Pressemitteilung 09.06.2015
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
GUITAR OVERSTOCK SALE Soundcentre.Com.Au
SALE PRICE LIST 144 Russell St, Morley Ph: 08 9370 1185 GUITAR OVERSTOCK SALE [email protected] Current stocks only | No laybys | Sale ends Sept 30 FENDER / SQUIER RRP SALE PRICE Fender 50s Classic Stratocaster - Daphne Blue $2,199 $1,399 Fender 70s Classic Stratocaster - Natural $2,349 $1,499 Fender American Elite Stratocaster - Olympic Pearl $3,999 $2,999 Fender American Professional Jazzmaster Electric Guitar - 3 Colour Sunburst $3,149 $2,499 Fender American Professional Stratocaster - Sienna Sunburst $3,699 $2,599 Fender American Professional Stratocaster HSS Shawbucker Electric Guitar - 3 $2,949 $2,399 Colour Sunburst Fender American Professional Telecaster - 3 Colour Sunburst $2,949 $2,349 Fender American Professional Telecaster - Butterscotch Blonde $3,699 $2,479 Fender American Professional Telecaster Deluxe Shawbucker - Sonic Gray $3,399 $2,299 Fender American Special Stratocaster - Sonic Blue $2,699 $1,799 Fender American Special Telecaster - Lake Placid Blue $2,699 $1,699 Fender American Special Telecaster Electric Guitar - Three Colour Sunburst $2,699 $1,649 Fender American Special Telecaster Electric Guitar - Vintage Blonde $2,699 $1,799 Fender American Vintage 52 Telecaster Electric Guitar - Butterscotch Blonde $4,099 $3,349 Fender American Vintage 58 Telecaster Electric Guitar - Aged White Blonde $4,099 $3,299 Fender American Vintage 59 Stratocaster - Sherwood Green Metallic $4,149 $3,299 Fender CD-140S Mahogany Dreadnaught Acoustic Guitar - Natural $499 $299 Fender Classic Player 60's Baja Telecaster - Sonic Blue -
Contents About the Author
2 THE SERIOUS GUITARIST | EsseNtiaL BOOK OF Gear CONTENTS About the Author ..................................................... 3 2000 and Beyond ............................................38 Part 3: The Technical Stuff ..................................82 Introduction .............................................................. 4 Amp Modeling ...............................................39 The Science of Sound .....................................82 Guitar Apps ...................................................39 Vibrations........................................................82 Part 1: The History of Guitar Gear ...................... 5 8- and 9-String Guitars ...............................39 Amplitude and Types of Waves .................82 The1930s ............................................................. 5 Guitar-Based Video Games ......................40 Overtones (Harmonics) ..............................82 The First Electric Guitars .............................. 5 Look, Ma, No Amp! ......................................40 Modulation .....................................................83 The First Amplifiers ........................................ 6 Fractal Audio Systems Axe-FX II ..............40 The Order of Effects ....................................83 Early 7-String Guitar ...................................... 8 Looking Ahead ..............................................41 Understanding Guitar Amps ..........................84 Early Talk Box .................................................. 8 Tube Amps .....................................................84 -
BANDHAPPY to Launch Registration Privileges on January 5 , 2012
For Immediate Release January 4th, 2012 BANDHAPPY to Launch Registration Privileges on January 5th, 2012 – Join the First LIVE Online and In-Person Music Education Service this Thursday! Two New Tutorial Videos for Students and Teachers are Available for Viewing Now! BANDHAPPY, the brand new and first LIVE online and in-person music education service, is pleased to announce the launch of registration abilities beginning at 11am ET on Thursday, January 5th, 2012. Lessons will begin on Monday, January 9th as students are activated into the system. The site has received thousands of requests from students seeking lessons so far, so be patient as BANDHAPPY is approving students on a rolling basis. Teachers are still able to apply and can continue to apply at any time! Rules for application are currently on the BANDHAPPY teacher registration page. Hundreds of teachers have already signed on and are ready to teach! Teachers that have already signed on include Tosin Abasi (Animals as Leaders), Rich Redmond (Jason Aldean Band), Gil Sharone (Stolen Babies), Jeff Loomis (Nevermore), Ben Weinman (Dillinger Escape Plan), Mike Mowery (Outerloop MGMT), Chris Adler (Lamb of God), Willie Adler (Lamb of God), AJ Minette (The Human Abstract), Evan Brewer (The Faceless), Paul Waggoner (Between the Buried and Me), Rody Walker (Protest the Hero), Peter Wichers (Soilwork), Louis Cato (Marcus Miller Band), Spencer Sotelo (Periphery), and more. There are two new tutorial videos available now on YouTube, one for teachers and one for students! The videos assist in walking new students and teachers through the registration process, as well as other important individual points like setting up a lesson, creating your profile, etc. -
Metal Madness: Heavy Music Coming to Your Town
Metal Madness: Heavy Music Coming to Your Town Welcome to Metal Madness my fellow Metalheads, covering all things metal, metalcore, deathcore and hardcore in the Providence area. I just want to take a moment to thank everyone who was at the Kingsmen show on October 8 (motifri.com/kingsmen). As someone who has been playing music for a long time, I wanted to speak to the growing argument that heavy music is dead. For a show on a Sunday with no major label band headlining, the turnout was great. The credit goes directly to the bands that played that night; Absence of Despair, Your Chance to Die and Kingsmen. Everyone who was there were there for the music, and all of it was heavy music. You could see the camaraderie between the bands and fans, and how welcoming they were to the one out-of-town band, Your Chance to Die. Absent were the attitudes “I’m going to see my friend’s band and leave.” There were no crossed arms and ugly faces, but a respect for all the musicians who were there (and if you ever get the chance to see two Norwegian women front a deathcore band, do not pass it up!). The music wasn’t dead or dying; if anything, it’s thriving. The more Providence bands do well, the better it is for our scene, the bands and heavy music. Now that I’m off my soapbox, on to what’s happening. Night of the Dead, Oct 21, 8pm, Fete Music Hall If you want to take a quick trip back to the early 2000s, Dope, Hed p.e. -
ABSTRACT Ecstatic Utterances Explained: a Companion to Ecstatic Utterances Jim Simmons, M.Div., M.M., M.M. Thesis Chairperson
ABSTRACT Ecstatic Utterances Explained: A Companion to Ecstatic Utterances Jim Simmons, M.Div., M.M., M.M. Thesis Chairperson: Scott McAllister, D.M.A. This paper provides technical and philosophical insight into the composition Ecstatic Utterances. Three distinguishing approaches feature in this thesis: strands, and their accompanying theory; harmonic crescendo and a limited aleatory passage. Of greatest importance amongst these three is the concept of a strand, and the possibilities obtaining therein; possibilities which have crystallized in the writer’s musical and verbal expression, providing methods for both composition and analysis. While these methods remain in need of development, important strides have already been taKen: a detailed analysis of portions of Ecstatic Utterances and a brief theoretical foundation titled “A Beginning to the Discussion of Strands as a Form of Musical Expression: A Conceptual Glossary.” Both documents were developed simultaneously in an attempt to be systematic. All worK is original unless otherwise cited. Ecstatic Utterances Explained: A Companion to Ecstatic Utterances by Jim Simmons, B.M.E., B.M., M.Div., M.M. A Thesis Approved by the School of Music ________________________________ William V. May, Jr., Ph.D., Dean _______________________________ Laurel E. Zeiss, Ph.D., Director of Graduate Studies Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Music Approved by the Thesis Committee _________________________________ Scott McAllister, D.M.A., Chairperson _________________________________ Timothy R. McKinney, Ph.D. _________________________________ Eric C. Lai, Ph.D. _________________________________ Joel A. Weaver, Ph.D. Accepted by the Graduate School December 2012 ___________________________ J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. -
This Special Small Goods Gallery Spotlights
SMALL GOODS LITTLe STUFF = THIS SPECBIAL SIMAgLL GO ODBS GALULERY SCPOTLkIGHTS INNOVATIVE ACCESSORIES TO DRIVE TRAFFIC, ADD SALES, AND BUILD PROFITS A Unique Tool For Creating New Music Makers More eye-catching than a recorder and easier to play as well, pBuzz makes music fun for early learners. These unique instru - ments have already found their way into many music classrooms around the U.S. Music teacher-inspired curriculum is making these top-award winners for music learning around the world. The pBuzz has a six-note range through its movable slide, presented by color, note, and position number because children learn in many ways. Stylish Martin Wingtip Straps Distributed by Rhythm Band Instruments Martin Wingtip guitar straps are the perfect complement to a Martin guitar, or and St. Louis Music, pBuzz is another terrif - any fine fretted instrument for that matter. Offered in dark or light brown, the ic innovation from Warwick Music Group. straps are 2.5" wide, made from fine quality leather, and outfitted with deco - www.pbuzz.co.uk rative wingtip-style ends. A soft leather underside makes the straps extra comfortable and they are adjustable from 42" to 56" long. www.martinguitar.com Moisture Control For All Instruments Boveda’s patented two-way humidity management products are invaluable for both woodwind and brasswind players. Wood Instrument systems keep moisture at an optimum level, preventing warping or cracking in violins, vio - las, cellos, or fretted instrments. The Brasswind product removes humidity to prevent the kind of mold and bacteria that causes corrosion, not to mention allergic reactions. -
S = Signing, P = Performance/Product Demonstration, PC = Press Conference
S = Signing, P = Performance/Product Demonstration, PC = Press Conference Thursday January 24th Time Booth Name Booth # Hall Artist Type 9.30 AM Sabian 3254 D Mike Portnoy PC 10.00 AM Samson 4590 C Kiko Loureiro P Jordan Rudess 10.30 AM MOTU 6514 A [Dream Theater] P Marco Mendoza 10.30 AM Samson 4590 C [Thin Lizzy] P Jordan Rudess 11.00 AM Synthogy 6724 A [Dream Theater] P Yamaha 100MA, 125th Anniversary 11.00 AM Yamaha 102MA Marriott Press Event PC NAMM Media Orange Amps 11.00 AM Room Keynote Speech PC Dean Markley 12.00 PM Strings 5710 B Lita Ford S 2.30 PM Korg USA 6440 A Derek Sherinian P 3.00 PM TC Electronic 5932 B Press Meeting PC Geezer Butler 3.30 PM Samson 4590 C [Black Sabbath] S Frank Bello [Anthrax] Billy Sheehan [Mr. Big] JD DeServio [Black Label Society] Eddie Jackson [Queensryche] Marco Mendoza [Thin Lizzy] Steve Morse 4.00 PM TC Electronic 5932 B [Deep Purple] S Guthrie Govan [The Aristocrats] 4.30 PM Samson 4590 C Richie Kotzen P Friday January 25th Time Booth Name Booth Number Hall Artist Type 100 MA, 102 9.30 AM Yamaha MA Marriott Tommy Aldridge PC Matt Halpern [Periphery] Jordan Rudess 10.30 AM MOTU 6514 A [Dream Theater] P Zakk Wylde 11.00 AM EMG Pickups 4782 C [Black Label Society] S/PC Richie Faulkner [Judas Priest] Andy James [Sacred Mother Tongue] 11.00 AM Samson 4590 C Richie Kotzen P Jeff Kendrick 11.30 AM Korg USA 6440 A [DevilDriver] P Mike Spreitzer [DevilDriver] Rex Brown 12.00 PM Ampeg 209 A/B Level 2 [Pantera, Kill Devil Hill] S Mike Inez [Alice In Chains] Juan Alderete Dean Markley 12.00 PM Strings 5710 B Orianthi [Alice Cooper] S 12.00 PM Korg USA 6440 A Gus G [Ozzy, Firewind] S Jeff Kendrick [DevilDriver] Mike Spreitzer [DevilDriver] 12.00 PM Samson 4590 C Gary Holt [Exodus] S Mike Portnoy Scott Ian [Anthrax] Charlie Benante [Anthrax] Frank Bello [Anthrax] Dave Lombardo [Slayer, Philm] Kerry King [Slayer] David Ellefson [Megadeth] Billy Sheehan [Mr. -
Universidad Distrital Francisco José De Caldas
UNIVERSIDAD DISTRITAL FRANCISCO JOSÉ DE CALDAS FACULTAD DE ARTES ASAB PROYECTO CURRICULAR DE ARTES MUSICALES ANÁLISIS DE 2 OBRAS DE LA BANDA ANIMALS AS LEADERS Y APORTES INTERPRETATIVOS PARA LA GUITARRA ELÉCTRICA DENTRO DEL CONTEXTO DEL DJENT JUAN CAMILO MERCHÁN RIOS Código: 20132098012 ENFASIS: INTERPRETACIÓN MODALIDAD DE TRABAJO DE GRADO: MONOGRAFÍA BOGOTÁ, D.C OCTUBRE DE 2018 UNIVERSIDAD DISTRITAL FRANCISCO JOSÉ DE CALDAS FACULTAD DE ARTES ASAB PROYECTO CURRICULAR DE ARTES MUSICALES ANÁLISIS DE 2 OBRAS DE LA BANDA ANIMALS AS LEADERS Y APORTES INTERPRETATIVOS PARA LA GUITARRA ELÉCTRICA DENTRO DEL CONTEXTO DEL DJENT JUAN CAMILO MERCHÁN RIOS Código: 20132098012 ENFASIS: INTERPRETACIÓN TUTOR: WILLIAM RICARDO BARRERA TACHA MODALIDAD: MONOGRAFÍA BOGOTÁ D.C OCTUBRE DE 2018 ii Toda buena dádiva y todo don perfecto desciende de lo alto, del Padre de las luces, en el cual no hay mudanza, ni sombra de variación. Santiago 1:17 iii AGRADECIMIENTOS De antemano pido perdón a todos aquellos que olvide mencionar en esta sección, ya que seguramente no alcanzará para agradecer a todos y cada uno de los que contribuyeron, ya sea en mayor o menor medida, a la realización de este trabajo y a mi carrera. Primeramente, doy gracias a Dios, el Autor de mi vida y de la música que tanto amamos, sin Él nada soy; la inspiración, la fortaleza, los dones, talentos y todo que hizo posible el desarrollo de esta carrera, todo se lo debo a Él, a Su amor por mí, por lo tanto, este trabajo está dedicado a mi Señor. A mis padres Jaime Merchán y Anatilde Ríos, porque no me negaron este camino tan maravilloso de la música, y a pesar de cada circunstancia adversa, trataron de respaldarme en todo cuanto pudieron con amor; gracias a Dios por ellos. -
The Music Never Stops by Holly V
UpstateLIVE Issue #3 September / October 2008 Music Guide layout/ads/distribution Herby Vaughn Welcome to the UpstateLIVE Music Guide. It was created to help promote LIVE contributing writers MUSIC and MUSICIANS in Upstate New Erik Jensen York. It gives fans a chance to see what is Tabitha Clancy happening in different regions of the state, Jed Metzger and gives industry insiders some much Aimee Leigh needed networking. Marisa Connelly Rob Robinson It is distributed to live music bars and Holly V. theatres, music stores and shops, cafes and photography restaurants, and circulated by staff, street Selena Hodom team members, bands and fans at concerts Kim Lathrop and festivals throughout the Upstate New Erin Flynn York Region. cover art UpstateLIVE’s main objective is to Jon Griffin showcase all of the outstanding local, regional, and national bands playing Upstate street team New York. Festivals, concerts, music venues, Herby, Holly, Krit, DeVito, Rudebob, Tabitha, Jed M, Billy T, music shops and sponsors are also Marisa, Luke W, Andy W, Marie S, highlighted. Tim & Martha, Buda & Steph The goal of UpstateLIVE is to create a www.UpstateLIVE.net statewide Live Music Community, joining www.myspace.com/upstatelivenet each of the state’s local music scenes into one regional network. We are on our way! Next Issue - #4 November / December 2008 UpstateLIVE is published 6 times per year ------------------------------------------------------------ (every 2 months), and is an everlasting archive of the great music we share in UpstateLIVE Music Guide Upstate NY. For more information visit us is published by on the internet at www.upstatelive.net and GOLDSTAR Entertainment at myspace.com/upstatelivenet. -
Metal Music Since the 1980S
Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2017) From DJ to djent- step: Technology and the re-coding of metal music since the 1980s. Metal Music Studies, 3 (2). pp. 251-268. Downloaded from: http://ray.yorksj.ac.uk/id/eprint/2328/ The version presented here may differ from the published version or version of record. If you intend to cite from the work you are advised to consult the publisher's version: http://dx.doi.org/10.1386/mms.3.2.251_1 Research at York St John (RaY) is an institutional repository. It supports the principles of open access by making the research outputs of the University available in digital form. Copyright of the items stored in RaY reside with the authors and/or other copyright owners. Users may access full text items free of charge, and may download a copy for private study or non-commercial research. For further reuse terms, see licence terms governing individual outputs. Institutional Repository Policy Statement RaY Research at the University of York St John For more information please contact RaY at [email protected] Mark Marrington, From DJ to djent-step: Technology and the re-coding of metal music since the 1980s Mark Marrington trained in composition and musicology at the University of Leeds (M.Mus., Ph.D.) and is currently a Senior Lecturer in Music Production at York St John University. He has previously held teaching positions at Leeds College of Music and the University of Leeds (School of Electronic and Electrical Engineering). Mark has published chapters with Cambridge University Press, Bloomsbury Academic, Routledge and Future Technology Press and contributed articles to British Music, Soundboard, the Musical Times and the Journal on the Art of Record Production. -
KUHLMANN-THESIS-2018.Pdf (1.113Mb)
FEMALE METAL FANS AND THE PERCEIVED POSITIVE EFFECTS OF METAL MUSIC A Thesis Submitted to the College of Graduate and Postdoctoral Studies In Partial Fulfillment of the Requirements For the Degree of Master In the Department of Educational Psychology and Special Education University of Saskatchewan By Anna Noura Kuhlmann Copyright Anna Noura Kuhlmann, January 2018. All rights reserved PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other uses of materials in this thesis in whole or part should be addressed to: Head of the Department of Educational Psychology and Special Education 28 Campus Drive University of Saskatchewan Saskatoon, Saskatchewan, S7N 0X1 Canada OR Dean College of Graduate and Postdoctoral Studies University of Saskatchewan 105 Administration Place Saskatoon, Saskatchewan, S7N 5A2 Canada i ABSTRACT Despite increasing literature that confirms the therapeutic benefits of music, metal music is still stigmatized as sexist, masculine, and detrimental to its fans. -
Analisis Teknik Picking Genre Djent Metal Studi Kasus Make Total Destroy Karya Periphery
ANALISIS TEKNIK PICKING GENRE DJENT METAL STUDI KASUS MAKE TOTAL DESTROY KARYA PERIPHERY TUGAS AKHIR Program Studi S1 Seni Musik Oleh: Borni Daniel Oktadi NIM. 1211794013 Semester Gasal 2016/ 2017 JURUSAN MUSIK FAKULTAS SENI PERTUNJUKAN INSTITUT SENI INDONESIA YOGYAKARTA Semester Gasal 2016/2017 UPT Perpustakaan ISI Yogyakarta ANALISIS TEKNIK PICKING GENRE DJENT METAL STUDI KASUS MAKE TOTAL DESTROY KARYA PERIPHERY TUGAS AKHIR Program Studi S1 Seni Musik Oleh: Borni Daniel Oktadi NIM. 1211794013 Semester Gasal 2016/ 2017 JURUSAN MUSIK FAKULTAS SENI PERTUNJUKAN INSTITUT SENI INDONESIA YOGYAKARTA Semester Gasal 2016/2017 i UPT Perpustakaan ISI Yogyakarta ANALISIS TEKNIK PICKING GENRE DJENT METAL STUDI KASUS MAKE TOTAL DESTROY KARYA PERIPHERY Oleh: Borni Daniel Oktadi NIM. 1211794013 Karya Tulis ini disusun sebagai persyaratan untuk mengakhiri jenjang pendidikan Sarjana pada Program Studi S1 Seni Musik dengan Minat Utama: Pop-Jazz Diajukan kepada JURUSAN MUSIK FAKULTAS SENI PERTUNJUKAN INSTITUT SENI INDONESIA YOGYAKARTA Semester Gasal 2016/2017 ii UPT Perpustakaan ISI Yogyakarta UPT Perpustakaan ISI Yogyakarta MOTTO Hidup ini bukan untuk mengikut arus, tetapi untuk menemukan jati diri sendiri. Jangan biarkan orang-orang menganggap dirimu lemah hanya karena dirimu berbeda dari yang lain. PERSEMBAHAN Tugas Akhir ini kupersembahkan untuk kedua orang tua yang saya cintai bapak Djoko Sutrijono dan ibu Tutik Ariantinie, yang selalu mendukung dalam doa, nasehat maupun material. Kepada adik dan kakakku yang selalu mendukung dan memberikan semangat. Untuk kedua sahabat saya, Kevin dan Patrick yang turut memberikan saya semangat dikala suka maupun duka, Ely Corina Damanik, Adoniram Jansen, Joshua Liem, keluarga besar PMK Institut Seni Indonesia, BULLSKIN, BULLSKIN Family, KOMPAZZ, Pop-Jazz angkatan 2012 serta semua sahabat-sahabat dan teman-teman yang tidak bisa saya sebutkan satu-persatu.