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National Symphony Orchestra of Ukraine Theodore Kuchar, Conductor Alexei Grynyuk, Piano
Sunday, March 26, 2017, 3pm Zellerbach Hall National Symphony Orchestra of Ukraine Theodore Kuchar, conductor Alexei Grynyuk, piano PROGRAM Giuseppe VERDI (1813 –1901) Overture to La forza del destino Sergei PROKOFIEV (1891 –1953) Piano Concerto No. 3 in C Major, Op. 26 Andante – Allegro Tema con variazioni Allegro, ma non troppo INTERMISSION Dmitri SHOSTAKOVICH (1906 –1975) Symphony No. 5 in D minor, Op. 47 Moderato – Allegro non troppo Allegretto Largo Allegro non troppo THE ORcHESTRA National Symphony Orchestra of Ukraine Volodymyr Sirenko, artistic director & chief conductor Theodore Kuchar, conductor laureate First Violins cellos Bassoons Markiyan Hudziy, leader Olena Ikaieva, principal Taras Osadchyi, principal Gennadiy Pavlov, sub-leader Liliia Demberg Oleksiy Yemelyanov Olena Pushkarska Sergii Vakulenko Roman Chornogor Svyatoslava Semchuk Tetiana Miastkovska Mykhaylo Zanko Bogdan Krysa Tamara Semeshko Anastasiya Filippochkina Mykola Dorosh Horns Roman Poltavets Ihor Yarmus Valentyn Marukhno, principal Oksana Kot Ievgen Skrypka Andriy Shkil Olena Poltavets Tetyana Dondakova Kostiantyn Sokol Valery Kuzik Kostiantyn Povod Anton Tkachenko Tetyana Pavlova Boris Rudniev Viktoriia Trach Basses Iuliia Shevchenko Svetlana Markiv Volodymyr Grechukh, principal Iurii Stopin Oleksandr Neshchadym Trumpets Viktor Andriiichenko Oleksandra Chaikina Viktor Davydenko, principal Oleksii Sechen Yuri і Kornilov Harps Grygorii Кozdoba Second Violins Nataliia Izmailova, principal Dmytro Kovalchuk Galyna Gornostai, principal Diana Korchynska Valentyna -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
The Ukrainian Weekly 1989, No.12
www.ukrweekly.com Published by the Ukrainian National Association Inc.. a fraternal non-profit association rainian Weekly Vol. LVIl No. 12 THE UKRAINIAN WEEKLY SUNDAY, MARCH 19, 1989 50 cents Lviv residents protest unjust elections Dzyuba focuses on Ukrainian language's as thousands march through city center perilous situation in Edmonton speech JERSEY CITY, N.J. - Thousands while two local police chiefs using by Marco Levytsky Pavlychko and myself. Therefore, I can of Lviv residents gathered on March 12 megaphones ordered the people to leave Editor, Ukrainian News of Edmonton tell you first hand, that it looks like this in the city center for a pre-elections the area. bill will indeed be made into law. The meeting which turned into an angry Meanwhile several police units, EDMONTON - Ivan Dzyuba, au government is receiving tens of thou demonstration after local police vio coming from all directions, surrounded thor of "Internationalism or Russifica- sands of letters that demand that lently attempted to scatter the crowd, the square and forced the crowd away tion?," focused his remarks here on Ukrainian be made into the official reported the External Representation from it and toward the city arsenal and March 3 on the perilous situation of the language of the republic," Mr. Dzyuba of the Ukrainian Helsinki Union last regional party committee headquarters. Ukrainian language, noting, however, said, speaking through an interpreter. week. Some people panicked and fell on the that "after decades and centuries of "We do not require such a law in Thousands of people had already pavement. The militiamen reportedly being suppressed and rooted out," the order to discriminate against other gathered at noon for the public meeting kicked them, while those who protested language may 'linally take its place in languages, just that the Ukrainian lan about the March 26 elections to the new were grabbed and shoved into police the world" after the Ukrainian SSR guage — after decades and centuries of Soviet parliament, which was scheduled cars. -
Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Soprano Cornet
SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN (Under the Direction of Brandon Craswell) ABSTRACT The E-flat soprano cornet has served an indispensable role in the British brass band; it is commonly considered to be “the hottest seat in the band.”1 Compared to its popularity in Britain and Europe, the soprano cornet is not as familiar to players in North America or other parts of world. This document aims to offer young players who are interested in playing the soprano cornet in a brass band a more complete view of the instrument through the research of its historical roots, its artistic role in the brass band, important solo repertoire, famous players, approach to the instrument, and equipment choices. The existing written material regarding the soprano cornet is relatively limited in comparison to other instruments in the trumpet family. Research for this document largely relies on established online resources, as well as journals, books about the history of the brass band, and questionnaires completed by famous soprano cornet players, prestigious brass band conductors, and composers. 1 Joseph Parisi, Personal Communication, Email with Yanbin Chen, April 15, 2019. In light of the increased interest in the brass band in North America, especially at the collegiate level, I hope this project will encourage more players to appreciate and experience this hidden gem of the trumpet family. INDEX WORDS: Soprano Cornet, Brass Band, Mouthpiece, NABBA SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN Bachelor -
Artists in Residence Recital Ernest Salem, Violin Che-Yen Chen, Viola Wei-Wei Le, Violin
Department of MUSIC College of Fine Arts presents a Artists in Residence Recital Ernest Salem, violin Che-Yen Chen, viola Wei-Wei Le, violin PROGRAM Bohuslav Martinu Serenata II (1890-1959) Allegro Paco andante Allegro con brio Zoltan Kodaly Serenade, Op. 12 (1882-1967) Allegramente Lento, ma non troppo Vivo Eugene Ysaye Trio: Le Londres (1858-1931) Paco maestoso Antonin Dvorak Terzetto, Op. 74 (1841-1904) lntroduzione: Allegro ma non troppo Larghetto Scherzo: Vivace Terna con variazioni Saturday, November 16, 2013 7:30 p.m. Dr. Arturo Rando-Grillot Recital Hall Lee and Thomas Beam Music Center University of Nevada, Las Vegas Biographies Ernest Salem, violinist, is currently Professor of Music at California State University, Fullerton. He has performed in concerts and recitals across the United States and presented master classes at various universities and colleges. Former university affiliations include appointments as a faculty member at Wichita State University, the College of St. Benedict/St. John's University / and New Mexico State University. Active as a freelance musician in the Los Angeles Area, he has performed with the Los Angeles Master Chorale Orchestra, Los Angeles Mozart Orchestra, Long Beach Symphony, Asia American Orchestra and South Coast Symphony. Formerly Concertmaster of the Wichita and Las Cruces Symphonies, Dr. Salem has also served as Principal Second of the Minnesota Opera Orchestra and Assistant Concertmaster of the Texas Chamber and Texas Opera Theater Orchestras. As a chamber musician, Salem has been violinist with California State University, Fullerton's Premiere Trio, first violinist with Wichita State's Fairmount Quartet, a member of the College of St. -
Albert Hirsh – Pianist
Albert Hirsh P i a n i s t A Passage in Time Contents A Musical Legacy ................................................... 1 Notes to the Recordings ......................................... 18 Concert Artists ....................................................... 40 Discography ........................................................... 41 Works By Composer ............................................... 42 Other Notes ........................................................... 44 Cover Photo: Albert Hirsh played a major role in Houston’s music scene for nearly 40 years. This 1950s photo appeared on the cover of KRBE-FM’s program guide in March 1962. A Musical Legacy lbert Hirsh was a great musician. His career as a or symphony repeated. For much of the population outside concert pianist spanned more than six-and-a-half the great cultural centers of Europe, hearing a touring A decades; as a teacher, about the same. His musical pianist like Franz Liszt play a transcription might be the legacy lives on in the memories of concertgoers, in the one and only opportunity to hear a complete Beethoven hearts of fellow musicians with whom he shared the stage, symphony. and in the ongoing performing and teaching careers of What a gift that listeners today can become so intimately many of his students. familiar with hundreds, even thousands of great works, and His artistry, of course, can’t be captured in statistics. It replay them at the flick of a remote control! can be described, to be sure, but far better, it can still be Both Depth and Breadth listened to. Billed as an interpreter of great sensitivity, praised as a He made very few commercial recordings (see Discography dazzling performer of modern chamber works, Albert on page 41), but over the years I managed to collect a Hirsh was also amazing in the range of his musicianship. -
West Virginia University Piano Trio Department of Music and Worship, Cedarville University
Cedarville University DigitalCommons@Cedarville Guest Artists Concert and Recital Programs 10-21-2016 West Virginia University Piano Trio Department of Music and Worship, Cedarville University Follow this and additional works at: http://digitalcommons.cedarville.edu/guest_artists Part of the Music Performance Commons Recommended Citation Department of Music and Worship, Cedarville University, "West Virginia University Piano Trio" (2016). Guest Artists. 33. http://digitalcommons.cedarville.edu/guest_artists/33 This Program is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in Guest Artists by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Sonata for Violin and Piano ........................................................Claude Debussy I.Allegro vivo (1862-1918) II. Intermède: Fantasque et léger III. Finale: Très animé Sonata for Violoncello and Piano ................................................. Claude Debussy I. Prologue: Lent, sostenuto e molto risoluto II. Sérénade: Modérément animé II. Finale: Animé, léger et nerveux Sonata No. 2 for Violin and Piano ................................................... Maurice Ravel I. Allegretto (1875-1937) II. Blues: Moderato III. Perpetuum mobile: Allegro Recital Hall No flash photography Bolthouse Center for Music Please turn off all cell phones Cellist Erin Ellis leads a versatile career as a performer and teacher. She has performed as a soloist and chamber musician across the United States as well as in Canada, Chile, Italy, and Holland. She was recently appointed as Assistant Professor of Cello at West Virginia University’s School of Music. Formerly based in Atlanta, Georgia, Dr. Ellis has appeared as a chamber musician at venues including the University of Alabama, the Atlanta Public Library, and Georgia State University. -
London's Symphony Orchestra
London Symphony Orchestra Living Music Tuesday 2 June 2015 7.30pm Barbican Hall LSO INTERNATIONAL VIOLIN FESTIVAL JANINE JANSEN Edward Rushton I nearly went, there (UK premiere) Mendelssohn Violin Concerto SundayINTERVAL 21 September 2014 7.30pm BarbicanMahler Symphony Hall No 5 London’s Symphony Orchestra MAKEDaniel HardingUP A TITLE conductor HERE Janine Jansen violin Composer Work ComposerConcert finishes Work approx 10pm Composer Work The LSO International Violin Festival is Namegenerously conductor supported by Jonathan Moulds CBE Name soloist Concert finishes approx ?.??pm International Violin Festival Media Partner 2 Welcome 2 June 2015 Welcome Living Music Kathryn McDowell In Brief Tonight we are delighted to welcome back the PANUFNIK COMPOSERS WORKSHOP 2015 LSO’s Principal Guest Conductor Daniel Harding, following a tour of Germany and Switzerland with Witness the fascinating process of putting together the Orchestra. This evening’s concert begins with and rehearsing a new orchestral piece as the LSO the UK premiere of a new work, I nearly went, there, works with six of the UK’s most promising emerging by British composer Edward Rushton, who first composers, under the guidance of Colin Matthews wrote for the LSO in 2008 when his piece Everything and conductor François-Xavier Roth. The workshops Goes So Fast, which Daniel Harding also conducted, take place on Friday 5 June at LSO St Luke’s. The was commissioned as part of the UBS Soundscapes: composers taking part are Michael Cryne, Michael Pioneers scheme. Cutting, Vitalija Glovackyte˙, Alex Roth, Jack Sheen and Michael Taplin. Tickets are free; to reserve your Our soloist is violin virtuoso Janine Jansen, a great place, phone the Box Office on 020 7638 8891. -
Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC JASCHA HEIFETZ, DAVID OISTRAKH, JOSEPH SZIGETI: THEIR CONTRIBUTIONS TO THE VIOLIN REPERTOIRE OF THE TWENTIETH CENTURY By Jae Won (Noella) Jung A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2007 Copyright © 2007 Jae Won (Noella) Jung All Rights Reserved The members of the Committee approve the treatise of Jae Won (Noella) Jung on March 2, 2007. ____________________________________ Karen Clarke Professor Directing Treatise ____________________________________ Jane Piper Clendinning Outside Committee Member ____________________________________ Alexander Jiménez Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS First of all, I would like to express my sincere appreciation to my advisor, Professor Karen Clarke, for her guidance and support during my graduate study at FSU and I am deeply grateful for her advice and suggestions on this treatise. I would also like to thank the rest of my doctoral committee, Professor Jane Piper Clendinning and Professor Alexander Jiménez for their insightful comments. This treatise would not have been possible without the encouragement and support from my family. I thank my parents for their unconditional love and constant belief, my sister for her friendship, and my nephew Jin Sung for his precious smile. -
Toccata Classics TOCC 0091 Notes
TOCCATA Alfred CLASSICS SCHNITTKE Discoveries Yellow Sound: stage composition for pantomime, instrumental ensemble, soprano and mixed chorus Dialogue for cello and ensemble Six Preludes for piano Magdalina for mezzo soprano and piano Variations for string quartet Artists include Liora Grodnikaite, mezzo soprano Alexander Ivashkin, cello Oleh Krysa, violin Drosostalitsa Moraiti, piano Bolshoi Soloists’ Ensemble Alexander Lazarev, conductor SCHNITTKE DISCOVERIES by Alexander Ivashkin This CD presents a series of ive works from across Alfred Schnittke’s career – all of them unknown to the wider listening public but nonetheless giving a conspectus of the evolution of his style. Some of the recordings from which this programme has been built were unreleased, others made specially for this CD. Most of the works were performed and recorded from photocopies of the manuscripts held in Schnittke’s family archive in Moscow and in Hamburg and at the Alfred Schnittke Archive in Goldsmiths, University of London. Piano Preludes (1953–54) The Piano Preludes were written during Schnittke’s years at the Moscow Conservatory, 1953–54; before then he had studied piano at the Moscow Music College from 1949 to 1953. An advanced player, he most enjoyed Rachmaninov and Scriabin, although he also learned and played some of Chopin’s Etudes as well as Rachmaninov’s Second and the Grieg Piano Concerto. It was at that time that LPs irst became available in the Soviet Union, and so he was able to listen to recordings of Wagner’s operas and Scriabin’s orchestral music. The piano style in the Preludes is sometimes very orchestral, relecting his interest in the music of these composers.