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Annual Exhibition by the Society for Contemporary American Art
23rd ANNUAL EXHIBITION BY THE SOCIETY FOR CONTEHPOR.ARY ANERICMJ ART May 24- June 17, 1963 Nominated by: 1. IV AN ALBRIGHT Young Girl, charcoal3 $1700 Lent by the artis-t,, Chicago Hr. Lawrence Pucci, Jr. 2, MILTON AVERY Beach Blankets, wat er color> ~;;1300 Grace Borgenicht Gallery, New York Mr" and Urs. H . Press Hodgkins 3 • ROBERT BARNES View From Riverbank, pencil, ~P2.50 Allan Frumkin Gallery, Chicago Mr. and Mrs. Arnold noot 4. ROBERT BARNES Stage No.,l, pencil, ~>2.50 Allan Frumkin Gallery, Chicago Mrs. Jane G8 Weinberg .5. LEONARD BASIITN l1outh of Socrates, ink and wash, ~>700 Boris Hirski Gallery, Boston l1r. and Mrs.. Arnold Smoller 6. LEONARD BASKIN Flower III, ink, $7.50 Grace Borgenicht Gallery, New York Mr. and Mrs. Albert Arenberg 7. ROBERT BEAUCHAMP Untitled, pencil, ~~175 Green Gallery, .New York Mr. and Hrs. Sanford R. Robertson 8.. GENE BEERY Hello There, water color Lent by the artist, Racine, Wi.sconsin Mr. and Hrs. Barnet Hodes 9 •. CLAUDE BENTLEY Retablo, paper collage and casein, $800 Lent by the artist, Chicago Mr. and Mrs. Alfred w. Stern 10. CLAUDE BENTLEY Boy with Kite, swni ink, ~~175 lent by the artist, Chicago Mr. and Mrs. Altred W. Stern 11. LEE BONTECOU Untitled, soot on muslin, ~~875 Leo Castelli Gallery, New York Mr~ and Mrs. Joseph R. Shapir o 12., LEE BONTECOU Untitled, pencil, ~~470 Leo Castelli Gallery, New York ~Wo and I~s. Joseph R. Shapiro 13. HARRY BOURAS Gift of Night, collage, ~~250 lent by the artist, Chicago Mr .. and Urs. Alexander Liveright 14 o HARRY BOURAS Landfigure 1 collage, ~~350 lent by the artist, Chicago }~o and Mrs. -
KARLA BLACK Born 1972 in Alexandria, Scotland Lives And
KARLA BLACK Born 1972 in Alexandria, Scotland Lives and works in Glasgow Education 2002-2004 Master of Fine Art, Glasgow School of Art 1999-2000 Master of Philosophy (Art in Organisational Contexts), Glasgow School of Art 1995-1999 BA (Hons) Fine Art, Sculpture, Glasgow School of Art Solo Exhibitions 2021 Karla Black: Sculptures 2000 - 2020, FruitMarket Gallery, Edinburgh 2020 Karla Black: 20 Years, Des Moines Art Centre, Des Moines 2019 Schirn Kunsthalle, Frankfurt Galerie Gisela Capitain, Cologne 2018 The Power Plant, Toronto Karla Black / Luke Fowler, Capitain Petzel, Berlin 2017 Stuart Shave / Modern Art, London Festival d’AutoMne, Musée des Archives Nationales and École des Beaux-Arts, Paris MuseuM Dhondt-Dhaenens, Deurle 2016 Galleria Raffaella Cortese, Milan A New Order (with Kishio Suga), Scottish National Gallery of Modern Art, National Galleries of Scotland, Edinburgh David Zwirner, New York Galerie Gisela Capitain, Cologne 2015 Irish MuseuM of Modern Art, Dublin 2014 Stuart Shave / Modern Art, London Galleria Raffaella Cortese, Milan David Zwirner, New York 2013 Kestner Gesellschaft, Hannover Institute of ConteMporary Art, University of Pennsylvania, Philadelphia Galerie Gisela Capitain, Cologne GeMeenteMuseuM, The Hague 2012 Concentrations 55, Dallas MuseuM of Art, Dallas Schinkel Pavillon, Berlin Gallery of Modern Art, Glasgow Stuart Shave / Modern Art, London 2011 Scotland + Venice 2011 (curated by The FruitMarket Gallery), Palazzo Pisani, 54th Venice Biennale, Venice 2010 Capitain Petzel, Berlin WittMann Collection, Ingolstadt -
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LUCY SKAER CAROL RHODES HANNELINE VISNES HEAVY WEATHER May 18 – July 13, 2019 Opening Saturday May 18th Frans Halsstraat 26 From 6pm until 8pm GRIMM is proud to present Heavy Weather, an exhibition showers’ and ‘Violent Thunder’. These works function as an organised by Lucy Skaer (UK, 1975) with selected works by exploration of the role of feeling, emotion and subjectivity in Carol Rhodes (UK, 1959-2018) and Hanneline Visnes (NO, how we experience history, objects, images, or situations, 1972). The works in the show are united by the theme of despite degrees of abstraction or transmutation. temporality and landscape, meditating on nature, how it is altered and effected by human vision and action. This is In the paintings of Hanneline Visnes, which surround Skaer’s Skaer’s second exhibition with the gallery in Amsterdam La Chasse, stylised motifs of animals and plants are used to and follows her recent collaborative exhibition The Green comment on the representation and control of nature. Visnes Man held at the Talbot Rice Gallery in Edinburgh (UK). merges disparate patterns, motifs, and subjects into her meticulously crafted paintings. She explores and harnesses Lucy Skaer’s main body of work in the exhibition is titled the power of colour, utilising complementary hues that bounce La Chasse, after Le Livre du Chasse, a hunting manual by and fight off the surface, causing her still lifes to dance with Gaston Phébus from the fourteenth century. Skaer was agitated energy. By treating her ‘subject’ and background compelled by illustrations in this medieval manuscript with the same process, the traditional focal point of the work for their representation of time and form. -
'Duncanville' Is A
Visit Our Showroom To Find The Perfect Lift Bed For You! February 14 - 20, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 The animated, Amy Poehler- T M O T H U Q Z A T T A C K P Your Key produced 2 x 3" ad P U B E N C Y V E L L V R N E comedy R S Q Y H A G S X F I V W K P To Buying Z T Y M R T D U I V B E C A N and Selling! “Duncanville” C A T H U N W R T T A U N O F premieres 2 x 3.5" ad S F Y E T S E V U M J R C S N Sunday on Fox. G A C L L H K I Y C L O F K U B W K E C D R V M V K P Y M Q S A E N B K U A E U R E U C V R A E L M V C L Z B S Q R G K W B R U L I T T L E I V A O T L E J A V S O P E A G L I V D K C L I H H D X K Y K E L E H B H M C A T H E R I N E M R I V A H K J X S C F V G R E N C “War of the Worlds” on Epix Bargain Box (Words in parentheses not in puzzle) Bill (Ward) (Gabriel) Byrne Aliens Place your classified Classified Merchandise Specials Solution on page 13 Helen (Brown) (Elizabeth) McGovern (Savage) Attack ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Catherine (Durand) (Léa) Drucker Europe Midlothian Mirror and Ellis Mustafa (Mokrani) (Adel) Bencherif (Fight for) Survival County Trading1 Post! x 4" ad Deal Merchandise Word Search Sarah (Gresham) (Natasha) Little (H.G.) Wells Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, ‘Duncanville’ is a new Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid. -
I Beste Sendetid
I beste sendetid En analyse av musealisert praksis i tv-programmet Antiques Roadshow Andreas Skauen Pedersen MUSE4990 - Masteroppgave i museologi 60 Studiepoeng Høst 2014 Institutt for kulturstudier og orientalske språk, Universitetet i Oslo I II I beste sendetid En analyse av musealisert praksis i tv-programmet Antiques Roadshow III © Andreas Skauen Pedersen 2014 I beste sendetid – En analyse av musealisert praksis i tv-programmet Antiques Roadshow Andreas Skauen Pedersen http://www.duo.uio.no Trykk: Allkopi Sarpsborg IV Sammendrag I beste sendetid – En analyse av musealisert praksis i tv-programmet Antiques Roadshow, tar for seg de hva mediet har å si for formidlingen. Oppgaven er delt i to hoveddeler: en analyse av tv-programmet Antiques Roadshow (BBC) fulgt av en museologisk drøfting av programmets virkemidler. Analysematerialet består av to feltstudier ved innspilling av Antiques Roadshow i Skottland og av programmet Antikrundan i Sverige. Hovedvekten legges på besøket til Skottland, og oppgaven går derfor dypt inn i skotsk kontekst. Drøftingen identifiserer tre hovedtemaer som går igjen i programmets virkemidler: steder, gjenstander og formidling. Gjennom analyse av disse virkemidlene gjøres det et forsøk på å identifisere programmets stil, og slik blir formidling via nye medier blir satt i sammenheng med tradisjonell museumsformidling. Oppgaven vil bidra til en ny forståelse av gjenstandsbasert historieformidling på museum i ett nytt, digitalt medielandskap. V VI Figur 1 "There will be no miracles here" av den skotske kunstneren Nathan Coley. Skulpturen var plassert utenfor The Scottish National Gallery of Modern Art under innspillingen av Antiques Roadshow på samme sted, sommeren 2013. VII Forord Takk til veileder Arne Bugge Amundsen for gode innspill underveis i arbeidet med oppgaven. -
February/March 2021 EXCLUSIVE MEMBER PROGRAM GUIDE
EXCLUSIVE MEMBER PROGRAM GUIDE February/March 2021 ThinkTV16 & ThinkTV16HD CET & CETHD ThinkTV14 & ThinkTV14HD www.thinktv.org www.CETconnect.org Letter from our President & CEO Page 2 The Black Church: This is Our Story, This is Our Song Page 6 Independent Lens “Mr. Soul!” Page 7 At Home with Your Public Media Station Page 9 American Masters “Flannery” Page 17 Extinction: The Facts Page 19 PMConnect FebMar-fnl.indd 1 12/31/20 12:18 PM Welcome Dear Member, As we get into February and we work toward getting our lives back to normal, your public television stations are busy continuing to provide educational support to our community while bringing you new local programs, both from our own production team and in coordination with local partners. We are also busy planning our Summer Action Auction, our LIVE! on CET Reimagined event (details coming in the next issue of this magazine!) and more. We are getting 2021 off to a great start and we hope you are too. To support our community’s young learners, we started airing Let’s Learn, a new hour-long daytime program featuring instruction by educators and virtual field trips for kids ages 3 to 8, especially those learning at home. SOITA also continued to offer a robust schedule of educator-and-student-focused workshops, including new age-specific courses about Google Classroom. We are also creating new videos as part of American Graduate: Getting to Work. In the production space, we are continuing to produce new episodes of The Art Show and SHOWCASE with Barbara Kellar and, as I write this, we are working to build a new remote-interview set-up in our studios, which we can continue to use well after the pandemic has ended. -
The Magazine of the Glasgow School of Art Issue 1
Issue 1 The Magazine of The Glasgow School of Art FlOW ISSUE 1 Cover Image: The library corridor, Mackintosh Building, photo: Sharon McPake >BRIEFING Funding increase We√come Research at the GSA has received a welcome cash boost thanks to a rise in Welcome to the first issue of Flow, the magazine of The Glasgow School of Art. funding from the Scottish Higher Education Funding In this issue, Ruth Wishart talks to Professor Seona Reid about the changes and Council (SHEFC).The research challenges ahead for Scotland’s leading art school. This theme is continued by grant has risen from £365,000 to £1.3million, as a result Simon Paterson, GSA Chairman, in his interview Looking to the Future which of the Research Assessment outlines the exciting plans the School has to transform its campus into a Exercise carried out in 2001. world-class learning environment. President’s dinner A dinner to encourage Creating a world-class environment for teaching and research is essential if potential ambassadors for the GSA was held in the the GSA is to continue to contribute to Scotland, the UK and beyond. Every Mackintosh Library by Lord year 300 students graduate from the GSA and Heather Walton talks to some Macfarlane of Bearsden, the School’s Honorary President. of them about the role the GSA plays in the cultural, social and economic life In his after dinner speech, Lord of the nation. One such graduate is the artist Ken Currie, recently appointed Wilson of Tillyorn, the recently appointed Chairman of the Visiting Professor within the School of Fine Art, interviewed here by Susannah National Museums of Scotland, Thompson. -
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CONTENTS History The Council is appointed by the Muster for Staff The Arts Council of Great Britain wa s the Arts and its Chairman and 19 othe r Chairman's Introduction formed in August 1946 to continue i n unpaid members serve as individuals, not Secretary-General's Prefac e peacetime the work begun with Government representatives of particular interests o r Highlights of the Year support by the Council for the organisations. The Vice-Chairman is Activity Review s Encouragement of Music and the Arts. The appointed by the Council from among its Arts Council operates under a Royal members and with the Minister's approval . Departmental Report s Charter, granted in 1967 in which its objects The Chairman serves for a period of five Scotland are stated as years and members are appointed initially Wales for four years. South Bank (a) to develop and improve the knowledge , Organisational Review understanding and practice of the arts , Sir William Rees-Mogg Chairman Council (b) to increase the accessibility of the art s Sir Kenneth Cork GBE Vice-Chairma n Advisory Structure to the public throughout Great Britain . Michael Clarke Annual Account s John Cornwell to advise and co-operate wit h Funds, Exhibitions, Schemes and Awards (c) Ronald Grierson departments of Government, local Jeremy Hardie CB E authorities and other bodies . Pamela, Lady Harlec h Gavin Jantje s The Arts Council, as a publicly accountable Philip Jones CB E body, publishes an Annual Report to provide Gavin Laird Parliament and the general public with an James Logan overview of the year's work and to record al l Clare Mullholland grants and guarantees offered in support of Colin Near s the arts. -
Lost Man Blues: Jon Schueler – Art and War
Exhibition Proposal Lost Man Blues: Jon Schueler – Art and War Wing Shadow Over Grey Sea, 1982, 72” x 65” (o/c 1248) Curated by Marissa Roth Lost Man Blues: Jon Schueler – Art and War Lost Man Blues Romasaig, Scotland, September 1988 Oil on canvas 18 x 16 in / 45.72 x 40.64 cm (o/c 1549) The title of this painting refers to the loss of a plane in Schueler’s squadron on the return to England after a bombing mission over Germany. Lost Man Blues JON SCHUELER – Art and War Curated by Marissa Roth When reflecting on the arc of an artist’s life and career, we find that his or her own words and thoughts provide the most telling details and authentic backdrop to the work and convey its full breadth. Because of the physical nature of art, it can only tell part of the story at any one time. But the binding together of years of personal writings reveals the artistic journey in its totality and offers the most meaningful context. Jon Schueler (1916-1992), the esteemed prolific American Abstract Expressionist painter from Milwaukee, Wisconsin, was also a masterful writer. Over the course of three decades, he wrote thousands of pages and deliberately conserved them by date as a testimony of his life. This self-portrait in words - reflections, ruminations, personal letters and business correspondence - is an acutely self-aware record of his creative process and mirrors his breathtaking output as a painter. Through these writings lovingly edited by his widow Magda Salvesen, and editor Diane Cousineau, we hear his voice and understand his innermost creative struggles. -
Ancient Mysteries Revealed on Secrets of the Dead A
NEW FROM AUGUST 2019 2019 NOVA ••• The in-depth story of Apollo 8 premieres Wednesday, December 26. DID YOU KNOW THIS ABOUT WOODSTOCK? ••• Page 6 Turn On (Your TV), Tune In Premieres Saturday, August 17, at 8pm on KQED 9 Ancient Mysteries A Heartwarming Shetland Revealed on New Season of Season Premiere!Secrets of the Dead Call the Midwife AUGUST 1 ON KQEDPAGE 9 XX PAGE X CONTENTS 2 3 4 5 6 22 PERKS + EVENTS NEWS + NOTES RADIO SCHEDULE RADIO SPECIALS TV LISTINGS PASSPORT AND PODCASTS Special events Highlights of What’s airing Your monthly guide What’s new and and member what’s happening when New and what’s going away benefits recommended PERKS + EVENTS Inside PBS and KQED: The Role and Future of Public Media Tuesday, August 13, 6:30 – 7:30pm The Commonwealth Club, San Francisco With much of the traditional local news space shrinking and trust in news at an all-time low, how are PBS and public media affiliates such as KQED adapting to the new media industry and political landscapes they face? PBS CEO and President Paula Kerger joins KQED President and CEO Michael Isip and President Emeritus John Boland to discuss the future of public media PERK amidst great technological, political and environmental upheaval. Use member code SpecialPBS for $10 off at kqed.org/events. What Makes a Classic Country Song? Wednesday, August 21, 7pm SFJAZZ Center, San Francisco Join KQED for a live concert and storytelling event that explores the essence and evolution of country music. KQED Senior Arts Editor Gabe Meline and the band Red Meat break down the musical elements, tall tales and true histories behind some iconic country songs and singers. -
Jon Schueler, It Is Magazine, 1960
When I speak of nature I’m speaking of the sky... And when I think of the sky, I think of Jon Schueler 1916-1992 the Scottish sky over Mallaig... Jon Schueler Time was there and motion was there..lands forming, seas disappearing, words Discover the artist, his works fragmenting, colors giving birth to burning shapes...... and his inspiration in 2016. Jon Schueler, It is magazine, 1960 Born in Milwaukee in 1916, Jon Schueler studied at the California School of Fine Arts from 1948-51 where his teachers included Clyfford Still and Richard Diebenkorn. In ‘51 he moved to New York and, through Still, became immersed in the art world of Mark Rothko, Franz Kline, Jackson Pollock, and Robert Motherwell. Considered one of the younger members of the legendary New York School, he was taken up by both the celebrated dealer Leo Castelli and the Stable Gallery. In 1957 he discovered Mallaig, a fishing village on the west coast of Scotland, and this landscape informed his work in NY throughout the ‘60s. In 1970 he returned to Mallaig for 5 years, and then painted there again most summers until his death in 1992. Essentially an abstract painter, Schueler nonetheless grounded his work in nature --especially in the light and atmosphere of the Scottish west coast. This dimension will be celebrated by both museums and galleries during the 2016 centenary. Schueler’s paintings are in the collections of distinguished American and British institutions including the Whitney Museum in New York and the Scottish above : Sea Light: Dreaming, I, 1981, 152 x 132 cm (60”x 52”) o/c 1192 National Gallery of Modern Art, Edinburgh. -
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ARTS n jr. J .r . The Arts Council of Grea t Britain was formed in August 1946 to continue in peacetim e the work begun with Government support by th e Council for the Encouragement of Music and the Arts. The Arts Council operates under a revised Royal Charter granted in 1967 in which its objects are stated as : (a) to develop and improve th e knowledge, understanding an d practice of the arts ; (b)to increase the accessibilit y of the arts to the public throughout Great Britain ; (c) to advise and co-operat e with departments of government, local authoritie s and other bodies . The Arts Council, as a publicl y S3 accountable body, publishes a n ro annual report and accounts t o a n provide Parliament and th e general public with an overview e 3 Front coeari Ttra renovated AUmmbre of the year 's work . Theatre, Bradford . The ar" are rogeaerating Bradford as "the City of Er*00"lnnrenk an.ee"ns ►aurisre and bariaees. The rota of the arts as cololysts for urban rerrerrel 4 discussed In John Davison's or"* a s the Arts Council's urfaen Renaissance ro"WEl9e. Chairmen's iMroduelion 2 Lord flees-Mogg reflects on his seven years at the Arts Counci l Secretary-Genewl's report 4 Luke Rittner highlights the issue s and achievements of 19$1/8 8 Arts review b Departmental reports on policies which promoted the arts during 1487/88 Special reporfs Appraisals How the Arts Council appraises its 26 clients, and why. by Lynda Murdi n Nubian renaissance The role the 28 arts are playing in regenerating the inner cities .