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John Tchicai Discography

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JOHN TCHICAI DISCOGRAPHY Edited by Erik Raben ([email protected]) MAX BRÜEL QUINTET: John Tchicai(as), Max Brüel(ts), Niels Brøndsted(p), Niels-Henning Ørsted Pedersen(b), Bjarne Rostvold(dr). Live. ”Radiohuset”, Copenhagen. March 25, 1962 Ba-lu Bolivar Ba-lues-are unissued Embraceable You What Is This Thing Called Love Note: The above titles were broadcast by the Danish Radio. MAX BRÜEL – JOHN TCHICAI QUINTET: Max Brüel(ss,bars), John Tchicai(as), Niels Brøndsted(p), Björn Alke(b), Rune Carlsson(dr). Live. Jazz Jamboree, Warsaw. October 29, 1962 Blue Monk Muza(P)L0397,Jazzhus(J)JD7647(CD) Night In Tunisia – – Muza(P)L0397: ”Jazz Jamboree 1962, vol. 4”. Jazzhus(J)JD7647(CD): ”John Tchicai & Igor Caplinski Live in Warsaw 1962” Note: The above group was presented as JØRGEN LETH QUINTET. ARCHIE SHEPP – BILL DIXON AUGMENTED QUARTET: Bill Dixon(tp), Roswell Rudd(tb), Perry Robinson(cl), John Tchicai(as), Archie Shepp, Guy Hampton(ts), Lowell Sclocum(bars), Gary Newman, Jimmie Stevenson, Jr.(b), J.C. Moses(dr). NYC. February 21, 1963 Scandinavian Sketches, pt. I-V unissued Note: The above titles were broadcast by the WBAI radio. JOHN TCHICAI: Bill Dixon(tp), John Tchicai(as), Jimmie Stevenson, Jr.(b), Sunny Murray(dr). NYC. Spring 1963 For Helvede unissued Note: The above title was recorded as an audition tape to WBAI. CHAMELEON DANCE GROUP: Bill Dixon(tp,flh), John Tchicai(as), Archie Shepp(ts), poss. Don Moore and/or Alex Lane(b), poss. Charles Moffett(dr), Chameleon Dance Group(dance). Live. ”Judson Hall”, NYC. May 24, 1963 Rufus unissued ARCHIE SHEPP – BILL DIXON QUINTET: Bill Dixon(tp), John Tchicai(as), Archie Shepp(ts), Gary Peacock, prob. Jimmie Stevenson, Jr.(b), prob. Charles Moffett(dr). Live. ”Five Spot”, N.Y.C. c. May 1963 Metamorphosis unissued JOHN TCHICAI – ARCHIE SHEPP: John Tchicai(as), Archie Shepp(ts), Don Moore(b), J.C. Moses(dr). NYC. August 23, 1963 Rufus Fontana(Eu)681.014ZL Nettus – Hoppin’ – For Helvede – Funeral – All titles also on Fontana(Eu)881.014ZY, (J)SFON7080, 195J26, PHCE1002 (CD). Fontana(Eu)681.014ZL: ”Rufus”. Note: When Don Cherry started recording he was playing a pocket-cornet (which he named a pocket-trumpet) but later he changed (at least for some years) to a full-sized cornet. On most recordings his instrument is listed as pocket-trumpet; this discography lists the instrument as cornet (cnt). NEW YORK CONTEMPORARY FIVE: Don Cherry(cnt), John Tchicai(as), Archie Shepp(ts), Don Moore(b), J.C. Moses(dr), Bill Dixon(arr). NYC. Prob. August 23, 1963 (see note) Rufus Fontana(Eu)681.013ZL Crepuscule With Nellie – Trio – Sound Barrier (Cisum) – Wo Wo (Hoppin’) – Note: The above titles are generally listed as recorded at the same session as the ”Rufus” LP (Fontana(Eu)681.014ZL) – i.e. August 23, 1963. According to Tchicai Don Cherry was late for the session – therefore the five titles on the ”Rufus” LP were recorded with- out Cherry; when Cherry arrived the above titles (for the ”Consequences” LP) were recorded. The two records however have dif- ferent sound characteristics – suggesting different sessions. Same. Copenhagen. October 12, 1963 Consequences Fontana(Eu)681.013ZL Trio (take 1) unissued(see note) Trio (take 2) – All titles on 681.013ZL also on Fontana(Eu)881.013ZY, (J)SFON7077, 195J25, PHCE1001 (CD). Fontana(Eu)681.013ZL: ”New York Contemporary Five – Consequences”. Note: “Trio” (take 1) was used for the film ”Future One” – directed and produced by Niels Holt – issued on Marshmallow(J) MMEX-DVD101 (DVD) (”Jazz In Denmark ”). Same. Live. ”Radiohuset”, Copenhagen. October 27, 1963 Emotions Free Factory 069(CD) Monk’s Mood – Consequenses – Free Factory 069(CD): ”Don Cherry Quintets: Copenhagen 1963 & Hilversum 1966”. Same; add Roswell Rudd(arr). Live. ”Jazzhus Montmartre”. November 15, 1963 Cisum Sonet(D)SLP36 Trio Sonet(D)SLP51 Consequences – The Funeral Sonet(D)SLP36 Sound By Yor unissued Wo Wo Sonet(D)SLP51 Crepuscule With Nellie(take 1) unissued O.C. Sonet(D)SLP36 The Sphinx unissued When Will The Blues Leave Sonet(D)SLP36 Monk’s Mood Sonet(D)SLP51 Ezz-thetic (Theme)(take 1) – Emotions – Crepuscule With Nellie(take 2) Sonet(D)SLP36 Epistrophy unissued Mik Sonet(D)SLP36 Ezz-thetic (Theme)(take 2) – All titles on SLP36 also on Storyville(Am)SLP1010, (F)21016, Sonet(J)UPS5123, UPS2022, UPS2250, Polydor(Eu)623.235, Delmark DL409, DS9409, DE409 (CD). All titles on SLP51 also on Storyville(Am)SLP1009, (F)21016, Sonet(J)UPS5150, UPS2023, UPS2251, Polydor(Eu)623.267 (poss. unissued), Delmark DL412 (poss. unissued). All titles on SLP36 and SLP51 – except ”Cisum” – also on Storyville(D)STCD8209 (CD), 101.8385 (CD). Sonet(D)SLP36: ”New York Contemporary Five Rec. Live At ”Jazzhus Montmartre”,Vol.1”. Sonet(D)SLP51: ”New York Contemporary Five Rec. Live At ”Jazzhus Montmartre”,Vol.2”. Delmark DL409/DS9409/DE409 (CD): ”Archie Shepp In Europe – New York Contemporary Five, vol. 1”. Delmark DL412 (poss. unissued): ”Archie Shepp In Europe – New York Contemporary Five, vol. 2”. Storyville(F)21.016 (2xLP): ”Archie Shepp + The New York Contemporary Five”. Storyville(D)STCD8209(CD)/101.8385 (CD): ”Archie Shepp With The New York Contemporary Five”. Note: ”Sound By Yor” is not the same composition as ”Sound Barrier” (rec. August 23, 1963). The two takes of ”Ezz-thetic” are not listed as specific tracks on the LPs and CDs; ”Ezz-thetic” (take 1) follows ”Trio” on SLP51 and ”Ezz-thetic” (take 2) follows ”Mik” on SLP36. Ted Curson –1(tp,piccolo-tp), Don Cherry –2(cnt), John Tchicai(as), Archie Shepp(ts), Ronnie Boykins(b), Sunny Murray(dr). NYC. February 5, 1964 64-061 Where Poppies Bloom(1) Savoy MG12184 64-062 Like A Blessed Baby Lamb(1) – 64-063 Consequences(2) – ,Monkey(F)MT40003 All titles also on Savoy SJL2235, 93008-2 (CD), Realm(CBS(E)RM52422, Byg(F)529.100. Savoy MG12184: ” Bill Dixon 7-Tette / Archie Shepp And The New York Contemporary Five”. SLP2235 (2xLP): ”New Music – Second Wave” (var. artists). Byg(F)529.100: ”Archie Shepp – Bill Dixon: Consequences”. NEW YORK EYE AND EAR CONTROL: Don Cherry(cnt), Roswell Rudd(tb), John Tchicai(as), Albert Ayler(ts), Gary Peacopck(b), Sunny Murray(dr). NYC. July 16, 1964 Dons Dawn ESP 1016,1016-2(CD),(I)ESP1(CD) AY – – – ITT – – – All titles also on ESP(J)BT5005, SMJ7499, SESP7015, SFX10715, 15PJ2024, Get Back(I)GET1013. ESP 1016,1016-2 (CD): ”New York Eye And Ear Control”. ESP(I)ESP1 (4xCD): .”Albert Ayler – Complete ESP Disk Recordings”. Note: Part of the above music were used for the ”New York Eye And Ear Control” soundtrack (filmed and directed by Michael Snow). ARCHIE SHEPP: Alan Shorter(flh), Roswell Rudd(tb), John Tchicai(as), Archie Shepp(ts), Reggie Workman(b), Charles Moffett(dr). NYC. August 10, 1964 90159 Syeda’s Song Flute Impulse A(S)71,ASY9284-3 90160 Mr. Syms – 90161 Cousin Mary – 90162 Naima – ,GRD2-101(CD) 90163 Rufus (Swung, His Face At Last To The Wind, Then His Neck Snapped) (no flh,tb) – ,ASH9253-3(ed.) All titles also on Impulse(Eu)IMP12182 (CD), IMPD218 (CD), (J)SH3057, IMP88063, YP8525AI, 32XD623 (CD), MVCI23042 (CD), HMV(E)CLP3524. Impulse A(S)71: ”Four For Trane”. Impulse ASH9253-3 (3xLP): ”The Saxophone” (var. artists). Impulse ASY9284-3 (3xLP): ”The Bass” (var. artists). Impulse GRD2-101 (CD): ”Impulse Jazz:30 Year Celebration” (var. artists). NEW YORK ART QUARTET: Roswell Rudd(tb), John Tchicai(as), Lewis Worrell(b), Milford Graves(dr). NYC. October 31, 1964 For Eric: Memento Mori Triple Point TPR161 Uh-Oh/Sound By Yor(1,2) – O.C.(2) – Ballad Theta – No. 6 – –1. Add Alan Shorter(tp). –2. Add J.C. Moses(dr); Graves plays (cg). Triple Point TPR16 (5xLP): ”New York Art Quartet – Call It Art”. Note: The above titles were recorded at the loft of Marzette Watts. NEW YORK ART QUARTET: Roswell Rudd(tb), John Tchicai(as), Lewis Worrell(b), Milford Graves(dr), LeRoi Jones (Amiri Baraka)(recitation). NYC. November 26, 1964 Short ESP 1004 Sweet V – Black Dada Nihilismus(1)(lrj) – ,ESP 1051(ed.),Situation(Du)15/A(45 rpm) Rosmosis – No. 6 – –1. Omit Rudd and Tchicai on ”Black Dada Nihilismus”. All titles also on ESP 1004 (CD), 1004-2 (CD),(J)BT5053, TKCZ79112 (CD), Base(I)1004, Fontana(E)STL5521, 858.129, Get Back(I) GET1034. ESP 1004, 1004-2 (CD): ”New York Art Quartet”. ESP 1051: ”The ESP Sampler”. Situation(Du)15/A(45-single): ”LeRoi Jones & New York Art Quartet”. Note: The above titles are listed acc. to the original LP issue (ESP 1004). On some of the CD issues ”Sweet V” and ”Black Dada Nihil- ismus” have been split into two tracks – and reversed. On some of the CD issues ”Rosmosis” has been split in two tracks – with ”Rosmosis” as the first one and ”Unknown Title” as the second. THE JAZZ COMPOSER’S (GUILD) ORCHESTRA: Michael Mantler(tp), Roswell Rudd(tb), Willie Ruff (frh), Steve Lacy(ss), Jimmy Lyons, John Tchicai(as), Archie Shepp(ts), Fred Pirtle (bars), Paul Bley (p), Eddie Gomez(b), Milford Graves(dr). Live. ”Judson Hall”, NYC. December 29, 1964 Roast Fontana(Eu)681.011ZL,881.011ZY Communications No. 3 unissued All titles on 681.011ZL also on Fontana(J)SFON7076, 195J23, PHCE1005 (CD), New Wave 881.011. Fontana(Eu)681.011ZL: ”Jazz Composer’s Orchestra – Communication”. NEW YORK ART QUARTET: Roswell Rudd(tb), John Tchicai(as), Don Moore(b), Milford Graves(dr). Live. ”Judson Hall”, NYC. December 31, 1964 Rosmosis Triple Point TPR161 Uh-Oh/No. 6 – Old Stuff – Asprokhaliko – Note: The December 29/31, 1964 titles were recorded during the ”Four Days in December” concert series at ”Judson Hall”. NEW YORK ART QUARTET: Roswell Rudd(tb), John Tchicai(as), Eddie Gomez(b), Milford Graves(dr), LeRoi Jones (Amiri Baraka)(recitation).
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    JAZZ ORCHESTRA Christoph Cech Austria 2019 Oct. 16th–19th, 2019 Graz, Vienna, Linz, Salzburg Picture: © Helmut Lackinger © Helmut Picture: JAZZ ORCHESTRA Euroblues – Impressions from Europe Conductor & Composer: Christoph Cech Oct. 16th, 20.00: Graz, University of Music and Performing Arts / WIST Oct. 17th, 19.30: Vienna, Funkhaus / Studio 3 Oct. 18th, 20.00: Linz, Anton Bruckner Private University / Großer Saal second concert: Upper Austrian Jazz Orchestra Oct. 19th, 19.00: Salzburg, Festival »Jazz & The City« / Szene LINE-UP Ajda Stina Turek (Slovenia), voice Lana Janjanin (Croatia), voice Oilly Wallace (Denmark), alto saxophone Sebastian Jonsson (Sweden), alto & soprano saxophone Štěpán Flagar (Czech Republic), tenor saxophone Danielius Pancerovas (Lithuania), baritone saxophone Tim Rabbitt (Great Britain), trumpet & flugelhorn Idar Eliassen Pedersen (Norway), trumpet & flugelhorn Ivan Radivojević (Serbia), trumpet & flugelhorn Aarni Häkkinen (Finland), trombone Janning Trumann (Germany), trombone Cyril Galamini (France), bass trombone Elza Ozolina (Latvia), piano & keyboards Andreas Erd (Austria), electric guitar Heikko-Joseph Remmel (Estonia), electric bass & double bass Daniel Bagutti (Switzerland), drums Christoph Cech (Austria), conductor & composer Since 1965, public radio stations, who are part of the European Broadcasting Union (EBU) have been sending young jazz talents under 30 to the Euroradio Jazz Orchestra every year. In the host ing country, which changes every year, they work with an established professional to de- velop and perform a new original program. In October 2019, the 16 excellent young musicians from just as many countries will be guests in Austria for the fi rst time in decades on the initia- tive of the jazz department of ORF Radio Ö1. We are honoured to engage Christoph Cech, one of the country’s most distinguished jazz orchestra experts, as composer and conductor.
  • Downbeat.Com January 2016 U.K. £3.50

    Downbeat.Com January 2016 U.K. £3.50

    JANUARY 2016 U.K. £3.50 DOWNBEAT.COM DOWNBEAT LIZZ WRIGHT • CHARLES LLOYD • KIRK KNUFFKE • BEST ALBUMS OF 2015 • JAZZ SCHOOL JANUARY 2016 january 2016 VOLUME 83 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ŽanetaÎuntová Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York:
  • Music and Industry News in Brief

    Music and Industry News in Brief

    JazzWeek with airplay data powered by jazzweek.com • July 31, 2006 Volume 2, Number 35 • $7.95 Artist Q&A: STEVEN BERNSTEIN page 9 On The Charts: #1 Jazz Album – Regina Carter #1 Smooth Album – Mindi Abair #1 College Jazz – Costello/Toussaint #1 Smooth Single – Peter White #1 World Music – Sean Paul JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR Tad Hendrickson ven though IAJE is about five months away, planning is be- CONTRIBUTING WRITER/ ing finalized for this year’s radio track. JazzWeek is pleased PHOTOGRAPHER Eto coordinate those three sessions again this year. We’ll have Tom Mallison information for you here shortly. PHOTOGRAPHY One panel session, proposed by WSHA’s Bob Rogers, picks up Barry Solof on the theme of many of our discussions at the JazzWeek Sum- Contributing Editors mit in June. The topic will be the crisis in jazz radio, and why that Keith Zimmerman might be an opportunity. Kent Zimmerman Despite an artform that is absolutely amazing in its creativity Founding Publisher: Tony Gasparre and productivity – and the new releases I’ve listened to this week ADVERTISING: Devon Murphy certainly confirms that in my mind – we’re losing radio outlets one Call (866) 453-6401 ext. 3 or at a time and have for several years. If Chicago – Chicago for cry- email: [email protected] ing out loud! – can’t support a jazz station, and if other stations SUBSCRIPTIONS: in big jazz markets are hemorrhaging listeners, then there must Free to qualified applicants be something we’re doing wrong. Maybe we haven’t done enough Premium subscription: $149.00 per year, research; maybe we’ve done too much.
  • Timbila Metamorfosi Di Un Processo Identitario Attraverso La Musica

    Timbila Metamorfosi Di Un Processo Identitario Attraverso La Musica

    Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2007 Timbila: metamorfosi di un processo identitario attraverso la musica Laffranchini, Moira Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-160579 Dissertation Published Version Originally published at: Laffranchini, Moira. Timbila: metamorfosi di un processo identitario attraverso la musica. 2007, Univer- sity of Zurich, Faculty of Arts. TIMBILA METAMORFOSI DI UN PROCESSO IDENTITARIO ATTRAVERSO LA MUSICA Thesis Presented to the Faculty of Arts and Social Sciences Of the University of Zurich For the degree of Doctor of Philosophy By Moira Laffranchini Accepted in the spring semester 2007 On the recommendation of the doctoral commitee: Prof. Dr. Ernst Lichtenhahn, supervisor Prof. Dr. Dorothea Baumann, commitee Zurich, 2018 2 INDICE INTRODUZIONE……………………………………………………………………...5 PARTE I - TEORIA……………………………………………..……………………..9 1. Musica e cultura……………………………………..……………………………..9 1.1. Antropologia della musica e antropologia musicale…………………………..18 1.2. Creatività della musica e cerimonie…………………………………………...26 1.3. Conseguenze motodologiche…………………………………………………..31 2. Approccio epistemologico………………………………………….……………..33 2.1. Questioni di carattere storico-antropologico…………………………………..34 2.2. Questioni di carattere musicale………………………………………………..36 2.2.1. La poetica di timbila contro le umiliazioni coloniali…………………...37 2.2.2. La poetica dei timbila per l’indipendenza politica………….…………..37 2.2.3. La poetica dei timbila per la pace………………………………..……..38 2.2.4. “Tradizionalizzazione” della musica come condizione per la modernità……………………………………………………………….40 2.3. Tracey, timbila e chopi………………………………………………………...42 2.3.1. La danza relegata in secondo piano…………………………………….45 2.3.2. Chopi, timbila e Tracey…………………………………………………46 2.3.3.