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UAA Assembly Agenda September 12, 2013 1:00 - 3:30 P.M
UAA Assembly Agenda September 12, 2013 1:00 - 3:30 p.m. ADM 204 I. Call to Order II. Introduction of Members P= Present E= Excused President – Liz Winfree Vice President – APT Classified Faculty USUAA Alumni Association Christine Lidren Kathleen McCoy Mark Fitch Andrew Lemish James R. Hemsath (ex-officio) Betty Hernandez Rebecca Huerta Diane Hirshberg Melodee Monson Liz Winfree Tara Smith Dana Sample Kathy Smith Dianne Tarrant Bill Howell Maureen Hunt Lori Hart III. Approval of Agenda (pg. 1) IV. Approval of Summary (pg. 2-3) V. President’s Report VI. Administrative Reports A. Chancellor Case (pg. 4-9) Case Notes http://greenandgold.uaa.alaska.edu/chancellor/casenotes/ FAQ http://www.uaa.alaska.edu/chancellor/ B. Provost & Executive Vice Chancellor Baker C. Vice Chancellor of Administrative Services Spindle D. Vice Chancellor of Advancement Olson (pg. 10-11) E. Vice Chancellor for Student Services Schultz (pg. 12-16) VII. Governance Reports A. System Governance Council B. Staff Alliance C. Classified Council D. APT Council E. Union of Students/ Coalition of Students F. Alumni Association - James R. Hemsath G. Faculty Senate/ Faculty Alliance (pg. 17) VIII. Old Business IX. New Business A. Election: Assembly Vice President B. Student Satisfaction Survey Presentation, Susan Kalina (pg. 18) C. CAS Restructuring Discussion, Patricia Linton D. Assembly Meeting Time Discussion X. Information/Attachments A. Upcoming Governance Events (recurring item) B. Questions for President Gamble email [email protected] XI. Adjourn 1 UAA Assembly Summary May 9, 2013 1:00 - 3:30 p.m. ADM 204 Access Number: 1-800-893-8850 Meeting Number: 7730925 I. -
Arts and the Southeast Economy
S OUTHEAST CONFERENCE The Arts Economy of Southeast . Alaska Photo by Clark Mischler Tree carving on Mount Roberts by master carver Richard Beasley September 2014 Our Arts Economy Southeast Alaska Arts Data KEY FINDINGS Artists and arts organizations are a key part ! The arts are an important component of the of the Southeast Alaska economy. They regional economy. Altogether artist, arts $57.8 Million: Dollars create products and perform services. They organization, and audience spending in spent by artists, arts generate spending and attract audiences, Southeast Alaska totaled an estimated $57.8 organizations and who in turn spend money at restaurants, million in 2013. audiences in 2013 hotels, and other local businesses. Artists impact education, and by positively Based on an analysis of our survey data, self- ! contributing to the quality of life, they attract employment tax returns, and wage and labor 2,340: Number of young people to the region, and help retain data, there are an estimated 2,340 Southeast artists with earnings Alaska artists who earned revenue from their those who are here. from arts in 2013 art in 2013. Altogether, these artists earned The purpose of this publication is to consider an estimated $29.9 million last year. In terms (full & part time) the role of arts in the Southeast Alaska of workforce earnings, the arts sector is ! economy. nearly twice the size of the regional timber $29.9 Million: industry. Revenue earned by METHODOLOGY Calculating the economic impact of art and Unlike employees in other industries, most regional artists in 2013 artists is notoriously difficult. -
2013 - 2014 Academic Catalog
2013 - 2014 Academic Catalog Matanuska-Susitna College University of Alaska Anchorage P.O. Box 2889 | Palmer, Alaska 99645 Telephone: 907-745-9774 E-Mail: [email protected] Website: www.matsu.alaska.edu About this Catalog. This catalog offers you a complete guide to studying at Matanuska-Susitna College (MSC). It includes information on admission and graduation requirements as well as program and course listings for certificate and associate’s degree students. You should refer to this catalog for clarification on what is required of you as a Mat-Su College student and for specific information about what is offered at MSC. If you are a current or enrolling student, you should also refer to the Course Schedule which lists the dates, times and locations of available courses for each semester. Schedules are available a few weeks before registration begins for the upcoming semester. If you need more information, refer to the directory on page 4 for a list of MSC offices and phone numbers. It is the responsibility of the individual student to become familiar with the policies and regulations of MSC/UAA printed in this catalog. The responsibility for meeting all graduation requirements rests with the student. Every effort is made to ensure the accuracy of the information contained in this catalog. However, the Matanuska-Susitna College catalog is not a contract but rather a guide for the convenience of students. The college reserves the right to change or withdraw courses; to change the fees, rules, and calendar for admission, registration, instruction, and graduation; and to change other regulations affecting the student body at any time. -
Anchorage Native News
Celebrating 25 years of family wellness Volume 9, Number 1 • January/February 2007 Anchorage Native News Celebrating 25 years of family wellness The Gathering Saturday, February 10, 2007 10:30 a.m. to 3:30 p.m. th Egan Civic & Convention Center 25 Anniversary Everyone is invited to attend and it’s free! Explore services available in the Anchorage community •Information booths and displays •Purchase Native arts and crafts •Free refreshments Families are invited to participate in these special activities •Face painting •Horse-drawn carriage rides •Anchorage Fire Department fire trucks While at the Gathering, enter drawings to win •iPod •Southcentral Foundation jackets •Native art Southcentral 1982-2007 Foundation Southcentral Foundation Non-Profit Org. 4501 Diplomacy Drive US Postage CONTENTS Anchorage, AK 99508 PAID Anchorage, AK Permit No. 1022 Forwarding Service Requested TRADITIONAL HEALING 6 ELDER DRUM 7 th SCF PHOTO ALBUM 8-9 25 Anniversary HEAD START 10 Anchorage Native News January/February 2007 SCF Vision/Mission Page 2 Southcentral Foundation celebrates 25 years of family wellness nonprofits, employing more than 1,300 changes in the philosophy, structure and people in over 65 programs. delivery of the direct services offered to its The organization has developed and customer/owners. implemented comprehensive health- In January 1999, SCF and the Alaska Native related services to meet changing Tribal Health Consortium signed an agreement needs, enhance culture, and empower for co-management of Indian Health Service individuals and families to take charge programs on the Alaska Native Health Campus, of their lives. the location of the ANMC, the PCC, SCF's main Currently, SCF serves over 46,800 administration building and several other Alaska Native and American Indian facilities. -
The University of Alaska: How Is It Doing?
The University of Alaska: How Is It Doing? Item Type Report Authors Kassier, Theodore; Hill, Alexandra Publisher Institute of Social and Economic Research, University of Alaska Anchorage Download date 30/09/2021 15:50:40 Link to Item http://hdl.handle.net/11122/4428 The University of Alaska: How Is It Doing? By Theodore L. Kassier and Alexandra Hill May 2008 UA Research Summary No. 12 Institute of Social and Economic Research • University of Alaska Anchorage Recent reports on higher education in the U.S. say it’s in trouble— that hundreds of small, remote communities scattered across Alaska’s 375 mil- it’s too expensive, doesn’t offer enough need-based aid, isn’t educating lion acres. Most are far from roads and college campuses, and they typically people for today’s jobs, doesn’t demand enough of instructors or students, have limited Internet connections. That makes higher education less acces- and isn’t sufficiently accountable topolicymakers and taxpayers.1 sible for Alaskans who can’t afford to attend classes on campus or don’t have Is the University of Alaska (UA)—the state’s only public university adequate technology to take online distance-education courses. —offering a good, affordable education for Alaskans? This paper looks at Many of the state’s remote communities are Alaska Native villages. that question. It first presents the available data on various measures and Students from those communities face extra challenges if they enroll on then summarizes successes and continuing challenges for UA. It ends with a urban campuses, adjusting to life in much larger places and to cultural dif- discussion of how UA and the state are addressing higher-education issues ferences. -
State of Alaska FY2021 Governor's Operating Budget
University of Alaska State of Alaska FY2021 Governor’s Operating Budget University of Alaska FY2021 Governor Released December 30, 2019 University of Alaska Page 1 FY2021 Governor Table of Contents University of Alaska 3 Budget Reductions/Additions - Systemwide 19 RDU: Statewide Services 24 Statewide Services 32 Office of Information Technology 46 RDU: University of Alaska Anchorage 55 Anchorage Campus 69 Small Business Development Center 125 RDU: University of Alaska Fairbanks 131 Fairbanks Campus 152 Fairbanks Organized Research 200 RDU: Enterprise Entities 227 University of Alaska Foundation 233 Education Trust of Alaska 240 RDU: University of Alaska Anchorage CC 246 Kenai Peninsula College 250 Kodiak College 262 Matanuska-Susitna College 272 Prince William Sound College 282 RDU: University of Alaska Fairbanks CC 292 Bristol Bay Campus 296 Chukchi Campus 304 College of Rural and Community Development 311 Interior Alaska Campus 319 Kuskokwim Campus 328 Northwest Campus 337 UAF Community and Technical College 345 RDU: University of Alaska Southeast 355 Juneau Campus 364 Ketchikan Campus 379 Sitka Campus 388 Page 2 Released December 30, 2019 University of Alaska University of Alaska Mission University of Alaska System (UA) The University of Alaska inspires learning, and advances and disseminates knowledge through teaching, research, and public service, emphasizing the North and its diverse peoples. AS 14.40.010, AS 14.40.060 Core Services UGF DGF Other Fed Total PFT PPT NP % GF (in priority order) 1 Student Instruction 258,522.6 263,650.9 58,099.6 40,286.4 620,559.5 2,932.0 140.3 0.0 82.4% 2 Research: Advancing Knowledge, 26,917.1 45,644.5 16,936.4 82,242.4 171,740.3 765.6 32.6 0.0 11.4% Basic and Applied 3 Service: Sharing Knowledge to 16,593.8 22,528.8 7,563.5 17,697.1 64,383.2 296.4 16.1 0.0 6.2% Address Community Needs FY2020 Management Plan 302,033.5 331,824.1 82,599.5 140,225.9 856,683.0 3,994.0 189.0 0.0 Measures by Core Service (Additional performance information is available on the web at https://omb.alaska.gov/results.) 1. -
N. Paradoxa, Four Exhibits of Alaska Native Art
Fow Exhibits ofAlaska Native Art --------- ---- Women Artists Breaking -Boundaries - -------- If an event, or a group of events can symbolize the dynamic Chateau MusCe du Boulogne sur Mer in France to study the of a time, recent exhibits of Alaska Native' art arguably largest collection of historical Alutiiq masks. This historical represent the changing position ofAlaska Native women artists. collection had been assembled between 187 1- 1872 by Consider the following four recent exhibitions: Alphonse Pinart. Although historically women fiom Kodiak From November 2007 to February 2008 the exhibit Island never made masks, this exhibit included the work of Contemporary Alaska Native Art from the Museum two female carvers, Lena Amason and Coral Chemoff, a Collection was on display at the Anchorage Museum of basket weaver, jeweller and carver. History and Art. Susie Silooks' sculpture Old Bering Sea On February 27, 2008 the Hilton Hotel in Anchorage, Woman was included in this exhibit. Using inspiration &om Alaska hosted KNBA radio station's annual Alaska Native artifacts discovered in archaeological excavations from art auction. The art presented for the auction included Silook's ancestral home on St. Lawrence Island in Alaska, jewellery, paintings, wearable art, and other mixed medn this sculpture is covered in detailed shallow relief carving Sonya Kelliher-Combs, an Inupiat, Athabascan artist reminiscent of designs found on Old Bering Sea objects. originally from Norne, Alaska donated a mixed media piece Although Silook works in a medium traditionally reserved titled Her Favorite Color was Blue, a hpuk,the traditional hr~teffite$+ ssulptures areaccepted withnutquestion evegdg dress worn by Alaska Native women, decorated ----- -------- - both within her community and at museums and galleries. -
Filming a Makah Village for Jim Jarmusch' S Dead Man
FILMING A MAKAH VILLAGE FOR JIM JARMUSCH' S DEAD MAN by TODD J. TUBUTIS BA. (honours), Beloit College, 1992 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES Department of Anthropology & Sociology We accept this thesis as conforming to the required standard: V THE UNIVERSITY OF BRITISH COLUMBIA July 1998 ©Todd J. Tubutis, 1998 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Anthropology & Sociology The University of British Columbia Vancouver, Canada Date 6 August 1998 DE-6 (2/88) ABSTRACT This thesis looks at ethnographic film using Jim Jarmusch's 1996 Dead Man as a "site." Dead Man's penultimate scene portrays a Northwest Coast village using Makah actors and Makah- made set pieces. The production of this scene provides a setting where mainstream American culture, represented by a Hollywood film crew, comes into contact with Makah culture in a collaborative filmmaking effort, making Dead Man a site of cultural negotiation and mediation. By contextualizing Dead Man with earlier films from the Northwest Coast by Edward S. Curtis and Franz Boas, by examining the film's production through the words of the participants, and by incorporating theoretical notions of contact zones, authenticity, and experience, the author gleans an understanding of the contemporary Makah experience of Dead Man. -
AN ALASKA NATIVE CORPORATION | CIRI.COM | JANUARY 2016 01 a WORD from the PRESIDENT Sophie Minich, CIRI President and Chief Executive Officer
SHAREHOLDER NEWSLETTER JANUARY 2016 Make a Panda Express to CIRI champions Difference 03 Tikahtnu 03 Color of Justice 04 President’s message ......................2 Shareholder estates .......................4 In memory.......................................5 Junior NYO Games.........................2 Important CIRI dates ......................4 Winner’s circle 5Save the date: Job Missing shareholders.....................3 Coming soon: SCF Gathering .........5 Resources .......................................6 spotlight CIRI shareholder, Michael Clark Sr. Left: CIRI shareholder and executive Greg Razo delivers the findings of a special commission formed to recommend reforms to the Alaska criminal justice system. Right: Razo shakes hands with Gov. Bill Walker who committed to work with Michael Clark Sr. the legislature to enact reforms. Michael Clark Sr. has a reputation. When he goes CIRI EXECUTIVE HELPS LEAD PUSH TO REFORM to art shows, the other artists know him as the ATM ALASKA CRIMINAL JUSTICE SYSTEM killer – the guy who persuades customers to pull out cash and buy his stone carvings until the ATM is empty. It’s a pretty good reputation to have. When a special commission released its list of “The numbers speak for themselves—we spend 60 recommendations to reform Alaska’s criminal justice percent more on corrections than we did 20 years Clark has been carving stone since he was eight system, it was CIRI shareholder and executive Greg ago; our prison population has grown 27 percent years old. A technique he picked up from relatives Razo who stood at the podium to deliver the findings. in the last decade; and two out of three inmates who lived in the Nome area. Even a dangerous who leave prison return within three years. -
Alaska Native Arts Education Survey. INSTITUTION Alaska State Council on the Arts, Anchorage
DOCUMENT RESUME ED 404 230 SO 025 968 AUTHOR Naccereto, R. W. TITLE Alaska Native Arts Education Survey. INSTITUTION Alaska State Council on the Arts, Anchorage. SPONS AGENCY Alaska State Dept. of Education, Juneau.; National Endowment for the Arts, Washington, D.C. PUB DATE May 91 NOTE 30p. AVAILABLE FROM Alaska State Council on the Arts, 411 West 4th Avenue, Suite 1E, Anchorage, Alaska 99501-2343. PUB TYPE Reports Research/Technical (143) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Alaska Natives; American Indians; *Art Education; Artists; Community Resources; Curriculum Development; Elementary Secondary Education; Instructional Materials; Visual Arts IDENTIFIERS *Alaska; Artists in Schools Program; Arts Organizations ABSTRACT In 1987 the Alaska Department of Education conducted a survey of the state fine arts curriculum. The resulting information revealed an inconsistency in Alaska Native Arts Education throughout the state. To explore this situation further, the Arts in Education Program conducted its own survey in the spring of 1990, entitled, "Native Arts Curriculum in the Schools." This survey was sent to 55 districts and was returned by 54. A similar survey, "Native Arts Educational Programming" was returned by 14 Native/Arts organizations. The findings indicated: (1)11 districts have a formal arts curriculum, with formal defined as a complete packaged guide. 30 districts have an informal curriculum that integrates Native Arts into other areas such as social studies or literary arts. 13 districts had no Native Arts curriculum.(2) -
Todd Communications BOOKS LISTED by LITERARY CATEGORY on COLORED PAPER
BOOKS LISTED IN ALPHABETICAL ORDER IN FIRST WHITE SECTION. Todd Communications BOOKS LISTED BY LITERARY CATEGORY ON COLORED PAPER. 2021 CATALOG 2022 CDs Audio Holiday Note Cards Postcards NON-BOOK ITEMS CALENDARS CDs Multimedia Maps Prints & Posters LISTED IN Calendars Note Cards DVDs LAST WHITE SECTION See back of order form at the end of the last white section for wholesale calendar prices. 2022 Calendar available June 2021 Spectacular shots of bald Photos of Iditarod & Images by Alaska Northern Lights over Alaska Beautiful photos by Thirteen beautiful paintings Anchorage showcased eagles — young and old Yukon Quest races with all wildlife photographer by some of the 49th state’s Denali photographer & poet by Alaska’s finest artist, by photographer mushers’ finishing times Didier Lindsey finest photographers Jimmy Tohill Sydney Laurence Bob Hallinen Todd Communications TOP 20 SELLING ALASKA BOOKS 1 2 3 4 5 Milepost Boreal Simply Molly of Mama, Do You 2019 (71st Herbal: Wild Sourdough: Denali: Love Me? ed.) Food and The Alaskan A-Maze-Ing By Barbara M. Medicine Edited by Way Snow Joose Illustrated Plants of the by Barbara Kris Valencia (with sourdough Written and Graef North Lavallee by Beverley Gray packet) illustrated by 8.5”X 11” 5” X 6.2” 8” X 10” By Kathy Doogan WGBH Kids Soft Cover Board Book Soft Cover 5.25” X 8.5” 8” X 8” $6.99 $34.95 $44.95 Soft Cover Saddle Stitch $8.95 $4.99 6 7 8 9 10 Molly of Denali: A Wolf Called Alaska Raw Double Musky Molly of Party Moose Romeo By Bob Lacher Inn Cookbook: Denali: (I Can Read By Nick Jans -
Alaska Press
University of Alaska Press Fall 2008 Spring 2009 University of Alaska Press Nonprofit Organization PO Box 756240 U.S. Postage Fairbanks AK 99775-6240 PAID Permit No. 2 Fairbanks, AK FALL 2008 Living With Wildness Bill Sherwonit Bill Sherwonit has added a fine new volume to the literature of place, a literature that may be the most vital and venture- some of any kind being written in America today. Tracing “the intelligence of nature” from the streets of Anchorage to the mountains of Alaska’s Brooks Range, he marvels over chickadees and grizzlies, wood frogs and sandhill cranes, moose and mice and countless other creatures, along with snow and stars and shimmering northern lights. In prose as clear as an unsullied stream, he tells about his search for the Born in Bridgeport, Connecticut, wildness in the depths of mind that answers to the wildness nature writer BILL SHERWONIT in the world. has called Alaska home since —Scott Russell Sanders, author of A Private History of Awe 1982. He worked a dozen years at newspapers, including a Like one of his winter days in Anchorage, Sherwonit’s book is decade at the Anchorage Times. bright and calm. Its gifts are a wild landscape of delight and Sherwonit has contributed essays a lesson in attentiveness. and articles to a wide variety of —Kathleen Dean Moore, author of The Pine Island Paradox newspapers, magazines, journals, and anthologies; his essay “In Bill Sherwonit writes, “I never imagined myself becoming the Company of Bears” (now a a resident of America’s ‘last frontier.’” But in 1974, at age chapter in Living with Wildness) twenty-four, he arrived in Alaska, wide open to the experi- was selected for the Best American ence.