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Analisis Teknik Picking Genre Djent Metal Studi Kasus Make Total Destroy Karya Periphery

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Analisis Teknik Picking Genre Djent Metal Studi Kasus Make Total Destroy Karya Periphery ANALISIS TEKNIK PICKING GENRE DJENT METAL STUDI KASUS MAKE TOTAL DESTROY KARYA PERIPHERY TUGAS AKHIR Program Studi S1 Seni Musik Oleh: Borni Daniel Oktadi NIM. 1211794013 Semester Gasal 2016/ 2017 JURUSAN MUSIK FAKULTAS SENI PERTUNJUKAN INSTITUT SENI INDONESIA YOGYAKARTA Semester Gasal 2016/2017 UPT Perpustakaan ISI Yogyakarta ANALISIS TEKNIK PICKING GENRE DJENT METAL STUDI KASUS MAKE TOTAL DESTROY KARYA PERIPHERY TUGAS AKHIR Program Studi S1 Seni Musik Oleh: Borni Daniel Oktadi NIM. 1211794013 Semester Gasal 2016/ 2017 JURUSAN MUSIK FAKULTAS SENI PERTUNJUKAN INSTITUT SENI INDONESIA YOGYAKARTA Semester Gasal 2016/2017 i UPT Perpustakaan ISI Yogyakarta ANALISIS TEKNIK PICKING GENRE DJENT METAL STUDI KASUS MAKE TOTAL DESTROY KARYA PERIPHERY Oleh: Borni Daniel Oktadi NIM. 1211794013 Karya Tulis ini disusun sebagai persyaratan untuk mengakhiri jenjang pendidikan Sarjana pada Program Studi S1 Seni Musik dengan Minat Utama: Pop-Jazz Diajukan kepada JURUSAN MUSIK FAKULTAS SENI PERTUNJUKAN INSTITUT SENI INDONESIA YOGYAKARTA Semester Gasal 2016/2017 ii UPT Perpustakaan ISI Yogyakarta UPT Perpustakaan ISI Yogyakarta MOTTO Hidup ini bukan untuk mengikut arus, tetapi untuk menemukan jati diri sendiri. Jangan biarkan orang-orang menganggap dirimu lemah hanya karena dirimu berbeda dari yang lain. PERSEMBAHAN Tugas Akhir ini kupersembahkan untuk kedua orang tua yang saya cintai bapak Djoko Sutrijono dan ibu Tutik Ariantinie, yang selalu mendukung dalam doa, nasehat maupun material. Kepada adik dan kakakku yang selalu mendukung dan memberikan semangat. Untuk kedua sahabat saya, Kevin dan Patrick yang turut memberikan saya semangat dikala suka maupun duka, Ely Corina Damanik, Adoniram Jansen, Joshua Liem, keluarga besar PMK Institut Seni Indonesia, BULLSKIN, BULLSKIN Family, KOMPAZZ, Pop-Jazz angkatan 2012 serta semua sahabat-sahabat dan teman-teman yang tidak bisa saya sebutkan satu-persatu. “Endank Soekamti – Terimakasih” Semoga penyertaan Tuhan Yesus selalu beserta kita semua. iv UPT Perpustakaan ISI Yogyakarta KATA PENGANTAR Puji syukur selalu dipanjatkan kepada Tuhan Yang Maha Esa, atas limpahan karunia, rahmat, anugerah, dan berkat-Nya sehingga penyusunan skripsi ini dengan judul “Analisis Teknik Picking Gitar Elektrik Pada Lagu Make Total Destroy Karya Periphery” dapat diselesaikan guna memenuhi salah satu persyaratan dalam menyelesaikan masa studi sekaligus untuk meraih gelar Sarjana Pendidikan di jurusan Musik Fakultas Seni Pertunjukan Institut Seni Indonesia. Penulis menyadari bahwa dalam penulisan hingga penyelesaian skripsi ini banyak mendapatkan dukungan dan bantuan dari berbagai pihak. Oleh karena itu penulis ingin memberikan penghargaan sekaligus mengucapkan terima kasih yang sebesar-besarnya kepada semua pihak yang telah memberikan bantuan berupa bimbingan, saran, dan dukungan demi terselesaikannya skripsi ini. Pada kesempatan ini penulis ingin menyampaikan terima kasih kepada: 1. Dr. Andre Indrawan, M.Hum, M.Mus.St. selaku Ketua Jurusan Musik. 2. A. Gathut Bintarto Tripasetyo, S.Sos, S.Sn, M.A. selaku Sekretaris Jurusan Musik. 3. Drs. Haris Natanael Sutaryo, M.Sn. selaku Dosen Pembimbing I dan Dosen Mayor. 4. Drs. FX. Nugroho Heru Purnomo, M.Sn. selaku Dosen Pembimbing II. 5. Ayu Tresna Yulita, S.Sn, M.A selaku dosen wali. 6. Kedua orang tua saya, bapak Djoko Sutrijono dan ibu Tutik Ariantinie. v UPT Perpustakaan ISI Yogyakarta 7. Kakak dan adik saya. 8. Teman-teman angkatan 2012 team KKP “Hard And Rock Night” 2015. 9. Seluruh pemain Resital 2: PLAN B 2015. 10. Seluruh pemain dan tim sukses Resital Akhir: Against All Odds 2016. 11. Mahasiswa Pop-Jazz angkatan 2012. 12. Semua teman-teman, sahabat-sahabat dan semua pihak yang telah membantu dalam proses penulisan karya tulis ini. Peneliti menyadari sepenuhnya bahwa dalam penulisan skripsi ini masih ada kekurangan. Oleh karena itu, peneliti mengharap kritik dan saran yang bersifat membangun dari semua pihak demi kesempurnaan skripsi ini. Semoga skripsi ini bermanfaat bagi semua pembaca. Yogyakarta, 9 Desember 2016 Borni Daniel Oktadi vi UPT Perpustakaan ISI Yogyakarta ABSTRAK Salah satu sub-genre metal yang berkembang saat ini adalah djent-metal. Berbeda dengan musik metal lainnya, dalam djent-metal terkandung cabang genre metal lainnya, bahkan diluar genre metal. Seperti metalcore, rock, fusion, jazz dan lain-lain. Dalam bermain gitar terdapat teknik yang dibagi menjadi 3 bagian, yaitu teknik tangan kanan atau picking, teknik tangan kiri atau biasa disebut fingering dan gabungan tangan kanan dan tangan kiri atau tapping. Dalam penelitian ini, penulis akan menjabarkan teknik picking apa saja yang digunakan dalam lagu Make Total Destroy karya Periphery untuk mengisi rhythm section dan dimana penerapan teknik picking yang terdapat pada lagu Make Total Destroy karya Periphery. Penelitian ini menggunakan metode penelitian kualitatif dengan teknik pengumpulan data studi dokumentasi, eksploratif dan musikologis. Dari hasil penelitian dapat disimpulkan bahwa teknik picking yang digunakan adalah alternate picking, up-stroke picking, down-stroke picking, sweep picking, slap and pop dan palm-mute. Keistimewaan dari Make Total Destroy adalah penerapan teknik slap and pop yang merupakan teknik bass elektrik. Kata kunci: teknik picking, metal, djent-metal. vii UPT Perpustakaan ISI Yogyakarta DAFTAR ISI HALAMAN JUDUL ………………………………………………………….. i LEMBAR PENGAJUAN ……………………………………………………... ii LEMBAR PENGESAHAN …………………………………………………… iii MOTO ………………………………………………………………………… iv KATA PENGANTAR ………………………………………………………… v ABSTRAK ..…………………………………………………………………... vii DAFTAR ISI …………………..……………………………………………… viii DAFTAR NOTASI ..…………………………………………………………... x DAFTAR GAMBAR ……..…………………………………………………… xii BAB I PENDAHULUAN A. Latar Belakang ………………………………………………………… 1 B. Rumusan Masalah ………….…………………………………………. 2 C. Tujuan Penelitian …..………………………………………………….. 3 D. Manfaat Penelitian ……..……………………………………………… 3 E. Tinjauan Pustaka ………..……………………………………………... 3 F. Metodologi Penelitian …………..……………………………………... 5 G. Sistematika Penulisan ..………………………………………………... 7 BAB II LANDASAN TEORI A. Sejarah Singkat Musik Metal .………………………………………… 9 B. Karakter Musik Progressive Dan Djent Metal .……………………….. 11 C. Teknik Bermain Gitar …………..……………………………………... 14 BAB III PEMBAHASAN A. Biografi Misha Mansoor dan Periphery ………..……………………... 25 B. Lagu Make Total Destroy …..…………………………………………. 27 C. Teknik picking yang digunakan pada lagu Make Total Destroy karya 28 Periphery untuk mengisi rhytm section viii UPT Perpustakaan ISI Yogyakarta 1. Up stroke picking ……...………………………………………………. 28 2. Down stroke picking ……………..…………………………………… 29 3. Alternate picking ……………………..……………………………….. 29 4. Palm mute ………………………………………………………………. 29 5. Tapping …………………………………………………………………. 30 6. Sweep picking ………………………………………………………….. 31 7. Slap and pop …………………………………………………………… 32 D. Penerapan teknik picking yang terdapat pada lagu Make Total Destroy 33 karya Periphery 1. Intro dan Bait 1 ………………………………………………….. 33 2. Pre-Chorus ………………………………………………………. 37 3. Chorus 1 …………………………………………………………. 38 4. Bait 2 …………………………………………………………….. 40 5. Breakdown ………………………………………………………. 43 6. Chorus 2 …………………………………………………………. 44 7. Chorus Heavy …………………………………………………… 44 8. Break …………………………………………………………….. 45 9. Calm ……………………………………………………………... 46 10. Pre-Outro ………………………………………………………... 47 11. Outro 1 …………………………………………………………... 48 12. Outro 2 …………………………………………………………... 49 BAB IV PENUTUP A. Kesimpulan …………...……………………………………….............. 51 B. Saran …………………...…………………………………………….... 52 DAFTAR PUSTAKA ……………..…………………………………………... 53 LAMPIRAN …………….…………………………………………………….. 58 ix UPT Perpustakaan ISI Yogyakarta DAFTAR NOTASI Notasi 1. Circle picking ……………………………………………………. 15 Notasi 2. Alternate picking ………………………………………………... 16 Notasi 3. Sweep picking 1 …………………………………………………. 17 Notasi 4. Artificial harmonic ………………………………………………. 17 Notasi 5. Palm mute ……………………………………………………….. 18 Notasi 6. Jimmy Hendrix - Purple Haze …………………………………... 19 Notasi 7. Hammer-on ……………………………………………………… 20 Notasi 8. Pull-off …………………………………………………………... 20 Notasi 9. Slide ……………………………………………………………... 21 Notasi 10. Trill …………………………………………………………….. 21 Notasi 11. Natural harmonic ………………………………………………. 22 Notasi 12. Vibrato …………………………………………………………. 23 Notasi 13. Mutted string …………………………………………………… 23 Notasi 14. Alternate picking ………………………………………………. 29 Notasi 15. Palm mute ……………………………………………………… 30 Notasi 16. Tapping ………………………………………………………… 31 Notasi 17. Sweep picking 2 ………………………………………………... 32 Notasi 18. Slap and pop …………………………………………………… 32 Notasi 19. Intro dan bait 1 …………………………………………………. 34 Notasi 20. Intro dan bait 1: birama 1 dan birama 2 ………………………... 35 Notasi 21. Intro dan bait 1: birama 3 dan birama 4 ………………………... 35 Notasi 22. Intro dan bait 1: birama 5 dan birama 6 ………………………... 36 Notasi 23. Intro dan bait 1: birama 7 dan birama 8 ………………………... 36 Notasi 24. Pre-chorus ……………………………………………………… 38 Notasi 25. Chorus 1 ………………………………………………………... 39 Notasi 26. Chorus 1: birama 17 dan birama 18 ……………………………. 40 Notasi 27. Bait 2 …………………………………………………………… 40 x UPT Perpustakaan ISI Yogyakarta Notasi 28. Bait 2: birama 26 dan birama 27 ……………………………….. 41 Notasi 29. Bait 2: birama 28 dan birama 29 ……………………………….. 42 Notasi 30. Bait 2: birama 30 dan birama 31 ……………………………….. 42 Notasi 31. Bait 2: birama 32 dan birama 33 ……………………………….. 43 Notasi 32. Breakdown ……………………………………………………... 43 Notasi 33. Chorus 2 ………………………………………………………... 44 Notasi 34. Chorus-heavy …………………………………………………... 45 Notasi 35. Break …………………………………………………………… 46 Notasi 36. Calm ……………………………………………………………. 47 Notasi 37. Pre-outro
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