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ACKNOWL EDGMENTS This book began many years ago when Lisa Yoneyama invited me to consider the issue of “comfort women” for a session that she or ga nized for the annual meeting of the American Studies Association. I had been very ambivalent and even a little skeptical about the passionate investment in the issue and the consequent will to represent this history on the part of Korean/American art- ists, writers, and scholars, myself included. That session pushed me to unpack and articulate the contours of my unease and, more consequentially, brought me together with Lisa and Kandice Chuh for what has turned out to be a most generative, sustaining friendship and intellectual exchange in the many years since. This book would not exist without their steadfast support and much- needed interventions. Their scholarly brilliance and critical grace continue to inspire me to try harder. From my first book to this book, Lisa Lowe has provided me with a singular model of broad intellectual engagement and deep thinking. I would like to thank the friends who have sustained me by sharing the joys of good food, wine, music, and laughter in SoCal: Brian Albert, Eve Oishi, Sheri Ozeki, Cindy Cheng, Rachel Park, Jenny Terry, Surina Khan, Catherine Sameh, Lucy Burns, Anjali Arondekar, Christine Balance, Patty Ahn, Arlene Keizer, Alex Juhasz, Rachel Lee, Gabe Spera, David Wong Louie, Jackie Louie, Juliet Williams, Ali Behdad, Kathleen McHugh, Yong Soon Min, David Lloyd, Sarita See, and Karen Tongson. Brian, Eve, Cindy, and Lucy took very good care of me when I needed it most.
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