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Annual Exhibition by the Society for Contemporary American Art
23rd ANNUAL EXHIBITION BY THE SOCIETY FOR CONTEHPOR.ARY ANERICMJ ART May 24- June 17, 1963 Nominated by: 1. IV AN ALBRIGHT Young Girl, charcoal3 $1700 Lent by the artis-t,, Chicago Hr. Lawrence Pucci, Jr. 2, MILTON AVERY Beach Blankets, wat er color> ~;;1300 Grace Borgenicht Gallery, New York Mr" and Urs. H . Press Hodgkins 3 • ROBERT BARNES View From Riverbank, pencil, ~P2.50 Allan Frumkin Gallery, Chicago Mr. and Mrs. Arnold noot 4. ROBERT BARNES Stage No.,l, pencil, ~>2.50 Allan Frumkin Gallery, Chicago Mrs. Jane G8 Weinberg .5. LEONARD BASIITN l1outh of Socrates, ink and wash, ~>700 Boris Hirski Gallery, Boston l1r. and Mrs.. Arnold Smoller 6. LEONARD BASKIN Flower III, ink, $7.50 Grace Borgenicht Gallery, New York Mr. and Mrs. Albert Arenberg 7. ROBERT BEAUCHAMP Untitled, pencil, ~~175 Green Gallery, .New York Mr. and Hrs. Sanford R. Robertson 8.. GENE BEERY Hello There, water color Lent by the artist, Racine, Wi.sconsin Mr. and Hrs. Barnet Hodes 9 •. CLAUDE BENTLEY Retablo, paper collage and casein, $800 Lent by the artist, Chicago Mr. and Mrs. Alfred w. Stern 10. CLAUDE BENTLEY Boy with Kite, swni ink, ~~175 lent by the artist, Chicago Mr. and Mrs. Altred W. Stern 11. LEE BONTECOU Untitled, soot on muslin, ~~875 Leo Castelli Gallery, New York Mr~ and Mrs. Joseph R. Shapir o 12., LEE BONTECOU Untitled, pencil, ~~470 Leo Castelli Gallery, New York ~Wo and I~s. Joseph R. Shapiro 13. HARRY BOURAS Gift of Night, collage, ~~250 lent by the artist, Chicago Mr .. and Urs. Alexander Liveright 14 o HARRY BOURAS Landfigure 1 collage, ~~350 lent by the artist, Chicago }~o and Mrs. -
Lost Man Blues: Jon Schueler – Art and War
Exhibition Proposal Lost Man Blues: Jon Schueler – Art and War Wing Shadow Over Grey Sea, 1982, 72” x 65” (o/c 1248) Curated by Marissa Roth Lost Man Blues: Jon Schueler – Art and War Lost Man Blues Romasaig, Scotland, September 1988 Oil on canvas 18 x 16 in / 45.72 x 40.64 cm (o/c 1549) The title of this painting refers to the loss of a plane in Schueler’s squadron on the return to England after a bombing mission over Germany. Lost Man Blues JON SCHUELER – Art and War Curated by Marissa Roth When reflecting on the arc of an artist’s life and career, we find that his or her own words and thoughts provide the most telling details and authentic backdrop to the work and convey its full breadth. Because of the physical nature of art, it can only tell part of the story at any one time. But the binding together of years of personal writings reveals the artistic journey in its totality and offers the most meaningful context. Jon Schueler (1916-1992), the esteemed prolific American Abstract Expressionist painter from Milwaukee, Wisconsin, was also a masterful writer. Over the course of three decades, he wrote thousands of pages and deliberately conserved them by date as a testimony of his life. This self-portrait in words - reflections, ruminations, personal letters and business correspondence - is an acutely self-aware record of his creative process and mirrors his breathtaking output as a painter. Through these writings lovingly edited by his widow Magda Salvesen, and editor Diane Cousineau, we hear his voice and understand his innermost creative struggles. -
NP 2013.Docx
LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books. -
Jon Schueler, It Is Magazine, 1960
When I speak of nature I’m speaking of the sky... And when I think of the sky, I think of Jon Schueler 1916-1992 the Scottish sky over Mallaig... Jon Schueler Time was there and motion was there..lands forming, seas disappearing, words Discover the artist, his works fragmenting, colors giving birth to burning shapes...... and his inspiration in 2016. Jon Schueler, It is magazine, 1960 Born in Milwaukee in 1916, Jon Schueler studied at the California School of Fine Arts from 1948-51 where his teachers included Clyfford Still and Richard Diebenkorn. In ‘51 he moved to New York and, through Still, became immersed in the art world of Mark Rothko, Franz Kline, Jackson Pollock, and Robert Motherwell. Considered one of the younger members of the legendary New York School, he was taken up by both the celebrated dealer Leo Castelli and the Stable Gallery. In 1957 he discovered Mallaig, a fishing village on the west coast of Scotland, and this landscape informed his work in NY throughout the ‘60s. In 1970 he returned to Mallaig for 5 years, and then painted there again most summers until his death in 1992. Essentially an abstract painter, Schueler nonetheless grounded his work in nature --especially in the light and atmosphere of the Scottish west coast. This dimension will be celebrated by both museums and galleries during the 2016 centenary. Schueler’s paintings are in the collections of distinguished American and British institutions including the Whitney Museum in New York and the Scottish above : Sea Light: Dreaming, I, 1981, 152 x 132 cm (60”x 52”) o/c 1192 National Gallery of Modern Art, Edinburgh. -
Ilíl 11II Que Quer Qucj Pe*Io.S Actos Ma.Js Reprováveis, Foi Tradições Do Sempre* Contestação Do Sr
r-7^ -í æ'*¦?- .i-? *:'•¦ ** 'íí^"- * æ"* ** ¦:*¦ - t'"''^ ¦ -r— SEDE SOCIAL ASSIGNATURA NA Doze -mezes. 30|ooo Avenida Rio Branco Seis mezes . i6$ooo - 128, 130, 132 Um mez . 3$ooo . í NUMERO AVULSO 100 us. *\«' ' " ' ' '-! t JM. "3^ \jp - "¦!'" ANNO — N? 10.072 Jornal Indopeiiclonto. .k XXVIÜ RIO ÜE JANEIRO, SABBADO, 4 DE DE político, MAIO 1912 litoi-urlo e noticioso do rosto do cujas rugas n. pressão pai, aos mais exaltados luctadores daquel- disciplina, a esse desvio da» attribui- tarde, ouvir a continuação da farto. Factos e obra é que todos recla- guida que representa o sentimento da opi- da fronte revelam uma idéa tenaz, *a para respeitável legião- O governo é ções militares, a esse rebaixamento, réplica do Sr. Severino Vieira á toam. nião nacional, no protesto contra o reco- uma idéa elle fazer trium-' das exercito, nhecimento Ilíl 11II que quer quCj pe*io.s actos ma.js reprováveis, foi tradições do sempre* contestação do Sr. Luiz Vianna. Esse tardio movimento em defesa da traudulento do Sr. Raymíindi e triumpho escolhe a 1 phar, para cujo descendo, dia a dia, na confiança do obediente á lei e collaborador leaPda* Federação não passa de film. sem valor, de Miranda, como o fez no seio da carne de sua carne, um com- própria pe-('povo, e, entre elles, destaca-se o de grandeza* do regimen.'. Caso haja- numero, o Senado ele- de <]ue, .para aos atirarem poeira aos olhos, missão, porque essa'é a expressão rcil da .. .1 will speak as liberal daço do seu próprio coração monstruosos fuzilamentos do Satelli- Aprazia-lhe o despertar dessas agi- lançam mão os freis Thomazes da política verdade. -
Crsaforum ● from the President Nancy Mowll Mathews Spring 2007 Since Last Winter There Has Been Some Progress on Proposed Programs for CRSA Members
CRSA forum The Journal of the Catalogue Raisonné Scholars Association An Affiliated Society of the College Art Association Spring 2007 ● No 21 ● CRSAforum ● from the President Nancy Mowll Mathews Spring 2007 Since last winter there has been some progress on proposed programs for CRSA members. Thanks to our faithful director of programming, Steven Manford, a fall panel at the Dedalus Foundation in New York is in the works. He is also partnering with CRSA member Adina CONTENTS Gordon to present a panel on catalogues raisonnés of sculptors during the 2008 CAA meet- New & Noteworthy 03 ing in Dallas. By Way of Introduction 05 A number of other CRSA members, such as Ellen Epstein, have begun looking into programs Websites and the for the future, and we applaud their efforts. Although Steven and I do our best in this regard, Catalogue Raisonne 08 the organization will only be as active as its members are. Please feel free to organize CRSA Book Reviews 10 events in your locale and according to your special interests. Scott Ferris has been very Publications 11 good at setting times and locations for discussion meetings for whomever can make it. His Announcements 12 efforts can serve as a good model. The CRSA Forum and the list serve are handy vehicles for announcing your programs to the wider membership. And for those who can come to an- nual CAA conferences, there will always be a CRSA meeting and/or panel. As an affiliated society, we are also eligible to hold our own sessions if a CRSA member would like to chair ON THE COVER one. -
SSAH Will Continue to Grow and Develop Its Role As One of the Pre-Eminent Vehicles of Art from the Chair Historical Research in Scotland
Newsletter No. 21 Autumn/Winter 2005 During that time the SSAH will continue to grow and develop its role as one of the pre-eminent vehicles of art From the Chair historical research in Scotland. Our 2005 Journal is a particularly rich and varied publication and we are now st lthough not exactly a ‘coming of age’, the 21 exploring opportunities for more extensive distribution birthday of the SSAH has offered a marvellous and online publishing. More news of this will follow. We opportunity to review both our past and our are delighted to have contributions from several scholars A st future. Our past was essentially the theme of our 21 and writers working outwith Scotland and hope this is a anniversary colloquium in April - Art & Scotland: the last harbinger of a growing internationalism, both for our 21 years - but this was no exercise in self-indulgent Society, but also for the study and appreciation of Scottish congratulation or navel-gazing. Instead a succession of art and for the study of art in Scotland. stimulating papers and discussions served to emphasise how vibrant and energising the issue of art continues to Robin Nicholson be in a nation now mystifyingly re-branded as the ‘best small country in the world’. Certainly none can deny that Scotland always has punched above its weight and the colloquium was Notices launched with Duncan Macmillan’s challenging thesis that the international influence of Scots artists might be signifi- cantly more extensive than previously thought. Obliquely AGM this set a theme for the following day’s debates which The Annual General Meeting of the Scottish Society for constantly returned to questions of Scottish culture, Art History will take place on Saturday December 3rd in identity and outlook. -
Centenary of American Artist Jon Schueler (1916-1992) Celebrated Throughout 2016
FOR IMMEDIATE RELEASE April 25, 2016 CENTENARY OF AMERICAN ARTIST JON SCHUELER (1916-1992) CELEBRATED THROUGHOUT 2016 Solo and group exhibitions, both in the US and in the UK, will mark the centennial of Jon Schueler’s birth. A Jon Schueler symposium, The Sound of Sleat: Echoes, Reflections, and Transfigurations, moderated by Lindsay Blair, will take place at Sabhal Mòr Ostaig, the University of the Highlands and Islands, Isle of Skye, Scotland, May 27-29. Two shows at the beginning of April set off events in Scotland: at the University of Stirling and at the Heritage Centre in Mallaig, where Schueler had a studio from 1970 to 1992. In May, we move north to Ullapool for openings at An Talla Solais and at Rhue Art. On the Isle of Skye, Sabhal Mòr Ostaig --along with hosting the 2-day Schueler symposium--will show a selection of the artist's oils and works on paper. The college, like the fishing village of Mallaig, witnesses the The Search: Red and Grey, II, 1981, dramatic and mysterious weather patterns sweeping over the Sound of Sleat, the 48 x 40” (o/c 1173). University of Stirling Exhibition body of water that so often served as the source of Schueler's imagery and fantasies. For other exhibitions opening later in the year, see accompanying list. The stunning Schueler exhibition, Jon Schueler: Mapping Memory, at the Anderson Gallery, State University of Bridgewater, MA marked the opening of the 2016 celebrations in the United States. The Weisman Art Museum, Minneapolis, MN is currently featuring its collection of Schueler's paintings "as center pieces surrounded by forerunners and successors" in its exhibition, Clouds, Temporarily Seen. -
STEVE CIESLAWSKI His Premiere One Man Exhibition
VGALLERY&STUDIOOL. 5 NO. 1 SEPTEMBER/OCTOBER 2002 New York The World of the Working Artist STEVE CIESLAWSKI His Premiere One Man Exhibition “The Moon Viewing Pavilion” Oil on Canvas 2002 “The Moon Viewing September 6 thru 29, 2002 CFM Gallery 112 Greene Street, SoHo, New York City 10012 (212) 966-3864 Fax (212) 226-1041 Monday thru Saturday 11am to 6pm Sunday Noon to 6pm [email protected] www.cfmgallery.com LANDSCAPE PORTAL 12 SEPTEMBER 13 - OCTOBER 3, 2002 Reception: SEPTEMBER 19, 2002 6-8pm Catharine Lorillard Wolfe Art Club, Inc. 106th Annual Exhibition Gloria Gangotena October 3 - 25, 2002 Stella Ninou Karapavlou Karen Vournakis Preview Reception: Friday, October 4 5:30 - 8:00pm Benefit of Metropolitan Museum of Art 415 West Broadway, 5th Floor SOHO, NY NY 10012 Donation: $20 212-226-4151 / Fax: 212-966-4380 National Arts Club www.agora-gallery.com • www.art-mine.com Tuesday - Saturday 12 - 6 pm 15 Gramercy Park South, New York, NY Call National Arts Club at 212 475 3424 for viewing times THE WEST SIDE ARTS COALITION STEVEN DONO Proudly Presents SYNTHESIS OF STYLE The Ruin of Belief A Fine Arts Exhibit October 17 - 29, 2002 Sculpture CORK GALLERY, AVERY FISHER HALL Lincoln Center - 65th & Broadway, NYC Gallery Hours: Mon-Sat 10am - 11pm / Sun Noon - closing For reception date and time call Joyce Lynn 212 873 8935 October 2 - 26, 2002 The Artists: Reception: Leah Zara-Acevedo • Patrick Antonelle • Carole Barlowe • Meg Boe Birns Saturday Oct. 5, 6 - 8pm Ernesto Camacho • Vija Doks • Lori Weinless Fischler • James Glass • Lee Haber Patricia Hagood • Joey Infante • Thomas Kerwin • Nicholas Kodjak • Beth Kurtz Madi Lanier • Carrie Lo • Joyce Lynn • Harriet Marion • Margo Mead • Jose Morine Elizabeth Moore • Marcia E. -
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar Archive of Abstract Expressionist Art, 1913-2005
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Pavia, Philip, 1915-2005. Title: Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Call Number: Manuscript Collection No. 981 Extent: 38 linear feet (68 boxes), 5 oversized papers boxes and 5 oversized papers folders (OP), 1 extra oversized papers folder (XOP) and AV Masters: 1 linear foot (1 box) Abstract: Philip Pavia and Natalie Edgar archive of abstract expressionist art including writings, photographs, legal records, correspondence, and records of It Is, the 8th Street Club, and the 23rd Street Workshop Club. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 2004. Additions purchased from Natalie Edgar, 2018. Citation [after identification of item(s)], Philip Pavia and Natalie Edgar archive of abstract expressionist art, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey and Elizabeth Stice, October 2009. Additions added to the collection in 2018 retain the original order in which they were received. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Philip Pavia and Natalie Edgar archive of abstract expressionist art, Manuscript Collection No. -
T&E ^Morgan Jforse <Jmagazine
T&e ^Morgan Jforse <JMagazine A QUARTERLY MAGAZINE Office of Publication SOUTH WOODSTOCK, VERMONT VOL. II MAY, JUNE, JULY, 1943 NO. 4 BEN ALI 7986 Chestnut: f. of May 17, 1936. THIRTEEN MORGAN STALLIONS PLACED BY Bred by Chas. A. Stone, Va. THE WAR DEPARTMENT Sire: Benign 7755 by Bennington 5693. Dam: Alda 04247 The following is a complete distribution list of Morgan stal lions: Stallion Agent Location ABBOTT C. B. Burton CofTcyvillc. Kan. NO MORGAN SHOW BOB ROMANESQUE R. W. Schaeffcr Hannibal, Mo. DELMONT Forest Bordelon Plaucheville, Fla. AND George Long Winter Haven, Fla. HAVEN Merle D. Evans Massillion. Ohio NO MORGAN SALE HAWK JIM Robt. M. Stockett Jackson, Miss. V1ANSCOT GLORY L. E. Wyman Due to the gasoline embargo affecting all pleasure driving and Vina, Calif. REVERE Saml. Hessclgesser Burwell. Neb. to the acute labor shortage in this area, it has been thought neces ROMANESQUE Pine Ridge Ind. Agency Pine Ridge, S. D. sary to call off the Morgan Horse Show and the Morgan Horse Hiebert Brothers Hillsboro, Kan. SWANTON Sale usually held in connection with the Trail Rides at Wood Leo Light Snowmass, Colo. TEHACHAPI ALLAN stock, Vt., and the Annual Meeting of the Morgan Horse Club (Awaiting Assignment) Front Royal, Va. ULYSSES H. D. Perry Hollywood, Fla. will be postponed. UPWEY BEN SCOTT Very truly yours, VIRGIL C. M. GREER, JR 2nd Lieut.. Q. M. C Assistant. War Department, Washington. TRAIL RIDES AS USUAL, SEPTEMBER 2, 3 and 4 For the Quartermaster General: It may be a mistake to say the Trail Rides this year will be "as usual"—all that can be said is that the Trail Rides will be held at Woodstock, Vt., on the above dates, under very modified conditions, since there is extreme shortage in man power at the SALT AND WATER SAVE HORSES! Inn Stables and for laying out trails, etc. -
Rhodora — D I G I T a L M a G a Z I N E — Rhodora Volume 1, Issue 2 | July 2021
Volume 1, Issue 2 | July 2021 rhodora — D I G I T A L M A G A Z I N E — rhodora Volume 1, Issue 2 | July 2021 E D I T O R S Susanna Marian Correya Keerthana V C O V E R A R T Mariam Anna Alex S P E C I A L T H A N K S Mathangi N M Sai Rakshaya Sowmya S Danielle Adams C O N T A C T I N F O R M A T I O N Website: www.rhodoramagazine.in Instagram: @rhodoramagazine Email: [email protected] Copyright © 2021 First publication rights reserved contents E D I T O R S’ N O T E 6 P O E T R Y Pinkish Sobs John Tustin The Cauterized Heart 21 John Sweet 9 On the Other Side Anjana V Warrier The Future Written in Your Blood, Not 22 Mine John Sweet The Photograph 9 Alan Bedworth 24 Your World in a Book Jimena Sofia Ramos Yengle A Bird of Prey 11 Alan Bedworth 26 The Anatomy of Pain Praniti Gulyani Sedation 12 Anthony Salandy 27 A Constellation of Bruises Praniti Gulyani The Great Repel 14 Anthony Salandy 28 She Praniti Gulyani Ode: To the Man Wearing Earphones on 16 the Subway Emma McGlashen Her Wild Black Hair 29 John Tustin 19 From the Mountains Near Boise, ID Emma McGlashen 30 1 contents To My Mother, Who Told Me to be Smoke Focused Erica Hom Bupinder Singh 43 31 Bechdel Test To the Ones Living in the Wastelands Roosha Mandal Bupinder Singh 44 33 A Biologist in the Garden A Blank Page Has No Choice but to Listen Roosha Mandal Richard LeDue 45 34 What’s Left of Me? The Middle Aarohi Sharma Jason de Koff 46 36 Time Bomb Chrysanth Connections Emma Jean Hermacinski Jason de Koff 47 38 Sanctum The Boy in the Box Emma Jean Hermacinski Pastel Black