The Ukrainian Weekly 1989, No.12
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
To Pray Again As a Catholic: the Renewal of Catholicism in Western Ukraine
To Pray Again as a Catholic: The Renewal of Catholicism in Western Ukraine Stella Hryniuk History and Ukrainian Studies University of Manitoba October 1991 Working Paper 92-5 © 1997 by the Center for Austrian Studies. Permission to reproduce must generally be obtained from the Center for Austrian Studies. Copying is permitted in accordance with the fair use guidelines of the US Copyright Act of 1976. The the Center for Austrian Studies permits the following additional educational uses without permission or payment of fees: academic libraries may place copies of the Center's Working Papers on reserve (in multiple photocopied or electronically retrievable form) for students enrolled in specific courses: teachers may reproduce or have reproduced multiple copies (in photocopied or electronic form) for students in their courses. Those wishing to reproduce Center for Austrian Studies Working Papers for any other purpose (general distribution, advertising or promotion, creating new collective works, resale, etc.) must obtain permission from the Center. The origins of the Ukrainian Catholic Church lie in the time when much of present-day Ukraine formed part of the Polish-Lithuanian Commonwealth. It was then, in 1596, that for a variety of reasons, many of the Orthodox bishops of the region decided to accept communion with Rome.(1) After almost four hundred years the resulting Union of Brest remains a contentious subject.(2) The new "Uniate" Church formally recognized the Pope as Head of the Church, but maintained its traditional Byzantine or eastern rite, calendar, its right to ordain married men as priests, and its right to elect its own bishops. -
SINO-VATICAN FAITH DIPLOMACY: Mapping the Factors a Ecting Bilateral Relations
Perspectives SINO-VATICAN FAITH DIPLOMACY: Mapping The Factors Aecting Bilateral Relations By Juyan Zhang CPD PERSPECTIVES ON PUBLIC DIPLOMACY Paper 2, 2017 Sino-Vatican Faith Diplomacy: Mapping the Factors Affecting Bilateral Relations Juyan Zhang April 2017 Figueroa Press Los Angeles SINO-VATICAN FAITH DIPLOMACY: MAPPING THE FACTORS AFFECTING BILATERAL RELATIONS by Juyan Zhang Published by FIGUEROA PRESS 840 Childs Way, 3rd Floor Los Angeles, CA 90089 Phone: (213) 743-4800 Fax: (213) 743-4804 www.figueroapress.com Figueroa Press is a division of the USC Bookstores Cover, text, and layout design by Produced by Crestec, Los Angeles, Inc. Printed in the United States of America Notice of Rights Copyright © 2017. All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system now known or to be invented, without prior written permission from the author, care of Figueroa Press. Notice of Liability The information in this book is distributed on an “As is” basis, without warranty. While every precaution has been taken in the preparation of this book, neither the author nor Figueroa nor the USC University Bookstore shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by any text contained in this book. Figueroa Press and the USC Bookstores are trademarks of the University of Southern California. ISBN-13: 978-0-18-221704-5 ISBN-10: 0-18-221704-3 About the USC Center on Public Diplomacy The USC Center on Public Diplomacy (CPD) was established in 2003 as a partnership between the Annenberg School for Communication & Journalism and the School of International Relations at the University of Southern California. -
National Symphony Orchestra of Ukraine Theodore Kuchar, Conductor Alexei Grynyuk, Piano
Sunday, March 26, 2017, 3pm Zellerbach Hall National Symphony Orchestra of Ukraine Theodore Kuchar, conductor Alexei Grynyuk, piano PROGRAM Giuseppe VERDI (1813 –1901) Overture to La forza del destino Sergei PROKOFIEV (1891 –1953) Piano Concerto No. 3 in C Major, Op. 26 Andante – Allegro Tema con variazioni Allegro, ma non troppo INTERMISSION Dmitri SHOSTAKOVICH (1906 –1975) Symphony No. 5 in D minor, Op. 47 Moderato – Allegro non troppo Allegretto Largo Allegro non troppo THE ORcHESTRA National Symphony Orchestra of Ukraine Volodymyr Sirenko, artistic director & chief conductor Theodore Kuchar, conductor laureate First Violins cellos Bassoons Markiyan Hudziy, leader Olena Ikaieva, principal Taras Osadchyi, principal Gennadiy Pavlov, sub-leader Liliia Demberg Oleksiy Yemelyanov Olena Pushkarska Sergii Vakulenko Roman Chornogor Svyatoslava Semchuk Tetiana Miastkovska Mykhaylo Zanko Bogdan Krysa Tamara Semeshko Anastasiya Filippochkina Mykola Dorosh Horns Roman Poltavets Ihor Yarmus Valentyn Marukhno, principal Oksana Kot Ievgen Skrypka Andriy Shkil Olena Poltavets Tetyana Dondakova Kostiantyn Sokol Valery Kuzik Kostiantyn Povod Anton Tkachenko Tetyana Pavlova Boris Rudniev Viktoriia Trach Basses Iuliia Shevchenko Svetlana Markiv Volodymyr Grechukh, principal Iurii Stopin Oleksandr Neshchadym Trumpets Viktor Andriiichenko Oleksandra Chaikina Viktor Davydenko, principal Oleksii Sechen Yuri і Kornilov Harps Grygorii Кozdoba Second Violins Nataliia Izmailova, principal Dmytro Kovalchuk Galyna Gornostai, principal Diana Korchynska Valentyna -
Martyred Romanian Bishops Fought Communist Regime
Martyred Romanian bishops fought communist regime The memory and witness of Romania’s martyred bishops are a reminder that Christians are called to stand firm against ideologies that seek to stifle and suppress their cultural and religious traditions, Pope Francis said. On the last leg of his visit to Romania, the pope June 2 celebrated a Divine Liturgy during which seven Eastern-rite Catholic bishops, who died during a fierce anti-religious campaign waged by the communist regime in Romania, were beatified. “These pastors, martyrs for the faith, re-appropriated and handed down to the Romanian people a precious legacy that we can sum up in two words: freedom and mercy,” the pope said. According to the Vatican, an estimated 60,000 people filled Blaj’s Liberty Field, while some 20,000 people followed the liturgy on big screens set up in various squares around the city. For Eastern Catholics in Romania, the field – located on the grounds of Blaj’s Greek Catholic Theological Seminary – is both a symbol of national pride and sorrow. It was in Liberty Field where, during the 100th anniversary of the Romanian nationalist revolution that communist authorities formerly dissolved the Eastern-rite Romanian Catholic Church. One of the newly beatified bishops, Bishop Ioan Suciu, the apostolic administrator of Fagaras and Alba Iulia, refused to appear at the event, which was perceived by his flock as a sign that they were called to remain steadfast in their faith and follow the path of persecution and martyrdom. Thirty years after the fall of communism, the sun shined brightly and solemn hymns echoed over the field that was once the site of the Eastern Catholic Church’s darkest period. -
Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological. -
Adult Catechism Class January 25, 2016 the Ukrainian Catholic
Adult Catechism Class January 25, 2016 The Ukrainian Catholic Church in our Modern World Part 1: Scripture Readings: Matthew 28:19-20: “Go therefore and make disciples of all the nations, baptizing them in the name of the Father and the Son and the Holy Spirit, teaching them to observe all that I commanded you; and lo, I am with you always, even to the end of the age.” Matthew 9:37-38: Then He said to His disciples, “The harvest is plentiful, but the workers are few. “Therefore beseech the Lord of the harvest to send out workers into His harvest.” John 10:14-16: I am the good shepherd. I know my own and my own know me, just as the Father knows me and I know the Father. And I lay down my life for the sheep. I have other sheep that do not belong to this fold. I must bring them also, and they will listen to my voice. So there will be one flock, one shepherd. Part 2: What is the Ukrainian Catholic Church? In simplistic terms, the Ukrainian Catholic Church (also known as the Ukrainian Greek Catholic Church) is a part of the Catholic Church that observes the same traditions as does Eastern Orthodoxy. It is, however, very much part of the Catholic Church. The head of the Universal Catholic Church, and hence the Ukrainian Catholic Church, is Pope Francis. The Ukrainian Catholic Church world-wide is governed internally by the Synod of Ukrainian Catholic Bishops; its highest ranking cleric is Patriarch (Major Archbishop) Sviatoslav Shevchuk. -
The Holy See
The Holy See ADDRESS OF THE HOLY FATHER POPE JOHN PAUL II TO THE NEW CARDINALS AT THE ORDINARY PUBLIC CONSISTORY 21 February 1998 “I exhort the elders among you, as a fellow elder and a witness of the sufferings of Christ as well as a partaker in the glory that is to be revealed” (1 Pt 5:1). 1. I make my own the words of the Apostle Peter in addressing you, venerable and beloved Brothers whom I have had the joy of making members of the College of Cardinals. These words recall that as “elders” we are fundamentally rooted in the mystery of Christ, the Head and Shepherd. Since we share in the fullness of sacred Orders, we are a sacramental representation of him in the Church and for the Church, and are called to proclaim his Word authoritatively, to repeat his acts of forgiveness and his offer of salvation, and to show his loving concern to the point of giving ourselves totally for the flock (cf. Pastores dabo vobis, n. 15). Today this rootedness in Christ receives a further specification in you, venerable Brothers, since by being raised to the rank of Cardinal, you are called and enabled to undertake an ecclesial service of even greater responsibility, in the closest collaboration with the Bishop of Rome. Therefore, everything that is taking place today in St Peter’s Square is a call to a more demanding service since, as we heard in the Gospel, “whoever would be first among you must be slave of all” (Mk 10:44). -
The Holy See
The Holy See JOHN PAUL II ANGELUS Sunday, 28 January 2001 1. With great affection I greet the many young people of Rome and Lazio gathered in St Peter's Square for the "World Day of Peace" organized by Catholic Action Youth. Thank you, dear friends, for coming along with your parents, priests and teachers! During this month of January, which saw the close of the Great Jubilee, you have been working on the theme of the dialogue between cultures, which I proposed in my Message of 1 January for the World Day of Peace. It is important that children and young people, especially if they are Christians, grow up with a mentality that is open to meeting every person, learning to recognize one another as a brother or sister. This is the way we become apostles of peace. I tell you and all the young people of Italy, beginning with those of ACR: the Church is counting on you, so that humanity will no longer experience the aberrations of racial, ethnic and religious hatred. In this connection, how can we forget that "Memorial Day" was celebrated yesterday in Italy, a day instituted precisely in order not to forget the horrors of the Shoah and of every other human aberration caused by the rejection of dialogue between different cultures and religions. May the doves that your representatives will release from this window be a sign of solidarity and peace for the new year just begun. 2. Following on what I had said earlier last Sunday, I am now pleased to announce the names of the Cardinals whom I had reserved "in pectore" at the Consistory of 21 February 1998. -
The Ukrainian Weekly 1989
Published by the Ukrainian National Association Inc.. a fraternal non-profit association rainian Weekly Vol. LVIl No. 12 THE UKRAINIAN WEEKLY SUNDAY, MARCH 19, 1989 50 cents Lviv residents protest unjust elections Dzyuba focuses on Ukrainian language's as thousands march through city center perilous situation in Edmonton speech JERSEY CITY, N.J. - Thousands while two local police chiefs using by Marco Levytsky Pavlychko and myself. Therefore, I can of Lviv residents gathered on March 12 megaphones ordered the people to leave Editor, Ukrainian News of Edmonton tell you first hand, that it looks like this in the city center for a pre-elections the area. bill will indeed be made into law. The meeting which turned into an angry Meanwhile several police units, EDMONTON - Ivan Dzyuba, au government is receiving tens of thou demonstration after local police vio coming from all directions, surrounded thor of "Internationalism or Russifica- sands of letters that demand that lently attempted to scatter the crowd, the square and forced the crowd away tion?," focused his remarks here on Ukrainian be made into the official reported the External Representation from it and toward the city arsenal and March 3 on the perilous situation of the language of the republic," Mr. Dzyuba of the Ukrainian Helsinki Union last regional party committee headquarters. Ukrainian language, noting, however, said, speaking through an interpreter. week. Some people panicked and fell on the that "after decades and centuries of "We do not require such a law in Thousands of people had already pavement. The militiamen reportedly being suppressed and rooted out," the order to discriminate against other gathered at noon for the public meeting kicked them, while those who protested language may 'linally take its place in languages, just that the Ukrainian lan about the March 26 elections to the new were grabbed and shoved into police the world" after the Ukrainian SSR guage — after decades and centuries of Soviet parliament, which was scheduled cars. -
Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC JASCHA HEIFETZ, DAVID OISTRAKH, JOSEPH SZIGETI: THEIR CONTRIBUTIONS TO THE VIOLIN REPERTOIRE OF THE TWENTIETH CENTURY By Jae Won (Noella) Jung A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2007 Copyright © 2007 Jae Won (Noella) Jung All Rights Reserved The members of the Committee approve the treatise of Jae Won (Noella) Jung on March 2, 2007. ____________________________________ Karen Clarke Professor Directing Treatise ____________________________________ Jane Piper Clendinning Outside Committee Member ____________________________________ Alexander Jiménez Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS First of all, I would like to express my sincere appreciation to my advisor, Professor Karen Clarke, for her guidance and support during my graduate study at FSU and I am deeply grateful for her advice and suggestions on this treatise. I would also like to thank the rest of my doctoral committee, Professor Jane Piper Clendinning and Professor Alexander Jiménez for their insightful comments. This treatise would not have been possible without the encouragement and support from my family. I thank my parents for their unconditional love and constant belief, my sister for her friendship, and my nephew Jin Sung for his precious smile. -
Toccata Classics TOCC 0091 Notes
TOCCATA Alfred CLASSICS SCHNITTKE Discoveries Yellow Sound: stage composition for pantomime, instrumental ensemble, soprano and mixed chorus Dialogue for cello and ensemble Six Preludes for piano Magdalina for mezzo soprano and piano Variations for string quartet Artists include Liora Grodnikaite, mezzo soprano Alexander Ivashkin, cello Oleh Krysa, violin Drosostalitsa Moraiti, piano Bolshoi Soloists’ Ensemble Alexander Lazarev, conductor SCHNITTKE DISCOVERIES by Alexander Ivashkin This CD presents a series of ive works from across Alfred Schnittke’s career – all of them unknown to the wider listening public but nonetheless giving a conspectus of the evolution of his style. Some of the recordings from which this programme has been built were unreleased, others made specially for this CD. Most of the works were performed and recorded from photocopies of the manuscripts held in Schnittke’s family archive in Moscow and in Hamburg and at the Alfred Schnittke Archive in Goldsmiths, University of London. Piano Preludes (1953–54) The Piano Preludes were written during Schnittke’s years at the Moscow Conservatory, 1953–54; before then he had studied piano at the Moscow Music College from 1949 to 1953. An advanced player, he most enjoyed Rachmaninov and Scriabin, although he also learned and played some of Chopin’s Etudes as well as Rachmaninov’s Second and the Grieg Piano Concerto. It was at that time that LPs irst became available in the Soviet Union, and so he was able to listen to recordings of Wagner’s operas and Scriabin’s orchestral music. The piano style in the Preludes is sometimes very orchestral, relecting his interest in the music of these composers. -
Biographies of Composers & Presenters
BIOGRAPHIES OF COMPOSERS & PRESENTERS Admiral, Roger Canadian pianist Roger Admiral performs solo and chamber music repertoire spanning the 18th through the 21st century. Known for his dedication to contemporary music, Roger has commissioned and premiered many new compositions. He works regularly with UltraViolet (New Music Edmonton) and Aventa Ensemble (Victoria), and performs as part of Kovalis Duo with Montreal percussionist Philip Hornsey. Roger also coaches contemporary chamber music at the University of Alberta. Recent performances include Gyorgy Ligeti’s Piano Concerto with the Victoria Symphony Orchestra, the complete piano works of Iannis Xenakis for Vancouver New Music, a recital with baritone Nathan Berg at Lincoln Center’s Great Performers Series (New York City), and recitals for Curto-Circuito de Música Contemporânea Brazil with saxophonist Allison Balcetis, as well as solo recitals in Bratislava, Budapest, and Wroclaw. Roger can be heard on CD recordings of piano music by Howard Bashaw (Centrediscs) and Mark Hannesson (Wandelweiser Editions). Alexander, Justin Justin Alexander is an Assistant Professor of Music at Virginia Commonwealth University where he teaches Applied Percussion Lessons, Percussion Methods and Techniques, Introduction to World Musical Styles, Music and Dance Forms, and directs the VCU Percussion Ensemble. Justin is a founding member of Novus Percutere, with percussionist Dr. Luis Rivera, and The AarK Duo, with flutist Dr. Tabatha Easley. Recent highlights include collaborative performances in Sweden, Australia, the Percussive Arts Society International Convention, and at the 6th International Conference on Music and Minimalism in Knoxville, Tennessee. As a soloist, Justin focuses on the creation of new works for percussion through commissions and compositions, specifically focusing on post-minimalist/process/iterative keyboard music, non-western percussion, and drum set.