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WLA Conference 2013 COVER
Mural of Queen Califia and her Amazons, Mark Hopkins Hotel in San Francisco – Maynard Dixon and Frank Von Sloun The name of California derives from the legend of Califia, the queen of an island inhabited by dark- skinned Amazons in a 1521 novel by Garci Ordóñez de Montalvo, Las Sergas de Esplandián. Califia has been depicted as the Spirit of California, and she often figures in the myth of California's origin, symbolizing an untamed and bountiful land prior to European settlement. California has been calling to the world ever since, as land of promise, dreams and abundance, but also often as a land of harsh reality. The 48th annual conference of the Western Literature Association welcomes you to Berkeley, California, on the marina looking out to the San Francisco Bay. This is a place as rich in history and myth as Queen Califia herself. GRATEFUL ACKNOWLEDGEMENTS go to the following sponsors for their generous support of the 2013 Western Literature Conference: • The Redd Center for Western Studies • American Studies, UC Berkeley • College of Arts & Humanities, UC Berkeley • English Department, UC Berkeley SPECIAL THANKS go to: • The Doubletree by Hilton Hotel • Aileen Calalo, PSAV Presentation Services • The Assistants to the President: Samantha Silver and George Thomas, Registration Directors; and Alaska Quilici, Hospitality and Event Coordinator • Sabine Barcatta, Director of Operations, Western Literature Association • William Handley, Executive Secretary / Treasurer, Western Literature Association • Paul Quilici, Program Graphic Designer • Sara Spurgeon, Kerry Fine, and Nancy Cook • Kathleen Moran • The ConfTool Staff Registration/ Info Table ATM EMC South - Sierra Nevada Islands Ballroom (2nd floor) (1st floor) Amador El Dorado Yerba Buena Belvedere Island Mariposa Treasure Island Angel Island Quarter Deck Islands Foyer Building (5) EMC North Conference Center (2nd floor) (3rd floor) (4th floor) Berkeley Sacramento Restrooms California Guest Pass for Wireless Access: available in the Islands Ballroom area and Building 5 1. -
Korean War Poetry in the Context of American Twentieth-Century War Poetry
Colby Quarterly Volume 37 Issue 3 September Article 7 September 2001 "In Cases Like This, There Is No Need to Vote": Korean War Poetry in the Context of American Twentieth-Century War Poetry W. D. Ehrhart Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 37, no.3, September 2001, p.267-284 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Ehrhart: "In Cases Like This, There Is No Need to Vote": Korean War Poetry "In Cases Like This, There Is No Need to Vote": Korean War Poetry in the Context of American Twentieth-Century War Poetry 1 By W. D. EHRHART HE KOREAN WAR is the least remembered and least acknowledged of all Tof America's wars. Even as it was being fought, ordinary Americans were aghast to find the country at war again so soon after World War II; they found it profoundly embarrassing to be put to rout twice in six months by what they perceived to be an Asian rabble in sneakers; and they did not understand a war in which total victory was not and could not be the goal. "America tolerated the Korean War while it was on," writes David Halberstam in The Fifties, "but could not wait to forget it once the war was over."2 And once it was over, the Korean War all but vanished from the American landscape. Just as the war has vanished, so too has its literature. -
Hacia Una Cartografía De Los Ángeles a Través De La Literatura Chicana”
“Hacia una cartografía de Los Ángeles a través de la literatura chicana” Albaladejo Martínez, Manuel ISBN: 978-84-690-5981- 4 · Depósito Legal: A- 582- 2007 UNIVERSIDAD DE ALICANTE FACULTAD DE FILOSOFÍA Y LETRAS Departamento de Filología Inglesa Hacia una cartografía de Los Ángeles a través de la literatura chicana ISBN: 978-84-690-5981-4 · Depósito Legal: A- 582- 2007 Manuel Albaladejo Martínez Alicante, Mayo 2007 INTRODUCCIÓN PARTE I: LA ESCUELA DE ESTUDIOS URBANOS DE LOS ÁNGELES 1. INTRODUCCIÓN 2. EDWARD SOJA Y SU TRILOGÍA 2.1. POSTMODERN GEOGRAPHIES 2.2. THIRDSPACE 2.3. POSTMETROPOLIS 3. MIKE DAVIS Y SU TRILOGÍA 3.1. CITY OF QUARTZ 3.2. ECOLOGY OF FEAR 3.3. MAGICAL URBANISM PARTE II: LA LITERATURA CHICANA DE LOS ÁNGELES DESDE 1980 4. INTRODUCCIÓN 5. LUIS J. RODRÍGUEZ 5.1. POEMS ACROSS THE PAVEMENT 5.2. THE CONCRETE RIVER 5.3. ALWAYS RUNNING, LA VIDA LOCA: GANG DAYS IN L.A. 5.3.1. Landscape y media effect en Always Running 5.3.2. Law effect y la Calle en Always Running 5.3.3. La Casa en Always Running 6. ALEJANDRO MORALES 6.1. CARAS VIEJAS Y VINO NUEVO 6.2. LA VERDAD SIN VOZ 6.3. RETO EN EL PARAÍSO 6.4. THE BRICK PEOPLE 6.5. THE RAG DOLL PLAGUES 6.6. WAITING TO HAPPEN 7. KAREN TEI YAMASHITA 7.1. TROPIC OF ORANGE PARTE III: TRAZOS PARA UNA CARTOGRAFÍA CHICANA DE LOS ÁNGELES CONCLUSIONES BIBLIOGRAFÍA 1. INTRODUCCIÓN Like earlier generations of English intellectuals who taught themselves Italian in order to read Dante in the original, I learned to drive in order to read Los Angeles in the original. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Ineligible Poems
Ineligible Poems Only poems in the Poetry Out Loud print or online anthologies are eligible for competition. Due to copyright issues and the need to periodically refresh the Poetry Out Loud anthology, some poems have been retired. The following poems have been removed from the anthology and are ineligible for the 2015-2016 season. Adding It Up by Philip Booth Agoraphobia by Linda Pastan Alabanza: In Praise of Local 100 by Martín Espada The Alphabet by Karl Shapiro 'Alone' by Edgar Allan Poe Altruism by Molly Peacock Ancapagari by Carolyn Forché Ancestor by Jimmy Santiago Baca And Death Shall Have No Dominion by Dylan Thomas The Applicant by Sylvia Plath An Arundel Tomb by Philip Larkin Aubade by Edith Sitwell aunt jemima by Lucille Clifton Authority by W.S. Merwin Baseball by Gail Mazur Baudelaire by Delmore Schwartz Beat! Beat! Drums! by Walt Whitman Beautiful Black Men by Nikki Giovanni Beauty by Tony Hoagland Becune Point by Derek Walcott The Bells of San Blas by Henry Wadsworth Longfellow Birches by Robert Frost Birthday Poem by Al Young The Blackstone Rangers by Gwendolyn Brooks The Blues Don't Change by Al Young Booker T. and W.E.B. by Dudley Randall Buckroe after the Season by Virginia Adair Buried at Springs by James Schuyler Calling Him Back from Layoff by Bob Hicok The Canonization by John Donne Carmel Point by Robinson Jeffers Casey at the Bat by Ernest Lawrence Taylor Celebration for June 24 by Thomas McGrath Come Up from the Fields, Father by Walt Whitman Conversation by Ai The Cremation of Sam McGee by Robert Service Detroit, Tomorrow by Phillip Levine Dog by Lawrence Ferlinghetti Domestic Violence by Eavan Boland Doña Josefina Counsels Doña Concepción Before Entering Sears by Maurice Kilwein Guevara A Dream Within a Dream by Edgar Allan Poe Duende by Tracy K. -
N Orth D Akota Q Uarterly M Cg Rath at 100 V Ol. 83 N O. 4 Fall 2016
North Dakota Quarterly Dakota North McGrath at 100 Vol. 83 No. 4 Fall 2016 4 Fall 83 No. Vol. at 100 McGrath —“From here it is necessary to ship all bodies east.” I am in Los Angeles, at 2714 Marsh Street, Writing, rolling east with the earth, drifting toward Scorpio, thinking NORTH DAKOTA QUARTERLY Many Tanks! Warm thanks to the following people who so generously donated to the Robert W. Lewis Endowment. We much appreciate the support. Michael C. Beard Donna K. Bott James D. Brosseau Madelyne E. Camrud Deloitte Foundation Sandra M. Donaldson Diane M. Drake Robert Fleming Eugene C. Frazer Lowell J. Gallagher Douglas C. Gronberg Gordon H. Henry Jay D. Klemetsrud Adele Kupchella Gretchen Lang Paula H. Lee Lisa Lewis John T. Martsolf Janet M. Moen Kathleen J. Norris Fred Whitehead Remington G. Zacher Christopher B. Zegers Kate Sweney Managing Editor Gilad Elbom Fiction Editor Heidi Czerwiec Poetry Editor Lucy Ganje Art Editor Sharon Carson Book Reviews Editor William Caraher Digital Editor Andrea Herbst Editorial Assistant Elizabeth Andrews Undergraduate Intern Faculty Editors Sharon Carson William Caraher Shawn Boyd Editorial Board Michael Beard Lucy Ganje Birgit Hans James Mochoruk Sheryl O’Donnell Michael Wittgraf Eric Wolfe Contributing Editors Tomas Van Nortwick, Oberlin College Fred Whitehead, University of Kansas 1 MEMBER Council of Editors of Learned Journals © 2016 by the University of North Dakota North Dakota Quarterly is published Winter, Spring/Summer, and Fall by the College of Arts and Sciences of the University of North Dakota. Subscription rates are $32.00/yr for indi- viduals, $37.00/yr for institutions, and $20.00/yr for students. -
Conference Program 2008
W ESTERN L ITERATURE A SSOCIATION E XECUTIVE C OUNCIL Karen Ramirez, Co-President University of Colorado at Boulder Nicolas S. Witschi, Co-President Western Michigan University David Cremean, President-Elect Black Hills State University Gioia Woods, Vice President Northern Arizona University Ann Putnam, Past President University of Puget Sound Robert Thacker, Executive Secretary/Treasurer St. Lawrence University Anne L. Kaufman (2008) Drucilla Wall (2009) Bridgewater State College University of Missouri-St. Louis Bonney MacDonald (2008) Christine Bold (2010) West Texas A&M University University of Guelph Kyoko Matsunaga (2008) Evelyn Funda (2010) Hiroshima University Utah State University Sara Spurgeon (2008) David Peterson (2010) Texas Tech University University of Nebraska at Omaha José Aranda (2009) Judy Nolte Temple (2010) Rice University University of Arizona Michael K. Johnson (2009) Angela Waldie (2008) University of Maine – Farmington Grad. Student rep, University of Calgary Pierre Lagayette (2009) Joyce Kinkead Université Paris-Sorbonne Utah State University To nominate a WLA member for the Executive Council: Find out if your nominee is willing to serve. Write the name and affiliation of your candidate on the flipchart in the registration area. Council members must be WLA members and must attend the next three WLA meetings. All nominees are advised to attend the Business Meeting. 2008 WLA and Western Literature Week Sponsors and Partners: The Center of the American West, University of Colorado at Boulder * Department of English, -
Conference Program
WESTerN LITerATUre ASSOCIATION EXECUTIVE COUNCIL Ann Putnam, President University of Puget Sound Karen Ramirez, Co-President-Elect University of Colorado at Boulder Nicolas S. Witschi, Co-President-Elect Western Michigan University Tara Penry, Past President Boise State University Robert Thacker, Executive Secretary/Treasurer St. Lawrence University Nancy Cook (2007) Sara Spurgeon (2008) University of Montana Texas Tech University Alex Hunt (2007) Drucilla Wall (2009) West Texas A&M University University of Missouri-St. Louis Walter Isle (2007) Jose Aranda Jr. (2009) Rice University Rice University Victoria Lamont (2007) Michael K. Johnson (2009) University of Waterloo University of Main at Farmington David Cremean (2008) Pierre Lagayette (2009) Black Hills State University Universite’ Paris-Sorbonne Anne Kaufman (2008) Angela Waldie (2009) Milton Academy Grad. Student rep, University of Calgary Bonney MacDonald (2008) Joyce Kinkead (2009) Union College Utah State University To nominate a WLA member for the Executive Council: Find out if your nominee is willing to serve. Write the name and affiliation of your candidate on the flipchart in the registration area. Council members must be WLA members and must attend the next three WLA meetings. All nominees are advised to attend the Business Meeting. 2007 WLA Sponsors and Partners Grateful acknowledgments go to the University of Puget Sound University of Washington Tacoma Special thanks go to colleagues in the following sponsors and partners: Office of the President Student body University of Puget Sound English Office of the Academic Dean Tacoma Community College department and especially Department The Greater Tacoma Community Student body Pacific Lutheran University Chair Denise Despres, Beverly Conner, Foundation Science, Technology, and Society Seattle University Julie Christoph, Tamiko Nimura, Rainier Pacific Bank Center for Writing, Learning, and Seattle Pacific University Bill Kupinse; to Sabine Barcatta, Charles Redd Center for Western Teaching St. -
From Printed Page to Live Hip Hop: American Poetry and Politics Into the 21St Century
FROM PRINTED PAGE TO LIVE HIP HOP: AMERICAN POETRY AND POLITICS INTO THE 21ST CENTURY Michael Dowdy A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of English in the Department of English. Chapel Hill 2006 Approved by Advisor: Linda Wagner-Martin Reader: Maria DeGuzmán Reader: Nick Halpern Reader: Trudier Harris Reader: John McGowan © 2005 Michael Dowdy ALL RIGHTS RESERVED ii ABSTRACT MICHAEL DOWDY: From Printed Page to Live Hip Hop: American Poetry and Politics into the 21st Century (Under the direction of Linda Wagner-Martin) This project identifies and explains the major rhetorical strategies American poets from Vietnam to the present use to create political poems. It argues that there are many different, though overlapping, approaches to making sociopolitically engaged poetry. Understanding political poetry as a collection of multiple rhetorical strategies moves away from identity- based and subject-based criticism. This project thus considers a number of representative poems from each strategy in order to illuminate each strategy’s intricacies. Further, the contention that hip hop has the most political potential of contemporary poetries suggests convergences with strategies for making printed poetry political. The framework for understanding both hip hop and printed poetry is derived from theories of agency that negotiate the individual’s ability to act according to her purposes in relation to the determining economic, political, and social forces that constrain action. The strategies considered thus emerge from various types of poetic agency: embodied agency, including both experiential and authoritative agency; equivocal agency, including comprehensive and particular varieties; migratory agency; and contestatory urban agency, which includes strategies indigenous to hip hop. -
Reach Magazine, Spring 2011
CAN WE IMAGINE PEACE— And then, perhaps, create it? PRESIDENT-DESIGNATE ERIC KALER: Liberal arts are “the reason for a university.” AT 94 SHE’S FIERCE, HONEST, AND A PUBLISHED POET What happened when alumna Lucille Broderson returned to CLA... SPRING 2011 > FROM THE dEan > sUstaining ExcEllEncE with rEdUcEd PUblic rEsoUrcEs Our long, snowy winter has finally drawn to are expanding their internationalization efforts. FEATURES a close, and the burgeoning colors of spring The academic job market for Ph.D.s across signal a long-awaited renewal. Spring in the the humanities continues to contract, despite 8 Eric KalEr namEd nEw U of m PrEsidEnt Midwest also brings the threat of violent strong student interest in these fields, and we Chemical engineer believes the liberal arts are the reason for storms, but some of the greatest storms are in danger of losing a generation of scholars a university. around the country center on the funding of and teachers whose research otherwise would education, especially public higher education, have forged new paths in philosophy, history, 8 cla rEtools for thE 21st cEntUry and strategies state governments are pursuing literature and culture, and religion. Can CLA maintain academic excellence in the face of fiscal to balance their budgets. We read almost challenge? Our blue ribbon committee says yes. The University’s daily of looming deep reductions to higher During the past year, the CLA 2015 Planning education in several states and of proposals for Committee—a group of faculty, staff, and incoming president is impressed. The Magazine of the College of Liberal Arts University of Minnesota dramatic increases in tuition. -
American Book Awards 2005
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2005 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Poetry Reading Flyers of the Mimeograph Revolution
Poetry Reading Flyers of the Mimeograph Revolution Poetry reading flyers are transitory by nature — quickly printed, locally distributed, easily discarded and thus frequently overlooked by scholars and curators when researching and documenting literary activities. They appear from time to time as fleeting one-offs in archives and collections, yet when viewed in the context of a large group these seemingly ephemeral objects take on significance as primary documents. Through close observation of this collection of poetry reading flyers, one gains insight into considerations of the development and representation of literary communities and affiliations of poets, the interplay of visual image, text and design, and the evolution of printing technology. A great many of the flyers appeared during the flowering of the mimeo revolution, an extraordinarily rich period of literary activity which was in part characterized by a profusion of poetry readings, performances, and publications documented by the flyers. This collection includes flyers from the mid-sixties to the present with a focus on the seventies, and embraces a range of poets and national venues with particular attention to activity in New York City and the San Francisco Bay Area. For a reading by Lewis Warsh and Harris Schiff, Ear Inn, New York City, December 6, n.d. Flyer. 11 x 8-1/2 inches. There are approximately 400 flyers (including a smattering of posters and cards), which are often 8 ½ x 11 – 8 ½ x 17 inches and printed as cheaply as possible, frequently via mimeograph, and often intended to be mailed. More than 250 writers and artists and nearly 100 venues are represented with a strong concentration on the Poetry Project at St.