Jon Schueler (American, 1916-1992)

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Jon Schueler (American, 1916-1992) Abstract painter Jon Schueler was born in Milwaukee on September 12, 1916. He attended the University of Wisconsin, and received a B.A. in English literature and an M.A. in economics. Schueler originally wanted to become a writer and, after acquiring his MA at the University of Wisconsin–Madison in 1940, he worked for a short time as a journalist. He developed an interest in painting after serving in World War II as an Army pilot, when the G.I. Bill enabled him to return to school. He attended the California School of Fine Arts, where he was taught by Clyfford Still. Schueler moved to New York in 1951. His first one-man show was at the Stable Gallery in New York in 1954, followed by exhibitions at the Leo Castelli Gallery in 1957 and 1959. His work was the subject of an exhibition at the Whitney Museum of American Art in 1975. In New York, Schueler longed to be surrounded by nature, which he considered the visual basis for his abstraction. He had been fascinated by the sky ever since his childhood in Wisconsin, beside Lake Michigan. In 1957, he first traveled to Scotland, a part of the world that would forever influence his painting style. Schueler wrote: “When I speak of nature I'm speaking of the sky... And when I think of the sky, I think of the Scottish sky over Mallaig... Time was there and motion was there--lands forming, colors emerging or giving birth to burning shapes, mountain snows showing emerald green.” Throughout his career, he exhibited frequently in Scotland, where he purchased a house in the small fishing village of Mallaig on the Sound of Sleat in 1957. He painted there several months each year, and lived there full-time from 1970 until 1975. Mr. Schueler's work is represented in several public collections, including those at the Whitney, the Cleveland Museum of Art and the Scottish National Gallery of Modern Art in Edinburgh. .

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Annual Exhibition by the Society for Contemporary American Art
23rd ANNUAL EXHIBITION BY THE SOCIETY FOR CONTEHPOR.ARY ANERICMJ ART May 24- June 17, 1963 Nominated by: 1. IV AN ALBRIGHT Young Girl, charcoal3 $1700 Lent by the artis-t,, Chicago Hr. Lawrence Pucci, Jr. 2, MILTON AVERY Beach Blankets, wat er color> ~;;1300 Grace Borgenicht Gallery, New York Mr" and Urs. H . Press Hodgkins 3 • ROBERT BARNES View From Riverbank, pencil, ~P2.50 Allan Frumkin Gallery, Chicago Mr. and Mrs. Arnold noot 4. ROBERT BARNES Stage No.,l, pencil, ~>2.50 Allan Frumkin Gallery, Chicago Mrs. Jane G8 Weinberg .5. LEONARD BASIITN l1outh of Socrates, ink and wash, ~>700 Boris Hirski Gallery, Boston l1r. and Mrs.. Arnold Smoller 6. LEONARD BASKIN Flower III, ink, $7.50 Grace Borgenicht Gallery, New York Mr. and Mrs. Albert Arenberg 7. ROBERT BEAUCHAMP Untitled, pencil, ~~175 Green Gallery, .New York Mr. and Hrs. Sanford R. Robertson 8.. GENE BEERY Hello There, water color Lent by the artist, Racine, Wi.sconsin Mr. and Hrs. Barnet Hodes 9 •. CLAUDE BENTLEY Retablo, paper collage and casein, $800 Lent by the artist, Chicago Mr. and Mrs. Alfred w. Stern 10. CLAUDE BENTLEY Boy with Kite, swni ink, ~~175 lent by the artist, Chicago Mr. and Mrs. Altred W. Stern 11. LEE BONTECOU Untitled, soot on muslin, ~~875 Leo Castelli Gallery, New York Mr~ and Mrs. Joseph R. Shapir o 12., LEE BONTECOU Untitled, pencil, ~~470 Leo Castelli Gallery, New York ~Wo and I~s. Joseph R. Shapiro 13. HARRY BOURAS Gift of Night, collage, ~~250 lent by the artist, Chicago Mr .. and Urs. Alexander Liveright 14 o HARRY BOURAS Landfigure 1 collage, ~~350 lent by the artist, Chicago }~o and Mrs.
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Lost Man Blues: Jon Schueler – Art and War
Exhibition Proposal Lost Man Blues: Jon Schueler – Art and War Wing Shadow Over Grey Sea, 1982, 72” x 65” (o/c 1248) Curated by Marissa Roth Lost Man Blues: Jon Schueler – Art and War Lost Man Blues Romasaig, Scotland, September 1988 Oil on canvas 18 x 16 in / 45.72 x 40.64 cm (o/c 1549) The title of this painting refers to the loss of a plane in Schueler’s squadron on the return to England after a bombing mission over Germany. Lost Man Blues JON SCHUELER – Art and War Curated by Marissa Roth When reflecting on the arc of an artist’s life and career, we find that his or her own words and thoughts provide the most telling details and authentic backdrop to the work and convey its full breadth. Because of the physical nature of art, it can only tell part of the story at any one time. But the binding together of years of personal writings reveals the artistic journey in its totality and offers the most meaningful context. Jon Schueler (1916-1992), the esteemed prolific American Abstract Expressionist painter from Milwaukee, Wisconsin, was also a masterful writer. Over the course of three decades, he wrote thousands of pages and deliberately conserved them by date as a testimony of his life. This self-portrait in words - reflections, ruminations, personal letters and business correspondence - is an acutely self-aware record of his creative process and mirrors his breathtaking output as a painter. Through these writings lovingly edited by his widow Magda Salvesen, and editor Diane Cousineau, we hear his voice and understand his innermost creative struggles.
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Jon Schueler, It Is Magazine, 1960
When I speak of nature I’m speaking of the sky... And when I think of the sky, I think of Jon Schueler 1916-1992 the Scottish sky over Mallaig... Jon Schueler Time was there and motion was there..lands forming, seas disappearing, words Discover the artist, his works fragmenting, colors giving birth to burning shapes...... and his inspiration in 2016. Jon Schueler, It is magazine, 1960 Born in Milwaukee in 1916, Jon Schueler studied at the California School of Fine Arts from 1948-51 where his teachers included Clyfford Still and Richard Diebenkorn. In ‘51 he moved to New York and, through Still, became immersed in the art world of Mark Rothko, Franz Kline, Jackson Pollock, and Robert Motherwell. Considered one of the younger members of the legendary New York School, he was taken up by both the celebrated dealer Leo Castelli and the Stable Gallery. In 1957 he discovered Mallaig, a fishing village on the west coast of Scotland, and this landscape informed his work in NY throughout the ‘60s. In 1970 he returned to Mallaig for 5 years, and then painted there again most summers until his death in 1992. Essentially an abstract painter, Schueler nonetheless grounded his work in nature --especially in the light and atmosphere of the Scottish west coast. This dimension will be celebrated by both museums and galleries during the 2016 centenary. Schueler’s paintings are in the collections of distinguished American and British institutions including the Whitney Museum in New York and the Scottish above : Sea Light: Dreaming, I, 1981, 152 x 132 cm (60”x 52”) o/c 1192 National Gallery of Modern Art, Edinburgh.
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Crsaforum ● from the President Nancy Mowll Mathews Spring 2007 Since Last Winter There Has Been Some Progress on Proposed Programs for CRSA Members
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Newsletter No. 21 Autumn/Winter 2005 During that time the SSAH will continue to grow and develop its role as one of the pre-eminent vehicles of art From the Chair historical research in Scotland. Our 2005 Journal is a particularly rich and varied publication and we are now st lthough not exactly a ‘coming of age’, the 21 exploring opportunities for more extensive distribution birthday of the SSAH has offered a marvellous and online publishing. More news of this will follow. We opportunity to review both our past and our are delighted to have contributions from several scholars A st future. Our past was essentially the theme of our 21 and writers working outwith Scotland and hope this is a anniversary colloquium in April - Art & Scotland: the last harbinger of a growing internationalism, both for our 21 years - but this was no exercise in self-indulgent Society, but also for the study and appreciation of Scottish congratulation or navel-gazing. Instead a succession of art and for the study of art in Scotland. stimulating papers and discussions served to emphasise how vibrant and energising the issue of art continues to Robin Nicholson be in a nation now mystifyingly re-branded as the ‘best small country in the world’. Certainly none can deny that Scotland always has punched above its weight and the colloquium was Notices launched with Duncan Macmillan’s challenging thesis that the international influence of Scots artists might be signifi- cantly more extensive than previously thought. Obliquely AGM this set a theme for the following day’s debates which The Annual General Meeting of the Scottish Society for constantly returned to questions of Scottish culture, Art History will take place on Saturday December 3rd in identity and outlook.
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Centenary of American Artist Jon Schueler (1916-1992) Celebrated Throughout 2016
FOR IMMEDIATE RELEASE April 25, 2016 CENTENARY OF AMERICAN ARTIST JON SCHUELER (1916-1992) CELEBRATED THROUGHOUT 2016 Solo and group exhibitions, both in the US and in the UK, will mark the centennial of Jon Schueler’s birth. A Jon Schueler symposium, The Sound of Sleat: Echoes, Reflections, and Transfigurations, moderated by Lindsay Blair, will take place at Sabhal Mòr Ostaig, the University of the Highlands and Islands, Isle of Skye, Scotland, May 27-29. Two shows at the beginning of April set off events in Scotland: at the University of Stirling and at the Heritage Centre in Mallaig, where Schueler had a studio from 1970 to 1992. In May, we move north to Ullapool for openings at An Talla Solais and at Rhue Art. On the Isle of Skye, Sabhal Mòr Ostaig --along with hosting the 2-day Schueler symposium--will show a selection of the artist's oils and works on paper. The college, like the fishing village of Mallaig, witnesses the The Search: Red and Grey, II, 1981, dramatic and mysterious weather patterns sweeping over the Sound of Sleat, the 48 x 40” (o/c 1173). University of Stirling Exhibition body of water that so often served as the source of Schueler's imagery and fantasies. For other exhibitions opening later in the year, see accompanying list. The stunning Schueler exhibition, Jon Schueler: Mapping Memory, at the Anderson Gallery, State University of Bridgewater, MA marked the opening of the 2016 celebrations in the United States. The Weisman Art Museum, Minneapolis, MN is currently featuring its collection of Schueler's paintings "as center pieces surrounded by forerunners and successors" in its exhibition, Clouds, Temporarily Seen.
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PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar Archive of Abstract Expressionist Art, 1913-2005
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“Just What Was It That Made U.S. Art So Different, So Appealing?”
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Ben Heller (Bh)
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Press Release
ANITA SHAPOLSKY GALLERY 212.452.1094 152 East 65th St, New York, NY 10065 anitashapolskygallery.com [email protected] CANY: Post-War Migration of Abstract Expressionists ERNEST BRIGGS, LAWRENCE CALCAGNO, HERMAN CHERRY JOHN HULTBERG, RICHARDS RUBEN, and JON SCHUELER SEPTEMBER 11 - NOVEMBER 22, 2019 Opening Reception: Wednesday, September 11, 6 - 8pm Anita Shapolsky Gallery is pleased to present CANY: Post-War Migration of Abstract Expressionists, a group exhibition of select Bay Area and Los Angeles artists who followed the surge of Abstract Expressionists across the country in the 1950s to participate in the flourishing sister movement: the New York School of Abstract Expressionism. The Bay Area School of Abstract Expressionism was centered around the California School of Fine Arts (CSFA) in San Francisco and its director, Douglas MacAgy. MacAgy was hired in 1945 in an effort to revitalize and modernize the overly- traditional program. He began by hiring a plethora of young artists, including Richard Diebenkorn, Stanley Hayter, and Clyfford Still, who, while largely inexperienced in teaching, were nevertheless instrumental in educating a wave of second- generation Abstract Expressionists. Like many of the students at the CSFA, Ernest Briggs, Lawrence Calcagno, John Hultberg, and Jon Schueler used their assistance from the GI Bill to enroll in the program shortly after their return from service in World War II. Their shared experiences in the war, along with their closeness in age, allowed the professors and students to form a strong, supportive, and often collaborative atmosphere. While the CSFA cultivated its own unique school of abstract art, it also exposed its students to New York abstract artists like Mark Rothko and Ad Reinhardt through summer sessions from 1947 to 1949.
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News Jon Schueler (1916-1992) April 2013
NEWS Jon Schueler APRIL 2013 (1916-1992) AB-EX/ RE-CON: Abstract Expressionism Reconsidered is at the Nassau County Museum of Art, Museum Drive, Roslyn Harbor, NY, March 9-June 16. This fascinating exhibition Photo by Archie Iain McLellan, 1981 includes Jon Schueler's early oil, Small Painting, III, 1950, 20" x 24" (o/c 50-2) from the collection of Bruce M. Clark. The Jon Schueler oil, Ballachulish Mist, 1956, 51" x 45" (o/c 57-8) is part of the group exhibition About Abstraction at the David Findlay Jr Gallery, 724 Fifth Ave, New York, NY, April 6-27. Reception April 6, 3.00-5.00pm. In Schueler's hometown, Milwaukee, WI, the Dean Jensen Gallery, 759 N. Water Street, holds a one-person exhibition Jon Schueler: Second Coming from April 19-June 4. A catalogue, with an essay by Katherine Murrell, University of Wisconsin—Milwaukee will be available. Sun and Grey Sea, II, 1973, 40" x 36" (o/c 331) China Blues, 1983, 32" x 48" (o/c 1331) is included in Personal Perspectives-- favorite paintings from the museum's collection-- chosen by the curators of the Springfield Art Museum, Springfield, MO and city leaders. It continues until June 2nd. Sabhal Mor Ostaig, the Gaelic university on the Isle of Skye, Scotland, has announced that the panel of Arthur Watson, President of the Royal Scottish Academy, Sheila Hayman, Independent Curator and Kath McLeod, Arts Development Officer for Sabhal Mor Ostaig, have selected the Japanese photographer, Takeshi Shikama to be the first recipient of the Jon Schueler Residency.
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