Ferocious Tiger the Only Temple in Kyushu That Has a Dry Landscape Garden
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Area-Building and Room Generator
Area/Building By Trevor Scott and Room Generator neverengine.wordpress.com This work is licensed under a Creative Commons Attribution-Non-Commercial-ShareAlike 4.0 International License. Create areas fileld with various, appropriate rooms with a few dice rolls! Roll a d20 on the Area table, then move to the appropriate table and roll a few d20s to generate some rooms. Area Barracks Cave Dungeon Inn Roll Result Roll Result Roll Result Roll Result Roll Result 1 Road 1-3 Armory 1-5 Mushrooms 1-6 Cell Block 1-3 Quarters 2 Barracks 5-7 Bunks 6-7 Cave-In 7-9 Hole 4-6 Common Room 3 Bathhouse 8-9 Mess Hall 8 Area: Crypts 10-12 Torture Chamber 7-9 Kitchen 4 Cave 10-11 Practice Hall 9 Area: Mine 13-14 Guardhouse 10-11 Shrine 5 Crypt 12 Common Room 10 Garden 15 Furnace 12-13 Stables 6 Dungeon 13 Furnace 11 Hole 16 Pit Trap Bottom 14 Bath 7 Farm 14 Guardhouse 12 Lake 17 Sewage Flow 15 Bunks 8 Inn 15 Kennel 13 Natural Spring 18 Shrine 16 Cloakroom 9 Laboratory 16 Shrine 14 Ore Vein 19 Storage Room 17 Dining Room 10 Library 17 Smithy 15 Pit Trap Bottom 20 Tomb 18 Garden 11 Living Quarters 18 Stables 16 Secret Passage 19 Meeting Hall 12 Manufactory 19 Storage Room 17 Sewage Flow 20 Storage Room 13 Marketplace 20 Study 18 Shrine Farm 14 Mine 19 Storage Room Roll Result 15 Museum 20 Torture Chamber Laboratory Palace 1-4 Field 16 Bathhouse Roll Result 17 Park Sample file 5-6 Garden 18 Sewer Roll Result Crypt 7-8 Livestock Pen 1-2 Workshop 1-8 Bath 9-10 Natural Spring 3 Archery Range 19 Slum Roll Result 20 Warehouse 9-11 Sauna 11-12 Tannery 4 Armory 12-13 -
専門家会議 Meeting of Japanese Art Specialists
専門家会議 Meeting of Japanese Art Specialists 2019 年 1 月 19 日(土) 於東京国立博物館 平成館第一会議室 January 19 (Sat.), 2019; Meeting Room 1, Heiseikan, Tokyo National Museum January 19, 2019: Meeting of Japanese Art Specialists Purpose: Tis meeting was an opportunity for experienced curators of Japanese art from North America, Europe, and Japan to exchange information and discuss challenges per- taining to their work. Venue: Meeting Room 1, Heiseikan, Tokyo National Museum Chairman and Facilitator: Mr. Atsushi Imai (Tokyo National Museum) Participants from North America Dr. Laura Allen (Asian Art Museum of San Francisco) Dr. Monika Bincsik (Te Metropolitan Museum of Art) Dr. Andreas Marks (Minneapolis Institute of Art) Dr. Anne Nishimura Morse (Museum of Fine Arts, Boston) Dr. Xiaojin Wu (Seattle Art Museum) Participants from Europe Dr. Rupert Faulkner (Victoria and Albert Museum) Dr. Akiko Yano (Te British Museum) Ms. Wibke Schrape (Museum für Kunst und Gewerbe Hamburg) Dr. Ainura Yusupova (Te Pushkin State Museum of Fine Arts) Mr. Menno Fitski (Rijksmuseum) Participants from Japan Mr. Tomoyuki Higuchi (Sendai City Museum) Dr. Maromitsu Tsukamoto (University of Tokyo, Institute for Advanced Studies on Asia) Mr. Takeo Oku (Agency for Cultural Afairs) Participants from the National Institutes for Cultural Heritage Mr. Atsushi Imai (Tokyo National Museum) Mr. Ryusuke Asami (Tokyo National Museum) Ms. Satomi Kito (Tokyo National Museum) Mr. Hideaki Kunigo (Tokyo National Museum) Mr. Hiroshi Asaka (Kyoto National Museum) Mr. Rintaro Inami (Kyoto National Museum) Ms. Melissa M. Rinne (Kyoto National Museum) Dr. Sakae Naito (Nara National Museum) Ms. Mihori Okina (Nara National Museum) Dr. Norifumi Mochizuki (Kyushu National Museum) Mr. -
Special Article 3 an Interview with Chu Wen-Ching, Advisor & Director, Taipei Cultural Center, Taipei Economic and Cultural Representative Office in Japan
Special Article 3 An Interview with Chu Wen-Ching, Advisor & Director, Taipei Cultural Center, Taipei Economic and Cultural Representative Office in Japan By Japan SPOTLIGHT Editorial Section The last issue highlighted Japanese soft power. Soft power is in particular important in consolidating close diplomatic relations with a neighboring country. In this issue Japan SPOTLIGHT highlights Taiwan and Taiwan-Japan cultural exchanges in an interview with a senior Taiwanese expert on culture, Chu Wen- Ching, advisor and director at the Taipei Cultural Center. Q: How do you assess the current Japanese NHK programs can always be status of cultural exchanges seen in Taiwan, as Taiwanese Cable TV has between Taiwan and Japan? a contract with NHK. Japanese folk singers like Sachiko Kobayashi, Shinichi Mori, Chu: We have a very close relationship in Sayuri Ishikawa, and Hiroshi Itsuki are also terms of trade and human exchanges. Our very popular. Masaharu Fukuyama, another bilateral trade totaled $62 billion last year famous Japanese singer, was recently and the number of tourists coming and appointed by the Taiwanese Tourism going between us will soon reach 4 million. Bureau as an ambassador of tourism for I have recently heard that there were a Taiwan and he is expected to volunteer to number of Taiwanese tourists who could introduce in his Japanese radio program not reserve air tickets to Japan to see the Taiwanese cuisine and culture to his cherry blossoms in April this year because audience. there were not enough vacancies. As this Taiwanese rock group Mayday and episode shows, human exchanges between Japanese pop-rock band flumpool are good us have recently been significantly friends, and often visit each other, while increasing. -
Woottonbrookwombourne
WoottonbrookWOMBOURNE A beautiful collection of 1,2,3 & 4 bedroom homes and apartments 1 ith idyllic streets, quaint houses and handy shops, Wif you’re looking to relocate, Wombourne makes for an attractive and welcoming place. With its three main streets around a village green, it’s a beautiful South Staffordshire gem, with a quirky reputation for claiming to be England’s largest village. Just four miles from Wolverhampton, you won’t be short on things to do. Surrounded by countryside, it’s a rambler’s paradise. There’s the scenic Wom Brook walk or a Sunday afternoon amble up and down the South Staffs Railway Walk. There’s also Baggeridge Country Park, a mere 2.5 miles away by car. If it’s jogging, cycling or even fishing, you have the Staffordshire and Worcestershire canal on your Country Life doorstep too. Woottonbrook by Elan Homes is nestled in a quiet, rural location only five minutes away from Wombourne village. A mixture of bright, spacious and contemporary 1,2,3 & 4 bedroom homes and apartments effortlessly blends rural and urban life. Welcome to your future. 2 A lot of love goes into the building of an Elan home - and it shows. We lavish attention on the beautifully crafted, traditionally styled exterior so that you don’t just end up with any new home, but one of outstanding style and real character. Then, inside, we spread the love a little bit more, by creating highly contemporary living spaces that are simply a pleasure to live in. Offering light, airy, high specification, luxury accommodation that has the flexibility to be tailored to the individual wants and needs of you and your family. -
Local Dishes Loved by the Nation
Sapporo 1 Hakodate 2 Japan 5 3 Niigata 6 4 Kanazawa 15 7 Sendai Kyoto 17 16 Kobe 10 9 18 20 31 11 8 ocal dishes Hiroshima 32 21 33 28 26 19 13 Fukuoka 34 25 12 35 23 22 14 40 37 27 24 29 Tokyo loved by 41 38 36 Nagoya 42 44 39 30 Shizuoka Yokohama 43 45 Osaka Nagasaki 46 Kochi the nation Kumamoto ■ Hokkaido ■ Tohoku Kagoshima L ■ Kanto ■ Chubu ■ Kansai 47 ■ Chugoku ■ Shikoku Naha ■ Kyushu ■ Okinawa 1 Hokkaido 17 Ishikawa Prefecture 33 Okayama Prefecture 2 Aomori Prefecture 18 Fukui Prefecture 34 Hiroshima Prefecture 3 Iwate Prefecture 19 Yamanashi Prefecture 35 Yamaguchi Prefecture 4 Miyagi Prefecture 20 Nagano Prefecture 36 Tokushima Prefecture 5 Akita Prefecture 21 Gifu Prefecture 37 Kagawa Prefecture 6 Yamagata Prefecture 22 Shizuoka Prefecture 38 Ehime Prefecture 7 Fukushima Prefecture 23 Aichi Prefecture 39 Kochi Prefecture 8 Ibaraki Prefecture 24 Mie Prefecture 40 Fukuoka Prefecture 9 Tochigi Prefecture 25 Shiga Prefecture 41 Saga Prefecture 10 Gunma Prefecture 26 Kyoto Prefecture 42 Nagasaki Prefecture 11 Saitama Prefecture 27 Osaka Prefecture 43 Kumamoto Prefecture 12 Chiba Prefecture 28 Hyogo Prefecture 44 Oita Prefecture 13 Tokyo 29 Nara Prefecture 45 Miyazaki Prefecture 14 Kanagawa Prefecture 30 Wakayama Prefecture 46 Kagoshima Prefecture 15 Niigata Prefecture 31 Tottori Prefecture 47 Okinawa Prefecture 16 Toyama Prefecture 32 Shimane Prefecture Local dishes loved by the nation Hokkaido Map No.1 Northern delights Iwate Map No.3 Cool noodles Hokkaido Rice bowl with Tohoku Uni-ikura-don sea urchin and Morioka Reimen Chilled noodles -
Through the Case of Izumo Taishakyo Mission of Hawaii
The Japanese and Okinawan American Communities and Shintoism in Hawaii: Through the Case of Izumo Taishakyo Mission of Hawaii A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʽI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES MAY 2012 By Sawako Kinjo Thesis Committee: Dennis M. Ogawa, Chairperson Katsunori Yamazato Akemi Kikumura Yano Keywords: Japanese American Community, Shintoism in Hawaii, Izumo Taishayo Mission of Hawaii To My Parents, Sonoe and Yoshihiro Kinjo, and My Family in Okinawa and in Hawaii Acknowledgement First and foremost, I would like to express my deep and sincere gratitude to my committee chair, Professor Dennis M. Ogawa, whose guidance, patience, motivation, enthusiasm, and immense knowledge have provided a good basis for the present thesis. I also attribute the completion of my master’s thesis to his encouragement and understanding and without his thoughtful support, this thesis would not have been accomplished or written. I also wish to express my warm and cordial thanks to my committee members, Professor Katsunori Yamazato, an affiliate faculty from the University of the Ryukyus, and Dr. Akemi Kikumura Yano, an affiliate faculty and President and Chief Executive Officer (CEO) of the Japanese American National Museum, for their encouragement, helpful reference, and insightful comments and questions. My sincere thanks also goes to the interviewees, Richard T. Miyao, Robert Nakasone, Vince A. Morikawa, Daniel Chinen, Joseph Peters, and Jikai Yamazato, for kindly offering me opportunities to interview with them. It is a pleasure to thank those who made this thesis possible. -
Hydrogen and Fuel Cells in Japan
HYDROGEN AND FUEL CELLS IN JAPAN JONATHAN ARIAS Tokyo, October 2019 EU-Japan Centre for Industrial Cooperation ABOUT THE AUTHOR Jonathan Arias is a Mining Engineer (Energy and Combustibles) with an Executive Master in Renewable Energies and a Master in Occupational Health and Safety Management. He has fourteen years of international work experience in the energy field, with several publications, and more than a year working in Japan as an energy consultant. He is passionate about renewable energies, energy transition technologies, electric and fuel cell vehicles, and sustainability. He also published a report about “Solar Energy, Energy Storage and Virtual Power Plants in Japan” that can be considered the first part of this document and is available in https://lnkd.in/ff8Fc3S. He can be reached on LinkedIn and at [email protected]. ABOUT THE EU-JAPAN CENTRE FOR INDUSTRIAL COOPERATION The EU-Japan Centre for Industrial Cooperation (http://www.eu-japan.eu/) is a unique venture between the European Commission and the Japanese Government. It is a non-profit organisation established as an affiliate of the Institute of International Studies and Training (https://www.iist.or.jp/en/). It aims at promoting all forms of industrial, trade and investment cooperation between the EU and Japan and at improving EU and Japanese companies’ competitiveness and cooperation by facilitating exchanges of experience and know-how between EU and Japanese businesses. (c) Iwatani Corporation kindly allowed the use of the image on the title page in this document. Table of Contents Table of Contents ......................................................................................................................... I List of Figures ............................................................................................................................ III List of Tables .............................................................................................................................. -
Your Unpublished Thesis, Submitted for a Degree at Williams College and Administered by the Williams College Libraries, Will Be Made Available for Research Use
WILLIAMS COLLEGE LIBRARIES COPYRIGHT ASSIGNMENT AND INSTRUCTIONS FOR A STUDENT THESIS Your unpublished thesis, submitted for a degree at Williams College and administered by the Williams College Libraries, will be made available for research use. You may, through this form, provide instructions regarding copyright, access, dissemination and reproduction of your thesis. The College has the right in all cases to maintain and preserve theses both in hardcopy and electronic format, and to make such copies as the Libraries require for their research and archival functions. t:;t.. � The faculty advisor/s to the student writing the thesis Claims joint authorship in this work. _ 1/we have included in this thesis copyrighted material for which 1/we have not received permission from the copyright holder/s. If you do not secure copyright permissions by the time your thesis is submitted, you will still be allowed to submit. However, if the necessary copyright permissions are not received, e-posting of your thesis may be affected. Copyrighted material may include images (tables, drawings, photographs, figures, maps, graphs, etc.), sound files, video material, data sets, and large portions of text. l. COPYRIGHT An author by law owns the copyright to his/her work, whether or not a copyright symbol and date are placed on the piece. Please choose one ofthe options below with respect to the copyright in your thesis. _ 1/we choose not to retain the copyright to the thesis, and hereby assign the copyright to Williams College. Selecting this option will assign copyright to the College. If the author/s wishes later to pub! ish the work, he/she/they will need to obtain permission to do so from the Libraries, which will be granted except in unusual circumstances. -
THE SINGLETON Plots 293, 316, 317, 318, 319, 330 & 331 GROUND FLOOR FIRST FLOOR
THE SINGLETON Plots 293, 316, 317, 318, 319, 330 & 331 GROUND FLOOR FIRST FLOOR Living/ Living/ Bathroom Bathroom Dining Area Dining Area Bedroom 2 Bedroom 2 W C C W En- En- suite suite C C Kitchen Kitchen Master Master WC WC Bedroom Bedroom W W Kitchen 2.88 x 2.33m 9’5” x 7’8” Master Bedroom 3.97 x 2.76m 13’0” x 9’1” Key: C - Cupboard W - Wardrobe Living/Dining Room 4.81 x 4.63m 15’9” x 15’2” Bedroom 2 3.27 x 2.51m 10’9” x 8’3” W - Space for wardrobe THE SINGLETON SPECIFICATION BEAUTIFULLY DESIGNED KITCHENS • Mains fed carbon monoxide detector, positioned • Contemporary kitchen designs adjacent to gas boiler • Soft close doors and drawers • 10 year NHBC Buildmark Warranty, including 2 year defect and emergency out of hours cover • Laminate worktop and upstand • One and half bowl stainless steel sink, with mono sink mixer tap by Vado EXTERNAL • Electrolux stainless steel single oven • Timber external entrance door with multi-point locking system • Ceramic hob with pull out extractor hood • UPVC double glazed windows with french • Integrated Electrolux dishwasher A+ doors to living and kitchen / dining • Integrated Electrolux 70/30 split fridge/freezer A+ • Closeboard fencing to rear gardens • Integrated Zanussi Washing/Dryer A • Landscaped front gardens and turfed rear gardens • Paved paths and patio areas STYLISH BATHROOMS • External tap in rear garden • Contemporary white sanitaryware, with chrome accessories by Vado HEATING, ELECTRICAL & LIGHTING • Floor standing concealed cistern WC • Energy efficient Vaillant combination boiler • -
Tokyo National Museum
Ⅳ Activities of Each Institution Tokyo National Museum As Japans foremost museum in the humanities eld, Toyo National Museum collects, pre- serves, manages, and displays cultural properties from across Japan and other Asian re- gions, while also conducting research and providing educational programs. The Tokyo National Museum was established in 1872, making it the oldest museum in Japan. We collect, preserve, restore, and display a large number of National Treasures and Important Cultural Properties as well as around 120,000 tangible cultural properties, mainly from Japan and various Asian regions. We also conduct surveys and research in addition to providing educational programs on them. The Museum is working to develop more appealing comprehensive cultural exhibitions by holding seasonal events in addition to its display of collected and preserved works. We also run school programs, guided tours, workshops, and various other programs that help participants appreciate cultural properties while becoming more familiar with and further understanding them through, for example, art making experiences. Additionally, as Japanese culture attracts global attention, we play a central role in disseminating it to the world and strive to become a more appealing museum. To this end, we are formulating and implementing the Tohaku New Era Plan with the goals of promoting easy-to-understand exhibition commentary and multilingual support as well as creating a comfortable viewing environment. ENIA Masami We will continue in our efforts to make the Tokyo National Museum more enjoyable for everyone, including children and adults, as well as visitors from around the world. Executive Director Toyo National Museum ■Exhibitions ●elar Exhibitions The regular exhibitions comprise the core function of the museum’s exhibition activities, displaying works from the museum collection as well as objects on loan to the museum. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Q- Munakata Historic Byways
Travel Guide of Scenic Byway Kyushu. Q-❺ Munakata Historic Byways Munakata Region (Munakata City and Fukutsu City) in Fukuoka Pref. ―Historic Road of Karatsu Kaido, and Munakata Taisha Shrine (World Culture Heritage) -- Cities of Munakata and Fukutsu are located between Fukuoka City The Munakata Taisha shrine has remained unchanged since the and Kitakyushu City, and are collectively called the Munakata region. beginning in that it is connected by three shrines, including a shrine of a Looking at the bird's-eye view of the Munakata region, the bow-shaped remote island, but as it is seen later, the style of the ritual has changed in sandy beaches facing the Genkai Nada Sea are connected forming a various ways. Due to their high cultural value, these ruins were small plain between the lush mountains. registered as World Cultural Heritage in 2017 as "The Sacred Island of This area has developed as a residential city and is a commuter area to Okinoshima and Associated Sites in the Munakata Region". two major cities, while keeping the atmosphere of an agricultural and The third is the scenic spots in Tsuyazaki district, a seaside town that fishing village. Looking at this area, there are three interesting scenic developed from the Edo period to the modern period, including Miyajid- spots: "Old Town along the Karatsu Kaido"(A), "Munakata Taisha ake Shrine. Shrine"(B), and "Old Town along Tsuyazaki Beach and areas of These three historical sites in the Munakata area are abbreviated as Miyajidake Shrine"(C). Munakata Taisha, Karatsu Kaido, and Tsuyazaki District respectively, The first is the three old towns of Akama Shukuba-machi, Haru-machi , but they are usually introduced as separate regional assets.