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June 2021 June Complimentary May 2020 May Proactive Proactive Sophisticated Care Sophisticated Care
COMPLIMENTARY JUNEMAY 2021 2020 smithfieldtimesri.net Cameron VanNostrand, age 4, from Smithfield, visits his friends at Blackbird Farm. BOSTON MA BOSTON 55800 PERMIT NO. PERMIT PAID Our customers U.S. POSTAGE U.S. ECRWSS Local Postal Customer Postal Local are our owners. PRSRT STD PRSRT Federally insured by NCUA PROACTIVE PROACTIVE SOPHISTICATED CARE SOPHISTICATED CARE OUR PATIENTS ENJOY: OUR • Therapy PATIENTS up to 7 Days aENJOY: Week Raising the bar in the delivery • TherapyBrand New up State-of-the-artto 7 Days a Week Rehab Gym & Equipment Raisingof short-term the bar in rehabilitative the delivery • BrandIndividualized New State-of-the-art Evaluations & Rehab Treatment Gym Programs & Equipment ofand short-term skilled nursing rehabilitative care in • IndividualizedComprehensive Evaluations Discharge Planning& Treatment that Programs Begins on Day One and skilled nursing care in • ComprehensiveSemi-Private and Discharge Private Rooms Planning with that Cable Begins TV on Day One Northern Rhode Island • Semi-PrivateConcierge Services and Private Rooms with Cable TV Northern Rhode Island • Concierge Services CARDIAC ORTHOPEDIC PULMONARY REHABILITATION CARDIAC REHABILITATION ORTHOPEDIC PULMONARY CARE Under the REHABILITATION direction of a leading • Physicians REHABILITATION & Physiatrist On-Site • Tracheostomy Care CARE Cardiologist/Pulmonologist, our specialized Under the direction of a leading • PhysiciansIndividualized & Physiatrist Aggressive On-Site Rehab • TracheostomyRespiratory Therapists Care nurses provide care to patients -
A Sheffield Hallam University Thesis
Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
Glitter Bombing: Weapon of Choice for Gay Rights, Pro Choice Advocates
Glitter Bombing: Weapon of Choice for Gay Rights, Pro Choice Advocates Glitter bombing is a relatively recent phenomenon and has been adopted as a form of protest, particularly (but not exclusively) by gay rights activists and supporters. Glitter bombing is readily accessible via Ruin Days (www.ruindays.com), an online business that offers a variety of glitter bomb options, including envelopes and spring-loaded tubes. A spring-loaded glitter bomb tube can be purchased anonymously for $22.99, and Ruin Days will ship directly to the intended recipient. Ruin Days posts the following caveat: “Your billing information and email will appear nowhere on the package.” Although glitter bombing as an offense has yet to be codified, some legal officials argue glitter bombing is technically an assault and battery. The glitter bombing of public officials rose to prominence in 2011, when Newt Gingrich, Tim Pawlenty, Michele Bachmann, Karl Rove and Erik Paulson were all similarly glitter bombed. The common denominator among these political figures is a conservative orientation and opposition to gay rights, especially marriage equality. Recipients in Glitter bomb mailing tube (per open source) 2012 included Rick Santorum (on four separate occasions), Mitt Romney and Ron Paul. Mitt Romney’s bomber, a University of Colorado student, faced up to six months in jail and a fine of $1000. Glitter bombing was featured in the Season 3 premiere of Glee on September 20, 2011. Nebraska Congressman Jeff Fortenberry was glitter bombed on March 4, 2015, at his office in Lincoln. Fortenberry, a Republican Representative endorsed by Nebraska Right to Life, was targeted by a pro-choice group who included a note. -
RAMONES the Sire Years 1976-1981 Die Ersten Sechs Alben Der Punkrock-Pioniere in Einer Box!
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] RAMONES The Sire Years 1976-1981 Die ersten sechs Alben der Punkrock-Pioniere in einer Box! „Hey ho, let’s go!” Mit diesem Schlachtruf begann eine Epoche. Bei allen Diskussionen, wer nun wo den Punkrock erfunden habe, steht eine Tatsache außer Zweifel: Die RAMONES haben ihn auf den Punkt gebracht wie keine andere Band. Sie nahmen den dahinsiechenden Rock’n’Roll unter ihre Mähnen, erfanden ihn neu und gaben ihm die Kraft und Innovation zurück, die irgendwo zwischen Woodstock und Progrock verlorengegangen war. 1974 in Forest Hill, Queens, NYC, gegründet, waren die RAMONES neu, authentisch und kreierten einen aufwühlenden Sound, der zur Hebamme einer der lebhaftesten Musikstile aller Zeiten wurde: Punkrock. Mit der 6-CD-Box RAMONES: The Sire Years (1976-1981) präsentieren Rhino Records das Erbe einer der innovativsten Bands in einer umfassenden Box, die die bedeutendsten Alben des Quartetts in einer längst fälligen Sammlung vereint: Ramones (1976), Leave Home (1977), Rocket To Russia (1977), Road To Ruin(1978), End Of The Century (1980) bis Pleasant Dreams (1981) – sämtlich mit ursprünglichen Tracklistings und Original- Artwork. Das Debüt der RAMONES aus dem Jahr 1976 war zugleich ein Manifest und eine Aufforderung zum musikalischen Aufstand, der zahllose Fans anspornte, selbst die Gitarre in die Hand zu nehmen. 14 Songs brauchten gerade mal eine Gesamtlänge von 32 Minuten. Reduziert auf das Nötigste, erreichte keine der Nummern die 3-Minuten Marke – die meisten blieben sogar unter zwei Minuten. Und es waren Klassiker, die da über die Musikwelt hereinbrachen: „Blitzkrieg Bop“, „Beat On The Brat“, „Judy Is A Punk“ und „I Wanna Be Your Boyfriend“. -
Revolutionary Games and Repressive Tolerance: on the Hopes and Limits of Ludic Citizenship
http://dx.doi.org/10.7592/EJHR2015.3.2.3.shepard European Journal of Humour Research 3 (2/3) 18–34 www.europeanjournalofhumour.org Revolutionary Games and repressive tolerance: on the hopes and limits of ludic citizenship Benjamin Shepard Human Services Dept., City University of New York [email protected] Abstract This essay considers examples of boisterous game play, including ludic movement activity and humour in the context of the Occupy Wall Street movement in the USA. This form of auto- ethnography makes use of the researcher’s feelings, inviting readers into the personal, emotional subjectivities of the author. In this case, the author explores games, play, and humour highlighting a few of the possibilities and limits of play as a mechanism of social change, looking at the spaces in which it controls and when it liberates. While play has often been relegated to the sports field and the behaviour of children, there are other ways of opening spaces for play for civic purposes and political mobilization. The paper suggests play as a resource for social movements; it adds life and joyousness to the process of social change. Without playful humour, the possibilities for social change are limited. Keywords: play, Occupy Wall Street, Marx, Burning Man, pie fights. 1. Introduction Art and activism overlap in countless ways throughout the history of art and social movements. This essay considers the ways games, humour and play intervene and support the process. Here, social reality is imagined as a game, in which social actors play in irreverent, often humorous ways. Such activity has multiple meanings. -
Santorum Gingrich Romney Paul
the wichitan feature 7 Wednesday January 25, 2012 thewichitan.com your campus/ your news THE KEY SOUTH CAROLINA All of these guys really wanted PAUL to win the South Carolina pri- SANTORUM Rep. (R-Tex.) Ron Paul mary election. But Newt Gingrich, Frm. Sen. (R-Penn.) Rick Santorum amidst a newly broken sex scandal, rose to THE SKINNY: The libertarian from Texas placed second in the New the top, winning by a wide margin. The vic- THE SKINNY: The former Senator from Pennsylvania has built a Hampshire caucus and third in Iowa. Paul’s supporters say he has tory is bound to propel him to take Florida campaign for the 2012 primaries based almost solely on bringing the started a “revolution” amongst young voters by addressing foreign next, as it has with most candidates who United States back to God. He hadn’t garnished much media atten- policy issues and by cautioning lawmakers to stay away from Iran. win in the South Carolina. From 1980 to tion until he placed first in the Iowa polls. 2008, the Republican candidate who won PROPS FOR: Being persistent (he’s been in this race three times) South Carolina has also won the nomina- PROPS FOR: Bringing sweatervests to the forefront of couture and thoughtfully questioning the role of big government in Ameri- tion from the party. The state has helped to popularity and not quitting the race after a brutal glitter bombing by can society. elect Ronald Reagan, George H.W. Bush and protesters. Geroge Bush to the United States presidency. WHY THE HATERS HATE: Paul attracts less attention from the Now Romney will have to fight an uphill WHY THE HATERS HATE: He’s been critisized for racist remarks media than other candidates and gets less time to speak during de- battle to take votes from the Gingrich camp. -
Wednesday November 14, 2012
Wednesday November 14, 2012 8:00 AM 002024 8:00 AM to 5:00 PM Dolphin Europe 7 - Third/Lobby Level SEMINAR: Celebrating the COMMunity that Diversely “Does Disney”: Multi -disciplinary and Multi -institutional Approaches to Researching and Teaching About the "World" of Disney Sponsor: Seminars Chairs: Mary-Lou Galician, Arizona State University; Amber Hutchins, Kennesaw State University Presenters: Emily Adams, Abilene Christian University Sharon D. Downey, California State Univ, Long Beach Erika Engstrom, University of Nevada, Las Vegas Sandy French, Radford University Mary-Lou Galician, Arizona State University Cerise L. Glenn, Univ of North Carolina, Greensboro Jennifer A. Guthrie, University of Kansas Jennifer Hays, University of Bergen, Norway Amber Hutchins, Kennesaw State University Jerry L. Johnson, Buena Vista University Lauren Lemley, Abilene Christian University Debra Merskin, University of Oregon David Natharius, Arizona State University Tracey Quigley Holden, University of Delaware Kristin Scroggin, University of Alabama, Huntsville David Zanolla, Western Illinois University 002025 8:00 AM to 12:00 PM Dolphin Europe 8 - Third/Lobby Level SEMINAR: COMMunity Impact: Defining the Discipline and Equipping Our Students to Make Everyday Differences Sponsor: Seminars Chair: Darrie Matthew Burrage, Univ of Colorado, Boulder Presenters: Jeremy R. Grossman, University of Georgia Margaret George, Univ of Colorado, Boulder Katie Kethcart, Colorado State University Ashton Mouton, Purdue University Emily Sauter, University of Wisconsin, Madison Eric Burrage, University of Pittsburgh 002027 8:00 AM to 3:45 PM Dolphin Europe 10 - Third/Lobby Level SEMINAR: The Dissertation Writing Journey Sponsor: Seminars Chairs: Sonja K. Foss, Univ of Colorado, Denver; William Waters, University of Houston, Downtown 8:30 AM 003007 8:30 AM to 5:00 PM Dolphin Oceanic 3 - Third/Lobby Level PC02: Moving Methodology: 2012 Organizational Communication Division Preconference Sponsor: Preconferences Presenters: Karen Lee Ashcraft, University of Colorado, Boulder J. -
American Punk: the Relations Between Punk Rock, Hardcore, and American Culture
American Punk: The Relations between Punk Rock, Hardcore, and American Culture Gerfried Ambrosch ABSTRACT Punk culture has its roots on both sides of the Atlantic. Despite continuous cross-fertiliza- tion, the British and the American punk traditions exhibit distinct features. There are notable aesthetic and lyrical differences, for instance. The causes for these dissimilarities stem from the different cultural, social, and economic preconditions that gave rise to punk in these places in the mid-1970s. In the U. K., punk was mainly a movement of frustrated working-class youths who occupied London’s high-rise blocks and whose families’ livelihoods were threatened by a declin- ing economy and rising unemployment. Conversely, in America, punk emerged as a middle-class phenomenon and a reaction to feelings of social and cultural alienation in the context of suburban life. Even city slickers such as the Ramones, New York’s counterpart to London’s Sex Pistols and the United States’ first ‘official’ well-known punk rock group, made reference to the mythology of suburbia (not just as a place but as a state of mind, and an ideal, as well), advancing a subver- sive critique of American culture as a whole. Engaging critically with mainstream U.S. culture, American punk’s constitutive other, punk developed an alternative sense of Americanness. Since the mid-1970s, punk has produced a plethora of bands and sub-scenes all around the world. This phenomenon began almost simultaneously on both sides of the Atlantic—in London and in New York, to be precise—and has since spread to the most remote corners of the world. -
Ramones We Want the Airwaves Mp3, Flac, Wma
Ramones We Want The Airwaves mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: We Want The Airwaves Country: Canada Released: 1981 Style: Punk MP3 version RAR size: 1654 mb FLAC version RAR size: 1419 mb WMA version RAR size: 1990 mb Rating: 4.3 Votes: 283 Other Formats: MIDI AUD ADX VQF RA MP1 FLAC Tracklist Hide Credits We Want The Airwaves A 3:20 Written-By – Joey Ramone All's Quiet On The Eastern Front B 2:21 Written-By – Dee Dee Ramone Credits Producer – Graham Gouldman Notes PROMOTIONAL COPY From the Sire LP XSR 3571 "PLEASANT DREAMS" Pub. Bleu Disque/Taco Tunes-ASCAP Sire Records, Inc. Marketed and distributed by WEA Music of Canada, Ltd 1810 Birchmont Rd Scarborough, ONT. A Warner Communications Company Barcode and Other Identifiers Matrix / Runout: SRE-49812-A 1A2H2 Matrix / Runout: SRE-49812-B 1A2H2 Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year SIR 4051 Ramones We Want The Airwaves (7", Single) Sire SIR 4051 UK 1981 PRO-A-966 Ramones We Want The Airwaves (12", Promo) Sire PRO-A-966 US 1981 SRE49812 Ramones We Want The Airwaves (7", Mono, Promo) Sire SRE49812 US 1981 SIR 4051 Ramones We Want The Airwaves (7", Single) Sire SIR 4051 Ireland 1981 45-2131 Ramones We Want The Airwaves (7", Single) Sire 45-2131 Spain 1981 Related Music albums to We Want The Airwaves by Ramones 1. Ramones - Do You Remember Rock 'N' Roll Radio / Let's Go 2. Ramones - Sheena Is A Punk Rocker 3. Ramones - Untitled 4. -
A Multi-Method Examination of Race, Class, Gender, Sexual Orientation, and Motivations for Participation in the Youtube-Based “It Gets Better Project”
A Multi-method Examination of Race, Class, Gender, Sexual Orientation, and Motivations for Participation in the YouTube-based “It Gets Better Project” Laurie Marie Phillips A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2013 Approved by: Daniel Riffe Daren Brabham Barbara Friedman George Noblit Terri Phoenix © 2013 Laurie Marie Phillips ALL RIGHTS RESERVED ii ABSTRACT LAURIE MARIE PHILLIPS: A Multi-method Examination of Race, Class, Gender, Sexual Orientation, and Motivations for Participation in the YouTube-based “It Gets Better Project” (Under the direction of Dr. Daniel Riffe) On September 15, 2010, Dan Savage and Terry Miller created a YouTube channel that turned into a global phenomenon: the “It Gets Better Project” (IGBP). This multi-method study employs: 1) Multimodal Critical Discourse Analysis (MCDA) to examine race, class, gender, and sexual orientation within IGBP videos; and 2) video chat-based in-depth interviews for determining participants’ motivations for IGBP participation and production of crowdsourced, social media-based strategic communication. Using sociologist Patricia Hill Collins’ “matrix of domination” as a theoretical framework for understanding structural, disciplinary, hegemonic, and interpersonal oppressions that led to the IGBP’s creation, video production, and video content, this empirical study draws from a sample of 21 videos and 20 interviews. MCDA findings reveal that participants presented a pared-back version of their own racial, class, gender, and sexual identities; projected their identities onto viewers; and created and perpetuated myths through their video narratives. -
Strike One... DISCONTENTS WHY YOU NEED HONI SOIT SOUND HONI NEWS Is It Too Much? a Cover Photo, a News and That’S Fine
week two semester one 2013 strike one... honi soit honi International students getting (slightly less) screwed Pg 4 Top 5 Disney songs to have sex to Pg 8 Can the Aussie media handle The Guardian? Pg 11 SUDS and MUSE reviews Pg 14 DISCONTENTS WHY YOU NEED HONI SOIT SOUND HONI NEWS Is it too much? A cover photo, a news And that’s fine. The audiences of these disputes that overwhelm your cam- 5. Run for Union, Get story, letters, and three opinion pieces. papers are too vast to spend pages on pus, the politics that govern your stu- It’s a strike heavy edition, that’s for sure. something so local. They don’t care if dent organisations, and sometimes, just Paid But it’s no accident. Sally from Engineering decided to take sometimes, the insects that chase your 6. NTEU Strike opinions Like so many issues important to stu- a stand on the picket line, or if Damien lecturer out of their lecture hall. dents, last week’s NTEU/CPSU strike from Commerce just wanted to go to his 7. Top 5 Disney songs received wide coverage of only shallow lecture. to have sex to depth. It was exactly the kind of jour- But we do. When we campaigned and Rafi Alam nalism we railed against in the past two sought election as an editorial team the editorials; intro, quote A vs. quote B, most consistent feedback we got was Max Chalmers 9. What’s in the box? fin. The ABC, The Sydney Morning Her- that students wanted a paper that was Editor-in-chief John Gooding ald, The Daily Telegraph, and The Austra- local, a paper that was different to the lian got their Michael Thomson, Michael SMH, the Oz, the ABC. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.