Hollywood Studio Magazine (November 1966)
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25C Strong Winds Befall 36Th St. Tree
\ * i. I I III- I •• I , 25C HCAG a SONS* 30OK DIAPER SPR1NGPORT, MICHIGAN 49284 The Lowell Olume 14. Issue 10 Serving Lowell Area Readers Since 1893 Wednesday, January 17, 1990 Along Main Street City Council accepts substation explanation. J-'l rr In a letter to the Lowell City Council, the Lowell Light * I. Proximity to existing overhead distribution lines. - 'T^T i i and Power Board stated that it reviewed and approved the * 2. Proximity to Bowes Street. v-sn - i.—^ yi K j •' * , jr*. t 1 l\ relocation of the Bowes Road substation without any inten- * 3. Undergmund electric circuits. f tional or malicious intent. 4. Overhead line maintenance. fc L wl i 'V^yv^ The Council received and reviewed the letter and accepted * 5. Vandalism. the explanation," Lowell City Manager Dave Pasquale said. To avoid similar problems in the future, the Lowell Light Under the initial survey reviewed by the council in January and Power Board said it is committed to improving communi- of 1989. it was determined by the Lowell Light and Power cations with the City Council, and furtherrecommended tha t ATTENTION! AREA RECYCLERS! engineer that the substation could not be located under the the City subject all future Light and Power construction sites power lines and would have to be moved back. to the same review process that it would apply to any other The rccyclc station in the FckxI City parking lot (1335 At the time. Williams and Works was instructed to re-survey construction in the City, including site plans, permits, and W. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bieedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. HOORAY FOR HOLLYWOOD: GENDER AND SEXUAL NON-CONFORMITY LN THE CLASSICAL HOLLYWOOD ERA by Brett Leslie Abrams submitted to the Faculty of the College of Arts and Sciences of The American University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy [Education] in History i I Chair:lir: / a . -
An Economic Analysis of the Prime Time Access Rule
BEFORE THE FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In re: Review of the Prime Time Access Rule, Section 73.658 (k) of the Commission’s } MM Docket No. 94-123 Rules AN ECONOMIC ANALYSIS OF THE PRIME TIME ACCESS RULE March 7, 1995 ECONOMISTS INCORPORATED WASHINGTON, D.C. CONTENTS I. Introduction……………………………...……………………………………………1 II. Is ABC, CBS or NBC Dominant Today? A. No single network dominates any market...........................................................5 B. Factors facilitating the growth of competing video distributors ................................................................................................7 1. Cable penetration ....................................................................................7 2. Number and strength of independent stations.........................................9 3. Other video outlets................................................................................12 C. Competing video distributors............................................................................13 1. New broadcast networks .......................................................................13 2. New cable networks..............................................................................16 3. First-run syndication .............................................................................17 D. Impact on networks of increased competition ..................................................18 1. Audience shares ....................................................................................18 -
Technicolor Adventures in Cinemaland
Technicolor Adventures in Cinemaland H. T. Kalmus Reprinted from Journal of the Society of Motion Picture Engineers, December, 1938, Pages 564-584, TECHNICOLOR ADVENTURES IN CINEMALAND* fl. T. KALMUS** Summary.-A n account of some of the highlights in the history of the development of the business of Technicolor Motion Picture Corporation primarily from the point of view of its contact with motion picture producers, distributors, and exhibitors; incidental to which is an account of the development and growth of the various Techni color processes from a semi-technical point of view but with special reference to practi cal application in the motion picture industry. Webster defines adventure as chance of danger or loss; the encoun tering of risks; a bold undertaking, a da__ring feat; a remarkable oc currence or experience, a stirring incident; a mercantile or speculative enterprise of hazard; a venture. The excursions of Technicolor irtto the domain of the producers, distributors, and exhibitors of motion pictures have bc~n all of these. Technicolor has manufactured and shipped prints of many hun dreds of productions (during 1937 alone of over 350 subjects for some fifty different customers including more than twenty features) and since some phase of adventure usually develops during the photog raphy or printing of any production, it is clear that this account does not pretend to be complete. Nor are the events described in detail necessarily those of greatest importance. The writer having played a continuing part will no doubt unduly emphasize some which he found particularly interesting, whereas with the passage of time others only lightly touched upon or omitted may be found to be of greater significance. -
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KXXT (2) Garry Moore 10:15 KTLA (5) Beat Champ KECA (7) Crusade in Pacifi. KECA (7) Adventure Time KNBH (4) Person to Pet-so: KERB (8) Garry Moore 1'11:00 KTTV (11) TV News 8:45 KNBH (4) industry on KF:1113 (01 Newsreel Parade KECA (7) Chet Huntley 9:00 KTTV (11) SC-UCLA KNXT (2) "Lady Raffles" KNXT (2) Amos-Andy 11:10 KECA (7) News KLAC (13) Public Service 11:15 Krrv (II)"Sweepstake Film n n 1e" KECA (7) Herb Shriner KTLA (5) Final Edition KNB1-1 (4) Festival-.1. Mello;11:20 KECA (7) Hank Weaver THURSDAY TELEVISION KFAIB (8) Talent Showcase11:30 KECA (7) "Little Men" 9:15 KH.T (9) "Headline Woman' (Channel numbers follow the station identification in program.) 9:30 KTTV (11) Stanford-Cal. KECA (7) Hollywood 9:00 KLAC (13) Women Are Screen Test Wonderful TV HIGHLIGHTS KNXT (2) Racket Squad KLAC (13) Family Relation 10:45 KFNIB (8) Film Short KEMB (8) UCLA-Wash. 11:00 KLAC (13) Mike Roy t 5:00 KECA (7)Stop the Music. 7:00 KTTV (11)Classified 9:45 KTLA (5) Wrestling KFAIB (8) What's Cooking Column. Berry-Blears 11:30 KFM13 (8) Search for KLAC (13) You're Never 10:00 KTTV`(11) Rocky King Tomorrow Too Old. KNXT (2) CBS World New KNBH (4) Star Salon 7:30 KTTV (11) Open Road. KNBH (4) Martin Kane KECA (7) Adventure Time KNBH (4)Dinah Shore. KFMB (8) Stop toe Music 11 15 KFMB (8) Egg and I 0:00 KNRH (4)Grouch() Marx. -
Selected Film Criticism: 1921-1930 Selected Film Criticism: 1931-1940 Selected Film Criticism: 1941-1950
«6t to be taken FROM THE ROQfc* IAR 2 8 1983 t \ \ . ** * i Digitized by the Internet Archive in 2018 with funding from Kahle/Austin Foundation https://archive.org/details/selectedfilmcritOOOOslid SELECTED □ FILM CRITICISM 1912-1920 □ edited by Anthony Slide THE SCARECROW PRESS, INC. METUCHEN, N.J., & LONDON 1982 Frontispiece: Julian Johnson In Preparation: Selected Film Criticism: 1921-1930 Selected Film Criticism: 1931-1940 Selected Film Criticism: 1941-1950 Library of Congress Cataloging in Publication Data Main entry under title: Selected film criticism. Contents: 1. 1912-1920. 1. Moving-pictures--Reviews. I. Slide, Anthony. PR1995.S426 791.43*75 81-23344 ISBN 0-8108-1525-7 (v. 1) AACR2 Copyright © 1982 by Anthony Slide Manufactured in the United States of America This volume is dedicated to the memory of the screen’s first serious critic, Julian Johnson □ CONTENTS Preface xi The Adventures of Kathlyn (Selig, 1914) 3 An American Citizen (Famous Players, 1914) 5 Anne of Green Gables (Realart/Paramount, 1919) 6 The Avenging Conscience (Reliance-Majestic/ Mutual, 1914) 7 Baby Mine (Goldwyn, 1917) 9 Barbary Sheep (Paramount-Artcraft, 1917) 9 The Bargain (Ince/Paramount, 1914) 11 The Battle Cry of Peace (Vitagraph, 1915) 13 Behind the Door (Ince/Paramount-Artcraft, 1920) 15 Bella Donna (Famous Players-Lasky, 1915) 16 The Better ’Ole (Welsh-Pearson/World, 1919) 16 The Birth of a Nation (Epoch, 1915) 17 The Birth of a Race (Renco, 1919) 24 Black Orchids (Bluebird/Universal, 1917) 25 Blind Husbands (Universal, 1919) 26 The Blue Bird (Paramount-Artcraft, -
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Captains Courageous (1937)
Captains Courageous (1937) Inform the rich brats of the world. At some point they're going to meet real salt of the earth folk who'll teach them the true meaning of life, or at least you might think so from the dozens and dozens of movies built around that theme. Perhaps the best is the 1937 Captains Courageous, based on Rudyard Kipling's novel, which earned Spencer Tracy his first Best Actor Oscar. The story couldn't be more simple: Freddie Bartholomew is Harvey, a spoiled tycoon's son, who always gets his way through buying, whining or simple lying. On a trip to Europe he falls off the luxury ship only to awaken aboard a small Gloucester fishing boat. Naturally Bartholomew immediately starts giving orders only to learn that he's not the boss here and in fact will have to wait until the fishermen finish their haul in another two or three months before he can contact his father. Faced with such unyielding circumstances Bartholomew has little choice but to find out more about Tracy and his life. Spencer Tracy had misgivings about playing Manuel, the fisherman. He was first approached while filming Libeled Lady (1936) and felt that the fisherman was too secondary to the boy's part to be of real interest. It took director Victor Fleming (Red Dust, 1932) and Tracy's wife to convince him to take the role. Tracy still had reservations about getting his hair curled (at the studio, Joan Crawford kidded him for looking like Harpo Marx) and having to sing. -
Torrance Press
Sunday, December 10, 1991 Sunday, December 10, 1961 THE MESS TELEVISION LOG FOR THE WEEK SUNDAY MONDAY TUESDAY WEDNESDAY FRIDAY SATURDAY * DECEMBER 11 DECEMBER 12 DECEMBER 13 DECEMBER 15 DECEMBER 16 DECEMBER 10 12:00 ( 4) Liberty Bowl Gam* 12:00 ( 2) Burns and Alien 12:00 ( 2) Burns and Alien 12:00 ( 2) Bums and Alien 12:00 ( 2) Burns and Alien ( 7) Movie 11:00 ( 7) Pro Football "Wheel of Fortune" John Houston vs. New York ( 4) Jan Murray (C) ( 4) Jan Murray (C) ( 4) Jan Murray (C) ( 4) Jan Murray ( 5) Cartoons ( 5) Cartoons ( 5) Cartoons Wavnt; "War of the Wild ( 2) Washington ( 5) Cartoons cat*" John Wayne, "GueM 12:00 Camouflage ( 7) Camouflage In the House" Ralpn Bei Conversation ( 7) ( 7) Camouflage ( 7) Camouflage (11) Lunch Brigade (11) Sheriff John (11) Sheriff John (11) Sheriff John lamv. ( 9) Movie (13) Midday Report (13) Midday Re. ort (13) Midday News (13) Midday Report ( 9) Movit (11) Movie 12:30 ( 2> As World Turns (11) Movie "London by Night," 12:30 ( 2) AS World Turns 12:30 ( 2> As World Turns 12:30 ( 2) As World Turns 12:30 ( 5) Movie George Murphy ( 4) Loretta Young ( 4) Loretta Young ( 4) Loretta Young ( 4) Loretta Young (13) Robin Hood (18) Oral Robcru ( 5) Continental ( 5) Continental ( 5) Continental ( 5) Continental ( 7) take a Face 1:00 (11) Movie 12:30 ( 2) Time Out For Sport* ( 7) Make a Face ( 7) Make a Face ( 7) Make a Face (13) Bowling of (13) Christmas in Many ( 5) Commercial Feature (13) Commonwealth (13) Assignment 1:00 ( 2) Password Lands 1:30 ( 2) Pro Football (13) Bible News Nations Education ( 4) Young Dr. -
Filmgeschichte 1.Indd
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2020 Technicolor Flückiger, Barbara Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-190951 Book Section Published Version Originally published at: Flückiger, Barbara (2020). Technicolor. In: Christen, Thomas. Von den Anfängen des Films bis zum Ende des Zweiten Weltkrieges : der internationale Film von 1895 bis 1945. Marburg: Schüren Verlag, 351-368. Einführung Technicolor Mehr als jedes andere Farbfilmverfahren Barbara Flückiger ist Technicolor zu einem Mythos gewor- den, der sich durch exzessive Farbexplosio- nen ins kulturelle Gedächtnis eingeschrie- ben hat. Darüber hinaus hat Technicolor bisher von allen Farbverfahren die inten- Allerdings haben unsere Forschungen an sivste Auseinandersetzung auch in der historischen Technicolor-Filmkopien und historiografischen, technischen und ästhe- differenzierten Analysen eines großen Kor- tischen Aufarbeitung erfahren. Zu nennen pus von mehr als 120 Technicolor-Filmen1 sind verschiedene Publikationen von Scott gezeigt, dass die normative Kontrolle und Higgins (1999, 2000 und 2007), Christine Standardisierung von Technicolor weitaus N. Brinckmann (2001, 2006 und 2015), weniger homogen ausfällt, als bisher in Sarah Street (2009 und 2010), Richard der Literatur beschrieben. So moderieren Neupert (1990) und Jean-Loup Bourget weitere Faktoren die Ästhetik von Techni- (1995). Eine Dissertation von Céline Rui- color, am deutlichsten das Genre, aber vo (2016) ist derzeit noch nicht öffentlich auch individuelle Personalstile von Regis- zugänglich. seuren oder Kamerapersonen. Während die klassische Phase des Drei- farbenverfahrens Technicolor Nr. IV von Mitte der 1930er-Jahre bis zu Beginn der Firmengeschichte und 1950er-Jahre in dieser Aufarbeitung domi- technische Entwicklungen nieren, sind die Anfänge von 1915 bis in die 1930er-Jahre erst seit kurzem stärker Herbert T. -
House Expects Surtax Action by Next Week WASHINGTON (AP) — Rep
Freehold Residents Urged to Remain Calm SEE STORY BEVOW Showers Due Becoming cloudy and mild THEDAILY FINAL with showers likely late to- Red Bank, Freehold day,, tonight and tomorrow, Long Branch EDITION (Bee Details, Pajro 5), I 7 Monmouth CounUfs Home Newspaper for 92 Years VOL. 93, NO. 25 RED BANK, N. J., FRIDAY, AUGUST 1, 1969 24 PAGES 10 CENTS •••iiinniiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiii iiiiu tininin ••••ii laiiiiiiinii mi niiii liiHiiwiniiiiiii iwiiiii iiiioiiiiiiiiiiiiiiiiiiiiiiiiiiiini i iiiiuiiiiiiiiiiinni iniiiiiiiiiiiiiiiiiiiiiiimniii utiiHittHHHiiHiiiHiniiiirfHiriHifHiiiHHaiitntiMiiitiniiiiiiHfrniiiififfniifnmrtiiniiHiinifiiHiitnHinitiiriitttHiiHnifHJHfiHiiininuiuiaiiai House Expects Surtax Action by Next Week WASHINGTON (AP) — Rep. Wilbur, D. Mills, D- tost half of 1970 — just as Republican Leader Everett field was unable to hold the House leaders, blocked in an Ark., chairman of the House the earlier House bill and the M. Dirksen claims he got one votes of 11 of his members initial effort to rush through Wa"ys and Means Committee, administration proposed. concession from the Demo- who wanted the surtax to die, a Senate-passed bill extend- indicated he probably would crats in all this scheming — but six Republicans, includ- Senate voting on the exten- ing the 10 per cent surtax follow this course but could a six months continuance in- ing Dirksen, voted with the sion bill came after four through Dec. 31, are hoping not do so until Monday. stead of the five originally of- Democrats. hours of sharp debate. to- get the measure to the First Half of 1970 fered by the Democrats. Next the Senate slapped White House early next week. Meanwhile, the House com- And it climaxed four weeks But the outcome in the Sen. -
FILM SERIALS and the AMERICAN CINEMA 1910-1940 OPERATIONAL DETECTION Ilka Brasch Film Serials and the American Cinema, 1910-1940
FILM CULTURE IN TRANSITION FILM SERIALS and the AMERICAN CINEMA 1910-1940 OPERATIONAL DETECTION ilka brasch Film Serials and the American Cinema, 1910-1940 Film Serials and the American Cinema, 1910-1940 Operational Detection Ilka Brasch Amsterdam University Press Cover illustration: Pearl White shooting scenes for The Perils of Pauline in Fort Lee, 1914. Photo Courtesy of the Fort Lee Film Commission of Fort Lee, NJ USA. Cover design: Kok Korpershoek, Amsterdam Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 652 7 e-isbn 978 90 4853 780 8 doi 10.5117/9789462986527 nur 670 © I. Brasch / Amsterdam University Press B.V., Amsterdam 2018 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Table of Contents Acknowledgements 7 1. Introduction 9 2. The Operational Aesthetic 43 3. Film Serials Between 1910 and 1940 81 4. Detectives, Traces, and Repetition in The Exploits of Elaine 145 5. Repetition, Reiteration, and Reenactment: Operational Detection 183 6. Sound Serials: Media Contingency in the 1930s 235 7.