DOCSLIB.ORG

STUDENT 1989 January-February

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
STUDENT 1989 January-February so ««. CANADA'S NEWSPAPER FOR UKRAINIAN STUDENTS ' 93 - , , . , , -- "", .- . , 3-4 , , , , , , . 590 , 360 ' -, 220, (1 — 140), ,230 . , - , ? () '.[ 1988 . , ,, .: ' Canadian Ukrainian Immigrant . Aid Society 120 Runnymede Rd. Toronto, Ontario M6S 2Y3 lei. (416)767-4595 I January - February, 1989 Vol.21 No. 104 r INSIDE . • • • Editorial Pg.2 | 1 Letters Pg.2 KGB Pg3 1 Rambling Mind Pg.3 SUSK Pg.4 Pg.5 | Pg.6 j In Bush Pg.9 j the Division Pg.10 | Ukrainians Pg.ll Pg.12 ! Krysa Choral Pg.12 | STUDENT 620 SPADINA AVE SECOND CLASS MAE- TORONTO. ONTARIO REGISTRATION #7606 MSS 2H4 -L All signed letters of reasonable length which comply with Canadian libel and slander laws will be printed unedited (save for purposes of clarity) in this column We will not print anonymous fetters, but it tor personal reasons contributors wish to withhold their names or use a 93 Ukrainians from Poland have been expelled from the pseudonym, this can be arranged. In all cases however we require both a genuine signature and return address. temporary camps where they were living, and are being threatened with deportation from Austria. They sought refuge in Austria this summer while More Makhno where the on a trip to celebrate Makhnovites operated, one which could boast a broad, the Millenium in titled Rome. The total number of Ukrainians in Nestor Makhno: Lc Cosaque popular base and that was conduced Austria and West Germany aspiring to emigrate May I first congratulate you on a de Anarchic (Millau, France, to another 1982). by an ideology which, contrary to country has reached nearly 590. very fine special issue of STUDENT. There, the Of this number 220 are reader will find many popular belief, was not alien to The being sponsored by the Canadian government, the reminiscences of past editors of misconceptions surrounding the Ukrainians (such outstanding government agreed to STUDENT were especially a extend sponsorship only after a great highly Makhnovite movement effectively personages as Mychailo Drahomanov deal of lobbying was carried out by the Canadian Ukrainian stimulating read. What exciting and challenged. For instance, the book and Mykhailo Pavlyk espoused Immigrant Aid Society (CUIAS). invigorating times they appeared to reveals the source Another 140 are being of the oft-repeated anarchism as the ultimate goal for sponsored by CUIAS. have lived through during that sorry caricature of Makhno as a Ukrainian society). Just as there Unfortunately this decade of the 1970s. leaves roughly 230 Ukrainians with pitiful drunk during his years in were Ukrainian socialists, no sponsorship. The ninety which Another feature that caught exile, are being deported are my as depicted in the last caption conservatives and liberals who now not allowed to live in the special attention was the article and comic and camps Austria has picture in the cartoon strip. advocated an independent Ukrainian established for such occasions but are living strip on Nestor Makhno. This is very Separating in the care of myth from fact, Skidra state following socialist, various church missions and groups. They are allowed to timely^ for 1989 marks the centenary ably demonstrates how the real, conservative or liberal principles, so live like this for only a short time and must leave shortly for of the birth of this still somewhat "sober" Makhno continued to too were there Ukrainian anarchists their homes in Poland. As well Austria is threatening controversial and obscure figure struggle to (he in exile, "the pen replacing calling for a libertarian Ukrainian deport more Ukrainians if sponsorships arc was born not found soon. on October 27, 1889). the sabre'" producing an array of society. Although CUIAS is sponsoring 140 of these Ukrainians Since Roman Semenowycz wrote his writings, some of which have At the height of the movement in they not do have the necessary funds to sponsor all of the article for STUDENT in 1972, our recently been translated into French 1919, the extended area of Ukrainians refugees. Response from the community knowledge of the under has Makhnovite the heading: Nestor Makhno, Makhnovite influence encompassed been positive but unfortunately a lot more support movement (Makhnovshchina) La luttrc is has contre 1'Etat et autre ecrits a territory which corresponds needed. to Besides contributing money to CUIAS, significantly been enhanced. (Can-are, the It is Italy, 1984). nearly one third of the present Ukrainian Canadian community can apply pressure on the curious that the first major scholarly Other topics, such as the Ukrainian SSR. It was defeated government to sponsor additional Ukrainians. work to be published in english on Zaporozhian Cossack heritage in the under very suspicious circumstances. However, what is really needed is a concerted effort by any of the leading figures of the Makhnovite region, the participation For instance, the famine of 1921, the whole Ukrainian Canadian community. All Ukrainian Ukrainian Revolution, was of not a women in the movement, which swept through southern Canadians, as well as all Ukrainian book on Canadian organizations Petliura, Skoropadsky or Makhno's relationship with Petliura Ukraine, was felt most severely in should get involved in the plight of the Ukrainians. Hmshevsky, but one on Makhno. (not as venomous as previously the Huliai Pole region, the Ukrainian Canadians must band together, to coordinate their Conversely there has not been a assumed) and other contenders for traditional stronghold of the efforts, to ensure that these people will be able to arrive single book published in the West on power in Ukraine, his impact on the Makhnovite movement. Historian safely in a friendly country. Makhno in the Ukrainian language, international anarchists abroad, Roman Serbyn suggests that this The plight of these Ukrainians has already reached a few while in the Soviet Union successive among them Ukrainians in North famine was a organizations. kind of dress rehearsal The Ukrainian Students* Club at the regimes have consistently denounced America, are discussed. In short, one for the even University more terrible one of of Toronto has decided to give CUIAS a sum of his movement. can no longer pass a serious 1933. If so, then a legitimate money and to sponsor one of the Ukrainians in Austria. The For those who wish to understand commentary on the Makhnovite question can be raised as to whether U of T USC has the funds is this in a financial position do this peculiar episode in Modern movement without having consulted the Bolsheviks deliberately starved due to several successful events. A lack of funds at other Ukrainian history, may I recommend Skidra's study first. the Makhnovite movement, clubs should be no the last deterrent for Ukrainian students to aid the very solid and detailed study by This movement was not simply of of the major resistance movements the Ukrainians in Austria, most of Alexandre whom are students Skidra, a French citizen the jaquerie type, characterised by themselves. A committed effort by different clubs, who traces his roots and the to the region aimless or limited aspirations, but Letter Con't Pg. 8 Editorial Con't Pg.8 SUBSCRIBE! DON'T BE DISAPPOINTED! If you are a paid member of any Ukrainian Students- Club (USK) in STUDENT is published bi-monthly Canada, then by Student you will be receiving STUDENT regularly. Newspaper Publishing. Subscription rate is $6.00 for 1 issues. a member, then you stand to miss several issues of STUDENT this year. STUDENT is an open forum for fact and opinion reflecting the interests of Ukrainian Canadian students $6.00 entitles you to 10 issues of STUDENT. on various topics - social, cultural Send this form along with »6.UO in political and religious. Canadian funds to: The opinions STUDENT an thoughts expressed in individual signed articles are the responsibility of their 620 Spadina Ave. authors, and not necessarily those of the STUDENT Toronto, staff. Ontario STUDENT'S role is to serve as a medium through which Canada discussion can be conducted on given MSS2H4 issues from any point of view. Letters to the editor YES I arc welcome. WANT STUDENT ! We reserve the right to edit material for publication. NAME STUDENT enjoys ADDRESS Special Subscriber Status with ZZZ. the Canadian University Press (CUP), but really CITY / docs not enjoy PROVINCE ZZ.ZZ anything. COUNTRY POSTAL CODE STUDENT, JANUARY-FEBRUARY, 1989, PAGE 2 Yes, comrades, we can now say that the openness engendered by glasnost is really serious. UKRAIINA magazine recently published 1.25 million wallet-sized pocket calendars featuring a The question of the internment of Ukrainian lobbying has proven to be ineffective in the past so young woman in a markedly unsocialist pose - standing Canadians braless has become topical these days. Articles in the UCC has set up an Information Bureau in Ottawa in a wet blouse revealing some of Ukraine's hithertoo neglected the Globe & Mail and other Canadian newspapers to handle all of its lobbying efforts. At the meeting beauty and bounty. calendars The have become a big hit with have pointed out this long forgotten and ignored with the Multiculturalism minister about this case, the young Ukrainian males in Ihe West, who have taken to carrying occurrence. Officials from the Ukrainian Canadian Information Bureau was not represented. Does the them in their shirt pockets, doubtlessly fulfilling the dreams of Committee (UCC) have had meetings with the UCC national executive not trust the Information their parents, who for years have been imploring them to "keep Minister of Multiculturalism where the question of Bureau to handle this issue or does it want to reserve Ukraine close to your hearts." redress and We await further revelations, of compensation has been raised. all of the lobbying "glory" to itself? Or is it the result this and other kinds, with bated breath.
Load more

Recommended publications
  • National Symphony Orchestra of Ukraine Theodore Kuchar, Conductor Alexei Grynyuk, Piano
    Sunday, March 26, 2017, 3pm Zellerbach Hall National Symphony Orchestra of Ukraine Theodore Kuchar, conductor Alexei Grynyuk, piano PROGRAM Giuseppe VERDI (1813 –1901) Overture to La forza del destino Sergei PROKOFIEV (1891 –1953) Piano Concerto No. 3 in C Major, Op. 26 Andante – Allegro Tema con variazioni Allegro, ma non troppo INTERMISSION Dmitri SHOSTAKOVICH (1906 –1975) Symphony No. 5 in D minor, Op. 47 Moderato – Allegro non troppo Allegretto Largo Allegro non troppo THE ORcHESTRA National Symphony Orchestra of Ukraine Volodymyr Sirenko, artistic director & chief conductor Theodore Kuchar, conductor laureate First Violins cellos Bassoons Markiyan Hudziy, leader Olena Ikaieva, principal Taras Osadchyi, principal Gennadiy Pavlov, sub-leader Liliia Demberg Oleksiy Yemelyanov Olena Pushkarska Sergii Vakulenko Roman Chornogor Svyatoslava Semchuk Tetiana Miastkovska Mykhaylo Zanko Bogdan Krysa Tamara Semeshko Anastasiya Filippochkina Mykola Dorosh Horns Roman Poltavets Ihor Yarmus Valentyn Marukhno, principal Oksana Kot Ievgen Skrypka Andriy Shkil Olena Poltavets Tetyana Dondakova Kostiantyn Sokol Valery Kuzik Kostiantyn Povod Anton Tkachenko Tetyana Pavlova Boris Rudniev Viktoriia Trach Basses Iuliia Shevchenko Svetlana Markiv Volodymyr Grechukh, principal Iurii Stopin Oleksandr Neshchadym Trumpets Viktor Andriiichenko Oleksandra Chaikina Viktor Davydenko, principal Oleksii Sechen Yuri і Kornilov Harps Grygorii Кozdoba Second Violins Nataliia Izmailova, principal Dmytro Kovalchuk Galyna Gornostai, principal Diana Korchynska Valentyna
    [Show full text]
  • The Ukrainian Weekly 1989, No.12
    www.ukrweekly.com Published by the Ukrainian National Association Inc.. a fraternal non-profit association rainian Weekly Vol. LVIl No. 12 THE UKRAINIAN WEEKLY SUNDAY, MARCH 19, 1989 50 cents Lviv residents protest unjust elections Dzyuba focuses on Ukrainian language's as thousands march through city center perilous situation in Edmonton speech JERSEY CITY, N.J. - Thousands while two local police chiefs using by Marco Levytsky Pavlychko and myself. Therefore, I can of Lviv residents gathered on March 12 megaphones ordered the people to leave Editor, Ukrainian News of Edmonton tell you first hand, that it looks like this in the city center for a pre-elections the area. bill will indeed be made into law. The meeting which turned into an angry Meanwhile several police units, EDMONTON - Ivan Dzyuba, au­ government is receiving tens of thou­ demonstration after local police vio­ coming from all directions, surrounded thor of "Internationalism or Russifica- sands of letters that demand that lently attempted to scatter the crowd, the square and forced the crowd away tion?," focused his remarks here on Ukrainian be made into the official reported the External Representation from it and toward the city arsenal and March 3 on the perilous situation of the language of the republic," Mr. Dzyuba of the Ukrainian Helsinki Union last regional party committee headquarters. Ukrainian language, noting, however, said, speaking through an interpreter. week. Some people panicked and fell on the that "after decades and centuries of "We do not require such a law in Thousands of people had already pavement. The militiamen reportedly being suppressed and rooted out," the order to discriminate against other gathered at noon for the public meeting kicked them, while those who protested language may 'linally take its place in languages, just that the Ukrainian lan­ about the March 26 elections to the new were grabbed and shoved into police the world" after the Ukrainian SSR guage — after decades and centuries of Soviet parliament, which was scheduled cars.
    [Show full text]
  • Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC JASCHA HEIFETZ, DAVID OISTRAKH, JOSEPH SZIGETI: THEIR CONTRIBUTIONS TO THE VIOLIN REPERTOIRE OF THE TWENTIETH CENTURY By Jae Won (Noella) Jung A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2007 Copyright © 2007 Jae Won (Noella) Jung All Rights Reserved The members of the Committee approve the treatise of Jae Won (Noella) Jung on March 2, 2007. ____________________________________ Karen Clarke Professor Directing Treatise ____________________________________ Jane Piper Clendinning Outside Committee Member ____________________________________ Alexander Jiménez Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS First of all, I would like to express my sincere appreciation to my advisor, Professor Karen Clarke, for her guidance and support during my graduate study at FSU and I am deeply grateful for her advice and suggestions on this treatise. I would also like to thank the rest of my doctoral committee, Professor Jane Piper Clendinning and Professor Alexander Jiménez for their insightful comments. This treatise would not have been possible without the encouragement and support from my family. I thank my parents for their unconditional love and constant belief, my sister for her friendship, and my nephew Jin Sung for his precious smile.
    [Show full text]
  • Toccata Classics TOCC 0091 Notes
    TOCCATA Alfred CLASSICS SCHNITTKE Discoveries Yellow Sound: stage composition for pantomime, instrumental ensemble, soprano and mixed chorus Dialogue for cello and ensemble Six Preludes for piano Magdalina for mezzo soprano and piano Variations for string quartet Artists include Liora Grodnikaite, mezzo soprano Alexander Ivashkin, cello Oleh Krysa, violin Drosostalitsa Moraiti, piano Bolshoi Soloists’ Ensemble Alexander Lazarev, conductor SCHNITTKE DISCOVERIES by Alexander Ivashkin This CD presents a series of ive works from across Alfred Schnittke’s career – all of them unknown to the wider listening public but nonetheless giving a conspectus of the evolution of his style. Some of the recordings from which this programme has been built were unreleased, others made specially for this CD. Most of the works were performed and recorded from photocopies of the manuscripts held in Schnittke’s family archive in Moscow and in Hamburg and at the Alfred Schnittke Archive in Goldsmiths, University of London. Piano Preludes (1953–54) The Piano Preludes were written during Schnittke’s years at the Moscow Conservatory, 1953–54; before then he had studied piano at the Moscow Music College from 1949 to 1953. An advanced player, he most enjoyed Rachmaninov and Scriabin, although he also learned and played some of Chopin’s Etudes as well as Rachmaninov’s Second and the Grieg Piano Concerto. It was at that time that LPs irst became available in the Soviet Union, and so he was able to listen to recordings of Wagner’s operas and Scriabin’s orchestral music. The piano style in the Preludes is sometimes very orchestral, relecting his interest in the music of these composers.
    [Show full text]
  • Biographies of Composers & Presenters
    BIOGRAPHIES OF COMPOSERS & PRESENTERS Admiral, Roger Canadian pianist Roger Admiral performs solo and chamber music repertoire spanning the 18th through the 21st century. Known for his dedication to contemporary music, Roger has commissioned and premiered many new compositions. He works regularly with UltraViolet (New Music Edmonton) and Aventa Ensemble (Victoria), and performs as part of Kovalis Duo with Montreal percussionist Philip Hornsey. Roger also coaches contemporary chamber music at the University of Alberta. Recent performances include Gyorgy Ligeti’s Piano Concerto with the Victoria Symphony Orchestra, the complete piano works of Iannis Xenakis for Vancouver New Music, a recital with baritone Nathan Berg at Lincoln Center’s Great Performers Series (New York City), and recitals for Curto-Circuito de Música Contemporânea Brazil with saxophonist Allison Balcetis, as well as solo recitals in Bratislava, Budapest, and Wroclaw. Roger can be heard on CD recordings of piano music by Howard Bashaw (Centrediscs) and Mark Hannesson (Wandelweiser Editions). Alexander, Justin Justin Alexander is an Assistant Professor of Music at Virginia Commonwealth University where he teaches Applied Percussion Lessons, Percussion Methods and Techniques, Introduction to World Musical Styles, Music and Dance Forms, and directs the VCU Percussion Ensemble. Justin is a founding member of Novus Percutere, with percussionist Dr. Luis Rivera, and The AarK Duo, with flutist Dr. Tabatha Easley. Recent highlights include collaborative performances in Sweden, Australia, the Percussive Arts Society International Convention, and at the 6th International Conference on Music and Minimalism in Knoxville, Tennessee. As a soloist, Justin focuses on the creation of new works for percussion through commissions and compositions, specifically focusing on post-minimalist/process/iterative keyboard music, non-western percussion, and drum set.
    [Show full text]
  • National Symphony Orchestra of Ukraine
    NATIONAL SYMPHONY ORCHESTRA OF UKRAINE VOLODYMYR SIRENKO, ARTISTIC DIRECTOR AND CONDUCTOR ALEXEI GRYNYUK, PIANO Saturday, March 4, 2017, at 7:30pm Foellinger Great Hall PROGRAM NATIONAL SYMPHONY ORCHESTRA OF UKRAINE Volodymyr Sirenko, artistic director and conductor Theodore Kuchar, conductor laureate Yevhen Stankovych Suite from the ballet The Night Before Christmas (b. 1942) Introduction Oksan and Koval Kozachok Robert Schumann Piano Concerto in A Minor, Op. 54 (1819-1896) Allegro affettuoso; Andante grazioso; Allegro Intermezzo: Andante grazioso Allegro vivace Alexei Grynyuk, piano 20-minute intermission Antonín Dvorák Symphony No. 9 in E Minor, Op. 95, “From the New World” (1841-1904) Adagio Largo Scherzo: Molto vivace Allegro con fuoco The National Symphony Orchestra of Ukraine appears by arrangement with: Columbia Artists Management LLC 5 Columbus Circle @ 1790 Broadway New York, NY 10019 www.cami.com 2 THE ACT OF GIVING OF ACT THE THANK YOU TO THE SPONSORS OF THIS PERFORMANCE Krannert Center honors the spirited generosity of these committed sponsors whose support of this performance continues to strengthen the impact of the arts in our community. CLAIR MAE & G. WILLIAM ARENDS Krannert Center honors the memory of Endowed Underwriters Clair Mae & G. William Arends. Their lasting investment in the performing arts will ensure that future generations can enjoy world-class performances such as this one. We appreciate their dedication to our community. CAROLE & JERRY RINGER Through their previous sponsorships and this year’s support, Endowed Sponsors Carole & Jerry Ringer continue to share their passion for the beauty and emotion of classical music with our community. Krannert Center is grateful for their ongoing support and dedication to the performing arts.
    [Show full text]
  • “Making Music Matter” DOUGLAS LOWRY 1951 – 2013 Creating MUSIC in Her Own Way
    EASTMAN NOTESSPRING 2014 “Making Music Matter” DOUGLAS LOWRY 1951 – 2013 Creating MUSIC in Her Own Way On the ship from her native Germany to her new home, whenever her mother was looking for Dietlinde Payne she knew she would find her intently watching the accordion player perform. And when Dietlinde settled in Rochester as a teenager, one of her passions quickly became taking the bus to watch Eastman students perform. After retiring from a teaching career, she decided to giveback to the University through a George Eastman Circle Scholarship that supports the students who bring her so much joy. “I’d like to see them become musicians or maybe even music teachers, combining two of the things that are so important.” —Dietlinde Payne ’64 Retired Teacher Rochester, New York Supports: Eastman School of Music To learn more about the new George Eastman Members of the George Eastman Circle, the University of Rochester’s leadership annual giving Circle Scholarship program, please visit society, can establish scholarships to help students in www.GeorgeEastmanCircle.com/Scholarships the schools they care about most by committing at least $5,000 annually for a minimum of five years. To learn more about joining, call (800) 598-1330 or visit www.GeorgeEastmanCircle.com. Your gift can help create the next generation of All gifts count toward The Meliora Challenge, a University-wide musicians or teachers—or both—who will inspire us all. fundraising Campaign that was launched in October 2011 and runs through June 30, 2016. Visit campaign.rochester.edu. { SPRING 2014 } At the end of Eastman’s memorial tribute for Douglas Lowry on November 3, Neil Varon and the Eastman Philharmonia performed Lowry’s Geo (inspired by George Eastman) while a collage of photographs was shown on a screen above the stage.
    [Show full text]
  • Curriculum Vitae/Resume
    CURRICULUM VITAE/RESUME HABALEVYCH VASYL PROFESSIONAL VIOLIN PLAYER Date of birth : 24-December-1990 SUMMARY Highly motivated violin player with a comprehensive background of performance. Participant of many Ukrainian and international contests and festivals. More than 10 years have been spend in a variety of ensembles, quartets, symphony orchestras and as a soloist. Skilled ensemblist in sight-reading of new pieces with a high degree of accuracy and at desired tempo from the beginning till the end. An enthusiastic team player who accepts coaching graciously and quickly incorporates feedback into performances. Poised and charismatic ensemble performer who quickly masters new repertoires, foreign musical styles. Deal with duties in a good way. Experienced collaboration with a diverse range of prominent musicians and conductors. HIGHLIGHTS • Sociable • Poised • Organized healthy way of life • Enthusiastic • Responsible • Creative • Hardworking WORK EXPERIENCE Violin player 9/2003 till Nowadays Performed a huge selection of music in a variety of styles with different orchestras. Participation in numerous competitions, festivals and concerts both locally and nationally; master classes with such prominent musicians as Bohodar Kotorovych, Kyrylo Stetsenko, Marko Komonko, Michael Strycharz, Oleh Krysa, Oleksandr Brusilovskyi. Experience in playing music in front of live audience, on television shows as a member of musical group. Accurate following of musical notation. Sight-reading of difficult music precisely and at required tempo. Play music with a foreign stylistic range as a member of duets, quartets and orchestras. Expressing music themes through tempo, phrasing, volume and dynamics. S.KRUSHELNYTSKA OPERA AND BALLET OPERA STUDIO Lviv, Ukraine Violin player 1/2012 till Nowadays Played violin in the orchestra at many stages.
    [Show full text]
  • Cornerstones of the Ukrainian Violin Repertoire 1870 – Present Day
    Cornerstones of the Ukrainian violin repertoire 1870 – present day Carissa Klopoushak Schulich School of Music McGill University Montreal, Quebec January 2013 A doctoral paper submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Music in Performance Studies © Carissa Klopoushak 2013 i Abstract: The unique violin repertoire by Ukrainian composers is largely unknown to the rest of the world. Despite cultural and political oppression, Ukraine experienced periods of artistic flurry, notably in the 1920s and the post-Khrushchev “Thaw” of the 1960s. During these exciting and experimental times, a greater number of substantial works for violin began to appear. The purpose of the paper is one of recovery, showcasing the cornerstone works of the Ukrainian violin repertoire. An exhaustive history of this repertoire does not yet exist in any language; this is the first resource in English on the topic. This paper aims to fill a void in current scholarship by recovering this substantial but neglected body of works for the violin, through detailed discussion and analysis of selected foundational works of the Ukrainian violin repertoire. Focusing on Maxym Berezovs´kyj, Mykola Lysenko, Borys Lyatoshyns´kyj, Valentyn Sil´vestrov, and Myroslav Skoryk, I will discuss each composer's life, oeuvre at large, and influences, followed by an in-depth discussion of his specific cornerstone work or works. I will also include cultural, musicological, and political context when applicable. Each chapter will conclude with a discussion of the reception history of the work or works in question and the influence of the composer on the development of violin writing in Ukraine.
    [Show full text]
  • Cyrus Forough – Biography (476 Words; Suggested Version)
    Violin Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Contents: Biography Press Reviews YouTube Video Links Mailing Address: Photo Gallery 1000 South Denver Avenue Extended Biography Suite 2104 Tulsa, OK 74119 Website: Complete artist information including video, audio http://www.pricerubin.com and interviews are available at www.pricerubin.com Cyrus Forough – Biography (476 words; suggested version) Noted for the “fiery intensity” and “poetic vision” of his playing, Cyrus Forough's reviews comprise a lexicon of superlatives in more than a dozen languages. Of his performance of Debussy’s Violin Sonata, Jim Lowe recently wrote, “With a warm sound and deft technique, Forough was an expert musician, utilizing skilled articulations and a broad palette of tonal colors, in delivering Debussy’s unique mix of Romanticism and Impressionism.” Cyrus Forough is a laureate of the Tchaikovsky International Competition, first prizewinner of the Milwaukee Symphony Violin Competition, and finalist in the Munich International Violin Competition. He has performed on radio and television internationally and given command performances for international dignitaries. He and his wife Steinway Artist Carolyn McCracken won the United States Artistic Ambassador Program's National Duo Competition, representing the United States in the Far East and South America. They gave performances in many concert venues including the Teatro Colón in Buenos Aires, the National Gallery in Washington, D.C., the Phillips Collection, and the Kennedy Center. Mr. Forough also holds the World Academy of Arts, Literature, and Media Award in recognition of his contributions to classical music and education. An active performer of contemporary music throughout his career, Mr.
    [Show full text]
  • Krysa Discography
    OLEH KRYSA DISCOGRAPHY BIS label Ernest Bloch. Violin Concerto Oleh Krysa, Violin Malmo Symphony Orchestra, Sakari Oramo, Conductor Sofia Gubaidulina. “Offertorium”. Concerto for Violin and Orchestra “Rejoce!” Sonata for Violin and Cello Oleh Krysa, Violin, Torleif Thedeen, Cello Royal Stockholm Philharmonic Orchestra, James de Preist, Conductor Alfred Schnittke . Violin Concertos Nos. 3 & 4 Oleh Krysa, Violin Malmo Symphony Orchestra, Eri Klas, Conductor Alfred Schnittke. Concerto Grosso No. 2 for Violin, Cello and Orchestra Oleh Krysa, Violin, Torleif Thedeen, Cello Malmo Symphony Orchestra, Lev Markiz, Conductor Alfred Schnittke. Chamber Music Prelude in memoriam Dmitri Shostakovih for Two Violins Moz-Art for Two Violins Stille Musik for Violin and Cello Madrigal in memoriam Oleg Kagan for solo Violin Madrigal in memoriam Oleg Kagan for solo Cello Trio for Violin, Cello and Piano Oleh Krysa, Violin, Alexandr Fisher, Violin, Torleif Thedeen, Cello, Tatiana Tchekina, Piano Erwin Schulhoff. Sonata for solo Violin Sonata for Violin and Piano No. 2 Duo for Violin and Cello Oleh Krysa, Violin, Tatiana Tchekina, Piano, Torleif Thedeen, Cello Maurice Ravel. Sonata for Violin and Cello Bohuslav Martinu. Duo No. 1 for Violin and Cello Arthur Honegger. Sonatina for Violin and Cello Erwin Schulhoff. Duo for Violin and Cello Oleh Krysa, Violin, Torleif Thedeen, Cello -2- TNC RECORDINGS label Ludwig van Beethoven. Violin Concerto in D Major, op. 61 Oleh Krysa, Violin Kiev Camerata, Virko Baley, Conductor Felix Mendelssohn-Bartholdy. Violin Concerto in E minor, op. 64 Johannes Brahms. Violin Concerto in D Major, op. 77 Giovanni Battista Viotti. Violin Concerto No. 22 in A minor Max Bruch. Scottish Fantasy, op.
    [Show full text]
  • The Influence of Violin Schools on Prominent Violinists/Teachers in the United States Christian Matthew Baker
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Influence of Violin Schools on Prominent Violinists/Teachers in the United States Christian Matthew Baker Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE INFLUENCE OF VIOLIN SCHOOLS ON PROMINENT VIOLINISTS/TEACHERS IN THE UNITED STATES By Christian M. Baker A treatise submitted to the College of Music In partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2005 The members of the Committee approve the treatise of Christian M. Baker defended on October 11, 2005. __________________________________ Eliot Chapo Professor Directing Treatise __________________________________ Carolyn Bridger Outside Committee Member __________________________________ Beth Newdome Committee Member __________________________________ Melanie Punter Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii Music resembles poetry; in each Are nameless graces, which no methods teach, And which a master hand alone may reach. —Alexander Pope iii ACKNOWLEDGEMENTS I would like to express appreciation to the violin teachers who were so kind to respond to my questions via written questionnaire and telephone interview. Their responses are the most essential component of this treatise. I would also like to thank my committee members for their time and attention to this project, including Lubomir Georgiev, who passed away before its completion, but who first recommended the topic to me. I am particularly indebted to my wife, Michelle, and to Dr. Carolyn Bridger, for their extensive help with the revisions.
    [Show full text]