DOCSLIB.ORG

The Ro Y Al Ballet School Annu Al Report 20 16 / 17

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Ro Y Al Ballet School Annu Al Report 20 16 / 17 THE ROYAL BALLET SCHOOL ANNUAL REPORT 2016/17 BALLET SCHOOL ANNUAL THE ROYAL ANNUAL REPORT 46 FLORAL STREET WHITE LODGE COVENT GARDEN RICHMOND PARK LONDON WC2E 9DA SURREY TW10 5HR +44 (0)20 7836 8899 +44 (0)20 8392 8440 [email protected] | royalballetschool.org.uk A COMPANY LIMITED BY GUARANTEE | REGISTERED IN ENGLAND (547018) | REGISTERED CHARITY NO: 214364 | REGISTERED OFFICE: 46 FLORAL STREET, LONDON WC2E 9DA 2016/ 17 PATRON MISSION & VISION HM THE QUEEN PRESIDENT OUR MISSION & VISION HRH THE PRINCE OF WALES Our mission is to nurture, train and educate VICE PRESIDENT exceptional young dancers for the Royal THE LADY SARAH CHATTO Ballet companies and other leading UK FOUNDER and international companies and to inspire DAME NINETTE DE VALOIS OM CH DBE the future of classical ballet training. ARTISTIC DIRECTOR CHRISTOPHER POWNEY Our vision is to be the best classical ballet school in the world. GOVERNORS CHAIRMAN THE DUCHESS OF WELLINGTON OBE DEPUTY CHAIRMAN RICKI GAIL CONWAY CONTENTS DEPUTY CHAIRMAN MADELEINE PLAUT OUR REVIEW 2 HIGHLIGHTS SUNEEL BAKHSHI JONATHAN CHENEVIX-TRENCH 4 CHAIRMAN’S REVIEW DR GENEVIEVE DAVIES (FROM 1 NOVEMBER 2017) 6 ARTISTIC DIRECTOR’S REPORT SARAH DORFMAN CLARISSA FARR 8 OUR YEAR DAVID FLETCHER CANDIDA HURST-BROWN JANET LAMBERT OUTREACH & ACCESS NANCY MARKS 10 INSPIRING YOUNG PEOPLE MENNA MCGREGOR 15 OUTREACH & ACCESS STATISTICS KEVIN O’HARE ZITA SAUREL DR STEPHEN SPURR OUR ACHIEVEMENTS KENNETH STEELE 16 ACADEMIC & PASTORAL REPORT GOVERNOR EMERITUS 21 EXAMINATION RESULTS THE LADY SAINSBURY CBE HEALTHY DANCER PROGRAMME SENIOR STAFF 22 HEALTHCARE REVIEW CHIEF OPERATING OFFICER PIPPA ADAMSON (FROM JANUARY 2017) ALAN WINTER (UNTIL FEBRUARY 2017) OUR FINANCES 26 BUSINESS REVIEW ACADEMIC & PASTORAL PRINCIPAL 29 STATEMENT OF FINANCIAL ACTIVITIES KAREN DAVIES 30 BALANCE SHEET ASSISTANT PRINCIPAL PASTORAL & WELFARE JILL TAIT-HARRIS OUR SUPPORTERS . © The Royal Ballet School/Johan Persson Ballet School/Johan Royal . © The HEAD OF TRAINING & ACCESS 32 SUPPORTERS MARK ANNEAR HEAD OF INTENSIVE COURSES & INTERNATIONAL RELATIONS 3rd Year Upper School Year 3rd SAMIRA SAIDI HEAD OF DEVELOPMENT & COMMUNICATIONS SARAH ELIOT-COHEN and Harrison Lee, HEAD OF SITE OPERATIONS 2017 graduate 2017 ROGER ATKINSON For a full staff list please visit royalballetschool.org.uk/people Sae Maeda, hoto: THE ROYAL BALLET SCHOOL ANNUAL REPORT 2016/17 1 Cover p OUR REVIEW The Royal Ballet School remains the top choice for The performance the world’s most talented young dancers – attracted opportunities I’ve had here, by the high calibre of training, state-of-the-art from a very young age, have facilities and unparalleled healthcare programme. been incredible. When I first got on stage I knew this was what I wanted to do. AIDEN O’BRIEN GRADUATE 2017 2,712 OUR GREATLY EXPANDED WE HAD 2,712 APPLICATIONS TO OUR 2,143 CHILDREN AND YOUNG PEOPLE HEALTHCARE TEAM GIVES STUDENTS FULL-TIME AND ASSOCIATE COURSES WERE INTRODUCED TO BALLET ACCESS TO 20 ON-SITE SPECIALISTS THROUGH OUR ACCESS WORK 23 OUR BALLET HISTORY TIMELINE 23 GRADUATES GAINED JOBS IN RECORD NUMBERS OF DANCERS TOOK WAS LAUNCHED ONLINE AT 12 COMPANIES AROUND THE WORLD PART IN OUR EXTENDED FOUR-WEEK TIMELINE.ROYALBALLETSCHOOL.ORG.UK SUMMER INTENSIVE Photo: © The Royal Ballet School/Johan Persson Ballet School/Johan Royal © The Photo: EXCEL2 LENCE3 CHAIRMAN’S REVIEW This year has proved, yet again, to be a remarkable one for a school that continues to set the standard. (listed at the end of this report), have enabled CONGRATULATIONS TO OUR these first 18 months of our Healthy Dancer 2017 GRADUATES – THIS YEAR programme to happen. The rewards are seen 23 STUDENTS JOINED 12 BALLET COMPANIES AROUND THE WORLD: throughout the School as academic, artistic and pastoral staff work in close collaboration with HAOLIANG FENG BIRMINGHAM ROYAL BALLET our healthcare professionals. We are all convinced that treating our students as athletes and artists AUGUSTUS PAYNE BIRMINGHAM ROYAL BALLET is now an imperative part of the training we offer. HARRY WRIGHT BIRMINGHAM ROYAL BALLET Another technology that has changed teaching methods is the use of Smart screens JOONHYUK JUN THE ROYAL BALLET – AUD JEBSEN in the classrooms and studios. This has YOUNG DANCERS PROGRAMME enormously enhanced the use of our academic JOSHUA JUNKER teachers’ time, many of whom teach at both THE ROYAL BALLET – AUD JEBSEN sites, White Lodge in Richmond Park and the YOUNG DANCERS PROGRAMME Upper School in Covent Garden. It also means SAE MAEDA that a student who misses a class, through THE ROYAL BALLET – AUD JEBSEN YOUNG DANCERS PROGRAMME illness or because they are performing, can revisit the lesson online. The screens NADIA MULLOVA-BARLEY THE ROYAL BALLET – AUD JEBSEN also enable opportunities for digital-based YOUNG DANCERS PROGRAMME Country Life Country teaching approaches such as ‘flipped learning’ AIDEN O’BRIEN and ‘virtual tutorials’. THE ROYAL BALLET – AUD JEBSEN Photo: Photo: YOUNG DANCERS PROGRAMME THE DUCHESS OF WELLINGTON OBE Artistic Director, Christopher Powney, has The interactive screens are also invaluable AMELIA PALMIERO CHAIRMAN embedded his new strategic approach for in artistic classes, allowing students to watch THE ROYAL BALLET – AUD JEBSEN YOUNG DANCERS PROGRAMME the School and we all – students, staff and video footage of a wide range of repertoire CLAUDIA NICHOLSON Previous page: Aiden O’Brien, Governors – benefit from his conviction, which can be compared and analysed. BIRMINGHAM ROYAL BALLET graduate 2017 dedication and sensitivity. Students’ work can be recorded to the screens (APPRENTICESHIP) Right: Kenneth MacMIllan’s Concerto and discussed in much greater detail than SEAN FLANAGAN performed at Opera Holland Park His Healthy Dancer programme, developed to ever before. We are hugely grateful to the BALLETBOYZ improve the emotional and physical health of G & K Boyes Charitable Trust for donating JOSEPH FAWCETT-WOOD our students, has impressed us all. For some the remaining 21 screens this year. Our staff BALLET NACIONAL SODRE, time now The Royal Ballet Company has been and students are still discovering exciting URUGUAY using new technologies that were originally new ways to use this technology. ISABELLA KNIGHTS developed for the care of athletes. Not only BAYERISCHE STAATSBALLETTOPER is the School catching up, but we are able to Our responsibilities for student welfare and NICHOLAS LANDON develop this work so much further, as we care safeguarding are taken very seriously and DUTCH NATIONAL BALLET JUNIOR COMPANY for and collect data on our dancers from the our new Pastoral and Compliance Committee WE TRACK AND ANALYSE age of 11. work tirelessly with the staff to ensure that ALICE BELLINI ENGLISH NATIONAL BALLET HEALTH DATA ON STUDENTS Governors and staff alike are aware of each FROM THE AGE OF 11 The regular complaint of the professional change in government directive. As Chairman, FERNANDO MARTIN-GULLANS HOUSTON BALLET dancer who has suffered mental or physical I would like to thank all the Governors who, setbacks (and I have yet to meet the one who on top of the meetings they attend, find time ALBJON GJORLLAKU ORLANDO BALLET hasn’t) is: ‘if only I had had such healthcare to visit the School, speak to students and staff earlier’. Now we are able to provide that care and remain vigilant in protecting their welfare. ALICE KAWALEK SCOTTISH BALLET 21 from a much younger age. The Governors, as ever, wish to congratulate JEROME BARNES SCOTTISH BALLET 21 SMART SCREENS INSTALLED Our Healthcare team has expanded significantly and thank the staff for all the work they RIO ANDERSON Johan Persson IN CLASSROOMS AND STUDIOS and goes from strength to strength. We now put into creating this extraordinary place / SEMPEROPER BALLETT DRESDEN employ 20 staff in this field. It is, however, of achievement. We all agree it is a joy and expensive to run such a far-reaching programme a privilege to be associated with them. ELLA VICKERMAN SEMPEROPER BALLETT DRESDEN and we need long-term funding to ensure it continues. We are deeply grateful for the advice RODRIGO PINTO SEMPEROPER BALLETT DRESDEN and generosity of Angela Bernstein and our FRASER ROACH Governor, Sarah Dorfman who, together with Ballet School Royal © The Photo: STUTTGARTER BALLETT a group of other forward-thinking supporters THE DUCHESS OF WELLINGTON OBE Cover: 4 THE ROYAL BALLET SCHOOL ANNUAL REPORT 2016/17 THE ROYAL BALLET SCHOOL ANNUAL REPORT 2016/17 5 ARTISTIC DIRECTOR’S REPORT It has been my privilege to lead the School through another year of great achievements. 4 5 4 FOUR PROMISING YOUNG FIVE SUCCESSFUL WE EXTENDED OUR DANCERS WERE NAMED SUMMER PERFORMANCES POPULAR SUMMER INTENSIVE INTERNATIONAL SCHOLARS TO FOUR WEEKS opportunities, including training with us during healthcare support system for our students. certain weeks in the year. I designated four This remains a major focus for the School International Scholars in 2016/17 who are all throughout 2017/18 and beyond. The aim now representing the School around the world. is to optimise our dancers’ health, wellness and resilience. I very much look forward to We have continued our Creative Artist guest reporting further on this programme in the speaker programme to expand the creative coming year. influences on our students. In 2016/17 we welcomed a second series of illustrious guests to I would like to thank all the incredible Royal the School. My thanks to The Thompson Family Ballet School staff for their dedicated work Charitable Trust and Kevin and Olga Senior for for the School and ultimately the students. funding this programme and to Christopher Gorman-Evans and Robin and Frances Tompkins for their ongoing support and generous contribution to students’ cultural outings. Schuhlelewis.com / l As you will see elsewhere in this report, we continue to make the positive changes CHRISTOPHER POWNEY Students dancing Mikhail Fokine’s necessary to put in place an even better ARTISTIC DIRECTOR Les Sylphides at Opera Holland Park Photo: © The Royal Ballet Schoo Royal © The Photo: CHRISTOPHER POWNEY I am especially proud of our 2017 graduates, Dance Academy’s Performance Series for ARTISTIC DIRECTOR all of whom obtained company contracts.
Load more

Recommended publications
  • People Features Performances
    People 8 Viktoria Tereshkina CATHERINE PAWLICK catches up with the Mariinsky ballerina in St Petersburg 26 Gillian Lynne and Miracle in the Gorbals VIKI WESTALL meets up with the veteran choreographer in Birmingham 60 Ciro Tamayo LUCÍA CHILIBROSTE interviews Ballet de Uruguay’s outstanding dancer 67 1st Job CARLOS PONS GUERRA skypes Tamara Chilirojo - aka Kevin García Montagut - in New York City Features 25 Comment: Company Saved But Few Rejoice BRUCE MICHELSON analyses a less than satisfactory outcome 32 Critics’ Choice Dance Europe’s writers, along with guest critics, select the highs and lows from last season 65 Tanzmesse DWAYNE HOLLIDAY gets a taste of the mega dance event in Düsseldorf 68 Positano WENDY PERRON reports on this year’s Positano Performances Premia la Danza Léonide Massine 14 Coppélia DEBORAH WEISS and MIKE DIXON weigh up 70 Shawbrook different casts in ENB’s revival of Ronald Hynd’s DIARMAID O’MEARA visits a terpsichorean production hideaway in Ireland contents contents 18 Push GERARD DAVIS savours a hypnotic marriage 6 ENTRE NOUS 73 AUDITIONS AND JOBS 20 Julidans DAVIDE COCCHIARA considers some of the 81 INTERNATIONAL DIARY highlights in this year’s Amsterdam festival 83 DANCE ON SCREEN 23 Biarritz 85 EXHIBITIONS AND EVENTS FRANÇOIS FARGUE reports on an alliance formed by three French companies 86 PEOPLE PAGE Front cover: Mariinsky Ballet - Viktoria Tereshkina as Juliet in Romeo and Juliet Photos: Erik Tomasson; Andrew Ross; Dance Europe → Photo: E. Kauldhar/Dance Europe. DANCE EUROPE October 2014 3 Performances DANCE EUROPE Founded in 1995 ISSN: 1359-9798 30 Solo for Two MIKE DIXON on Osipova and Vasiliev outside P.O.
    [Show full text]
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • England LEA/School Code School Name Town 330/6092 Abbey
    England LEA/School Code School Name Town 330/6092 Abbey College Birmingham 873/4603 Abbey College, Ramsey Ramsey 865/4000 Abbeyfield School Chippenham 803/4000 Abbeywood Community School Bristol 860/4500 Abbot Beyne School Burton-on-Trent 312/5409 Abbotsfield School Uxbridge 894/6906 Abraham Darby Academy Telford 202/4285 Acland Burghley School London 931/8004 Activate Learning Oxford 307/4035 Acton High School London 919/4029 Adeyfield School Hemel Hempstead 825/6015 Akeley Wood Senior School Buckingham 935/4059 Alde Valley School Leiston 919/6003 Aldenham School Borehamwood 891/4117 Alderman White School and Language College Nottingham 307/6905 Alec Reed Academy Northolt 830/4001 Alfreton Grange Arts College Alfreton 823/6905 All Saints Academy Dunstable Dunstable 916/6905 All Saints' Academy, Cheltenham Cheltenham 340/4615 All Saints Catholic High School Knowsley 341/4421 Alsop High School Technology & Applied Learning Specialist College Liverpool 358/4024 Altrincham College of Arts Altrincham 868/4506 Altwood CofE Secondary School Maidenhead 825/4095 Amersham School Amersham 380/6907 Appleton Academy Bradford 330/4804 Archbishop Ilsley Catholic School Birmingham 810/6905 Archbishop Sentamu Academy Hull 208/5403 Archbishop Tenison's School London 916/4032 Archway School Stroud 845/4003 ARK William Parker Academy Hastings 371/4021 Armthorpe Academy Doncaster 885/4008 Arrow Vale RSA Academy Redditch 937/5401 Ash Green School Coventry 371/4000 Ash Hill Academy Doncaster 891/4009 Ashfield Comprehensive School Nottingham 801/4030 Ashton
    [Show full text]
  • A Mixed Blessing at the Ballet 01
    Daily Telegraph July 28 2001 A mixed blessing at the ballet Photo Sheila Rock As Anthony Dowell leaves the Royal Ballet, dance critic Ismene Brown assesses his 15-year regime as director - and stars pay tribute below AT THE Royal Ballet the countdown has begun to the end of an era. A week tonight, amid flowers, Champagne and tears, Sir Anthony Dowell, the longest-serving ballet director since the company’s founder, Ninette de Valois, will end his 15-year regime. He was undoubtedly one of the great world stars of dancing, and the “Celebration Programme” will mark his achievements as such. But about his success as director of the company, opinion is far from unanimous. What makes a good director? The question has never been more of a poser than during Dowell\s captaincy of the ballet, in the most turbulent years of the Royal Opera House’s history. There are many pluses on Dowell’s account sheet - his maintenance of high classical technical standards, his welcoming of key foreign artists into the Royal (particularly Sylvie Guillem and Irek Mukhamedov), his inspiring coaching, to which leading guest stars attest opposite. The rise of Darcey Bussell to world acclaim, the forging of a superb partnership between Mukhamedov and Viviana Durante, this final, nostalgic and beautiful 2000-01 season - these are positive memories. He will be noted as a conservative, and many welcomed this after an insecure period of modernising under his predecessor, Norman Morrice. Whether conservatism has served the company well for the future, though, is debatable. In the shifting landscape of ballet, conservatism is not enough to hold steady.
    [Show full text]
  • 1 Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice Graduated
    Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice graduated from Trinity Laban Conservatoire of Music and Dance in 2015 with a First Class Honours degree in Contemporary Dance, and went on to gain an MA in Dance Performance at the University of Chichester. Currently the Lead Press and Communications Officer at the Royal Academy of Dance, Alice has previously worked in marketing and communications at organisations such as Trinity Laban and The Place, gaining an in depth and confident understanding of social media strategy. Amelia Wilkinson, MSc Physiotherapy (pre-reg), MSc Dance Science, BA (Hons) Sociology, APPI certified Pilates Instructor Enhancing Silver Swans® Provision Amelia originally trained as a dancer at The Royal Ballet School and is now a dance science educator, physiotherapist and Pilates instructor. Her expertise in health and wellbeing is informed by both her dance for health and physiotherapy research. Most recently she examined community dwelling stroke survivors’ perceptions of upper limb dysfunction and its impact on quality of life. She currently works as a Health and Performance Enhancement Tutor across two Centre for Advanced Training programmes and delivers dance science CPD courses across the UK and internationally for the RAD. Caroline Palmer, ARAD (Dip. PDTC) Analysing Discovering Repertoire Choreographic Style with Benesh Notation Caroline trained in classical ballet in London with Andrew Hardie and Maria Fay. She danced professionally for 10 years mainly with the Deutsche Opera in Dusseldorf. In 1979 Caroline retrained as a teacher at the Royal Academy of Dance and subsequently taught on the degree course at Laban, London.
    [Show full text]
  • Prix De Lausanne 2021 Video Edition International Ballet Competition
    Press release Prix de Lausanne 2021 Video Edition International ballet competition Lausanne, November 20th, 2020: Due to the sanitary situation and related restrictions, the Fondation en faveur de l'Art Chorégraphique has had to rethink the usual form of its main event, the Prix de Lausanne. Therefore, the Fondation announces the new format for this year’s competition: The Prix de Lausanne will exceptionally be a Video Edition with a 9-member Jury present in Switzerland. Due to the sanitary situation and related restrictions, the Fondation en faveur de l'Art Chorégraphique has had to reinvent its main event but its priorities remain the same: providing opportunities for young talented dancers and fulfilling its mission as a charitable foundation. The Fondation is therefore pleased to announce that the 49th edition of its Prix de Lausanne, from January 31st to February 7th, 2021, will be a Video Edition. The event will require only the Jury’s 9-member presence on site in Switzerland. Every selected candidate will be able to demonstrate their talent and compete for a scholarship or apprenticeship via video submission and not in person in Switzerland. Classical and contemporary variations, as well as a ballet class, will be evaluated and marked separately. As in previous years, 20 finalists will be selected and judged at the end of the week, before the winners’ announcement during the Finals on Saturday, February 6th, 2021. The Prix de Lausanne’s Partner Schools and Companies will follow the competition week and will be able watch the videos privately through our Networking Forum and thus offer their support to all of the 81 candidates.
    [Show full text]
  • MAYERLING Tweet Your Thoughts About Tonight’S Performance Before It Starts, During the Intervals Or Afterwards with #Rohmayerling BALLET in THREE ACTS
    THE ROYAL BALLET DIRECTOR KEVIN O’HARE CBE OM CH DBE Approximate timings FOUNDER DAME NINETTE DE VALOIS FOUNDER CHOREOGRAPHER Live cinema relay begins at 7.15pm; ballet begins at 7.30pm SIR FREDERICK ASHTON OM CH CBE FOUNDER MUSIC DIRECTOR CONSTANT LAMBERT Act I 41 minutes PRIMA BALLERINA ASSOLUTA Interval DAME MARGOT FONTEYN DBE Act II 53 minutes Interval Act III 37 minutes The performance will end at approximately 10.30pm MAYERLING Tweet your thoughts about tonight’s performance before it starts, during the intervals or afterwards with #ROHmayerling BALLET IN THREE ACTS POINTE SHOES APPEAL CHOREOGRAPHY KENNETH MACMILLAN MUSIC FRANZ LISZT Each year The Royal Ballet dances through more than 6,000 pairs ARRANGED AND ORCHESTRATED BY JOHN LANCHBERY of pointe shoes. A gift of £5 to the Pointe Shoes Appeal could buy DESIGNER enough ribbon for five pairs. Donate online. NICHOLAS GEORGIADIS SCENARIO GILLIAN FREEMAN roh.org.uk/pointe LIGHTING DESIGNER JOHN B. READ STAGING CHRISTOPHER SAUNDERS, GRANT COYLE, KARL BURNETT BALLET MASTERS GARY AVIS, RICARDO CERVERA 2018/19 LIVE CINEMA SEASON INCLUDES: BALLET MISTRESS SAMANTHA RAINE ASSISTANT BALLET MISTRESS SIAN MURPHY DIE WALKÜRE SUNDAY 28 OCTOBER 2018 PRINCIPAL COACHING ALEXANDER AGADZHANOV, LEANNE BENJAMIN, LA BAYADÈRE TUESDAY 13 NOVEMBER 2018 ANTONY DOWSON, ZENAIDA YANOWSKY THE NUTCRACKER MONDAY 3 DECEMBER 2018 BENESH CHOREOLOGISTS KARL BURNETT, GRANT COYLE THE QUEEN OF SPADES TUESDAY 22 JANUARY 2019 LA TRAVIATA WEDNESDAY 30 JANUARY 2019 CONDUCTOR KOEN KESSELS DON QUIXOTE TUESDAY 19 FEBRUARY 2019
    [Show full text]
  • Centre Stage the Pipeline of Bame Talent
    CENTRE STAGE THE PIPELINE OF BAME TALENT AndrewAndrew Lloyd Lloyd Webber Webber FoundationFoundation INTRODUCTION— hen I produced Bombay Dreams over a decade ago and was privileged Wto introduce the marvellous music of A R Rahman to a West End audience, one of our greatest difficulties was finding enough Asian actors. BAME diversity in the performing arts has once again been high on the agenda this year, from the runaway success of Hamilton on Broadway to the latest announcement from Arts Council England of £4.6 million to boost diversity. Very often the discussion is focussed on increasing the representation of diverse ethnicities on stage and this is crucially important. However, I’ve been acutely aware that one of the biggest issues is the lack of trained diverse talent coming through. Casting directors and theatre producers alike often complain that they’d like to cast more Black, Asian and Minority Ethnic performers but that they don’t get enough turning up to audition. Inspired by some of the success stories coming out of the Andrew Lloyd Webber Foundation’s scholarship programme – such as Emmanuel Kojo who is interviewed in these pages – the Foundation decided to commission this " I PASSIONATELY research. The aim was to come up with some positive recommendations that BELIEVE THAT can be adopted by people involved at every stage of the talent pipeline from THE STAGE NEEDS school to stage. TO REFLECT THE DIVERSITY OF THE UK I passionately believe that the stage needs to reflect the diversity of the POPULATION OR IT UK population or it risks becoming side-lined.
    [Show full text]
  • Australians Headed to the 2017 Prix De Lausanne
    Australians headed to the 2017 Prix de Lausanne dancemagazine.com.au /2017/01/australians-prix-de-lausanne/ The Prix de Lausanne is widely regarded as one of the most elite ballet competitions in the world. Taking place at the end of January/beginning of February each year, it welcomes carefully selected competitors to Théâtre de Beaulieu in Switzerland for a week of technique classes, absorbing repertoire and, eventually, competition. In addition to the exposure each dancer receives to artistic directors and choreographers from across the globe, there are many prestigious scholarships and company contracts up for grabs. Get to know six of the 10 Australian dancers selected to compete at the 2017 Prix de Lausanne below. Dance Informa asked them about their background, favourite dancewear and food, and how they’re preparing for the competition. Rose Dalton Age: 15 School: Fulltime at Tanya Pearson Classical Coaching Academy, Sydney. Previous training: The Premier Dance Academy, Brisbane. Awards and accomplishments thus far: Obtained distinctions in both RAD and Cecchetti Examinations; 2016 RAD Isobel Anderson Awards Finalist in Sydney; invited to the 2017 YAGP New York Finals. Top dance icon: “There are so many! I can’t choose one! I’d say Sylvie Guillem for her flawless lines and exceptional technique, and Natalia Osipova – she inspires me with her passion and artistry!” Favourite dancewear accessories: “I love my new Fleecys socks! They are so warm and go well over my pointe shoes.” Rose Dalton with Lucinda Dunn. Photo courtesy of What we can find her doing on her off day: “If I wasn’t Dalton.
    [Show full text]
  • Russia Uncovered: Moscow & St Petersburg
    For Expert Advice Call A unique occasion deserves a unique experience. 01722 744 695 https://www.weekendalacarte.co.uk/special-occasion-holidays/destinations/russia/russia-uncovered/ Russia Uncovered: Moscow & St Petersburg Break available: May - September 7 Night Break Highlights With private tours from start to finish you will come away from this holiday having explored two of its greatest cities; St ● Private Hermitage tour with exclusive early access avoiding Petersburg, the Venice of the North, and the Capital Moscow with the queues the dramatic Kremlin at its heart with a day in the countryside at ● Private tour of Peter Paul Fortress with the Romanov family the "Russian Vatican". Experience and contrast the aristocratic tombs beauty of St Petersburg and the confident modern city of Moscow ● Private tour of the beautiful Peterhof Palace with its with as many of the Palaces, Museums and cultural delights as fountains, returning by Hydrofoil you wish as we can tailor-make all our breaks to you. With the ● Private Tour of Catherine's & Paul's palaces with traditional Bolshoi Ballet based in Moscow and the Mariinsky in St Russian tasting menu lunch Petersburg add in a world class ballet performance and you will ● Private River and Canal Floodlight Night Tour to see St indeed come home full to the brim with cultural wonders. This Petersburg Palaces & Cathederals ● private tour allows you to beat the queues into all the historic Private Moscow city floodlight tour ● Private Kremlin tour and visit the Diamond fund sites, to have exclusive early access to the Hermitage so you ● Visit the amazing Moscow Metro with private guide can enjoy its treasures without the crowds, and the ability to ● Visit the Russian Vatican, Sergiev Posad with private guide go at your own pace.
    [Show full text]
  • Press Release
    Press release Prix de Lausanne 2012 40th international competition for young dancers from January 29 to February 4, 2012, at the Beaulieu Theater in Lausanne Lausanne, January 24, 2012: The Prix de Lausanne is celebrating its 40th anniversary. 40 years of excellence and passion in fostering the stars of tomorrow. Since 1973, the challenge launched by Philippe and Elvire Braunschweig, founders of the Prix de Lausanne, is met each winter with the same creative energy and artistic rigor. 79 candidates of 19 different nationalities were selected on the basis of the videos submitted by the 226 entrants and will be competing in Lausanne for a week. At the end of the selection round, on Friday, February 3rd, 20 candidates will have been chosen to perform in the finals on Saturday, February 4th. 8 of them will be leaving with a year-long scholarship to one of the 65 prestigious Prix de Lausanne partner schools and companies. The jury, composed of 9 personalities of the dance world, all prize winners of the Prix de Lausanne, will be presided by the Director and Choreographer of the Ballets of Monte- Carlo, Mr Jean-Christophe Maillot (prize winner 1977). In the finals, during the jury deliberations, the public will be able to admire three short performances danced by the students of the Royal Ballet School of London and the Royal Danish Ballet School of Copenhagen, both partner schools of the Prix de Lausanne. An exceptional Gala will take place on Sunday, February 5th, 2012, at 5 pm at the Beaulieu Theater with 25 artists, most of them prize winners of the Prix de Lausanne.
    [Show full text]
  • The Mariinsky Ballet & Orchestra
    Thursday, October 1, 2015, 8pm Friday, October 2, 2015, 8pm Saturday, October 3, 2015, 2pm & 8pm Sunday, October 4, 2015, 3pm Zellerbach Hall The Mariinsky Ballet & Orchestra Gavriel Heine, Conductor The Company Diana Vishneva, Nadezhda Batoeva, Anastasia Matvienko, Sofia Gumerova, Ekaterina Chebykina, Kristina Shapran, Elena Bazhenova Vladimir Shklyarov, Konstantin Zverev, Yury Smekalov, Filipp Stepin, Islom Baimuradov, Andrey Yakovlev, Soslan Kulaev, Dmitry Pukhachov Alexandra Somova, Ekaterina Ivannikova, Tamara Gimadieva, Sofia Ivanova-Soblikova, Irina Prokofieva, Anastasia Zaklinskaya, Yuliana Chereshkevich, Lubov Kozharskaya, Yulia Kobzar, Viktoria Brileva, Alisa Krasovskaya, Marina Teterina, Darina Zarubskaya, Olga Gromova, Margarita Frolova, Anna Tolmacheva, Anastasiya Sogrina, Yana Yaschenko, Maria Lebedeva, Alisa Petrenko, Elizaveta Antonova, Alisa Boyarko, Daria Ustyuzhanina, Alexandra Dementieva, Olga Belik, Anastasia Petushkova, Anastasia Mikheikina, Olga Minina, Ksenia Tagunova, Yana Tikhonova, Elena Androsova, Svetlana Ivanova, Ksenia Dubrovina, Ksenia Ostreikovskaya, Diana Smirnova, Renata Shakirova, Alisa Rusina, Ekaterina Krasyuk, Svetlana Russkikh, Irina Tolchilschikova Alexey Popov, Maxim Petrov, Roman Belyakov, Vasily Tkachenko, Andrey Soloviev, Konstantin Ivkin, Alexander Beloborodov, Viktor Litvinenko, Andrey Arseniev, Alexey Atamanov, Nail Enikeev, Vitaly Amelishko, Nikita Lyaschenko, Daniil Lopatin, Yaroslav Baibordin, Evgeny Konovalov, Dmitry Sharapov, Vadim Belyaev, Oleg Demchenko, Alexey Kuzmin, Anatoly Marchenko,
    [Show full text]