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English Programme Faculty of Humanities and Social Sciences School of English, Film, Theatre, & Media Studies Te Kura Tānga Kōrero Ingarihi, Kiriata, Whakaari, Pāpāho ENGL 234 New Zealand Literature Trimester 2 2013 15 July to 17 November 2013 20 Points TRIMESTER DATES Teaching dates: 15 July to 18 October 2013 Mid-Trimester break: 26 August to 8 September 2013 Study week: 21 to 25 October 2013 Examination/Assessment period: 25 October to 16 November 2013 Note: Students who enrol in courses with examinations are expected to be able to attend an examination at the University at any time during the formal examination period. WITHDRAWAL DATES Refer to www.victoria.ac.nz/home/admisenrol/payments/withdrawalsrefunds If you cannot complete an assignment or sit a test or examination (aegrotats), refer to www.victoria.ac.nz/home/study/exams-and-assessments/aegrotat CLASS TIMES AND LOCATIONS Lectures Mon, Tue, Wed 10.00 – 10.50am Hugh Mackenzie LT105 Tutorials Tutorials begin in WEEK 2. Please register for tutorials via the ENGL 234 site on Blackboard: go to “Tutorials” and then follow the instructions under the “SCubed - Tutorial Enrolment Instructions” link. Please read the instructions carefully. Tutorial rooms will be listed on S-Cubed, Blackboard and on the bulletin board in the Level 3 corridor of the Hugh Mackenzie Building. NAMES AND CONTACT DETAILS Staff Email Phone Room Office Hours Mark Williams (MW) [email protected] 463 6810 vZ 911 Wed 11.00 Jane Stafford (JS) [email protected] 463 6816 vZ 901 TBA Tina Makereti (TM) [email protected] TBA TBA Lydia Wevers (LW) [email protected] 463 6334 Stout Centre COMMUNICATION OF ADDITIONAL INFORMATION This course uses Blackboard for all important information and announcements, as well as running a discussion board, and encourages you to check it regularly. -
The Grave Goods of Roman Hierapolis
THE GRAVE GOODS OF ROMAN HIERAPOLIS AN ANALYSIS OF THE FINDS FROM FOUR MULTIPLE BURIAL TOMBS Hallvard Indgjerd Department of Archaeology, Conservation and History University of Oslo This thesis is submitted for the degree of Master of Arts June 2014 The Grave Goods of Roman Hierapolis ABSTRACT The Hellenistic and Roman city of Hierapolis in Phrygia, South-Western Asia Minor, boasts one of the largest necropoleis known from the Roman world. While the grave monuments have seen long-lasting interest, few funerary contexts have been subject to excavation and publication. The present study analyses the artefact finds from four tombs, investigating the context of grave gifts and funerary practices with focus on the Roman imperial period. It considers to what extent the finds influence and reflect varying identities of Hierapolitan individuals over time. Combined, the tombs use cover more than 1500 years, paralleling the life-span of the city itself. Although the material is far too small to give a conclusive view of funerary assem- blages in Hierapolis, the attempted close study and contextual integration of the objects does yield some results with implications for further studies of funerary contexts on the site and in the wider region. The use of standard grave goods items, such as unguentaria, lamps and coins, is found to peak in the 1st and 2nd centuries AD. Clay unguentaria were used alongside glass ones more than a century longer than what is usually seen outside of Asia Minor, and this period saw the development of new forms, partially resembling Hellenistic types. Some burials did not include any grave gifts, and none were extraordinarily rich, pointing towards a standardised, minimalistic set of funerary objects. -
Plays by Women on Female Writers and Literary Characters a Thesis Submitted to the Graduate School of So
MYTHMAKING IN PROGRESS: PLAYS BY WOMEN ON FEMALE WRITERS AND LITERARY CHARACTERS A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY PÜRNUR UÇAR-ÖZB İRİNC İ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH LITERATURE OCTOBER, 2007 Approval of the Graduate School of Social Sciences ____________________________ Prof. Dr. Sencer Ayata Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. ____________________________ Prof. Dr. Wolf König Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. Prof. Dr. Nursel İçöz Prof. Dr. Meral Çileli Co-Supervisor Supervisor Examining Committee Members Prof. Dr. Ay şegül Yüksel (Ankara Uni.) Assoc. Prof. Dr. Ünal Norman (METU) Asst. Prof. Dr. Nurten Birlik (METU) Dr. Rüçhan Kayalar (Bilkent Uni.) ii I hereby declare that all information in this document has been presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: Pürnur Uçar-Özbirinci Signature: iii ABSTRACT MYTHMAKING IN PROGRESS: PLAYS BY WOMEN ON FEMALE WRITERS AND LITERARY CHARACTERS Uçar-Özbirinci, Pürnur Ph.D., English Literature Supervisor: Prof. Dr. Meral Çileli Co-Supervisor: Prof. Dr. Nursel İçöz October 2007, 247 pages This thesis analyzes the process of women’s mythmaking in the plays written by female playwrights. -
China Through the Eyes of Foreigners in the 1920S and 1930S
Beyond the ‘Shanghailander’: China through the eyes of foreigners in the 1920s and 1930s ALEX PAN Abstract This article explores foreign perspectives and insights into Chinese society during the 1920s and 1930s, by examining two foreigners’ personal accounts of life in China. Adopting a microhistory approach, the paper treats these personal accounts as historically significant sources, despite their inherently limited subject matter. Moreover, as in traditional historical interpretation, the article maintains that such personal accounts can serve as microcosms that reflect and illuminate wider historical trends and perspectives. The accounts of businessman Rex Phillips, read alongside those of travelling salesman Harry Glathe, highlight the diverse perspectives that Westerners had on China. Phillips’s writings illuminate how Westerners may have viewed China as a dangerous, backwards, war-torn nation, either with disdain or relative sympathy. Meanwhile, Glathe’s writings showcase a more Orientalist perspective, viewing China as a quaint, exotic, but developing country. By treating Phillips’s and Glathe’s sources as historical commentaries, further insight is gained into Chinese society at the time. Phillips’s letters and photographs detail his life in cosmopolitan Shanghai, while Glathe’s detailed descriptions and striking photographs of southern China enrich our understandings of the diversity of Chinese social experiences during the Republican period (1912– 1949). Ultimately, these sources enrich our understanding of both China’s social development and the diversity of Western racial and national perspectives during this period. Introduction This paper explores Chinese society and Western racism during the 1920s and 1930s through the personal accounts of Rex Phillips and Harry Glathe. While both were white businessmen who lived in China concurrently, their differing experiences and perspectives offer insight into the nature of Chinese society and how Westerners viewed China during this period. -
YOUNG SCIENTIST of the YEAR Internationalisation the ALUMNUS BEHIND FIREFOX CHAMPION SCULLER SPRING 2006 – Ingenio the University of Auckland Alumni Magazine
THE UNIVERSITY OF AUCKLAND ALUMNI MAGAZINE SpRING 2006 SHAPING AUCKLAND YOUNG SCIENTIST OF THE YEAR INTERNatIONALISatION THE ALUMNUS BEHIND FIREFOX CHAMPION SCULLER SPRING 2006 – INGENIO THE UNIVERSITY OF AUCKLAND ALUMNI MAGAZINE In this issue . Ingenio – The University of Auckland alumni magazine Spring 2006 ISSN 1176-211X Editor Tess Redgrave Photography Godfrey Boehnke Design/production Ingrid Atvars 5 9 10 32 Publication management and proof reading Bill Williams Advertising manager Don Wilson 4 Letters to the Editor OpINION Editorial contact details Entrepreneurship Ingenio 25 Communications and Marketing UNIVERSITY NEWS The University of Auckland Eminent Mäori professor dies ALUMNI Private Bag 92 019 4 Auckland 1142 New Zealand 5 London Royal Society, NZ Trio, 26 Top fox Ben Goodger Level 10 Fisher Building Primatologist 18 Waterloo Quadrant Auckland 28 News and noticeboard Telephone 64 9 373 7599 Leigh Marine, Long QT syndrome 6 Film-maker Roseanne Liang ext 84149 test, Maurice Wilkins Centre 30 Facsimile 64 9 373 7047 email [email protected] www.auckland.ac.nz/ingenio HISTORY PHILANTHROPY Engineering Chris Bennett How alumni keep in touch 7 32 To ensure that you continue to 8 Education 30 Jean Heywood receive Ingenio, and to subscribe to @auckland, the University’s email 9 Old Government House newsletter for alumni and friends, REGULAR COLUMNS please update your details at: RESEARCH www.alumni.auckland.ac.nz/update 34 Sport Alumni Relations Office 10 Young Scientist The University of Auckland 35 Alumni snapshots 19A Princes Street 12 Shaping Auckland Art Private Bag 92019 36 Auckland 1142 New Zealand Books StRatEGY 37 odfrey Boehnke Telephone 64 9 373 7599 G – ext 82246 18 Internationalisation 38 Student life email [email protected] AGE M www.alumni.auckland.ac.nz I TEACHING Copyright ER V Articles reflect personal opinions O Poetry in transmission C and are not those of The University 22 of Auckland. -
Kestrel Liner Offices and Agents Contacts
KESTREL LINER Offices and Agents Contacts September 2021 Kestrel Liner Oces & Agents: Page 1 of 78 Albania Arian Maritime S.A. 13 Mitropoleos street Thessaloniki Greece 54624 Durres Telephone: +302310233160 Fax: +302310233165 Contacts Phil Lerias (Sales Executive) [email protected] +306972281227 Algeria Marmedsa 115 Lotissement La Cadat Les Sources B.M.R 16000 Alger, Algerie Algers Telephone: +213 (0) 21 56 22 52 Fax: +213 (0) 21 56 28 26 Contacts Amar Belouard (Sales [email protected] Coordinator) Sihem Zatouch (Operations [email protected] Manager) Anguilla Kestrel Liner Oces & Agents: Page 2 of 78 Haskins Ltd P.O.Box 33 The Valley Anguilla Road Bay (TGL) Telephone: 264-497-2428 Fax: 264-497-3144 Email: [email protected] Contacts Sheila Haskins (Management) [email protected] Sandra Lake (Customer Service) [email protected] Jasmine Brooks (Customer [email protected] Service) Antigua - St.John (TGL) Antigua Maritime Agencies Ltd Antigua Maritime Agencies Ltd, P.O.Box W1310 Milburn House - Old Parham Road St. John's Antigua St.John's Telephone: 268-562-2934 Fax: 268-562-2935 Contacts Frank Schwartz (Island Manager) [email protected] 268-464-1748 Cheryl Hill (Sales Representative) [email protected] 268 464 1747 Argentina Inter American Cargo Group S.A. Alsina 424 8th floor , Capital Federal, Buenos Aires Buenos Aires Kestrel Liner Oces & Agents: Page 3 of 78 Telephone: +5411 4021 7070 Fax: +5411 4021 7060/61 Contacts Mr. Santiago Bunge (Director) [email protected] Mr. Andres Bunge (Director) [email protected] Mr. Mariano Noble (General [email protected] Manager) Mr. Pablo Infesta (Ocean [email protected] Department manager) Mrs. -
Robin Hyde and the Long Shadows in the Ladies' Gallery
Robin Hyde and the Long Shadows in the Ladies’ Gallery NIKKI HESSELL Abstract Robin Hyde reported from the Ladies‘ Gallery of the New Zealand Parliament sporadically over seven years. Her reports have been considered in past scholarship but have not been previously located within the tradition of New Zealand women‘s gallery journalism. This essay argues that Hyde‘s reports demonstrate strong stylistic and journalistic connections to this tradition, and that these connections in turn inform some of the negative responses her work received from the cultural nationalist writers of the 1930s. In her unpublished novel The Unbelievers, Robin Hyde makes effective use of her time as a parliamentary correspondent in the 1920s and early 1930s. Her protagonists, Echo and Jarah, decide to attend a debate in the House, with Jarah disguising himself as a woman in order to enter the Ladies‘ Gallery. Echo attempts to follow the debate about wages but finds that it was so full of interpolations and pointless argument, of sarcastic reference from one gentleman as to what another gentleman was recorded as having said ten years before, of the crackling of newspapers and of the deep bass snores of a Maori member, who lay full length on one of the Treasury benches with his boots off, (for which Echo could not bring herself to blame him,) that she could not keep her mind on the game.1 Eventually Echo goes into a kind of trance, in which snatches of Robert Louis Stevenson‘s poetry blend in with the phrases of the debate: ‗Equality of sacrifice … time of crisis .. -
Download the Full Issue
East Asian History NUMBER 37 • DECEMBER 2011 www.eastasianhistory.org CONTENTS 1 Editors’ Preface Remco Breuker & Benjamin Penny 3 Slow Reading and Fast Reference Geremie R. Barmé 9 Anglo-Japanese Trademark Conflict in China and the Birth of the Chinese Trademark Law (1923), 1906–26 Eiichi Motono 本野英一 27 The Many Faces of Hotel Moderne in Harbin Mark Gamsa 39 Mapping the Social Lives of Objects: Popular and Artistic Responses to the 1937 Exhibition of Chinese Art in New Zealand James Beattie & Lauren Murray 59 Koreans Performing for Foreign Troops: The Occidentalism of the C.M.C. and K.P.K. Roald Maliangkay online Modern Times: The development of Korean Mass Culture in Image and exhibition Sound During the Japanese Occupation, 1910-45 Ken Vos Editors Remco Breuker, Leiden University Benjamin Penny, The Australian National University Editorial Assistant Lindy Allen Editorial Board Geremie R. Barmé (ANU) Katarzyna Cwiertka (Leiden) Roald Maliangkay (ANU) Ivo Smits (Leiden) Tessa Morris-Suzuki (ANU) Barend ter Haar (Leiden) Design and production Lindy Allen and Katie Hayne Print PDFs based on an original design by Maureen MacKenzie-Taylor This is the thirty-seventh issue of East Asian History, the first published in electronic form, December 2011. It continues the series previously entitled Papers on Far Eastern History. Contributions to http://www.eastasianhistory.org/contribute Back issues http://www.eastasianhistory.org/archive To cite this journal, use page numbers from PDF versions ISSN (electronic) 1839-9010 Copyright notice Copyright for the intellectual content of each paper is retained by its author. Reasonable effort has been made to identify the rightful copyright owners of images and audiovisual elements appearing in this publication. -
National Promotion and Eurovision: from Besieged Sarajevo to the Floodlights of Europe Research Article
National Promotion and Eurovision: from Besieged Sarajevo to the Floodlights of Europe Research Article Neven Andjelić Senior Lecturer, Regent’s University London [email protected] http://www.suedosteuropa.uni-graz.at/cse/en/andjelic Contemporary Southeastern Europe, 2015, 2(1), 94-109 Contemporary Southeastern Europe is an online, peer-reviewed, multidisciplinary journal that publishes original, scholarly, and policy-oriented research on issues relevant to societies in Southeastern Europe. For more information, please contact us at [email protected] or visit our website at www.contemporarysee.org National Promotion and Eurovision: from Besieged Sarajevo to the Floodlights of Europe Neven Andjelić* The Eurovision Song Contest, as an important part of the entertainment industry, has offered European countries a platform for national promotion. The original format has developed over 60 years and has come under scrutiny and criticism as allegations of block voting, politics and nationalism have been raised. It has also been argued that similarity of cultures, linguistic connections, and close national identities, rather than national interests and politics, are what actually bring countries together in this competition. This study has two focuses in an attempt to determine what role the contest has had for participating countries and how they have used it. The first focus is on analysing historical incidents at the competition when countries have attempted to politicise the contest. The second focus and the main part of the study is a thorough investigation into the organisation of the first Bosnian-Herzegovinian delegation to participate in Eurovision, their escape from besieged Sarajevo and their participation at the contest in Ireland in 1993. -
For the Homeland: Transnational Diasporic Nationalism and the Eurovision Song Contest
FOR THE HOMELAND: TRANSNATIONAL DIASPORIC NATIONALISM AND THE EUROVISION SONG CONTEST SLAVIŠA MIJATOVIĆ A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN GEOGRAPHY YORK UNIVERSITY TORONTO, CANADA December 2014 © Slaviša Mijatović, 2014 Abstract This project examines the extent to which the Eurovision Song Contest can effectively perpetuate discourses of national identity and belonging for diasporic communities. This is done through a detailed performance analysis of former Yugoslav countries’ participations in the contest, along with in-depth interviews with diasporic people from the former Yugoslavia in Malmö, Sweden. The analysis of national symbolism in the performances shows how national representations can be useful for the promotion of the state in a reputational sense, while engaging a short-term sense of national pride and nationalism for the audiences. More importantly, the interviews with the former Yugoslav diaspora affirm Eurovision’s capacity for the long-term promotion of the ‘idea of Europe’ and European diversities as an asset, in spite of the history of conflict within the Yugoslav communities. This makes the contest especially relevant in a time of rising right-wing ideologies based on nationalism, xenophobia and racism. Key words: diaspora, former Yugoslavia, Eurovision Song Contest, music, nationalism, Sweden, transnationalism ii Acknowledgements Any project is fundamentally a piece of team work and my project has been no different. I would like to thank a number of people and organisations for their faith in me and the support they have given me: William Jenkins, my supervisor. For his guidance and support over the past two years, and pushing me to follow my desired research and never settling for less. -
A New Poetics of Robin Hyde
Iris, ead and Written: A ew Poetics of Robin Hyde A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Canterbury by Megan Claire Clayton University of Canterbury June 2001 2 Contents Title Page Abstract 5 AckLlowledgements 6 A note on the text 8 Introduction: 10 'Let us [ ... ] sink into our own speech' Notes 18 1 'How shall we construct her here?': 19 Robin Hyde and the critical tradition 'The whence our speech flows on in separate streams': 19 early Robin Hyde criticism 'Now I'm away, and done with ye all': 48 feminist retrieval and the 1980s 'Tomorrow 1'm nothing .... a mirror, faint-silvered by 69 breath': autobiography and biographical criticism '1 know thee, all thou art - / A dream has told me' : 78 Leggott's textual inferences 'All in one at the last'; recent readings of Robin Hyde 92 Notes 103 2 'What the Chaldean knew, this monarch knows': 108 Robin Hyde's heretical poetics 'Why has it gone amiss / Ask of thy heart': 109 Hyde and the community of Christ 'And yet without me, oh God, how will you find life?': 111 Hydc and God the Father 'r ... l Magdalen all bruised of grace / Or Judas with 116 a hangdog face': Hyde's biblical narratives 'Oh, I am half afraid, eyes overbright, / Of what is at 126 your Other End of sight': Hyde and Gnosticism '(... ] sapphire lettering, faded blot I Were fired in 137 Alexandria': Hyde's Byzantine Gnostics 3 Notes 146 3 'And the damosel would never go from him': 148 Robin Hyde and Le Marte Darthur 'My darling and my paladin!': Hyde and Malory 150 'I am a simpleton to love men so': Hyde and Malorian desire 154 'Take me, hold me for ever. -
Eurovisie Top1000
Eurovisie 2017 Statistieken 0 x Afrikaans (0%) 4 x Easylistening (0.4%) 0 x Soul (0%) 0 x Aziatisch (0%) 0 x Electronisch (0%) 3 x Rock (0.3%) 0 x Avantgarde (0%) 2 x Folk (0.2%) 0 x Tunes (0%) 0 x Blues (0%) 0 x Hiphop (0%) 0 x Ballroom (0%) 0 x Caribisch (0%) 0 x Jazz (0%) 0 x Religieus (0%) 0 x Comedie (0%) 5 x Latin (0.5%) 0 x Gelegenheid (0%) 1 x Country (0.1%) 985 x Pop (98.5%) 0 x Klassiek (0%) © Edward Pieper - Eurovisie Top 1000 van 2017 - http://www.top10000.nl 1 Waterloo 1974 Pop ABBA Engels Sweden 2 Euphoria 2012 Pop Loreen Engels Sweden 3 Poupee De Cire, Poupee De Son 1965 Pop France Gall Frans Luxembourg 4 Calm After The Storm 2014 Country The Common Linnets Engels The Netherlands 5 J'aime La Vie 1986 Pop Sandra Kim Frans Belgium 6 Birds 2013 Rock Anouk Engels The Netherlands 7 Hold Me Now 1987 Pop Johnny Logan Engels Ireland 8 Making Your Mind Up 1981 Pop Bucks Fizz Engels United Kingdom 9 Fairytale (Norway) 2009 Pop Alexander Rybak Engels Norway 10 Ein Bisschen Frieden 1982 Pop Nicole Duits Germany 11 Save Your Kisses For Me 1976 Pop Brotherhood Of Man Engels United Kingdom 12 Vrede 1993 Pop Ruth Jacott Nederlands The Netherlands 13 Puppet On A String 1967 Pop Sandie Shaw Engels United Kingdom 14 Apres toi 1972 Pop Vicky Leandros Frans Luxembourg 15 Power To All Our Friends 1973 Pop Cliff Richard Engels United Kingdom 16 Als het om de liefde gaat 1972 Pop Sandra & Andres Nederlands The Netherlands 17 Eres Tu 1973 Latin Mocedades Spaans Spain 18 Love Shine A Light 1997 Pop Katrina & The Waves Engels United Kingdom 19 Only