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AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
Exhibit O-137-DP
Contents 03 Chairman’s statement 06 Operating and Financial Review 32 Social responsibility 36 Board of Directors 38 Directors’ report 40 Corporate governance 44 Remuneration report Group financial statements 57 Group auditor’s report 58 Group consolidated income statement 60 Group consolidated balance sheet 61 Group consolidated statement of recognised income and expense 62 Group consolidated cash flow statement and note 63 Group accounting policies 66 Notes to the Group financial statements Company financial statements 91 Company auditor’s report 92 Company accounting policies 93 Company balance sheet and Notes to the Company financial statements Additional information 99 Group five year summary 100 Investor information The cover of this report features some of the year’s most successful artists and songwriters from EMI Music and EMI Music Publishing. EMI Music EMI Music is the recorded music division of EMI, and has a diverse roster of artists from across the world as well as an outstanding catalogue of recordings covering all music genres. Below are EMI Music’s top-selling artists and albums of the year.* Coldplay Robbie Williams Gorillaz KT Tunstall Keith Urban X&Y Intensive Care Demon Days Eye To The Telescope Be Here 9.9m 6.2m 5.9m 2.6m 2.5m The Rolling Korn Depeche Mode Trace Adkins RBD Stones SeeYou On The Playing The Angel Songs About Me Rebelde A Bigger Bang Other Side 1.6m 1.5m 1.5m 2.4m 1.8m Paul McCartney Dierks Bentley Radja Raphael Kate Bush Chaos And Creation Modern Day Drifter Langkah Baru Caravane Aerial In The Backyard 1.3m 1.2m 1.1m 1.1m 1.3m * All sales figures shown are for the 12 months ended 31 March 2006. -
Song Suggestions for Special Dances
SONG SUGGESTIONS FOR SPECIAL DANCES PARTY EXCITEMENT www.partyexcitement.com Top 50 Bride & Groom First Dance Songs (Everything I Do) I do it for you by Bryan Adams A Thousand Years by Christina Perri All My Life by K‐Ci & JoJo Amazed by Lonestar At Last by Etta James Better Together by Jack Johnson Bless the Broken Road by Rascal Flatts By Your Side by Sade Can’t Help Falling in Love by Elvis Presley Chasing Cars by Snow Patrol Come Away with Me by Norah Jones Cowboys and Angels by Dustin Lynch Crazy Girl by Eli Young Band Crazy Love by Van Morrison Everything by Michael Buble Faithfully by Journey First Day of My Life by Bright Eyes God Gave Me You by Blake Shelton Hold on by Michael Buble I Cross my Heart by George Strait I Don’t Want to Miss a Thing by Aerosmith I Gotta Feeling by Black Eyed Peas I won’t give up by Jason Mraz I’ll be by Edwin McCain Into the Mystic by Van Morrison It’s Your Love by Tim McGraw and Faith Hill Let’s Stay Together by Al Green Lucky by Jason Mraz & Colbie Caillat Make You Feel My Love by Adele Making Memories of Us by Keith Urban Marry Me by Train Me and You by Kenny Chesney My Best Friend by Tim McGraw She’s everything by Brad Paisley Smile by Uncle Kracker Stand By Me by Ben E. King The Way you look tonight by Frank Sinatra Then by Brad Paisley This Year’s Love by David Gray Unchained Melody by Righteous Brothers Wanted by Hunter Hayes What a Wonderful World by Louis Armstrong When You Say Nothing at All by Alison Krauss Wonderful Tonight by Eric Clapton You and Me by Dave Matthews Band You are the Best -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
In the Studio: the Role of Recording Techniques in Rock Music (2006)
21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio. -
From Jay-Z to Dead Prez: Examining Representations of Black
JBSXXX10.1177/0021934714528953Journal of Black StudiesBelle 528953research-article2014 Article Journal of Black Studies 2014, Vol. 45(4) 287 –300 From Jay-Z to Dead © The Author(s) 2014 Reprints and permissions: Prez: Examining sagepub.com/journalsPermissions.nav DOI: 10.1177/0021934714528953 Representations of jbs.sagepub.com Black Masculinity in Mainstream Versus Underground Hip-Hop Music Crystal Belle1 Abstract The evolution of hip-hop music and culture has impacted the visibility of Black men and the Black male body. As hip-hop continues to become commercially viable, performances of Black masculinities can be easily found on magazine covers, television shows, and popular websites. How do these representations affect the collective consciousness of Black men, while helping to construct a particular brand of masculinity that plays into the White imagination? This theoretical article explores how representations of Black masculinity vary in underground versus mainstream hip-hop, stemming directly from White patriarchal ideals of manhood. Conceptual and theoretical analyses of songs from the likes of Jay-Z and Dead Prez and Imani Perry’s Prophets of the Hood help provide an understanding of the parallels between hip-hop performances/identities and Black masculinities. Keywords Black masculinity, hip-hop, patriarchy, manhood 1Columbia University, New York, NY, USA Corresponding Author: Crystal Belle, PhD Candidate, English Education, Teachers College, Columbia University, 525 West 120th Street, New York, NY 10027, USA. Email: [email protected] Downloaded from jbs.sagepub.com at Mina Rees Library/CUNY Graduate Center on January 7, 2015 288 Journal of Black Studies 45(4) Introduction to and Musings on Black Masculinity in Hip-Hop What began as a lyrical movement in the South Bronx is now an international phenomenon. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Mto.04.10.4.W Everet
Volume 10, Number 4, December 2004 Copyright © 2004 Society for Music Theory Walter Everett KEYWORDS: rock music, tonality, harmony, voice leading, Schenkerian analysis, modal theory, blues, popular music, Beck ABSTRACT: Despite frequently voiced assertions and their underlying presumptions, there is no single sort of tonal behavior common to all rock music, but rather a spectrum of approaches to scales, harmonic function and voice leading. This essay addresses the issue from two perspectives. The first suggests an array of six tonal systems ranging from the traditional major mode through modal (including minor-pentatonic) practices having increasing structural value, to chromatic relations with little basis in any deeper diatony. The second perspective studies the varied degrees of interaction between harmony and voice leading evidenced in samples of rock music from two historically opposed timeframes, the more homogeneous span of 1957–58 and the more radically experimental period of 1999–2000. Finally, Beck’s “Lonesome Tears” (2003) serves as a model for an analytical approach to one iconoclastic combination of voice leading and harmony. Received October 2004 [1] In its history now spanning half a century, rock music has found expression in dozens of styles and sub-styles, each characterized in part—sometimes in large part—by its own approach to a preexisting tonal system, or sometimes by its unveiling of a seemingly novel tonal system.(1) Of course there are many other musical and poetic traits of importance in marking style distinctions (including rhythm at surface, phrase, and sectional levels, tone color, performance practices such as phrasing, articulation, and dynamics, and recording techniques), but in this essay we will focus solely on matters of tonal structure, in hopes of addressing in a brief space an underlying context for the wide variety of systems that exist. -
Guns N' Roses in Spain
Backstage Pass Volume 2 Issue 1 Article 2 2019 Guns N' Roses in Spain Ailey L. Butler University of the Pacific, [email protected] Ailey is a music industry major at UOP. She is hoping to break into the live music/touring scene of the music industry after being passionate about music her whole life. ...Read More This article was written as part of the curriculum for the Bachelor of Music in Music Management and the Bachelor of Science in Music Industry Studies at University of the Pacific. Each student conducted research based on his or her own areas of interest and study. To learn more about the program, visit: go.pacific.edu/musicindustry All images used from album covers are included under the Fair Use provision of U.S. Copyright law and remain the property of their respective copyright owners. Follow this and additional works at: https://scholarlycommons.pacific.edu/backstage-pass Part of the Arts Management Commons, Music Performance Commons, and the Radio Commons Recommended Citation Butler, Ailey L. (2019) "Guns N' Roses in Spain," Backstage Pass: Vol. 2 : Iss. 1 , Article 2. Available at: https://scholarlycommons.pacific.edu/backstage-pass/vol2/iss1/2 This Concert and Album Review is brought to you for free and open access by the Conservatory of Music at Scholarly Commons. It has been accepted for inclusion in Backstage Pass by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. Butler: Guns N' Roses in Spain Guns N’ Roses in Spain By Ailey Butler This concert was held on July 1st, 2018 in Barcelona at the Estadi Olímpic Lluís Companys. -
There's No Shortcut to Longevity: a Study of the Different Levels of Hip
Running head: There’s No Shortcut to Longevity 1 This thesis has been approved by The Honors Tutorial College and the College of Business at Ohio University __________________________ Dr. Akil Houston Associate Professor, African American Studies Thesis Adviser ___________________________ Dr. Raymond Frost Director of Studies, Business Administration ___________________________ Cary Roberts Frith Interim Dean, Honors Tutorial College There’s No Shortcut to Longevity 2 THERE’S NO SHORTCUT TO LONGEVITY: A STUDY OF THE DIFFERENT LEVELS OF HIP-HOP SUCCESS AND THE MARKETING DECISIONS BEHIND THEM ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Business Administration ______________________________________ by Jacob Wernick April 2019 There’s No Shortcut to Longevity 3 Table of Contents List of Tables and Figures……………………………………………………………………….4 Abstract…………………………………………………………………………………………...5 Introduction…………………………………………………………………………………..6-11 Parameters of Study……………………………………………………………..6 Limitations of Study…………………………………………………………...6-7 Preface…………………………………………………………………………7-11 Literary Review……………………………………………………………………………..12-32 Methodology………………………………………………………………………………....33-55 Jay-Z Case Study……………………………………………………………..34-41 Kendrick Lamar Case Study………………………………………………...41-44 Soulja Boy Case Study………………………………………………………..45-47 Rapsody Case Study………………………………………………………….47-48 -
AXS TV Schedule for Mon. February 24, 2020 to Sun. March 1, 2020
AXS TV Schedule for Mon. February 24, 2020 to Sun. March 1, 2020 Monday February 24, 2020 4:00 PM ET / 1:00 PM PT 7:00 AM ET / 4:00 AM PT The Top Ten Revealed The Very VERY Best of the 70s Guitar Rock Intros - Find out which epic Guitar Intros make our list as rock experts like Lita Ford, Teen Flicks - We’re ranking your favorite teen flicks of the 70s. From slapstick to romance, these Steven Adler (GnR) and Vinnie Paul (Pantera) count us down! movies had the teens of the 70s flocking to theaters. Find out which 70s teen flicks made our list as Barry Williams, Sebastian Bach and Anson Williams give us their opinions! 4:30 PM ET / 1:30 PM PT The Day The Rock Star Died 7:30 AM ET / 4:30 AM PT John Denver - Often described as “among the most beloved entertainers of his era,” John Denver TrunkFest with Eddie Trunk recorded and released approximately 300 songs, with total sales of over 33 million records Mountain Jam - In this episode of TrunkFest, Eddie heads to New York for Mountain Jam and worldwide. His lyrics reflected his joy in nature and disdain for city life, his enthusiasm for music, checks out the historic grounds of Woodstock, widely considered the home of festivals as we and his relationship trials. know them. Special guests include George Clinton. 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT The 53rd Annual CMA Awards Rock Legends Country Music’s biggest stars are coming together on one stage at The 53rd Annual CMA Awards Elton John - This documentary follows Elton John’s journey from budding songwriter to his 70s - Country Music’s Biggest Night with host Carrie Underwood and special guest hosts Reba McEn- peak as the one of the most prolific artists of his generation, his flamboyant costumes and tire and Dolly Parton in celebration of legendary women in Country Music! Watch as the Country classic songs and closing with being one of the very few musicians who can still top the charts Music industry reveals winners and honors its finest entertainers. -
Beyoncé's Lemonade Collaborator Melo-X Gives First Interview on Making of the Album.” Pitchfork, 25 Apr
FACULTADE DE FILOLOXÍA DEPARTAMENTO DE FILOLOXÍA INGLESA GRAO EN INGLÉS: ESTUDOS LINGÜÍSTICOS E LITERARIOS Beyoncé’s Lemonade: “A winner don’t quit” ANDREA PATIÑO DE ARTAZA TFG 2017 Vº Bº COORDINADORA MARÍA FRÍAS RUDOLPHI Table of Contents Abstract 1. Introduction 3 2. Methodology 4 3. Beyonce's Lemonade (2016) 5 3.1 Denial: “Hold Up” 6 3.2 Accountability: “Daddy Lessons” 12 3.3 Hope: “Freedom” 21 3.4 Formation 33 4. Conclusion 44 5. Works Cited 46 Appendix 49 Abstract Beyoncé’s latest album has become an instant social phenomenon worldwide. Given its innovative poetic, visual, musical and socio-politic impact, the famous and controversial African American singer has taken an untraveled road—both personal and professional. The purpose of this essay is to provide a close reading of the poetry, music, lyrics and visuals in four sections from Beyoncé’s critically acclaimed Lemonade (2016). To this end, I have chosen what I believe are the most representative sections of Lemonade together with their respective songs. Thus, I focus on the song “Hold Up” from Denial; “Daddy Lessons” from Accountability, “Freedom” from Hope, and “Formation,” where Beyoncé addresses topics such as infidelity, racism, women’s representation, and racism and inequality. I analyse these topics through a close-reading and interpretation of Warsan Shire’s poetry (a source of inspiration), as well as Beyoncé’s own music, lyrics, and imagery. From this analysis, it is safe to say that Lemonade is a relevant work of art that will perdure in time, since it highlights positive representations of African-Americans, at the same time Beyoncé critically denounces the current racial unrest lived in the USA.