DOCSLIB.ORG

Ha§S the PDEPH O We Know Toots & The

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ha§S the PDEPH O We Know Toots & The • We're not given to hyperbole, you know that. And you must have heard our three March album releases, Eddie HEAVY ROCKERS & The Hot Rods' THRILLER (ILPS 9563) Inner Circle's EVERYTHING IS GREAT (ILPS 9558) and the ONE BIG HAPPY FAMILY (IRSP 1), so you realise we're not messing when we say they're all brilliant. TO TAKE THE ALBUMS ONE AT A -nj* TIME: THRILLER. The stunning new album from Eddie & The Hot Rods. It hit the shops on March 9. coinciding with the start of the band's British tour which climaxed with a concert at the Rainbow rock theatre in London at the end of last month. The album, of course, was advertised in all the music papers together with soccer programmes early last month. The band's new single, POWER AND THE GLORY Ha§s (W1P 6474), is in the shops now, EVERYTHING IS GREAT. Inner Circle's debut album for Island Re- THE PDEPH cords. Circle, of course, are Jamaica's O We know Toots & The Maytals' heaviest band - and they hit the BMRB/ PASS THE PIPE album is going to hit Music Week Top 40 with their first a big audience ; it's the kind of record 4 Island single, EVERYTHING IS which simply transcends musical GREAT. The band's just finished a barriers. British tour with the Average White Toots, of course, has massive reggae Band and are still in Britain playing appeal, but the success of FAMINE - their own headlining concert series. the first single from the new album - Their new single STOP BREAKING amply demonstrates the wide poten- MY HEART (WIP 6488), was released tial for the group's music. It made at the start of this month. the Radio One playlist, an excellent launchpad for the album. And the ONE BIG HAPPY FAMILY. Island, second single, TAKE IT FROM ME as you all know, has the best reggae [W1P 6470), is pure soul. It'll be in the catalogue in the music business. And if shops from the beginning of next you doubt that claim, then check out month. ONE BIG HAPPY FAMILY, Island's Island's campaign for PASS THE PIPE new compilation album featuring hot includes: tracks by Bob Marley & The Waiters, ★ Music press advertising ; Third World, Inner Circle, Steel Pulse, ★ Thousands of Toots badges; Vou WILL buy these records! John 'KNOCKER- Knowles, Island's Marketing & Burning Spear, Zap-Pow, Ijahman and ★ T-shirts, for distribution to the shops Sales Manager, demonstrates the subtleties behind his latest Dealer Incentive Toots & The Maytals. All this for a mere and the media. Scheme - a knuckle sandwich for anyone not ordering Island's new albums. £2.85. We're almost giving it away. FOiCES ®[F ViCTOiY QUIZ? A BOTTLE OF THE FINEST PLONK FOR EACH OF THE BEST TEN ANA GRAMS OF "EVERYTHINGIS GREAT" E.G. TRY THIS REGGAE VEIN sive media campaign for the album. ENTRIESON A POSTCARD TO: YOUR STARTER FOR TEN Island Records marketing campaign ISLAND RECORDS 22 ST PETERS SOU ARE LONDON W69NW for the album features . tV Strip advertisements in the New Show. Darryl, of course, was the Musical Express, Melody Maker and electric violinist with Curved Air Sounds for two weeks, starting on back in the early-Sixties. CONCER- X / April 7; HOT TO FOR ELECTRIC VIOLIN is his ★ Full page advertisements in the ruost ambitious work to date; a New Musical Express and Sounds on serious piece of music written with- April 21 ; in the structure of the classical con- / \ ★ Special Linton Kwesi Johnson shirts PLATTERS certo . the 12-inch discomix - featuring the microphone sleeve of Third World's ONE COLD VIBE design - for distribution to both record (12WIP 6485) is available from April dealers and the media; 20. The single features two sensa- ★ Thousands of LKJ badges ; tional live tracks, TRIBAL WAR and ★ Posters, for use as in-store displays. RHYTHM OF LIFE — recorded on They will be also flyposted in major the band's British tour last autumn- • Linton Kv/esi Johnson has been cities. Sillii on the B-side . Steel Pulse re- recognised as one of Britain's most In addition, a 45 minute television lease a new single, called SOUND important black artists. documentary on Linton, called Dread Darryl Way's CONCERTO FOR SYSTEM (WIP 6470) on April 27. It Beat And Blood, will be screened by ELECTRIC VIOLIN (Island ILPS comes as the prelude to the release The music critics have been unani- BBC-1 on June 7. This much-acclaimed 9550) hits the shops on April 20 - two of the band's extraordinary album, mous in their praise of FORCES OF film has already been on selected days before Darryl is featured on TRIBUTE TO THE MARTYRS. But VICTORY; the prelude to an exten- cinema release. we 11 tel1 London Weekend's South Bank ' you more about that later. .
Load more

Recommended publications
  • Wavelength (December 1981)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ----­ Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson.
    [Show full text]
  • Lyrics and the Law : the Constitution of Law in Music
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work.
    [Show full text]
  • Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
    Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism.
    [Show full text]
  • June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
    All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con­ These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver­ of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in­ Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices.
    [Show full text]
  • Carlton Barrett
    ! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.
    [Show full text]
  • Politics and Popular Culture: the Renaissance in Liberian Music, 1970-89
    POLITICS AND POPULAR CULTURE: THE RENAISSANCE IN LIBERIAN MUSIC, 1970-89 By TIMOTHY D. NEVIN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Timothy Nevin 2 To all the Liberian musicians who died during the war-- (Tecumsey Roberts, Robert Toe, Morris Dorley and many others) Rest in Peace 3 ACKNOWLEDGMENTS I would like to thank my parents and my uncle Frank for encouraging me to pursue graduate studies. My father’s dedication to intellectual pursuits and his life-long love of teaching have been constant inspirations to me. I would like to thank my Liberian wife, Debra Doeway for her patience in attempting to answer my thousand and one questions about Liberian social life and the time period “before the war.” I would like to thank Dr. Luise White, my dissertation advisor, for her guidance and intellectual rigor as well as Dr. Sue O’Brien for reading my manuscript and offering helpful suggestions. I would like to thank others who also read portions of my rough draft including Marissa Moorman. I would like to thank University of Florida’s Africana librarians Dan Reboussin and Peter Malanchuk for their kind assistance and instruction during my first semester of graduate school. I would like to acknowledge the many university libraries and public archives that welcomed me during my cross-country research adventure during the summer of 2007. These include, but are not limited to; Verlon Stone and the Liberian Collections Project at Indiana University, John Collins and the University of Ghana at East Legon, Northwestern University, Emory University, Brown University, New York University, the National Archives of Liberia, Dr.
    [Show full text]
  • Samson and Moses As Moral Exemplars in Rastafari
    WARRIORS AND PROPHETS OF LIVITY: SAMSON AND MOSES AS MORAL EXEMPLARS IN RASTAFARI __________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board __________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY __________________________________________________________________ by Ariella Y. Werden-Greenfield July, 2016 __________________________________________________________________ Examining Committee Members: Terry Rey, Advisory Chair, Temple University, Department of Religion Rebecca Alpert, Temple University, Department of Religion Jeremy Schipper, Temple University, Department of Religion Adam Joseph Shellhorse, Temple University, Department of Spanish and Portuguese © Copyright 2016 by Ariella Y. Werden-Greenfield All Rights Reserved ii ABSTRACT Since the early 1970’s, Rastafari has enjoyed public notoriety disproportionate to the movement’s size and humble origins in the slums of Kingston, Jamaica roughly forty years earlier. Yet, though numerous academics study Rastafari, a certain lacuna exists in contemporary scholarship in regards to the movement’s scriptural basis. By interrogating Rastafari’s recovery of the Hebrew Bible from colonial powers and Rastas’ adoption of an Israelite identity, this dissertation illuminates the biblical foundation of Rastafari ethics and symbolic registry. An analysis of the body of scholarship on Rastafari, as well as of the reggae canon, reveals
    [Show full text]
  • Buju Banton Driver a Mp3 Download DRIVER BUJU BANTON TAXI for WINDOWS 8.1 DOWNLOAD
    buju banton driver a mp3 download DRIVER BUJU BANTON TAXI FOR WINDOWS 8.1 DOWNLOAD. Buju banton plays the boss in this classic clip accompanying his classic hit tune driver a. Jamaican '45 previous owner has written his initals on the records labels. The witty toaster began his initals on. Ringtones and for business and music. Damian jr gong marley the traffic jam thorn or a rose stephen ragga marley feat. Acroline/lady sattva first swooned for prince buster on a ghetto-blaster at the tender age of 15. The first record store day took place on ap. Stamina Daddy Mr. The witty toaster began his true ascent to stardom in the early '90s, and by 1994, his reputation couldn't be beat. Advan s5e pro. Explore kaeamatiaha's board steel pulse on pinterest. They can also be found at taxi stands around the city. 2 position on a ghetto-blaster at zero metres, reggae chart! Cover your body with amazing buju banton t-shirts from zazzle. Damian jr gong marley tonight it's a party stephen ragga marley feat. Here you can find mr vegas lexxus taxi fare shared files. But the sound systems where he later made his mark. But the app has huge inconveniences, - no price estimates - no destination setting - no option for card payment if you start out using cash and vice versa recently all taxi distances are at zero metres, so i never know just how far my driver is until after i've ordered, which is annoying cause i need to. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website.
    [Show full text]
  • Island Music Songlist
    island music songlist We proudly offer a full menu of song choices that rise to any occasion! In addition to the titles listed below, we maintain an expansive, diverse and ever-expanding library to supplement any songs, artists or styles not represented on this list. Our music designers will make every attempt to incorporate the musical requests specified on these sheets as well as any requests made on the day of the function. INSTRUCTIONS: 1) Print your name / party date below; 2) check off your favorite songs and artists in each category; and 3) include your "must play" songs on the "Top 15" worksheet provided (these selections need NOT be from this song list.) Please return your song list to the office via email ([email protected]), fax (808.982.8340) or post (P.O. Box 2267, Kailua-Kona, HI 96745) at least THREE WEEKS prior to your event date! NAME: EVENT DATE: / / q PELE KANE • MAUNALUA TRADITIONAL HAWAIIAN q PILI MAI NO I KA IHU • AMY HANAIALII GILLIOM q AKAKA FALLS • KEALI'I REICHEL q PILI ME KA'U MANU • ISRAEL "IZ" KAMAKAWIWO'OLE q 'ALIKA • GENOA KEAWE q POHAI KEALOHA • HUI 'OHANA q ALOHA 'OE • KEALOHA KONO q PUPU A' O 'EWA • KEALI'I REICHEL q E ALA E • ISRAEL "IZ" KAMAKAWIWO'OLE q ULILI E • MAKUA ROTHMAN q E APO MAI • NATHAN AWEAU q ULUPALAKUA • HUI 'OHANA q E KU'U MORNING DEW • EDDIE KAMAE & SONS OF HAWAII q WAHINE 'ILIKEA • EDDIE KAMAE & SONS OF HAWAII q E KU'U TUTU • RAIATEA q E O MAI • KEALI'I REICHEL SLACK KEY q E PILI MAI • KEALI'I REICHEL q BACKYARD SLACK • SEAN NA'AUAO q EHUEHU MAI NEI 'O MANOA • AARON J.
    [Show full text]
  • Speech Given at Afrika Eye Film Festival – 12 Nov 2016
    SPEECH GIVEN AT AFRIKA EYE FILM FESTIVAL – 12 NOV 2016 Five Corners of Reggae: what reggae music means to me Dr Shawn-Naphtali Sobers Welcome to the Afrika Eye film festival screening of Roots, Reggae, Rebellion, the documentary on the history or reggae music presented by Akala. Today we are honoured to have Mykaell Riley from the legendary reggae band Steel Pulse with us, who features in the film. I’ll be interviewing Mykaell after the screening about his experience of Steel Pulse and what he’s doing now, in his new career as a scholar of music, an academic at the University of the Westminster, and please do ask him lots of questions. We also have a video message by the director of the film, James Hale, after this short introduction I have been asked to give, which I was honoured to accept. I’d like to share with you a personal exploration of reggae music means to me, especially in my formative teenage years, the impact it had on me and that I could see happening, and its significance across five aspects of life – which I call the Five Corners of Reggae Music. 1 - Cultural / Educational Music with a message of a proud Black African identity. Talking about the slavery in a way that was different to school, and singing names such as of Marcus Garvey and Haile Selassie, using words such as Sattamassagana, (an Amharic word meaning ‘give thanks and praises’). Infused with Biblical quotes and codes - roots reggae became like text-books for those of who were inspired by the music’s teaching and wanted to take it further.
    [Show full text]
  • The Arts and Entertainment Supplement to the Daily Nexus, for February 16Th Through February 22Nd
    The Arts and Entertainment Supplement to the Daily Nexus, for February 16th Through February 22nd. 1995 AHHHH! It's raining mastheads! YOU SHOULD JUST READ THE INTERVIEW WITH FUNKDOOBIEST ON PAGE 4A ALSO: HIGHER LEARNING MASSIVE ATTACK THE POPPY FIELD AND MORE! ZACK GROSSMAN/DftOy Nexus 2 A Thursday, February 16,1995 Daily Nexus In 1991, director John Singleton re­ rest of the audience’s eyes. Various Artists ceived national attention and acclaim for Adding to the portrayal of the charac­ Higher Learning Boyz N The Hood. It was unfortunate ter is the fact that Kristen is experiencing Epic that he followed this with the sophomoric sexual ambivalence, as she steeps with Poetic Justice. But any questions about both Wayne (Jason Wiles) and Taryn Take a stroll down any Singleton’s skills as a moviemaker are an­ (Jennifer Connelly), head of one of the college campus — w alk­ swered in Higher Learning, which is, university's women’s groups. ing through the dorms and apartments you can hear the music of America. So writes John Singleton in the liner notes of the soundtrack to his new film, H igher Learning. Singleton is right. As a freshman, a phenomenally diverse mix of music constantly pul­ sated within my dorm. One of the joys of living in those cramped quarters was that there was a pretty fair chance that any ima­ ginable CD was available to borrow from someone in the building. Yes, take a stroll down UCSB’s cam­ pus, and .while walking through tiie dorms you will likely hear the music quite simply, great The third freshman, Remy (Michael of Miles Davis, Led Zep­ chine an d M e’sh ell same album? Don’t worry, The film takes place on the campus of Rapaport) brings some strangeness to an pelin and Snoop Doggy Ndege’Ocello perform it’s not quite as weird as it Columbus University, and by depicting otherwise fairly normal college.
    [Show full text]
  • Jamaican Canadian Music in Toronto in the 1970S and 1980S
    Jamaican Canadian Music in Toronto in the 1970s and 1980s: A Preliminary History by Keith McCuaig A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario May 18th, 2012 ©2012 Keith McCuaig Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91556-1 Our file Notre reference ISBN: 978-0-494-91556-1 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]