Jon Schueler, It Is Magazine, 1960
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2019 Cruise Directory
Despite the modern fashion for large floating resorts, we b 7 nights 0 2019 CRUISE DIRECTORY Highlands and Islands of Scotland Orkney and Shetland Northern Ireland and The Isle of Man Cape Wrath Scrabster SCOTLAND Kinlochbervie Wick and IRELAND HANDA ISLAND Loch a’ FLANNAN Stornoway Chàirn Bhain ISLES LEWIS Lochinver SUMMER ISLES NORTH SHIANT ISLES ST KILDA Tarbert SEA Ullapool HARRIS Loch Ewe Loch Broom BERNERAY Trotternish Inverewe ATLANTIC NORTH Peninsula Inner Gairloch OCEAN UIST North INVERGORDON Minch Sound Lochmaddy Uig Shieldaig BENBECULA Dunvegan RAASAY INVERNESS SKYE Portree Loch Carron Loch Harport Kyle of Plockton SOUTH Lochalsh UIST Lochboisdale Loch Coruisk Little Minch Loch Hourn ERISKAY CANNA Armadale BARRA RUM Inverie Castlebay Sound of VATERSAY Sleat SCOTLAND PABBAY EIGG MINGULAY MUCK Fort William BARRA HEAD Sea of the Glenmore Loch Linnhe Hebrides Kilchoan Bay Salen CARNA Ballachulish COLL Sound Loch Sunart Tobermory Loch à Choire TIREE ULVA of Mull MULL ISLE OF ERISKA LUNGA Craignure Dunsta!nage STAFFA OBAN IONA KERRERA Firth of Lorn Craobh Haven Inveraray Ardfern Strachur Crarae Loch Goil COLONSAY Crinan Loch Loch Long Tayvallich Rhu LochStriven Fyne Holy Loch JURA GREENOCK Loch na Mile Tarbert Portavadie GLASGOW ISLAY Rothesay BUTE Largs GIGHA GREAT CUMBRAE Port Ellen Lochranza LITTLE CUMBRAE Brodick HOLY Troon ISLE ARRAN Campbeltown Firth of Clyde RATHLIN ISLAND SANDA ISLAND AILSA Ballycastle CRAIG North Channel NORTHERN Larne IRELAND Bangor ENGLAND BELFAST Strangford Lough IRISH SEA ISLE OF MAN EIRE Peel Douglas ORKNEY and Muckle Flugga UNST SHETLAND Baltasound YELL Burravoe Lunna Voe WHALSAY SHETLAND Lerwick Scalloway BRESSAY Grutness FAIR ISLE ATLANTIC OCEAN WESTRAY SANDAY STRONSAY ORKNEY Kirkwall Stromness Scapa Flow HOY Lyness SOUTH RONALDSAY NORTH SEA Pentland Firth STROMA Scrabster Caithness Wick Welcome to the 2019 Hebridean Princess Cruise Directory Unlike most cruise companies, Hebridean operates just one very small and special ship – Hebridean Princess. -
Price Guide of £100,000 Plot & Croftland, Ardtoe
PLOT & CROFTLAND, ARDTOE, ACHARACLE, ARDNUMURACHAN PENINSULA. PRICE GUIDE OF £100,000 LOCATION: McIntyre & Company, Tranquil location on the Ardnamurchan Peninsula Ardtoe is located close to the glorious Kentra Bay, and the main 38 High Street, Fort William, Set amongst stunning mountain scenery village of Acharacle. There are lots of historic sites, beaches and PH33 6AT Enjoying views over Kentra Bay castles nearby as well as it being accessible to the Isles Mull. Tel: 01397 703231 Plot extending to approx 0.261 hectare Ardtoe is primarily serviced by Acharacle a semi-rural village Croftland included extends to approx 0.6707 hectare Fax: 01397 705070 which is very well equipped with amenities to include a large, Planning in Principal for 1½ story dwelling E-mail: [email protected] well-stocked and licensed grocery shop, bakery with café Website: www.solicitors-scotland.com attached, garage, internet coffee shop, a hotel and restaurants. Acharacle has an established and vibrant community, many of These particulars are not guaranteed and are not to be incorporated into any formal missives of sale/ SERVICES: purchase to follow hereon. The measurements and conversions are approximations only and are not be founded upon. Offers should be submitted to the Selling Agents in Scottish Legal Terms. The Seller will whom support and engage in various activities at the local not be bound to accept the highest, or indeed any offer. Interested parties should register their interest The plot is situated off the B8044 and enjoys an idyllic and with the Selling Agents lest a closing date for offers is set, but the Seller will not be obliged to proceed to Community Hall to include regular church luncheons, coffee a closing date. -
Annual Exhibition by the Society for Contemporary American Art
23rd ANNUAL EXHIBITION BY THE SOCIETY FOR CONTEHPOR.ARY ANERICMJ ART May 24- June 17, 1963 Nominated by: 1. IV AN ALBRIGHT Young Girl, charcoal3 $1700 Lent by the artis-t,, Chicago Hr. Lawrence Pucci, Jr. 2, MILTON AVERY Beach Blankets, wat er color> ~;;1300 Grace Borgenicht Gallery, New York Mr" and Urs. H . Press Hodgkins 3 • ROBERT BARNES View From Riverbank, pencil, ~P2.50 Allan Frumkin Gallery, Chicago Mr. and Mrs. Arnold noot 4. ROBERT BARNES Stage No.,l, pencil, ~>2.50 Allan Frumkin Gallery, Chicago Mrs. Jane G8 Weinberg .5. LEONARD BASIITN l1outh of Socrates, ink and wash, ~>700 Boris Hirski Gallery, Boston l1r. and Mrs.. Arnold Smoller 6. LEONARD BASKIN Flower III, ink, $7.50 Grace Borgenicht Gallery, New York Mr. and Mrs. Albert Arenberg 7. ROBERT BEAUCHAMP Untitled, pencil, ~~175 Green Gallery, .New York Mr. and Hrs. Sanford R. Robertson 8.. GENE BEERY Hello There, water color Lent by the artist, Racine, Wi.sconsin Mr. and Hrs. Barnet Hodes 9 •. CLAUDE BENTLEY Retablo, paper collage and casein, $800 Lent by the artist, Chicago Mr. and Mrs. Alfred w. Stern 10. CLAUDE BENTLEY Boy with Kite, swni ink, ~~175 lent by the artist, Chicago Mr. and Mrs. Altred W. Stern 11. LEE BONTECOU Untitled, soot on muslin, ~~875 Leo Castelli Gallery, New York Mr~ and Mrs. Joseph R. Shapir o 12., LEE BONTECOU Untitled, pencil, ~~470 Leo Castelli Gallery, New York ~Wo and I~s. Joseph R. Shapiro 13. HARRY BOURAS Gift of Night, collage, ~~250 lent by the artist, Chicago Mr .. and Urs. Alexander Liveright 14 o HARRY BOURAS Landfigure 1 collage, ~~350 lent by the artist, Chicago }~o and Mrs. -
Lost Man Blues: Jon Schueler – Art and War
Exhibition Proposal Lost Man Blues: Jon Schueler – Art and War Wing Shadow Over Grey Sea, 1982, 72” x 65” (o/c 1248) Curated by Marissa Roth Lost Man Blues: Jon Schueler – Art and War Lost Man Blues Romasaig, Scotland, September 1988 Oil on canvas 18 x 16 in / 45.72 x 40.64 cm (o/c 1549) The title of this painting refers to the loss of a plane in Schueler’s squadron on the return to England after a bombing mission over Germany. Lost Man Blues JON SCHUELER – Art and War Curated by Marissa Roth When reflecting on the arc of an artist’s life and career, we find that his or her own words and thoughts provide the most telling details and authentic backdrop to the work and convey its full breadth. Because of the physical nature of art, it can only tell part of the story at any one time. But the binding together of years of personal writings reveals the artistic journey in its totality and offers the most meaningful context. Jon Schueler (1916-1992), the esteemed prolific American Abstract Expressionist painter from Milwaukee, Wisconsin, was also a masterful writer. Over the course of three decades, he wrote thousands of pages and deliberately conserved them by date as a testimony of his life. This self-portrait in words - reflections, ruminations, personal letters and business correspondence - is an acutely self-aware record of his creative process and mirrors his breathtaking output as a painter. Through these writings lovingly edited by his widow Magda Salvesen, and editor Diane Cousineau, we hear his voice and understand his innermost creative struggles. -
Proposal for Gaelic Medium Catchment, Acharacle Primary School
Agenda 13. Item Report EDU/14/21 No HIGHLAND COUNCIL Committee: Education Committee Date: 20 May 2021 Statutory Consultation – Proposal for Gaelic Medium Report Title: Catchment, Acharacle Primary School Report By: Executive Chief Officer Education and Learning 1. Purpose/Executive Summary 1.1 This report seeks Members agreement to conduct a statutory consultation proposing the establishment of a Gaelic Medium (GM) catchment area for Acharacle Primary School. 1.2 Currently there are pupils who live in the Strontian Primary School catchment who attend GME at Acharacle Primary School. Including the Strontian catchment in the proposed GM catchment therefore reflects existing practice that has developed on an informal basis. 2. Recommendations 2.1 Members are asked to agree to proceed to statutory consultation, on the basis of the proposal attached to this report. 3. Implications 3.1 Resource - The proposal seeks to maximise access to GME whilst still considering and balancing financial implications, particularly with regard to school transport. No additional costs are envisaged at present as a result of the proposal. 3.2 Legal - The Proposal will be issued for statutory consultation as required by the Schools (Consultation) (Scotland) Act 2010. It also complies with the provisions for school transport set out within the Education (Scotland) Act 1980; with the provisions relating to GME contained within the Education (Scotland) Act 2016; and with statutory guidance on the creation of GM catchment areas, issued by Bòrd na Gàidhlig. 3.3 Community (Equality, Poverty and Rural) - There are no specific impacts on equality, poverty or rural issues, beyond those already considered as part of access to GME. -
Crsaforum ● from the President Nancy Mowll Mathews Spring 2007 Since Last Winter There Has Been Some Progress on Proposed Programs for CRSA Members
CRSA forum The Journal of the Catalogue Raisonné Scholars Association An Affiliated Society of the College Art Association Spring 2007 ● No 21 ● CRSAforum ● from the President Nancy Mowll Mathews Spring 2007 Since last winter there has been some progress on proposed programs for CRSA members. Thanks to our faithful director of programming, Steven Manford, a fall panel at the Dedalus Foundation in New York is in the works. He is also partnering with CRSA member Adina CONTENTS Gordon to present a panel on catalogues raisonnés of sculptors during the 2008 CAA meet- New & Noteworthy 03 ing in Dallas. By Way of Introduction 05 A number of other CRSA members, such as Ellen Epstein, have begun looking into programs Websites and the for the future, and we applaud their efforts. Although Steven and I do our best in this regard, Catalogue Raisonne 08 the organization will only be as active as its members are. Please feel free to organize CRSA Book Reviews 10 events in your locale and according to your special interests. Scott Ferris has been very Publications 11 good at setting times and locations for discussion meetings for whomever can make it. His Announcements 12 efforts can serve as a good model. The CRSA Forum and the list serve are handy vehicles for announcing your programs to the wider membership. And for those who can come to an- nual CAA conferences, there will always be a CRSA meeting and/or panel. As an affiliated society, we are also eligible to hold our own sessions if a CRSA member would like to chair ON THE COVER one. -
SSAH Will Continue to Grow and Develop Its Role As One of the Pre-Eminent Vehicles of Art from the Chair Historical Research in Scotland
Newsletter No. 21 Autumn/Winter 2005 During that time the SSAH will continue to grow and develop its role as one of the pre-eminent vehicles of art From the Chair historical research in Scotland. Our 2005 Journal is a particularly rich and varied publication and we are now st lthough not exactly a ‘coming of age’, the 21 exploring opportunities for more extensive distribution birthday of the SSAH has offered a marvellous and online publishing. More news of this will follow. We opportunity to review both our past and our are delighted to have contributions from several scholars A st future. Our past was essentially the theme of our 21 and writers working outwith Scotland and hope this is a anniversary colloquium in April - Art & Scotland: the last harbinger of a growing internationalism, both for our 21 years - but this was no exercise in self-indulgent Society, but also for the study and appreciation of Scottish congratulation or navel-gazing. Instead a succession of art and for the study of art in Scotland. stimulating papers and discussions served to emphasise how vibrant and energising the issue of art continues to Robin Nicholson be in a nation now mystifyingly re-branded as the ‘best small country in the world’. Certainly none can deny that Scotland always has punched above its weight and the colloquium was Notices launched with Duncan Macmillan’s challenging thesis that the international influence of Scots artists might be signifi- cantly more extensive than previously thought. Obliquely AGM this set a theme for the following day’s debates which The Annual General Meeting of the Scottish Society for constantly returned to questions of Scottish culture, Art History will take place on Saturday December 3rd in identity and outlook. -
Centenary of American Artist Jon Schueler (1916-1992) Celebrated Throughout 2016
FOR IMMEDIATE RELEASE April 25, 2016 CENTENARY OF AMERICAN ARTIST JON SCHUELER (1916-1992) CELEBRATED THROUGHOUT 2016 Solo and group exhibitions, both in the US and in the UK, will mark the centennial of Jon Schueler’s birth. A Jon Schueler symposium, The Sound of Sleat: Echoes, Reflections, and Transfigurations, moderated by Lindsay Blair, will take place at Sabhal Mòr Ostaig, the University of the Highlands and Islands, Isle of Skye, Scotland, May 27-29. Two shows at the beginning of April set off events in Scotland: at the University of Stirling and at the Heritage Centre in Mallaig, where Schueler had a studio from 1970 to 1992. In May, we move north to Ullapool for openings at An Talla Solais and at Rhue Art. On the Isle of Skye, Sabhal Mòr Ostaig --along with hosting the 2-day Schueler symposium--will show a selection of the artist's oils and works on paper. The college, like the fishing village of Mallaig, witnesses the The Search: Red and Grey, II, 1981, dramatic and mysterious weather patterns sweeping over the Sound of Sleat, the 48 x 40” (o/c 1173). University of Stirling Exhibition body of water that so often served as the source of Schueler's imagery and fantasies. For other exhibitions opening later in the year, see accompanying list. The stunning Schueler exhibition, Jon Schueler: Mapping Memory, at the Anderson Gallery, State University of Bridgewater, MA marked the opening of the 2016 celebrations in the United States. The Weisman Art Museum, Minneapolis, MN is currently featuring its collection of Schueler's paintings "as center pieces surrounded by forerunners and successors" in its exhibition, Clouds, Temporarily Seen. -
STEVE CIESLAWSKI His Premiere One Man Exhibition
VGALLERY&STUDIOOL. 5 NO. 1 SEPTEMBER/OCTOBER 2002 New York The World of the Working Artist STEVE CIESLAWSKI His Premiere One Man Exhibition “The Moon Viewing Pavilion” Oil on Canvas 2002 “The Moon Viewing September 6 thru 29, 2002 CFM Gallery 112 Greene Street, SoHo, New York City 10012 (212) 966-3864 Fax (212) 226-1041 Monday thru Saturday 11am to 6pm Sunday Noon to 6pm [email protected] www.cfmgallery.com LANDSCAPE PORTAL 12 SEPTEMBER 13 - OCTOBER 3, 2002 Reception: SEPTEMBER 19, 2002 6-8pm Catharine Lorillard Wolfe Art Club, Inc. 106th Annual Exhibition Gloria Gangotena October 3 - 25, 2002 Stella Ninou Karapavlou Karen Vournakis Preview Reception: Friday, October 4 5:30 - 8:00pm Benefit of Metropolitan Museum of Art 415 West Broadway, 5th Floor SOHO, NY NY 10012 Donation: $20 212-226-4151 / Fax: 212-966-4380 National Arts Club www.agora-gallery.com • www.art-mine.com Tuesday - Saturday 12 - 6 pm 15 Gramercy Park South, New York, NY Call National Arts Club at 212 475 3424 for viewing times THE WEST SIDE ARTS COALITION STEVEN DONO Proudly Presents SYNTHESIS OF STYLE The Ruin of Belief A Fine Arts Exhibit October 17 - 29, 2002 Sculpture CORK GALLERY, AVERY FISHER HALL Lincoln Center - 65th & Broadway, NYC Gallery Hours: Mon-Sat 10am - 11pm / Sun Noon - closing For reception date and time call Joyce Lynn 212 873 8935 October 2 - 26, 2002 The Artists: Reception: Leah Zara-Acevedo • Patrick Antonelle • Carole Barlowe • Meg Boe Birns Saturday Oct. 5, 6 - 8pm Ernesto Camacho • Vija Doks • Lori Weinless Fischler • James Glass • Lee Haber Patricia Hagood • Joey Infante • Thomas Kerwin • Nicholas Kodjak • Beth Kurtz Madi Lanier • Carrie Lo • Joyce Lynn • Harriet Marion • Margo Mead • Jose Morine Elizabeth Moore • Marcia E. -
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar Archive of Abstract Expressionist Art, 1913-2005
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Pavia, Philip, 1915-2005. Title: Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Call Number: Manuscript Collection No. 981 Extent: 38 linear feet (68 boxes), 5 oversized papers boxes and 5 oversized papers folders (OP), 1 extra oversized papers folder (XOP) and AV Masters: 1 linear foot (1 box) Abstract: Philip Pavia and Natalie Edgar archive of abstract expressionist art including writings, photographs, legal records, correspondence, and records of It Is, the 8th Street Club, and the 23rd Street Workshop Club. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 2004. Additions purchased from Natalie Edgar, 2018. Citation [after identification of item(s)], Philip Pavia and Natalie Edgar archive of abstract expressionist art, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey and Elizabeth Stice, October 2009. Additions added to the collection in 2018 retain the original order in which they were received. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Philip Pavia and Natalie Edgar archive of abstract expressionist art, Manuscript Collection No. -
Jon Schueler (American, 1916-1992)
Jon Schueler (American, 1916-1992) Abstract painter Jon Schueler was born in Milwaukee on September 12, 1916. He attended the University of Wisconsin, and received a B.A. in English literature and an M.A. in economics. Schueler originally wanted to become a writer and, after acquiring his MA at the University of Wisconsin–Madison in 1940, he worked for a short time as a journalist. He developed an interest in painting after serving in World War II as an Army pilot, when the G.I. Bill enabled him to return to school. He attended the California School of Fine Arts, where he was taught by Clyfford Still. Schueler moved to New York in 1951. His first one-man show was at the Stable Gallery in New York in 1954, followed by exhibitions at the Leo Castelli Gallery in 1957 and 1959. His work was the subject of an exhibition at the Whitney Museum of American Art in 1975. In New York, Schueler longed to be surrounded by nature, which he considered the visual basis for his abstraction. He had been fascinated by the sky ever since his childhood in Wisconsin, beside Lake Michigan. In 1957, he first traveled to Scotland, a part of the world that would forever influence his painting style. Schueler wrote: “When I speak of nature I'm speaking of the sky... And when I think of the sky, I think of the Scottish sky over Mallaig... Time was there and motion was there--lands forming, colors emerging or giving birth to burning shapes, mountain snows showing emerald green.” Throughout his career, he exhibited frequently in Scotland, where he purchased a house in the small fishing village of Mallaig on the Sound of Sleat in 1957. -
“Just What Was It That Made U.S. Art So Different, So Appealing?”
“JUST WHAT WAS IT THAT MADE U.S. ART SO DIFFERENT, SO APPEALING?”: CASE STUDIES OF THE CRITICAL RECEPTION OF AMERICAN AVANT-GARDE PAINTING IN LONDON, 1950-1964 by FRANK G. SPICER III Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Adviser: Dr. Ellen G. Landau Department of Art History and Art CASE WESTERN RESERVE UNIVERSITY May, 2009 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Frank G. Spicer III ______________________________________________________ Doctor of Philosophy candidate for the ________________________________degree *. Dr. Ellen G. Landau (signed)_______________________________________________ (chair of the committee) ________________________________________________Dr. Anne Helmreich Dr. Henry Adams ________________________________________________ Dr. Kurt Koenigsberger ________________________________________________ ________________________________________________ ________________________________________________ December 18, 2008 (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Table of Contents List of Figures 2 Acknowledgements 7 Abstract 12 Introduction 14 Chapter I. Historiography of Secondary Literature 23 II. The London Milieu 49 III. The Early Period: 1946/1950-55 73 IV. The Middle Period: 1956-59: Part 1, The Tate 94 V. The Middle Period: 1956-59: Part 2 127 VI. The Later Period: 1960-1962 171 VII. The Later Period: 1963-64: Part 1 213 VIII. The Later Period: 1963-64: Part 2 250 Concluding Remarks 286 Figures 299 Bibliography 384 1 List of Figures Fig. 1 Richard Hamilton Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956) Fig. 2 Modern Art in the United States Catalogue Cover Fig. 3 The New American Painting Catalogue Cover Fig.