Support Talent

Total Page:16

File Type:pdf, Size:1020Kb

Support Talent t.. IA -toe .40venba 12, 11172 4 yg_ -4 a. .V.- e, NEWSDESK...NEWSDESK...NEWSDESK...News Editor...Jim Evans...01-836 1522 A.A. 7 '1;140 ,- Pistols Wings display seized =LATEST STOItIour n under the !BO Indecent v. terming the new Se! Advertisements Act double Pistol's LP in lotting& And advertisements on and radio have now .(111114GS RELEASE new ham, under Instructions TV the been completely banned 7 Snub,. CV soled 'Mew from Chief Constable this week The tun songs police visited Virgin Although provisionally Records, Foxes Records. cleared by IRA, both the o, are Mull Of Kir:lyre and 'Girt, Seb - Selectadisc and Bradley% Independent Television -a / Companies' Anemia L The Mull Records and seized ; tit Kind re Is a WINGS and the Association picturesque headland on window displays and Of the Kest Coast of 1 copies of the album Independent Radio Corn Scotland The song was sleeve NT p - parties have banned the to -a ;Allen by Paul At the Virgin shop, the ad - even though it did McCartney and Denny manager replaced his not contain the album display s and so title - Labs. and produced and has far BIG BOYS received two summonses hi To Virgin and many In arranged Its Paul .- The At Small Wonder Records the music business, the I track my! ides the pipes `So Clash It in East London. the police ways of the Independent and drums of the broadcasting Campbeitnam advised them to take companies Pipe Rand down the display or they appear to be passing Girls School is a rock ' would be prosecuted strange. number recorded at PLAY HOPE - 1164 Abbe, (toad Goes' set Ozzy quits THE CLASH have added AGAIN ''''13;"-.i.1 an extra date to their tour which will be filmed for LONDON'S HOPE And the TV show 'So It Goes' Sabbath Anchor Is to hold a special to be transmitted In festival of bands who first December A made their names there 4z. 07.71 PAWN RNE has The concert will quit Among the bands take tJ [Mack Sabbath and appearing during place next Tuesday 115) plans m tart his own the last at week of November and the Elizabethan Ball t1/4 hand Sabbath plan to during room In Bellevue, Man- continue without him and early December cheater will Also featured C replacement be the Stranglers. irlttr u a is expected Pirates, Shakin' will be Richard Hell And 4/1 Ur he announced shard,. Stevens And The Sunsets, Steel The Voldolds, Magazine UK dates ir. the spring are and possibly Steel Pulse planned Pulse, Saints, Tyla Gang, Phil Rambow. Burlesque. The Clash will be doing .L4 John Otway. Roogalater. a full set. The show starts r 1. XTC. Tom Robinson at 8 pm. Tickets will be Cortinas Band. Meal Ticket. Wilt.. J'4 90p The band's London Johnson. X Ray Spex and c dates will be announced Steve Gibbons. next week . contract THE CLASH Full details next week it if KO JOHNSON THE CORTINAS. new wavers from Bristol. have The New Hearts have signed a major world Blackburn their first single '(Oh No) DOUBLE wide deal with CBS Roxy reopens Just Another Teenage However their next single , NEWS.: Anthem' Blood On The will The 'Defiant Pose Knife' released next THE ROXY Theatre m liar.. -den Is to reopen on released on the lndepen divorced Friday I IS) Producer Is SCREW December 1 Roxy boss Terry Collins has appealed Kenny Laguna of Steve dent Step Forward label TONY BLACKBURN di- IN SCREWDRIVER'S DE- successfully against the GLC's decision not to grant Gibbons fame BUT album 'All Skrewed before Christmas him a licence vorced his wife, actress In the new the Tessa Abba's number one Up'. due for release on year. Me have to attend to a number of minor structural Wyatt, an Monday. single 'The Name Of The band will go into the The 34 year old Radio Chiswick next Friday alterations and a bit of soundproofing." said Collins. BRIEF Game' has been con- (lei, will be released in studios to cut their first "But apart from that there are no problems It's been a One DJ was granted a firmed silver two versions . wings for CBS The band worrying time for everyone concerned but I've never quickie postal decree nisi Heatwave's new album are currently on the road in the London Divorce EDINBURGH RAND The first 3000 will lost faith In the project. There's a crying need for a new 'Central Heating' will not feature 13 songs with ' with the Korean's Court because of Tessa's Cafe Jacques are to play music and entertainment centre in this area " support on the Southside now be released until running time of 26 -} They play the London It will be several weeks before Collins is able to adultery with an un- early next year It has minutes and Roundhouse on Novem- 4r. named man. Johnny tour which opens will retail at ' announce a list of bands at Leeds University on had to be postponed for (2 50 They will play at ber 13 with Split Enz. Said Tony. "I didn't technical reasons 45rpm want it and I did all I November 23 Cafe Jacques' debut album Splinter have been Afterwards the album could to save my added as special guests will very sad It 'Round The Rack' is revert to full price, ' marriage I'm on the flier and Greg 33l,rpm. will Include came to this " released this week. two XTC PULL OUT Allman tour which opens extra tracks and run GEN X up sales for .4. XTC HAVE cancelled a already chalking next Monday (Is. over 30 minutes gig at London's Round- of 30,000 the band is Fleetwood Mac are 4 house this Sunday They entitled to a proper finalising tracks for anew decided to pull out after billing." TIM TO PLAY album which is a WILD learning they would be XTC's next London projected double com- Pop appearing third on the bill appearance will be with prising a studio side and a to Split tuna and the Blond* at the Rainbow YOUNG ELVIS live in -concert set Cortina, next Tuesday 115) They Recording will start in goes -.;:j f. SINGLE "We were rather also play Newport Stow- Los Angeles early next sensitive about being away on November if, TIMOTHY WHITN ALL, a 8 -year- old schoolboy from year GENERATION X are to third an the bill In the first Birmingham Rebecca, Suffok. Is to play young Elvis In the musical 'Elvis' Having been off the 17. Llandrindod Wells which opens at the Astoria Theatre, London, at the end a year now. Everett - t rush release their new place," said XTC man- road for over single. 'Wild Youth' / ager Ian Reid. "But it Grand Pavilion 18, of the month Tim will play the role of the king in his Dana is back for a week of THAMES TELE. 'Wild Dub' next Friday was the last slaw when we London Imperial College early days- from around the age of 17 cabaret before Christ VISION this week in his be played by Shakin' (16 I The band are became aware that our 19, Paisley Silver Thread Elvis thirties will man She opens at Luton announced a new 24, years the Idol be played by PJ r currently in the studio billing had been reduced 23, Falkirk Manlqul Stevens In his final will Caesar's Palace next series of 13 pop shows , recording their first to postage stamp size Edinburgh Clouds, 25, Proby Sunday 1201 for one week lo be hosted by 20, Said Tim's headmaster "We are all amazed, it's not New product from Dana ' ;.- album with producer Phil "We have now built up Liverpool Eric's eccentric genius ken In Katie, 27, the sort of career we usually recommend. But he'll Is expected in the new . Weinman. due for release it strong following Nottingham ny Everett. In the new year London and with our FP Swindon Affair 28-30 probably end up earning more than any of us here " Near 4' GREG KINN A Support Talent it Dar GREG KIHN'S DEBUT SINGLE TOR YOU' - THE CLASSIC SPRINGSTEEN SONG OUT NOW! "44 B11.4 The Obligatory First 10,000 are packed in an Extremely Tasteful Yellow/Black Bag LA :it ! * .1, .
Recommended publications
  • Wavelength (December 1981)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ----­ Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson.
    [Show full text]
  • Lyrics and the Law : the Constitution of Law in Music
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work.
    [Show full text]
  • Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
    Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism.
    [Show full text]
  • June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
    All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con­ These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver­ of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in­ Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices.
    [Show full text]
  • Mto.04.10.4.W Everet
    Volume 10, Number 4, December 2004 Copyright © 2004 Society for Music Theory Walter Everett KEYWORDS: rock music, tonality, harmony, voice leading, Schenkerian analysis, modal theory, blues, popular music, Beck ABSTRACT: Despite frequently voiced assertions and their underlying presumptions, there is no single sort of tonal behavior common to all rock music, but rather a spectrum of approaches to scales, harmonic function and voice leading. This essay addresses the issue from two perspectives. The first suggests an array of six tonal systems ranging from the traditional major mode through modal (including minor-pentatonic) practices having increasing structural value, to chromatic relations with little basis in any deeper diatony. The second perspective studies the varied degrees of interaction between harmony and voice leading evidenced in samples of rock music from two historically opposed timeframes, the more homogeneous span of 1957–58 and the more radically experimental period of 1999–2000. Finally, Beck’s “Lonesome Tears” (2003) serves as a model for an analytical approach to one iconoclastic combination of voice leading and harmony. Received October 2004 [1] In its history now spanning half a century, rock music has found expression in dozens of styles and sub-styles, each characterized in part—sometimes in large part—by its own approach to a preexisting tonal system, or sometimes by its unveiling of a seemingly novel tonal system.(1) Of course there are many other musical and poetic traits of importance in marking style distinctions (including rhythm at surface, phrase, and sectional levels, tone color, performance practices such as phrasing, articulation, and dynamics, and recording techniques), but in this essay we will focus solely on matters of tonal structure, in hopes of addressing in a brief space an underlying context for the wide variety of systems that exist.
    [Show full text]
  • Guns N' Roses in Spain
    Backstage Pass Volume 2 Issue 1 Article 2 2019 Guns N' Roses in Spain Ailey L. Butler University of the Pacific, [email protected] Ailey is a music industry major at UOP. She is hoping to break into the live music/touring scene of the music industry after being passionate about music her whole life. ...Read More This article was written as part of the curriculum for the Bachelor of Music in Music Management and the Bachelor of Science in Music Industry Studies at University of the Pacific. Each student conducted research based on his or her own areas of interest and study. To learn more about the program, visit: go.pacific.edu/musicindustry All images used from album covers are included under the Fair Use provision of U.S. Copyright law and remain the property of their respective copyright owners. Follow this and additional works at: https://scholarlycommons.pacific.edu/backstage-pass Part of the Arts Management Commons, Music Performance Commons, and the Radio Commons Recommended Citation Butler, Ailey L. (2019) "Guns N' Roses in Spain," Backstage Pass: Vol. 2 : Iss. 1 , Article 2. Available at: https://scholarlycommons.pacific.edu/backstage-pass/vol2/iss1/2 This Concert and Album Review is brought to you for free and open access by the Conservatory of Music at Scholarly Commons. It has been accepted for inclusion in Backstage Pass by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. Butler: Guns N' Roses in Spain Guns N’ Roses in Spain By Ailey Butler This concert was held on July 1st, 2018 in Barcelona at the Estadi Olímpic Lluís Companys.
    [Show full text]
  • Carlton Barrett
    ! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.
    [Show full text]
  • AXS TV Schedule for Mon. February 24, 2020 to Sun. March 1, 2020
    AXS TV Schedule for Mon. February 24, 2020 to Sun. March 1, 2020 Monday February 24, 2020 4:00 PM ET / 1:00 PM PT 7:00 AM ET / 4:00 AM PT The Top Ten Revealed The Very VERY Best of the 70s Guitar Rock Intros - Find out which epic Guitar Intros make our list as rock experts like Lita Ford, Teen Flicks - We’re ranking your favorite teen flicks of the 70s. From slapstick to romance, these Steven Adler (GnR) and Vinnie Paul (Pantera) count us down! movies had the teens of the 70s flocking to theaters. Find out which 70s teen flicks made our list as Barry Williams, Sebastian Bach and Anson Williams give us their opinions! 4:30 PM ET / 1:30 PM PT The Day The Rock Star Died 7:30 AM ET / 4:30 AM PT John Denver - Often described as “among the most beloved entertainers of his era,” John Denver TrunkFest with Eddie Trunk recorded and released approximately 300 songs, with total sales of over 33 million records Mountain Jam - In this episode of TrunkFest, Eddie heads to New York for Mountain Jam and worldwide. His lyrics reflected his joy in nature and disdain for city life, his enthusiasm for music, checks out the historic grounds of Woodstock, widely considered the home of festivals as we and his relationship trials. know them. Special guests include George Clinton. 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT The 53rd Annual CMA Awards Rock Legends Country Music’s biggest stars are coming together on one stage at The 53rd Annual CMA Awards Elton John - This documentary follows Elton John’s journey from budding songwriter to his 70s - Country Music’s Biggest Night with host Carrie Underwood and special guest hosts Reba McEn- peak as the one of the most prolific artists of his generation, his flamboyant costumes and tire and Dolly Parton in celebration of legendary women in Country Music! Watch as the Country classic songs and closing with being one of the very few musicians who can still top the charts Music industry reveals winners and honors its finest entertainers.
    [Show full text]
  • Beyoncé's Lemonade Collaborator Melo-X Gives First Interview on Making of the Album.” Pitchfork, 25 Apr
    FACULTADE DE FILOLOXÍA DEPARTAMENTO DE FILOLOXÍA INGLESA GRAO EN INGLÉS: ESTUDOS LINGÜÍSTICOS E LITERARIOS Beyoncé’s Lemonade: “A winner don’t quit” ANDREA PATIÑO DE ARTAZA TFG 2017 Vº Bº COORDINADORA MARÍA FRÍAS RUDOLPHI Table of Contents Abstract 1. Introduction 3 2. Methodology 4 3. Beyonce's Lemonade (2016) 5 3.1 Denial: “Hold Up” 6 3.2 Accountability: “Daddy Lessons” 12 3.3 Hope: “Freedom” 21 3.4 Formation 33 4. Conclusion 44 5. Works Cited 46 Appendix 49 Abstract Beyoncé’s latest album has become an instant social phenomenon worldwide. Given its innovative poetic, visual, musical and socio-politic impact, the famous and controversial African American singer has taken an untraveled road—both personal and professional. The purpose of this essay is to provide a close reading of the poetry, music, lyrics and visuals in four sections from Beyoncé’s critically acclaimed Lemonade (2016). To this end, I have chosen what I believe are the most representative sections of Lemonade together with their respective songs. Thus, I focus on the song “Hold Up” from Denial; “Daddy Lessons” from Accountability, “Freedom” from Hope, and “Formation,” where Beyoncé addresses topics such as infidelity, racism, women’s representation, and racism and inequality. I analyse these topics through a close-reading and interpretation of Warsan Shire’s poetry (a source of inspiration), as well as Beyoncé’s own music, lyrics, and imagery. From this analysis, it is safe to say that Lemonade is a relevant work of art that will perdure in time, since it highlights positive representations of African-Americans, at the same time Beyoncé critically denounces the current racial unrest lived in the USA.
    [Show full text]
  • Politics and Popular Culture: the Renaissance in Liberian Music, 1970-89
    POLITICS AND POPULAR CULTURE: THE RENAISSANCE IN LIBERIAN MUSIC, 1970-89 By TIMOTHY D. NEVIN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Timothy Nevin 2 To all the Liberian musicians who died during the war-- (Tecumsey Roberts, Robert Toe, Morris Dorley and many others) Rest in Peace 3 ACKNOWLEDGMENTS I would like to thank my parents and my uncle Frank for encouraging me to pursue graduate studies. My father’s dedication to intellectual pursuits and his life-long love of teaching have been constant inspirations to me. I would like to thank my Liberian wife, Debra Doeway for her patience in attempting to answer my thousand and one questions about Liberian social life and the time period “before the war.” I would like to thank Dr. Luise White, my dissertation advisor, for her guidance and intellectual rigor as well as Dr. Sue O’Brien for reading my manuscript and offering helpful suggestions. I would like to thank others who also read portions of my rough draft including Marissa Moorman. I would like to thank University of Florida’s Africana librarians Dan Reboussin and Peter Malanchuk for their kind assistance and instruction during my first semester of graduate school. I would like to acknowledge the many university libraries and public archives that welcomed me during my cross-country research adventure during the summer of 2007. These include, but are not limited to; Verlon Stone and the Liberian Collections Project at Indiana University, John Collins and the University of Ghana at East Legon, Northwestern University, Emory University, Brown University, New York University, the National Archives of Liberia, Dr.
    [Show full text]
  • 1 Going Long
    GOING LONG by JOHN CASSIDY In the new “long tail” marketplace, has the blockbuster met its match? Issue of 2006-07-10 A quick test of your pop-culture knowledge: How many of the twenty-five best-selling albums in American history can you name, and what proportion of them were recorded in this century? If your first thought was Michael Jackson and your second was seventies guitar bands, you should do pretty well with the first part of the question. The most popular album of all time is the Eagles’ “Greatest Hits, 1971-1975,” which has sold about twenty-nine million copies in the United States since its release, in 1976. The No. 2 album is Jackson’s “Thriller,” which has sold twenty-seven million copies since 1982. Next on the list are albums by Led Zeppelin, Pink Floyd, AC / DC, and Billy Joel. The second part of the question is a little trickier: none of the top-twenty-five albums were released after 2000. Indeed, only three recent albums make the Recording Industry Association of America’s top-one-hundred list: Shania Twain’s “Up!” and Norah Jones’s “Come Away with Me,” from 2002; and OutKast’s 2003 double album, “Speakerboxxx / The Love Below.” Not one album released in the past three years has made the list. What are we to make of this, other than to point out that it must have something to do with online file-sharing and iPods? A lot, according to Chris Anderson, a business journalist who formerly worked at The Economist and now edits Wired.
    [Show full text]
  • Samson and Moses As Moral Exemplars in Rastafari
    WARRIORS AND PROPHETS OF LIVITY: SAMSON AND MOSES AS MORAL EXEMPLARS IN RASTAFARI __________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board __________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY __________________________________________________________________ by Ariella Y. Werden-Greenfield July, 2016 __________________________________________________________________ Examining Committee Members: Terry Rey, Advisory Chair, Temple University, Department of Religion Rebecca Alpert, Temple University, Department of Religion Jeremy Schipper, Temple University, Department of Religion Adam Joseph Shellhorse, Temple University, Department of Spanish and Portuguese © Copyright 2016 by Ariella Y. Werden-Greenfield All Rights Reserved ii ABSTRACT Since the early 1970’s, Rastafari has enjoyed public notoriety disproportionate to the movement’s size and humble origins in the slums of Kingston, Jamaica roughly forty years earlier. Yet, though numerous academics study Rastafari, a certain lacuna exists in contemporary scholarship in regards to the movement’s scriptural basis. By interrogating Rastafari’s recovery of the Hebrew Bible from colonial powers and Rastas’ adoption of an Israelite identity, this dissertation illuminates the biblical foundation of Rastafari ethics and symbolic registry. An analysis of the body of scholarship on Rastafari, as well as of the reggae canon, reveals
    [Show full text]