on page 43. Abstracts of papers to be presented at matical Association of America. the meeting must be received at the headquarters of the Society in Providence, Rhode Abstracts of papers presented at a meeting of the Society are published in the Island, on or before the deadline given below for the meeting. Note that the deadline for journal Abstracts of papers presented to the American Mathematical Society in the abstracts for consideration for presentation at special sessions is usually three weeks issue corresponding to that of the Notices which contains the program of the meeting, earlier than that specified below. Meetings Abstract Program Meeting# Date Place Deadline Issue 895 t October 28-29, 1994 Stillwater, Oklahoma Expired October 896 t November 11-13, 1994 Richmond, Virginia Expired October 897 * January 4-7, 1995 (101st Annual Meeting) San Francisco, California October 3 January 898 * March 4-5, 1995 Hartford, Connecticut December 1 March 899 * March 17-18, 1995 Orlando, Florida December 1 March 900 * March 24-25, -
Notice of Public Hearing
NOTICE OF PUBLIC HEARING NOTICE IS HEREBY GIVEN that acquisitions have been proposed and contracts prepared under the New Suffolk County ¼% Drinking Water Protection Program-Farmland as follows: SITE TAX MAP NO. OWNERS Zilnicki Farm 0600-063.00-01.00-004.000 Allan Zilnick, William Zilnicki and Stanley Zilnicki Copies of the proposed contracts can be seen at the office of the Suffolk County Department of Economic Development and Planning, Division of Real Property Acquisition and Management, H. Lee Dennison Building, 2nd Floor, Veterans Memorial Highway, Hauppauge, New York. The undersigned will hold a final public hearing of this acquisition, pursuant to Section 247 of the N.Y.S. General Municipal Law, at the Division of Real Property Acquisition and Management on the 27th day of November, 2019 at 10:00 a.m., at which time all interested persons will be heard. Jason Smagin Director of Real Estate Dated: November 12, 2019 Hauppauge, N.Y. MK:pd:33 TELEFAX COVER SHEET FAX #631-853-5906 TO: The Suffolk County News (Fax 475-1565 Email [email protected]) The South Shore Press (Fax 878-7805 Email [email protected]) The News Review (Fax 29833287 Email [email protected]) FROM: Maria Kelly – LMS III DATE: 11-12-2019 SUBJECT: Notice of Public Hearing - Zilnicki Number of pages (including cover sheet) 2 If all pages are not received, please call 631-853-5929 We are enclosing herewith a Notice of Public Hearing. We would like this to be published under the Legal Notices in your next weekly issue of NOVEMBER 21, 2019. IT IS EXTREMELY IMPORTANT THAT WE RECEIVE 2 COPIES OF AN AFFIDAVIT OF PUBLICATION BY NOVEMBER 25, 2019. -
National Promotion and Eurovision: from Besieged Sarajevo to the Floodlights of Europe Research Article
National Promotion and Eurovision: from Besieged Sarajevo to the Floodlights of Europe Research Article Neven Andjelić Senior Lecturer, Regent’s University London [email protected] http://www.suedosteuropa.uni-graz.at/cse/en/andjelic Contemporary Southeastern Europe, 2015, 2(1), 94-109 Contemporary Southeastern Europe is an online, peer-reviewed, multidisciplinary journal that publishes original, scholarly, and policy-oriented research on issues relevant to societies in Southeastern Europe. For more information, please contact us at [email protected] or visit our website at www.contemporarysee.org National Promotion and Eurovision: from Besieged Sarajevo to the Floodlights of Europe Neven Andjelić* The Eurovision Song Contest, as an important part of the entertainment industry, has offered European countries a platform for national promotion. The original format has developed over 60 years and has come under scrutiny and criticism as allegations of block voting, politics and nationalism have been raised. It has also been argued that similarity of cultures, linguistic connections, and close national identities, rather than national interests and politics, are what actually bring countries together in this competition. This study has two focuses in an attempt to determine what role the contest has had for participating countries and how they have used it. The first focus is on analysing historical incidents at the competition when countries have attempted to politicise the contest. The second focus and the main part of the study is a thorough investigation into the organisation of the first Bosnian-Herzegovinian delegation to participate in Eurovision, their escape from besieged Sarajevo and their participation at the contest in Ireland in 1993. -
For the Homeland: Transnational Diasporic Nationalism and the Eurovision Song Contest
FOR THE HOMELAND: TRANSNATIONAL DIASPORIC NATIONALISM AND THE EUROVISION SONG CONTEST SLAVIŠA MIJATOVIĆ A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN GEOGRAPHY YORK UNIVERSITY TORONTO, CANADA December 2014 © Slaviša Mijatović, 2014 Abstract This project examines the extent to which the Eurovision Song Contest can effectively perpetuate discourses of national identity and belonging for diasporic communities. This is done through a detailed performance analysis of former Yugoslav countries’ participations in the contest, along with in-depth interviews with diasporic people from the former Yugoslavia in Malmö, Sweden. The analysis of national symbolism in the performances shows how national representations can be useful for the promotion of the state in a reputational sense, while engaging a short-term sense of national pride and nationalism for the audiences. More importantly, the interviews with the former Yugoslav diaspora affirm Eurovision’s capacity for the long-term promotion of the ‘idea of Europe’ and European diversities as an asset, in spite of the history of conflict within the Yugoslav communities. This makes the contest especially relevant in a time of rising right-wing ideologies based on nationalism, xenophobia and racism. Key words: diaspora, former Yugoslavia, Eurovision Song Contest, music, nationalism, Sweden, transnationalism ii Acknowledgements Any project is fundamentally a piece of team work and my project has been no different. I would like to thank a number of people and organisations for their faith in me and the support they have given me: William Jenkins, my supervisor. For his guidance and support over the past two years, and pushing me to follow my desired research and never settling for less. -
Eurovisie Top1000
Eurovisie 2017 Statistieken 0 x Afrikaans (0%) 4 x Easylistening (0.4%) 0 x Soul (0%) 0 x Aziatisch (0%) 0 x Electronisch (0%) 3 x Rock (0.3%) 0 x Avantgarde (0%) 2 x Folk (0.2%) 0 x Tunes (0%) 0 x Blues (0%) 0 x Hiphop (0%) 0 x Ballroom (0%) 0 x Caribisch (0%) 0 x Jazz (0%) 0 x Religieus (0%) 0 x Comedie (0%) 5 x Latin (0.5%) 0 x Gelegenheid (0%) 1 x Country (0.1%) 985 x Pop (98.5%) 0 x Klassiek (0%) © Edward Pieper - Eurovisie Top 1000 van 2017 - http://www.top10000.nl 1 Waterloo 1974 Pop ABBA Engels Sweden 2 Euphoria 2012 Pop Loreen Engels Sweden 3 Poupee De Cire, Poupee De Son 1965 Pop France Gall Frans Luxembourg 4 Calm After The Storm 2014 Country The Common Linnets Engels The Netherlands 5 J'aime La Vie 1986 Pop Sandra Kim Frans Belgium 6 Birds 2013 Rock Anouk Engels The Netherlands 7 Hold Me Now 1987 Pop Johnny Logan Engels Ireland 8 Making Your Mind Up 1981 Pop Bucks Fizz Engels United Kingdom 9 Fairytale (Norway) 2009 Pop Alexander Rybak Engels Norway 10 Ein Bisschen Frieden 1982 Pop Nicole Duits Germany 11 Save Your Kisses For Me 1976 Pop Brotherhood Of Man Engels United Kingdom 12 Vrede 1993 Pop Ruth Jacott Nederlands The Netherlands 13 Puppet On A String 1967 Pop Sandie Shaw Engels United Kingdom 14 Apres toi 1972 Pop Vicky Leandros Frans Luxembourg 15 Power To All Our Friends 1973 Pop Cliff Richard Engels United Kingdom 16 Als het om de liefde gaat 1972 Pop Sandra & Andres Nederlands The Netherlands 17 Eres Tu 1973 Latin Mocedades Spaans Spain 18 Love Shine A Light 1997 Pop Katrina & The Waves Engels United Kingdom 19 Only -
Linguistic and Cultural Changes Throughout the History of the Eurovision Song Contest
Linguistic and cultural changes throughout the history of the Eurovision Song Contest Trabajo de Fin de Grado Lenguas Modernas y Traducción Facultad de Filosofía y Letras Written by: Sergio Lucas Rojo Tutored by: Irina Ursachi July 2020 Abstract This paper aims to clarify some of the linguistic problems that have arisen in recent years at the Eurovision Song Contest, one of the most important music events in the world. Through an exhaustive bibliographic review and the individual analysis of a large number of entries, it is concluded that linguistic diversity, an identifying feature of the show in the past, has been reduced by establishing a rule that does not oblige artists to sing in the language of the country they represent. English has taken over the reins of this annual competition, although there is still room for the traditional and the ethnic. The research that has been carried out is intended to serve as a reference for all Eurovision followers who wish to expand their knowledge. It also attempts to clarify concepts such as “linguistic diversity”, “identity” and “culture”, which can be extrapolated to other fields of knowledge. It must be noted that not only have linguistic issues been dealt with, but there are references to all the factors involved in the contest. However, it is those phenomena related to languages that form the backbone of the work. Key words: Eurovision Song Contest, languages, culture, identity, Europe, music. Resumen Este trabajo responde a la necesidad de aclarar algunos problemas lingüísticos que han surgido en los últimos años en el Festival de Eurovisión, uno de los eventos musicales más importantes del mundo. -
Ljubljanske Ceste NAZIV PJESME MP3 FORMAT A.Ilic & Gigi D'agostino
A Mezek - Ljubljanske Ceste NAZIV PJESME MP3 FORMAT A.Ilic & Gigi D'agostino - Ana mi je rekla bla bla bla ILI AUDIO CD FORMAT AbeeDj - 2005 POP - Best of 01. Zeljko Bebek - Sinoc sam (AbeeDj Club Remix 2005) AbeeDj - 2005 POP - Best of 02. Nervozni Postar - Jugo Jugo (AbeeDj Club Remix 2005) AbeeDj - 2005 POP - Best of 03. Al Dino - Kopriva (AbeeDj Underground Remix 2005) KATALOG MUZIKE AbeeDj - 2005 POP - Best of 04. Tijana Dapcevic - Sve je isto (AbeeDj speed Remix 2005) AbeeDj - 2005 POP - Best of 05. Plavi Orkestar - Tako male Stvari (AbeeDj Remix 2005) ORGINALI – CD i DVD KVALITETA AbeeDj - 2005 POP - Best of 06. Ana Nikolic - Januar (AbeeDj Fast Remix 2005) AbeeDj - 2005 POP - Best of 07. Vlado Georgiev - Nisam Ljubomoran (AbeeDj Club Remix 2005) AbeeDj - 2005 POP - Best of 08. Djogani - Sappur Panika (AbeeDj Sappur Remix 2005) MUZIKU SNIMAMO NA CD i DVD MEDIJE AbeeDj - 2005 POP - Best of 09. Natasa Bekvalac - Kao Nikotin (AbeeDj Club Remix 2005) AbeeDj - 2005 POP - Best of 10. Crvena Jabuka - Ti mi dusu uzimas (AbeeDj Remix 2005) Aca Ilic - 2005 - 01 - Ne, ne, ne Aca Ilic - 2005 - 02 - Poznajem te po lazima Aca Ilic - 2005 - 03 - Bulevar juzni 1 DVD ili CD = 50,00 Kn. Aca Ilic - 2005 - 04 - Popij sa mnom moj Beograde Aca Ilic - 2005 - 05 - Vara zora NA JEDAN MEDIJ SNIMAMO 16 PJESAMA Aca Ilic - 2005 - 06 - Lazni kralj U MP3 FORMATU ILI U AUDIO CD FORMATU Aca Ilic - 2005 - 07 - Sipajte da se napijem DOSTAVA HP EXPRES NA VAŠ TROŠAK Aca Ilic - 2005 - 08 - Ove dve kraj mene Aca Lukas & Dzej - Sto si tuzan prijatelju ŠALJEMO NA VAŠU ADRESU - POUZEĆEM U RH . -
Board of Assessors
Property Revaluation TOWN OF ACTON PRELIMINARY CERTIFICATION OF PROPERTY VALUES The Board of Assessors recently announced that they have received preliminary certification of all real and personal property for fiscal year 2021 pending Department of Revenue Final Certification, and the new assessed values are available to the public for review. A thorough review of calendar 2019 sales, indicate a 1% increase for single family homes and a 2-3 % for most condominiums. Commercial and industrial properties are stabile with little or no changes in their valuation after careful review of income, expense and vacancy analysis. Reports listing the new assessments are available on the Town website starting November 23, 2020 through December 1, 2020. All inquiries will be answered through December 1, 2020. For information on the review process or exemption programs contact the Board of Assessors at 978.929.9621. or [email protected] Name Map/Lot Address Land Buidling Total 1 ON 1 SELF INDULGENCE INC C4 22 457 GREAT RD 285,100 234,900 520,000 100 DISCOVERY WAY LLC G3 71 100 DISCOVERY WY 3,085,400 3,663,100 6,748,500 106-108 CENTRAL STREET CONDOMI G2 163 M 106-108 CENTRAL ST 0 0 0 116 NEWTOWN RD LLC D3 24 6 116 NEWTOWN RD 291,500 509,700 801,200 117 POWDERMILL LLC J3 42 2 POWDER MILL RD REAR 144,400 200,600 345,000 118 POWDERMILL LLC J3 43 4 POWDER MILL RD BESID 100 0 100 133-135 CENTRAL STREET CONDOMI G2 122 M 133-135 CENTRAL ST 0 0 0 134 GREAT RD LLC F4 67 134 GREAT RD 234,300 199,600 433,900 135-137 GREAT RD LLC F4 55 135 GREAT RD 669,600 862,000 -
Music in Motion
Music in Motion 2009-03-23 15-13-40 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7205719821352|(S. 1 ) T00_01 schmutztitel - 1074.p 205719821360 The cooperation partners of the ExTra! project are: 2009-03-23 15-13-40 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7205719821352|(S. 2 ) T00_02 seite 2 - 1074.p 205719821384 Music in Motion Diversity and Dialogue in Europe. Study in the frame of the »ExTra! Exchange Traditions« project Edited by Bernd Clausen, Ursula Hemetek and Eva SÆther for the European Music Council 2009-03-23 15-13-40 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7205719821352|(S. 3 ) T00_03 titel - 1074.p 205719821440 With the support of the Culture 2000 programme of the European Union. This publication reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. The European Music Council is supported by Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbiblio- grafie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de © 2009 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Cover layout: Kordula Röckenhaus, Bielefeld Cover illustration: Laura Leante, 2006 Layout & Typeset: Markus Köhler Proofread by Wiebke Pilz, Katja Strube, Anne Thomas, Juliette Powel and Benjamin Perriello Translations by Selma Adlim, Patricia Adkins Chiti, Mike Delaney, Kathrin Matzen, Anne Thomas, Juliette Powel, Mojca Vodusek Printed by Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-8376-1074-1 2009-03-23 15-13-41 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7205719821352|(S. -
VASSALS, SERVA TS a D TRAITORS: IMAGE of SERBS I POPULAR TURKISH HISTORIOGRAPHY by Murat Öziş Submitted to the Graduate Schoo
VASSALS, SERVATS AD TRAITORS: IMAGE OF SERBS I POPULAR TURKISH HISTORIOGRAPHY by Murat Öziş Submitted to the Graduate School of Arts and Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts in History Sabancı University September 2012 ii © Murat Öziş 2012 All Rights Reserved iii ABSTRACT VASSALS, SERVATS AD TRAITORS: IMAGE OF SERBS I POPULAR TURKISH HISTORIOGRAPHY Murat Öziş History, M.A. Thesis, 2012 Thesis Supervisor: Selçuk Akşin Somel Keywords: Popular Turkish Historiography; Ottoman-Serbian History; Serbs in the Ottoman Empire; ationalism This study is established around the pre-1990 popular historiography in the Turkish Republic with a specific focus on depictions of Serbia and Serbs in the Ottoman Empire. By analyzing the events and characters from both early (i.e. the fourteenth and fifteenth centuries) and late Ottoman history, the aim is to understand how the established image(s) of ‘Serbia’ and ‘Serbs’ functions within popular Turkish historiography, a discipline which addresses a considerable portion of the society. This work, in order to achieve a comprehensive historiography survey, consists of the evaluations of the narratives of the authors with diversified political backgrounds. By doing so the thesis strives to understand the similarities and divergences among the authors and thus encourage a comparative discussion of historiography. For the comparison Western and Turkish academical works on Ottoman history, and for the theoretical framework studies regarding Turkish historiography, theories of nationalism were used. As a result, this study offers a broad, representative and yet critical reading of the Turkish historiography on the common histories of the Ottoman Empire and Serbia as well as examples and indications of anachronisms, distortions and instrumentalization of the history.